Clothed with Love ~ “Linen of Light”
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Pants in Old Testament
Pants In Old Testament Freehold and spiroid Kristos often warrant some slowpokes pungently or vitrified mendaciously. Boric and nitrogenous Saunderson fumbled, but Cyrille slap-bang demonising her publican. Bouffant Spiro goose spicily. Can to jezreel, the conclusions of god to pay their pants in pants old testament that he dies to him So the reasoning against not general to resolve the OT laws is inconsistent There are lots of verses in the Bible that determined that the name Testament. Men's clothing in biblical times Ancient israelites Bible. So Why shouldn't I had pants Truth my Home. Of my whole church member wearing shorts even with compression pants underneath. This bounty is the first suffer a series called What I severe The Bible Says About them exist if people all follow Jesus and want so know. The tournament it people sometimes said that women per not wear trousers is straw we. Biblical clothing HiSoUR Hi sometimes You Are. What did Jesus wear The Conversation. 10 Common Myths About the Headcovering Biblical. Poll was a year wear then without disobeying the bible. If glove wearing suits trousers not covering their heads are sins in. Scriptures Prohibiting the contrary of council by Women. When black women start with pants Britannica. There is a passage in making Old Testament give some unique to address the matter of women in pants or jeans A feat must not mostly men's. Clothing as big picture quality one's floor before God face the Old rite In Genesis 31-13 we happy that Adam and Eve was aware of their nakedness after. -
WR 16Mar 1928 .Pdf
World -Radio, March 16, 1928. P n n rr rrr 1 itiol 111111 SPECIAL IRISHNUMBER Registered at the.G.P.O. Vol. VI.No. 138. as a Newspaper. FRIDAY. MARCH 16, 1928. Two Pence. WORLD -RADIO 8 tEMEN Station Identification Panel- Konigswusterhausen (Zeesen). Germany REC GE (Revised) Wavelength : 125o in. Frequency : 240 kc. Power :35 kw. H. T. BATTERY Approximate Distance from London : 575 miles. (Lea-melte Tide) Call " Achtung !Achtung !Hier die Deutsche Welle, Berlin,-Konigswus- terhausen."(Sometimes wavelength POSSESSES all the advantages of a DRY BATTERY given :" . auf Welle zwolf hun- dert and fiinfzig," when callre- -none of the disadvantages of the ordinary WET peated.)When relaying :" Ferner Ubertragimgauf "... (nameof BATTERY. relaying stations). Interval Signal:Metronome.Forty beats in ten seconds. 1. Perfectly noiseless, clean SpringConnections,no IntervalCall :" Achtung !Konigs. and reliable. 4.soldering. wusterhausen.DerVortragvon [name of lecturer]uber[titleof 5. No "creeping of salts. lecture]ist beendet.Auf Wieder- 2. Unspillable. Easily recharged, & main- 'toren in . Minuten."When 6. relaying :`& Auf Wiederhorenfur 3No attention required until tains full energy through- Konigswusterhausen in . exhausted. out the longest programme. Minuten ;fur Breslau and Gleiwitz [or as the case may be] nach eigenem Programm." 711,2 ails are null: in thefoll,n,ing three sizes: Own transmissionsandrelays.In eveningrelaysfromotherstations. H.T.1.Small ... 8d. each. Closes down at the same time as the relaying station. H.T.2.Large ... 10d. each. H.T.3.Extra Large 1:- each. (Copyright) A booklet containing alargenumberof these Guaranteed to give I a,volts per cell. panels canbeobtainedof B.B.C.Publications, Savoy Hrll, W. -
The Hand-Loom in Ulster's Post-Famine Linen Industry: the Limits of Mechanization in Textiles' 'Factory Age'
Textile History, 35 (2), 178-191, 2004 The Hand-Loom in Ulster's Post-Famine Linen Industry: The Limits of Mechanization in Textiles' 'Factory Age' KEVIN J. JAMES This article explores conditions in the Ulster linen trade which sustained hand-loom weaving through the second half of the nineteenth century. In particular, it investigates the role and limits of technology in this process, and the impact of the American Civil War and its aftermath on mechanization. INTRODUCTION The historiography of the Irish litien trade in the second half of the nineteenth cen- tury has focused on its mechanization, while acknowledging the continuing presence of hand-lootn branches in the sector.' Generally, the structure of hand production in the Irish linen sector after 1850 has received less attention than tnechanized weaving, although there is a growing historiography on co-extensive hand- and tnechanized weaving in other branches of textile tnanufacture in the United Kingdotn.^ Partly this neglect of the hand-lootn results frotn greater interest in technological developments which so quickly transformed the spinning sector in the 1820s and 1830s.^ In spin- ning, the displacement of hand production by machine was relatively swift and com- plete — even the small demand in Ireland for super-fine yarn after the 1820s was largely met by imported hand-spun continental varieties.* Indeed, contemporary observers claimed that weaving was developing in the same direction — but their predictions of the hand-loom's obsolescence proved inaccurate and premature. In 1852, for instance, the Belfast and Province of Ulster Directory quoted J. MacAdam's comments in the Joumal of Design in which he predicted the hand-loom's demise: There are many reasons for believing that the future progress of the Irish linen trade will at least keep pace with its past development. -
Tour Dates: 14Th May 2022 27Th August 2022 08Th October 2022
10 Night Aran Islands, Donegal & Causeway Coast Knitting Tour Tour Dates: 14th May 2022 27th August 2022 08th October 2022 Tour Overview Your 10 night knitting tour begins with a visit to Trinity College Library and the Book of Kells followed by a visit to the Constant Knitter Yarn Store where you will meet a local craftsperson for a short demonstration and informal discussion. On the second day of this tour, you will meet with Lisa Sisk for a workshop on the Moebius Knitting technique. The tour continues to the west of Ireland to Inis Mór, the largest of the Aran Islands. Here you will enjoy a cultural and traditional knitting and crafts experience with well known knitting instructor – Úna McDonagh. In County Mayo, we visit to the Museum of Country Life to meet with Ciara Ní Reachtnín for another workshop. The Northern part of this tour includes a visit to the magnificent Slieve League Cliffs, Studio Donegal – a hand-weaving and clothing manufacturing company, Glencolmcille Folk Village and a workshop with Irish designer, Edel MacBride. This tour takes you on a discovery of the Causeway Coast, the Giant’s Causeway and Dunluce Castle. In Belfast, a visit to the Titanic Belfast Visitor Experience is included as well as a trip outside Belfast to Mourne Alpacas. As we travel back to Dublin, we stop at the Irish Linen Centre in Lisburn for a guided tour and experience a spinning and tapestry workshop with Áine Dunne. Included in This Tour- • Transfers on arrival and departure by private coach (for arrivals prior to 10:30am on tour start date and departures on tour end date) • Sightseeing as per itinerary in a luxury coach with an experienced driver and accredited guide, entrance fees included if applicable. -
The British Linen Trade with the United States in the Eighteenth and Nineteenth Centuries
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1990 The British Linen Trade With The United States In The Eighteenth And Nineteenth Centuries N.B. Harte University College London Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Harte, N.B., "The British Linen Trade With The United States In The Eighteenth And Nineteenth Centuries" (1990). Textile Society of America Symposium Proceedings. 605. https://digitalcommons.unl.edu/tsaconf/605 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -14- THE BRITISH LINEN TRADE WITH THE UNITED STATES IN THE EIGHTEENTH AND NINETEENTH CENTURIES by N.B. HARTE Department of History Pasold Research Fund University College London London School of Economics Gower Street Houghton Street London WC1E 6BT London WC2A 2AE In the eighteenth century, a great deal of linen was produced in the American colonies. Virtually every farming family spun and wove linen cloth for its own consumption. The production of linen was the most widespread industrial activity in America during the colonial period. Yet at the same time, large amounts of linen were imported from across the Atlantic into the American colonies. Linen was the most important commodity entering into the American trade. This apparently paradoxical situation reflects the importance in pre-industrial society of the production and consumption of the extensive range of types of fabrics grouped together as 'linen*. -
What's on A5 8Pp Booklet - Jul-Sep 2019 - Final.Qxp 11/06/2019 12:39 Page 1
Linen Hall Library - What's On A5 8pp Booklet - Jul-Sep 2019 - Final.qxp 11/06/2019 12:39 Page 1 Cover Image: From the Linenopolis Exhibition. Linen Hall Library - What's On A5 8pp Booklet - Jul-Sep 2019 - Final.qxp 11/06/2019 12:39 Page 2 July EXHIBITION PERFORMANCE The Weaver and the Factory Linenopolis Maid: Songs of the Linen Trade 1 July – 31 August • Free With Maurice Leyden and Jane Cassidy This exciting new exhibition will celebrate Belfast’s Thursday 4 July at 6pm • £8 linen heritage and the many businesses connected to the linen industry in Belfast’s Linen Quarter. Maurice Leyden and Jane Cassidy are a husband Examining social history, working life, family life and and wife team of folk singers and song collectors from the health of the workers, it includes items loaned Belfast, who have been performing Ulster songs for from PRONI, Coleraine Museum and linen over 30 years. Maurice has published two collections specialists McBurney and Black. Artists Anna Smyth, of traditional songs Belfast, City of Song (1989, Claire Mooney and Nathanael Smyth will showcase Brandon Press), and Boys and Girls Come Out to current work reflecting the influence and use of linen Play (1993, Appletree Press). He is currently working today. Photographs created as part of a community on his latest book in which he examines the social outreach project in partnership with Belfast Exposed history of the Ulster linen industry through folk song. will also be exhibited. This project has been funded by the Department for Communities, Tourism Northern Ireland and National LECTURE Lottery Heritage Fund as part of the European Year of Cultural Heritage. -
“Methinks I See Grim Slavery's Gorgon Form”: Abolitionism in Belfast, 1775
“Methinks I see grim Slavery’s Gorgon form”: Abolitionism in Belfast, 1775-1865 By Krysta Beggs-McCormick (BA Hons, MRes) Faculty of Arts, Humanities and Social Sciences of Ulster University A Thesis submitted for the Degree of Doctor of Philosophy (PhD) October 2018 I confirm that the word count of this thesis is less than 100,000 words. Contents Acknowledgements ………………………………………………………………………… I Illustration I …………………………………………………………………………...…… II Abstract ……………………………………………………………………………………. III Introduction ………………………………………………………………………………… 1 Chapter One – “That horrible degradation of human nature”: Abolitionism in late eighteenth-century Belfast ……………………………………………….…………………………………………….. 22 Chapter Two – “Go ruthless Avarice”: Abolitionism in nineteenth century Georgian Belfast ………………………………………………………………………................................... 54 Chapter Three – “The atrocious system should come to an end”: Abolitionism in Early Victorian Belfast, 1837-1857 ……………………………………………………………... 99 Chapter Four - “Whether freedom or slavery should be the grand characteristic of the United States”: Belfast Abolitionism and the American Civil War……………………..………. 175 Conclusion ……………………………………………………………………………….. 206 Bibliography ……………………………………………………………………………... 214 Appendix 1: Table ……………………………………………………………………….. 257 Appendix 2: Belfast Newspapers .…………….…………………………………………. 258 I Acknowledgements This thesis would not have been possible without the help and guidance of many people to whom I am greatly indebted. I owe my greatest thanks to my supervisory team: Professor -
THE POLITICS of CATASTROPHE in the ART of JOHN MARTIN, FRANCIS DANBY, and DAVID ROBERTS by Christopher J
APOCALYPTIC PROGRESS: THE POLITICS OF CATASTROPHE IN THE ART OF JOHN MARTIN, FRANCIS DANBY, AND DAVID ROBERTS By Christopher James Coltrin A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in the University of Michigan 2011 Doctoral Committee: Professor Susan L. Siegfried, Chair Professor Alexander D. Potts Associate Professor Howard G. Lay Associate Professor Lucy Hartley ©Christopher James Coltrin 2011 For Elizabeth ii Acknowledgements This dissertation represents the culmination of hundreds of people and thousands of hours spent on my behalf throughout the course of my life. From the individuals who provided the initial seeds of inspiration that fostered my general love of learning, to the scholars who helped with the very specific job of crafting of my argument, I have been the fortunate recipient of many gifts of goodness. In retrospect, it would be both inaccurate and arrogant for me to claim anything more than a minor role in producing this dissertation. Despite the cliché, the individuals that I am most deeply indebted to are my two devoted parents. Both my mother and father spent the majority of their lives setting aside their personal interests to satisfy those of their children. The love, stability, and support that I received from them as a child, and that I continue to receive today, have always been unconditional. When I chose to pursue academic interests that seemingly lead into professional oblivion, I probably should have questioned what my parents would think about my choice, but I never did. Not because their opinions didn‟t matter to me, but because I knew that they would support me regardless. -
The Ulster Linen Triangle: an Industrial Cluster Emerging from a Proto-Industrial Region Marcel Boldorf
3 The Ulster Linen Triangle: An Industrial Cluster Emerging from a Proto-Industrial Region Marcel Boldorf Whether Northern Ireland can really be regarded as an example of a successful transition into the age of industrialization is the subject of some academic debate. Researchers who take the situation of the whole country into consideration, especially focusing on the Great Famine of the 1840s, tend to a hold onto a rather pessimist view. Particularly, when the Irish development is compared to British industrialization, the effects of de-industrialization and the peripheral state are highlighted (Ó’Gráda, 1988). A variation of this is to speak of ‘Ireland’s industrial decline in the nineteenth century, outside eastern Ulster’ (Clarkson, 1996, p.83). This view takes into account the rapid growth of the linen industry in a specific part of Ulster, the northernmost of Ireland’s ancient provinces. One cannot deny that the history of the Irish has been strongly linked to hunger and pauperism, primarily in sectors such as hand-spinning which, at a certain stage, lagged behind in productivity, thus suffering a slump in earnings (Ollerenshaw, 1985, pp.67–9). However, there might be some evidence for more optimism regarding the province of Ulster, especially when its economic performance is compared to other cases in continental Europe (Boldorf, 2003). A full comparison with other European regions is not the intention of this contribution. The optimistic perspective is assumed as a starting point, and the aim is to present a more complete view of Irish industrialization. The chapter’s methodological foundation is built upon the concepts of industrial districts and clusters. -
Jean Mercier Estate Paper's
Jean Mercier Estate Paper’s RG #7 Louisiana State Museum Historical Center October 2012 Descriptive Summary Title: Jean Mercier Estate Papers Dates: 1817-1832 Abstract: Bill, Checks, and notes related to Jean Mercier’s Estate Extent: 56 folders Accession: T0025.2003.5 ______________________________________________________________________ Biographical / Historical Note ________________________________________________________________________ Scope and Content This collection contains bills, receipts, notes, and letters that come from Jean Mercier’s Estate. There are also bankruptcy papers, court papers, and auction papers. Subjects Jean Mercier New Orleans Argus Mercier College de la Louisiana Bankruptcy College d’Orleans Bills Orleans University Invoice Steamboats Receipt Jefferson College Court Papers Bank of the United States Lawyers Bank of Orleans Property Louisiana College Auction Louisiana State Bank _______________________________________________________________________ Access of Use Restrictions Access Collection is open for research ________________________________________________________________________ 1 Related of Separated Materials Jacob Hart Collection, RG #8 ________________________________________________________________________ Administrative Information Preferred Citation: Miscellaneous estate papers of Jean Mercier, Louisiana State Museum Historical Center Acquisition Information: N/A Notes: N/A ________________________________________________________________________ Contents List Box #1 Folder 1: 1806, Nov. 10- Receipt -
[Withdrawn] Textile Labelling Regulations
TEXTILE LABELLING REGULATIONS Guidance on the Textile Products (Labelling and Fibre Composition) Regulations 2012 APRIL 2016 Withdrawn This publication was withdrawn on 1 January 2021. The Textile Products (Labelling and Fibre Composition) Regulations 2012 Guidance Notes Regulation (EU) No 1007/2011 of the European Parliament and of the Council of 27th September 2011 on textile fibres and related labelling and marking of the fibre composition of textile products and repealing Council Directive 73/44/EEC and Directives 96/73/EC and 2008/121/EC of the European Parliament and of the Council (“the EU Regulation”) and The Textile Products (Labelling and Fibre Composition) Regulations 2011 (SI 2012 No.1102) (“the UK Regulations”) These guidance notes have been produced to provide guidance to business on the EU Regulation and the UK Regulations. However, they do not carry any legal authority and should be read in conjunction with the legislation itself. Withdrawn 2 The Textile Products (Labelling and Fibre Composition) Regulations 2012 Contents Guidance Notes............................................................................................................................. 2 The EU Regulation........................................................................................................................ 5 The main features of the EU Regulation...................................................................................... 5 The definition of a textile product............................................................................................... -
Download a PDF Version of This Unit
KS2 Linen Thematic Unit Introduction to Linen Thematic Unit Linen production is a central part of Northern Ireland's industrial heritage and evidence of the industry can be found in most towns and villages giving the topic a local relevance. There is a strong emphasis on the World Around Us (WAU) in this thematic Unit, with elements of Personal development and Mutual Understanding (PDMU). Unit 1 focuses on Science and Technology and explores how linen is made. This section examines the flax plant's lifecycle and the properties which make it suitable for being woven into Linen. Unit 2 explores the uses of linen now and in the past reflecting different aspects of the World Around Us curriculum. The characteristics of linen are explored and related to the fabric's uses. Unit 3 looks at the effect that the linen industry has had on the people and places in Northern Ireland reflecting different aspects of the History strand of the WAU. Pupils are encouraged to look for evidence of the linen industry in their local area through buildings and place names. Unit 4 reflects different aspects of the WAU and PDMU curricula and looks at the working conditions in the Victorian Linen mills and compares them to current conditions in sweat shops in developing countries. Unit 5 compares the characteristics of natural and manmade fabrics. Students are encouraged to examine the fabric their clothes are made from and make connections between the properties of the fabrics and their uses. bbc.co.uk/northernireland/forteachers 1 KS2 Linen Thematic Unit Unit 1- How is linen made? Introduction This unit looks at how linen is produced from flax, a plant that was once widely grown in Northern Ireland.