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A British History of 'German Silver': Part II: 1829­1924

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A British History of 'German Silver': Part II: 1829­1924 A British history of ©German silver©: part II: 1829-1924 Article (Published Version) Grant, Alistair (2017) A British history of 'German silver': part II: 1829-1924. Journal of the Antique Metalware Society, 24. pp. 48-79. ISSN 1359-124 X This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/70320/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk 48 Journal of the Antique Metalware Society, Vol. 24, 2016 A British History of ‘German Silver’: Part II: 1829-1924 Alistair Grant Fig. 1 left: Nickel silver coin. From the “Regular-Issue Alloy Coins Series” of The Elements Coin Collection designed and manufactured by David Hamric for Metallium, Inc., Watertown, Boston, MA: http:// www.elementsales.com/index.html Fig. 2 opposite: Tablespoon, electroplated nickel silver, made by Needham, Veall and Tyzack, Sheffield, England, ca.1890, L: 20.6 cm, Victoria and Albert Museum, Museum no. M.15-1999. The worn plating on the bowl of the spoon reveals the nickel silver substrate. Prologue: Part I, 1754-1824 This essay, published over two journals, chronicles for the alloy under the tradename Argentan. Within a the history of the commercial manufacture in Britain of year, Gebrüder Henniger had begun manufacturing and ‘German silver’ (more commonly known today as ‘nickel marketing a similar alloy in Berlin under the tradename silver’). Part 1 – The Discovery of Nickel and Neusilber. By 1829, Geitner had founded a large rolling Development of Nickel Alloys, 1754-1823 was mill to mass-manufacture sheets of nickel silver at published in Volume 23, 2015, and traced the origins of Auerhammer in Saxony. Geitner’s great achievement the scientific and industrial development of the metal was to industrialize the smelting and refining processes alloy in Sweden, Britain, and Germany, from Axel used to extract pure nickel as a by-product from Fredrik Cronstedt’s discovery of nickel circa 1751-54 ‘speiss,’ the artificial metallic arsenide, or antimonide, and Torbern Olaf Bergman’s subsequent confirmation that was a waste product from the cobalt blue sintering of the discovery by refining pure nickel in 1775; Gustav operations of the Blaufarbenwerke (‘blue colour works’) von Engeström’s blow-pipe analysis of the Chinese at Schneeberg. Geitner then alloyed nickel with copper cupronickel alloy known as paktong in 1776, and the and zinc to produce rolled stock in the form of thin long historical interlude before Dr. Andrew Fyfe’s metal sheets from which metalworking manufacturers ‘Analysis of Tutenag, or the White Copper of China,’ could cut, stamp, draw, extrude and machine flatware, which was published in the popular Edinburgh cutlery, utensils, or the component parts of hollowware. Philosophical Journal in 1822. Geitner’s nickel processing revolutionized the Despite its scientific shortcomings compared to von manufacture of domestic and ornamental plated ware. Engeström’s earlier study, Fyfe’s ‘Analysis’ prompted In that same year, the alloy began to be manufactured Prussia’s Verein zur Förderung des Gewerbefleißes in Britain for the first time, where it eventually became (Association for the Promotion of Trade Diligence) to known as German silver. offer a prize in 1823 to the first commercial manufacturer of the alloy in Prussia. Introduction: Part II, 1829-1924. By 1824, Dr. Ernst August Geitner had begun to Part II, published in this journal, chronicles the industrially produce the alloy that is now almost development of the German silver industry in Britain in universally known as ‘nickel silver,’ which is roughly the period 1829-1924, and analyses the alloy’s 65% copper, 18% nickel and 17% zinc. It is the quantity commercial application to industrial art and design from and qualities of the lustrous, silvery-white nickel, which the late Regency era through the long Victorian and is ductile but also hard enough to take a high polish that Edwardian period until the First World War. The essay makes the alloy look like silver (Figs. 1-2). chronicles the establishment by Percival Norton Geitner founded his business near the nickel-rich Johnson of Britain’s first nickel refinery on Bow cobalt mines at Schneeburg in the Erzgebirge (Ore Common and German silver manufactory at Hatton Mountains) of Saxony, so he could not claim the Gardens in London in 1829. It then analyses Johnson’s Prussian prize, but he quickly established a new market supplier-manufacturer relationship with the successful Journal of the Antique Metalware Society, Vol. 24, 2016 49 family firm of close-platers William Hutton and Son. the foundation metal. This was in a large measure due Working together, Johnson in London, William Hutton to the expense of importing the manufactured alloy or in Birmingham and his son William Carr Hutton in nickel ore and concentrates from foreign sources, like Sheffield, the three men established a crucial nexus in Britain and Saxony, which was exacerbated by the the German silver trade that linked the three important Imperial Bonapartist regime of Napoleon III’s poor metalworking communities of Britain. The essay then diplomatic relationship with Germany especially during examines the commercial growth of the German silver the 1860s when King Wilhelm I and Otto von Bismarck industry in Birmingham, which was begun by [Henry united Germany under Prussian leadership. and Theophilus] H. & T. Merry and then greatly The discovery of nickel- rich ores in the French developed by Charles Askin, Brooke Evans, and Henry penal colony of New Caledonia (Nouvelle-Calédonie) in Wiggin. The huge success of Evans and Askin, and 1863-4 by Jules Garnier provided a major new source then Wiggin who continued their business, supplied a of nickel. However, France’s defeat in the Franco- steadily growing demand for German silver in close- Prussian War and the conditions imposed by the Treaty plate, fused-plate and electro-plate design in Britain of Frankfurt on 10th May 1871, which forced the French during the 19th-century. to make reparations of 5 billion gold francs in 5 years, It falls outside the scope of this essay to analyze in meant that commercial production of refined nickel and detail the globalization of the nickel industry that German silver did not develop in France until 1875, developed out of the use of German silver in the plated when large-scale mining began at Houaïlou and Canala trade in 19th-century Europe and America. During the in the North Province of the island. That same year, American Civil War, Joseph Wharton acquired the Gap Christofle et Cie. built a huge new factory complex Nickel Mine in Lancaster County, Pennsylvania and combining a nickel smelting and refining works, a established the American Nickel Works at Camden, maillechort rolling mill and a flatware and cutlery New Jersey, and by the 1870s was second in the world manufactory at Saint-Denis, near Paris. The first nickel only to Evans and Askin as a nickel manufacturer. smelter was built in New Caledonia in 1879. The The most notable French metalware manufacture to following year, 1880, Société Le Nickel was founded use German silver, or maillechort as it was known in and financed by the Rothschild bank and the nickel France, was Christofle et Cie. Charles Christofle (1805- ores of New Caledonia dominated global production in 1863) was the first manufacturer in France to acquire a the 1880s and 1890s. license to electro-plate under Eklington & Co.’s patent In 1902, Joseph Wharton exchanged his nickel of 1840. After lengthy court proceedings, he secured an business for stock in the newly founded International effective monopoly of electro-plating in France from Nickel Company (INCo), at Sudbury, Ontario in circa 1842 at his firm’s atelier on rue de Bondy, Paris. Canada. During the First World War, Sudbury nickel Christofle’s early electro-plating used a pale-yellow was used extensively for manufacturing British artillery brass (copper/zinc alloy) rather than German silver as in Sheffield, and my essay concludes in that city with a 50 Journal of the Antique Metalware Society, Vol. 24, 2016 short reflection on Harry Brearley’s discovery of effect. Bradbury’s primary aim was to historicise and ‘rustless steel’ at the Brown Firth Research glorify ‘the period of the Sheffield Plate industry,’ but in Laboratories in August 1913, and W.H. so doing he chose to ignore the inextricably close ties Hatfield’s subsequent addition of nickel in the between the various regional metalwork communities in development of ‘stainless steel’ between 1916-1924. Britain, and also the crucial artistic and technical elements that persisted through each historical change. The Plated Trade: ‘The Sheffield Eternal’ and ‘The The history of the plated trade in Britain was the Brummagem Wash.’ result of the thoughts and actions of a vast multitude of Writing in Sheffield, at the same time that Harry masters and workers, shaped by the flow of path Brearley was making his experiments, Frederick dependency and contingency, actions and knowledge, Bradbury asserted that during the late 18th-century, which cannot be reduced meaningfully to such a simple fused-plate, which used copper as the foundation sequence of cause and effect.
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