Creatures of Barsaive
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Did Glooskap Kill the Dragon on the Kennebec? Roslyn
DID GLOOSKAP KILL THE DRAGON ON THE KENNEBEC? ROSLYN STRONG Figure 1. Rubbing of the "dragon" petroglyph Figure 2. Rock in the Kennebec River, Embden, Maine The following is a revised version of a slide presentation I gave at a NEARA meeting a number of years ago. I have accumulated so many fascinating pieces of reference that the whole subject should really be in two parts, so I will focus here on the dragon legends and in a future article will dwell more on the mythology of the other petroglyphs, such as thunderbirds. This whole subject began for me at least eight years ago when George Carter wrote in his column "Before Columbus" in the Ellsworth American that only Celtic dragons had arrows on their tails. The dragon petroglyph [Fig. 1] is on a large rock [Fig. 2] projecting into the Kennebec river in the town of Embden, which is close to Solon, in central Maine. It is just downstream from the rapids, and before the water level was raised by dams, would have been a logical place to put in after a portage. The "dragon" is one of over a hundred petroglyphs which includes many diverse subjects - there are quite a few canoes, animals of various kinds, human and ‘thunderbird’ figures. They were obviously done over a long period of time since there are many layers and the early ones are fainter. They are all pecked or ‘dinted’ which is the term used by archaeologists. The styles and technique seem to be related to the petroglyphs at Peterborough, Ontario, which in turn appear to be similar to those in Bohuslan, Sweden. -
The Integration of Mythical Creatures in the Harry Potter Series
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 orange eyes. (Stone 235) Harry's first year introduces the The Integration of Mythical traditional serpentine dragon, something that readers Creatures in the Harry Potter can envision with confidence and clarity. The fourth year, however, provides a vivid insight on the break Series from tradition as Harry watches while “four fully grown, Terri Pinyerd enormous, vicious-looking dragons were rearing onto English 200D their hind legs inside an enclosure fenced with thick Fall 2014 planks of wood, roaring and snorting—torrents of fire were shooting into the dark sky from their open, fanged From the naturalistic expeditions of Pliny the mouths, fifty feet above the ground on their outstretched Elder, to the hobbit's journey across Middle Earth, necks” (Goblet 326). This is a change from the treasure the literary world has been immersed in the alluring hoarding, princess stealing, riddle loving dragons of presence of mythical and fabulous creatures. Ranging fantasy and fairy tales; these are beasts that can merely from the familiar winged dragon to the more unusual be restrained, not tamed. It is with this that Rowling and obscure barometz, the mythical creature brings with sets the feel for her series. The reader is told that not it a sense of imagined history that allows the reader to everything is as it seems, or is expected to be. Danger is become immersed in its world; J.K Rowling's best-selling real, even for wizards. Harry Potter series is one of these worlds. This paper will If the dragon is the embodiment of evil and analyze the presence of classic mythical creatures in the greed, the unicorn is its counterpart as the symbol of Harry Potter series, along with the addition of original innocence and purity. -
Famous Warsaw Legends
Famous Warsaw Legends Photo Main figure Description The Warsaw Mermaid Statue Presented as half fish and half woman. Images of a mermaid have been used on the crest of Warsaw as its symbol. From the middle of 14th century. Legend tells that once upon a time two mermaid sisters swam to the shores of the Baltic Sea from their home in the depths. They were truly beautiful, even though they had fish tails instead of legs. One of them decided to swim further towards the Danish straits. Now she can be seen sitting on a rock an the entry to the port of Copenhagen. The second swam to the seaside town, Gdańsk. And then, up the Vistula River (…)then she came out of the Water (…) to rest. She liked it so much that she decided to stay. The fishermen who used to live in this area noticed that when they were fishing, someone was agitating the waters of the Vistula River , tangling their nets and freeing fish from their traps. They decided to catch the culprit and get even with him once and for all. But when they heard the enchanting song of the mermaid, they gave up Polish Mermaid their plans and came to love the beautiful woman-fish. From that time, every evening, she entertained them with her wonderful singing. But one day, a rich merchant strolling on the banks of the Vistula River caught sight of the little mermaid. He decided to catch her and keep her as a prisoner, and then make money by showing her at fairs. -
The Senses in Early Modern England, 1558–1660
The senses in early modern England, 1558–1660 Edited by Simon Smith, Jacqueline Watson, and Amy Kenny MANCHESTER 1824 Manchester University Press Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 www.manchesteruniversitypress.co.ukDownloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access The senses in early modern England, 1558–1660 Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 1 02/04/2015 16:18 Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 2 02/04/2015 16:18 The senses in early modern England, 1558–1660 edited by simon smith, jackie watson and amy kenny Manchester University Press Simon Smith, Jackie Watson, and Amy Kenny - 9781526146465 Downloaded from manchesterhive.com at 09/27/2021 05:33:41PM via free access MUP_Smith_Printer.indd 3 02/04/2015 16:18 Copyright © Manchester University Press 2015 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. Published by Manchester University Press Altrincham Street, Manchester M1 7JA www.manchesteruniversitypress.co.uk British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data applied for isbn 978 07190 9158 2 hardback First published 2015 The publisher has no responsibility for the persistence or accuracy of URLs for external or any third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. -
The Mediaeval Bestiary and Its Textual Tradition
THE MEDIAEVAL BESTIARY AND ITS TEXTUAL TRADITION Volume 1: Text Patricia Stewart A Thesis Submitted for the Degree of PhD at the University of St Andrews 2012 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3628 This item is protected by original copyright The Mediaeval Bestiary and its Textual Tradition Patricia Stewart This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 17th August, 2012 1. Candidate’s declarations: I, Patricia Stewart, hereby certify that this thesis, which is approximately 88 000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2007 and as a candidate for the degree of PhD in May, 2008; the higher study for which this is a record was carried out in the University of St Andrews between 2007 and 2012. Date 17th August, 2012 signature of candidate ……… 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date 17th August, 2012 signature of supervisor ……… 3. Permission for electronic publication: (to be signed by both candidate and supervisor) In submitting this thesis to the University of St Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
Dragon Magazine #248
DRAGONS Features The Missing Dragons Richard Lloyd A classic article returns with three new dragons for the AD&D® game. Departments 26 56 Wyrms of the North Ed Greenwood The evil woman Morna Auguth is now The Moor Building a Better Dragon Dragon. Paul Fraser Teaching an old dragon new tricks 74Arcane Lore is as easy as perusing this menu. Robert S. Mullin For priestly 34 dragons ... Dragon Dweomers III. Dragon’s Bestiary 80 Gregory W. Detwiler These Crystal Confusion creatures are the distant Dragon-Kin. Holly Ingraham Everythingand we mean everything 88 Dungeon Mastery youll ever need to know about gems. Rob Daviau If youre stumped for an adventure idea, find one In the News. 40 92Contest Winners Thomas S. Roberts The winners are revealed in Ecology of a Spell The Dragon of Vstaive Peak Design Contest. Ed Stark Columns Theres no exagerration when Vore Lekiniskiy THE WYRMS TURN .............. 4 is called a mountain of a dragon. D-MAIL ....................... 6 50 FORUM ........................ 10 SAGE ADVICE ................... 18 OUT OF CHARACTER ............. 24 Fiction BOOKWYRMs ................... 70 The Quest for Steel CONVENTION CALENDAR .......... 98 Ben Bova DRAGONMIRTH ............... 100 Orion must help a young king find both ROLEPLAYING REVIEWS .......... 104 a weapon and his own courage. KNIGHTS OF THE DINNER TABLE ... 114 TSR PREVIEWS ................. 116 62 PROFILES ..................... 120 Staff Publisher Wendy Noritake Executive Editor Pierce Watters Production Manager John Dunn Editor Dave Gross Art Director Larry Smith Associate Editor Chris Perkins Editorial Assistant Jesse Decker Advertising Sales Manager Bob Henning Advertising Traffic Manager Judy Smitha On the Cover Fred Fields blends fantasy with science fiction in this month's anniversary cover. -
Dragons and Serpents in JK Rowling's <I>Harry Potter</I> Series
Volume 27 Number 1 Article 6 10-15-2008 Dragons and Serpents in J.K. Rowling's Harry Potter Series: Are They Evil? Lauren Berman University of Haifa, Israel Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Berman, Lauren (2008) "Dragons and Serpents in J.K. Rowling's Harry Potter Series: Are They Evil?," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 27 : No. 1 , Article 6. Available at: https://dc.swosu.edu/mythlore/vol27/iss1/6 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Investigates the role and symbolism of dragons and serpents in J.K. Rowling’s Harry Potter series, with side excursions into Lewis and Tolkien for their takes on the topic. Concludes that dragons are morally neutral in her world, while serpents generally represent or are allied with evil. -
National Geographic's Presentation Of: The
NATIONAL GEOGRAPHIC’S PRESENTATION OF: THE SECRETS OF FREEMASONRY Research From The Library of: Dr. Robin Loxley, D.D. Copyright 2006 INTRODUCTION It is obvious that NATIONAL GEOGRAPHIC got a hold of information from other resources and decided to do a cable presentation on May 22, 2006, which narrates most of my website threads in short two hour special. It was humorous to see Masons being interviewed and trying to fool the public with flattering speech. I watched the National Geographic special entitled: THE SECRETS OF FREEMASONRY and I was humored to see some of what I’ve studied as coming out of the closet. My first response was: Where was National Geographic during the 1980s with this information? Anyways, it’s nice to know that they had an excellent presentation and I was impressed with how they went about explaining the layout of Washington D.C. I was laughing hysterically when a Mason was interviewed for his opinion about the PENTGRAM being laid out in a street design but incomplete. The Mason made a statement: “There is a line missing from the Pentagram so it’s not really a Pentagram. If it was a Pentagram, then why is there a line missing?” He downplays the street layout of the Pentagram with its bottom point touching the White House. The Mason was obviously IGNORANT of one detail that I caught right away as to why there was ONE LINE MISSING from the pentagram in the street layout. If you didn’t catch it, the right side of the pentagram star (Bottom right line) is missing from the street layout, thus it would prove that the pentagram wasn’t completed. -
Create Your Family Crest! You Can Put What Makes Your Family Special Or
Create your family Cut the crest out and crest! You can put paste it on your shield what makes your (pizza round). Color family special or and decorate your things you like! crest/shield! Cut out or draw shapes that represent your family! CREATING A COAT OF ARMS Mythological Creatures Occasionally mythological creatures did appear on a coat of arms and the crests. These held particular significance in heraldry. • Centaur – Eminence in the field of battle • Cockatrice – Terror to all beholders • Dragon/wyvern (dragon with only two legs) – Valiant defender of treasure; valour and protection • Griffin (head, wings, and talons of an eagle with the body of a lion) – Valor and death-defying bravery; vigilance • Harpy (virgin’s face, neck and breast with the body of a lion) – Ferocity under provocation • Hydra (dragon with seven heads) – Conquest of a very powerful enemy • Mermaid – Eloquence • Pegasus – Poetic genius and inspiration; messenger of God • Phoenix – Symbol of resurrection • Sphinx – Omniscience and secrecy • Unicorn – Extreme courage; virtue and strength SYMBOLS Agricultural tools – Laboring in the earth and depending upon providence Anchor – Hope; religious steadfastness Anvil – Honor Arrow – Readiness for battle; if depicted with a cross this represents an affliction Axe (or Battle Axe) – Execution of military duty Banners – Special action in which bearer was captured, or a reward for valiant service Bar, Barry or Barrulet – Someone who sets the bar of conscience, religion and honor against angry passions and evil temptations Baton – Authority Bells – Power to disperse evil spirits. A hawk’s bells denotes one who was not afraid of signalling his approach in peace or war Bones – Mortality Book – Open – manifestation; closed – counsel Bow – Readiness for battle Bridge – Governor or magistrate Broom – Humilty Buckle – Victorious fidelity in authority Cannon and Cannon Balls – Someone who has dared the terror of such a weapon in battle Chains – Reward for acceptable and weighty service. -
Download Educator's Guide
EDUCAtor’s GuidE www.dragonsthefilm.com Chinese Green Dragon Dragon mythology exists across many cultures, continents and centuries. Follow the tale of a dreamer and a scholar as they trace tales of dragons through ancient Babylon, Greece, Asia and Medieval Europe. Explore how these creatures of legend have influenced our culture, art, literature, and even our dreams. 2 About the Guide From Scandinavia to Central America, Asia and the Arctic, dragon-related myths have been a part of human imaginations for thousands of years. In fact, dragons are in the art, architecture, literature and science of virtually every culture. Centuries-old legends surrounding dragons, not only offer up tales of heroics, ter- ror, majesty and national pride, they also tie directly to language arts, technology, science and social studies Core Standards. Besides complementing the viewing experience ofDragons: Real Myths and Unreal Creatures, this Educator’s Guide offers questionnaires and hands-on activities that allow students of all ages to connect with knowledge in a deeper way. An interactive grid depicting the correlations to the Common Core State Standards is provided at the end of the guide, along with ideas for further review materials, and details about how Dragons 3D came about. The film is deemed most appropriate for students in grades 3-12. Materials and suggestions for building background knowledge about dragons can be found in this guide for K-2 teachers who wish to share the movie experience with their students. TABLE OF CONTENTS Dragons, Dragons -
Draconic Hybrids and Other Reptilian Monstrosities
Draconic Hybrids and Other Reptilian Monstrosities Andrew Frey Being a conversion of some creatures from the 2e accessory Cult of the Dragon along with some half-dragons and assorted conversions. Contents Introduction 3 Half-Dragons 4 Half-DragonChimera ................................. ........ 4 Half-DragonManticore. .......... 7 Half-DragonWyvern.................................. ........ 9 OtherHalf-Dragons .................................. ........ 11 Draconic Hybrids 12 Dracimera.......................................... ...... 12 Mantidrake ......................................... ...... 15 WyvernDrake ........................................ ..... 18 Dracohydra ......................................... ...... 21 OtherDraconicHybrids .. .. .. .. .. .. .. .. .. .. .. .. .. ......... 24 Other Reptilian Monstrosities 25 Ur-Histachii....................................... ........ 25 SomeOtherReptilianMonsters. ........... 29 Open Game License 30 2 Introduction Why Convert? You might wonder why I would go through the trouble of converting draconic hybrids that, at first glance, might not seem much different than half-dragons obtained through application of the template. The answer is that the old monsters just give different results, which feed directly into different flavor. (One thing you’ll notice is that the different dragon varieties have a greater impact on the hybrids than the half-dragons.) It’s also nice to see some “classics” brought back to life. Mostly, though, it’s just a labor of love. As an aside, you’ll see “designer’s -
Heraldry in Ireland
Heraldry in Ireland Celebrating 75 years of the Office of the Chief Herald at the NLI Sir John Ainsworth Shield Vert, a chevron between three battle-axes argent Crest A falcon rising proper, beaked, legged and belled gules Motto Surgo et resurgam Did you know? Sir John Ainsworth was the NLI's Surveyor of Records in Private Keeping in the 1940s and 1950s. Roderick More OFerrall Shield Quarterly: 1st, Vert, a lion rampant or (for O Ferrall); 2nd, Vert a lion rampant in chief three estoiles or (for O More); 3rd, Argent, upon a mount vert two lions rampant combatant gules supporting the trunk of an oak tree entwined with a serpent descending proper, (for O Reilly); 4th, Azure, a bend cotised or between six escallops argent (for Cruise) Crest On a ducal coronet or a greyhound springing sable; A dexter hand lying fess-ways proper cuffed or holding a sword in pale hilted of the second pierced through three gory heads of the first Motto Cú re bu; Spes mea Deus Did you know? This four designs on the shield represent four families. Heiress Leticia More of Balyna, county Kildare married Richard Ferrall in 1751. Their grandson Charles Edward More O'Ferrall married Susan O'Reilly in 1849. Susan was the daughter of Dominic O'Reilly of Kildangan Castle, county Kildare who had married heiress Susanna Cruise in 1818. Dublin Stock Exchange Shield Quarterly: 1st, Sable, a tower or; 2nd, Vert, three swords points upwards two and one proper pommelled and hilted or; 3rd, Vert, three anchors erect two and one argent; 4th, Chequy, sable and argent, on a chief argent an escroll proper, inscribed thereon the words Geo.