Scripture Reading Part V) the Greek and Roman Gods Part One the Olympians Zeus: (Roman: Jupiter) Castor and Pollux: Sons of Zeus
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Saevae Memorem Iunonis Ob Iram Juno, Veii, and Augustus
Acta Ant. Hung. 55, 2015, 167–178 DOI: 10.1556/068.2015.55.1–4.12 PATRICIA A. JOHNSTON SAEVAE MEMOREM IUNONIS OB IRAM JUNO, VEII, AND AUGUSTUS Arma virumque cano, Troiae qui primus ab oris Italiam, fato profugus, Laviniaque venit litora, multum ille et terris iactatus et alto vi superum saevae memorem Iunonis ob iram. Aen. I 1–4 Summary: A driving force in Vergil’s Aeneid is the hostility of Juno to the Trojans as they approach, and finally arrive in Italy. The epic in some ways mirrors the opposition encountered by Augustus as the new ruler of Rome. Juno’s opposition to the Trojans has its origin not only in Greek mythology, but in the his- tory of the local peoples of Italy with whom early Romans had to contend. From the outset of the poem she becomes the personification of these opposing forces. Once the Trojans finally reach mainland Italy, she sets in motion a long war, although the one depicted in the Aeneid was not as long as the real wars Ro- mans waged with the Latin League and with the many of the tribes of Italy, including the Veii. The reality of the wars Rome had to contend with are here compared to the relatively brief one depicted in the Aeneid, and the pacification of Juno reflects the merging of the different peoples of Rome with their subjugator. Key words: Juno, saeva, MARS acrostic, Etruscan Uni, evocatio, Veii, Fidenae, Aventinus, Gabii, Prae- neste, Tibur, Tanit, Saturnia, Apollo, Cumae and Hera, asylum, Athena, Aeneas, Anchises’ prophecy An important part of Augustan Myth is found in Vergil’s depiction of Juno, who is named in the opening lines of the epic and is a persistent presence throughout the poem. -
A Collection of Curricula for the STARLAB Greek Mythology Cylinder
A Collection of Curricula for the STARLAB Greek Mythology Cylinder Including: A Look at the Greek Mythology Cylinder Three Activities: Constellation Creations, Create a Myth, I'm Getting Dizzy by Gary D. Kratzer ©2008 by Science First/STARLAB, 95 Botsford Place, Buffalo, NY 14216. www.starlab.com. All rights reserved. Curriculum Guide Contents A Look at the Greek Mythology Cylinder ...................3 Leo, the Lion .....................................................9 Introduction ......................................................3 Lepus, the Hare .................................................9 Andromeda ......................................................3 Libra, the Scales ................................................9 Aquarius ..........................................................3 Lyra, the Lyre ...................................................10 Aquila, the Eagle ..............................................3 Ophuichus, Serpent Holder ..............................10 Aries, the Ram ..................................................3 Orion, the Hunter ............................................10 Auriga .............................................................4 Pegasus, the Winged Horse..............................11 Bootes ..............................................................4 Perseus, the Champion .....................................11 Cancer, the Crab ..............................................4 Phoenix ..........................................................11 Canis Major, the Big Dog -
Greek Mythology #23: DIONYSUS by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the August 2017 WRBA Territorial News. Enjoy! WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Please join WRBA! Go to www.WRBA.us Greek Mythology #23: DIONYSUS by Joy Journeay God of: Grape Harvest, Winemaking, Wine, Ritual Madness, Religious Ecstasy, Fertility and Theatre Home: MOUNT OLYMPUS Symbols: Thyrus, grapevine, leopard skin Parents: Zeus and Semele Consorts: Adriane Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Roman Counterpart: Bacchus, Liber Dionysus’ mother was mortal Semele, daughter of a king of Thebes, and his father was Zeus, king of the gods. Dionysus was the only Olympian god to have a mortal parent. He was the god of fertility, wine and the arts. His nature reflected the duality of wine: he gave joy and divine ecstasy, or brutal and blinding rage. He and his followers could not be contained by bonds. One would imagine that being the god of “good times” could be a pretty easy and happy existence. Unfortunately, this just doesn’t happen in the world of Greek mythology. Dionysus is called “twice born.” His mother, Semele, was seduced by a Greek god, but Semele did not know which god was her lover. Fully aware of her husband’s infidelity, the jealous Hera went to Semele in disguise and convinced her to see her god lover in his true form. -
8Th Grade ELA Greek Mythology Review 1
Greek Mythology Review 1 It has been quite awhile since we’ve done Greek Mythology in class, so before we can continue with some new myths, we need to do some review. Below are some of the Greek Gods and Goddesses we’ve learned about so far. This will be done as matching. You CAN use the internet to help you with this. If you know who they are without the internet, then just fill the answers in. The purpose of this activity is just to refresh your memories on who the different gods and goddesses are before we learn any new ones. Directions:For each god/goddess, put the letter next to the word “answer” that matches the god/goddesses description/definition. Gods/Goddesses/Beings Answer Chaos Hades Tartarus Rhea Uranus Poseidon Hera Kronos Gaea Eros Titans Zeus Ourea Definitions/Descriptions a. The underworld-creation of chaos b. Earth and the universal mother-creation of chaos c. God of the Underworld. Son to Kronos and Rhea d. Children of Uranus and Gaea, sent to the Underworld by Uranus e. One of the titans-Child of Gaea and Uranus-wife to Kronos f. Goddess of love and marriage. Daughter to Kronos and Rhea. Wife to Zeus g. God of thunder. Son to Kronos and Rhea. h. God of the sea. Son to Kronos and Rhea i. The first thing to exist j. Earth and the universal mother-creation of Chaos k. God of the sky-child of Gaea l. The mountains-child of Gaea m. The ruling Titan-child of Gaea and Uranus . -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Calendar of Roman Events
Introduction Steve Worboys and I began this calendar in 1980 or 1981 when we discovered that the exact dates of many events survive from Roman antiquity, the most famous being the ides of March murder of Caesar. Flipping through a few books on Roman history revealed a handful of dates, and we believed that to fill every day of the year would certainly be impossible. From 1981 until 1989 I kept the calendar, adding dates as I ran across them. In 1989 I typed the list into the computer and we began again to plunder books and journals for dates, this time recording sources. Since then I have worked and reworked the Calendar, revising old entries and adding many, many more. The Roman Calendar The calendar was reformed twice, once by Caesar in 46 BC and later by Augustus in 8 BC. Each of these reforms is described in A. K. Michels’ book The Calendar of the Roman Republic. In an ordinary pre-Julian year, the number of days in each month was as follows: 29 January 31 May 29 September 28 February 29 June 31 October 31 March 31 Quintilis (July) 29 November 29 April 29 Sextilis (August) 29 December. The Romans did not number the days of the months consecutively. They reckoned backwards from three fixed points: The kalends, the nones, and the ides. The kalends is the first day of the month. For months with 31 days the nones fall on the 7th and the ides the 15th. For other months the nones fall on the 5th and the ides on the 13th. -
A New Image of Elizabeth I: the Three Goddesses Theme in Art and Literature
A New Image of Elizabeth I: The Three Goddesses Theme in Art and Literature Helen Hackett abstract The National Portrait Gallery, London, recently acquired a previ- ously unknown portrait of Elizabeth I. This exquisite miniature of ca. 1590 shows the queen with Juno, Pallas, and Venus. Adapting the myth of the Judgment of Paris, it asserts that Elizabeth exceeds the three goddesses in majesty, wisdom, and beauty, and unites their qualities to create peace. In this essay, Helen Hackett elucidates this important new image through comparisons with analogues from literature and from Elizabethan portraiture. The enduring popularity of the Three Goddesses theme throughout Elizabeth’s reign is attributable to its adaptability to changing political circumstances. keywords: Queen Elizabeth I; Isaac Oliver; George Peele; Elizabethan royal portraiture; Elizabethan royal panegyric in may 2013 the National Portrait Gallery, London, announced that it had acquired a newly discovered portrait of Elizabeth I; the picture was subsequently dis- played in the exhibition Elizabeth I and Her People.1 This miniature, 115 by 157 mm, about the size of a modern postcard, was previously in private hands and unknown to art historians. It shows the queen encountering three goddesses—from left to right, Juno, Minerva (also known by her Greek name, Pallas), and Venus—in a reworking of the Judgment of Paris (fig. 1). Paris had to award a golden apple to the fairest of the god- desses; swayed by Venus’s offer of the most beautiful woman in the world, Helen of Troy, he chose Venus, sowing discord among the gods and initiating the Trojan war. -
Proclus and Artemis: on the Relevance of Neoplatonism to the Modern Study of Ancient Religion
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 13 | 2000 Varia Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion Spyridon Rangos Electronic version URL: http://journals.openedition.org/kernos/1293 DOI: 10.4000/kernos.1293 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 2000 ISSN: 0776-3824 Electronic reference Spyridon Rangos, « Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Ancient Religion », Kernos [Online], 13 | 2000, Online since 21 April 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/1293 ; DOI : 10.4000/kernos.1293 Kernos Kernos, 13 (2000), p. 47-84. Proclus and Artemis: On the Relevance of Neoplatonism to the Modern Study of Andent Religion* Imagine the situation in which contemporary philosophers would find themselves if Wittgenstein introduced, in his Philosophical Investigations, the religious figure of Jesus as Logos and Son of God in order to illuminate the puzzlement ofthe private-language paradox, or if in the second division of Being and Time Heidegger mentioned the archangel Michael to support the argument of 'being toward death'. Similar is the perplexity that a modern reader is bound to encounter when, after a highly sophisticated analysis of demanding metaphysical questions about the relationship of the one and the many, finitude and infinity, mind and body, Proclus, l in ail seriousness and without the slightest touch of irony, assigns to some traditional gods of Greek polytheism a definitive place in the structure of being. -
Greek Mythology #4: HERA by Joy Journeay
Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the May 2016 WRBA Territorial News. Enjoy! Please join WRBA! Go to www.WRBA.us WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Greek Mythology #4: HERA by Joy Journeay Goddess of: Marriage, women, birth and family Home: MOUNT OLYMPUS Symbols: Pomegranate, diadem, lily, lotus cuckoo, panther, scepter, throne, lion, cow, peacock Parents: Cronus and Rhea Consort: Zeus Siblings: Hestia, Hades, Zeus, Poseidon, Demeter Children: Ares, Hebe, Enyo, Eris, Eileithyia and Hephaestus Roman Counterpart: Juno Hera and Zeus play a very major role in many of the myths. In this article we will introduce Hera. For the myths concerning her interactions with Dionysius, Apollo, Aphrodite, and Heracles, see those articles. For instance, during each of Heracles Twelve Labors, Hera tried to make him fail. Watch for those articles in this series as they come to you. Hera was a sister to Zeus and was probably best known for her jealous and vengeful nature, aimed against Zeus’s lovers and their children. She was raised by the Titans Oceanus and Tethys. Hera was a beautiful and smart goddess, and Zeus attempted unsuccessfully many times to court The Campana Hera. Louvre. Roman her. Zeus turned to his defining behavior and resorted to trickery and copy of a Hellenistic original. force. He took the form of a wounded cuckoo bird. When Hera picked it up and held it close, he resumed his form and raped her. -
Greek Gods & Goddesses
Greek Gods & Goddesses The Greek Gods and GodessesMyths https://greekgodsandgoddesses.net/olympians/ The Twelve Olympians In the ancient Greek world, the Twelve great gods and goddesses of the Greeks were referred to as the Olympian Gods, or the Twelve Olympians. The name of this powerful group of gods comes from Mount Olympus, where the council of 12 met to discuss matters. All 12 Olympians had a home on Mount Olympus and that was where they were most commonly found. HADES, the god of the Underworld, preferred to live there, and POSEIDON often chose to stay in his palace under the sea. Most of the other Olympians would be on Mount Olympus year round unless they were travelling. HESTIA used to be one of the Olympians, but the constant fighting and bickering between the gods annoyed her and she eventually gave up her seat to the god of wine, DIONYSUS. Even though she left the council, Hestia still kept a home on Mount Olympus. APHRODITE was on the council but, in most Greek mythological stories, her husband HEPHAESTUS was not. At the famous Parthenon temple in Greece, there is a statue of each of the 12 Olympian gods. Hades does not have a statue, but Hephaestus does. The question of who the 12 Olympians are really depends on who is telling the story. Nobody is truly sure if Hades of Hephaestus can be classed as the Twelfth Olympian. So, because of the way Greek myths were told and retold in different ways, there are actually 14 gods and goddesses who can be considered as an Olympian god. -
The Forum Romanum: a Kaleidoscopic Analysis
Discentes Volume 4 Issue 1 Volume 4, Issue 1 Article 8 2016 The Forum Romanum: A Kaleidoscopic Analysis Follow this and additional works at: https://repository.upenn.edu/discentesjournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classics Commons, and the History Commons Recommended Citation . 2016. "The Forum Romanum: A Kaleidoscopic Analysis." Discentes 4, (1):34-47. https://repository.upenn.edu/discentesjournal/vol4/iss1/8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/discentesjournal/vol4/iss1/8 For more information, please contact [email protected]. The Forum Romanum: A Kaleidoscopic Analysis This article is available in Discentes: https://repository.upenn.edu/discentesjournal/vol4/iss1/8 The Forum Romanum: A Kaleidoscopic Analysis By Allyson Zucker The Roman Forum is a place full of contradictions and unity. On a comprehensive time scale, the forum grows from a semi-random connection of buildings to the monumental center of the most powerful nation in the Mediterranean. On the other hand, from day to day, the Roman forum changed according to the Roman calendar, transforming from the holy grounds of a religious festival to bustling markets, and from a political battleground to a judicial arena. Ancient Romans experienced the forum through a kaleidoscopic lens, cheering on gladiators in front of the very rostra where Cicero delivered epic political speeches, purchasing a goat at the market before sacrificing at the Temple of Jupiter, and visiting the brothel beside the Temple of the Vestal Virgins. Martial aurally narrates a scene of the noises that resounded through the forum and compellingly portrays its chaos with 1. -
Eris Goddess of Discord © Emmanuella Kozas
The Order of the White Moon Goddess Gallery Presents A Level III Final Project by Priestess Ajna DreamsAwake for The Sacred Three Goddess School (© 2013. All original material in this Project is under copyright protection and is the intellectual property of the author.) Eris Goddess of Discord © Emmanuella Kozas Image used with permission from the artist Eris is the Greek Goddess of Chaos and Discord, and, in the confusion that surrounds Her origins, She certainly live up to the name. She is referred to either a minor spirit, or eldest daughter of Nyx (Night) and Zeus, or daughter of Zeus and Hera and twin to Ares. She is depicted as a beautiful young woman, a skeletal crone or winged daemon. Hesiod describes two Goddesses who go by the name Eris, the Erites. The first is a benign Goddess who promotes healthy competition, and can be a catalyst for bettering oneself. This "Good Eris" provides the incentive for individuals to create the change they want to see in themselves. It is Eris who gives us the proverbial "kick in the butt" we all require, at times, when we become lethargic, complacent or prone to procrastination. The second Eris is the one we are most familiar with. As the daughter of Hera and Zeus, and companion to Ares, She fosters evil, war and cruelty. Her epithets include Infernal Monster, Lady of Sorrows and Nurse of War. The poet Virgil writes that Eris lives in a cavern, surrounded by mountains, at the entrance to Hades. Eris begins as a small and insignificant Spirit who thrives on Chaos, striding through battlefields growing stronger and larger as She feeds on the slaughter.