DOCSLIB.ORG

INSIDE DT Six Presidents Address Concerns by Kymberly Snew Spring

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INSIDE DT Six Presidents Address Concerns by Kymberly Snew Spring Since 1960 Thursday Volume 85, Issue 21 October 8, 2009 The Student Voice of California State University, Fullerton INSIDE DT Six presidents address concerns BY Kymberly SNEW spring. It will become more difficult Daily Titan Asst. News Editor to register for classes, and students [email protected] are encouraged to register during their Titan I registration time. The smell of fresh pizza created an Those who do will “have a pretty enormous line of Cal State Fullerton good opportunity to enroll in the students who gathered around the sections they desire,” Smith said. Quad when Associated Students Inc. “Those who register in Titan II will hosted “Pizza with the Presidents” have a more difficult time. We have FEATURES: yesterday at noon. priority registration, so based on the CSUF President Milton A. Gor- amount of units a student has, that “Ivanov” opens at don, Vice President of Student Af- will determine when they can regis- Hallberg Theatre, fairs Robert L. Palmer, Vice President ter,” he added. Page 4 of Academic Affairs Ephraim Smith, Graduating students will always Vice President of be given the top Administration priority for class and Finance Willie I would say a selections. Smith Hagan, ASI Presi- CSUF degree in any said that they dent Juliana Santos “ make it possible and ASI Executive major is always going for every student Vice President Jo- to be able to seph Lopez were in to be as fine a qual- graduate in four attendance as the ity as you can find at years. One stu- panel speakers. dent disagreed, “Pizza with the any university in the “ and expressed Presidents is a fo- United States that since some OPINION: rum for students -Milton Gordon, students are not to voice concerns CSUF president permitted to Should America and have questions take more than focus on economic answered,” Santos 16 units, it be- support or said. comes more dif- humanitarian efforts, Because of the state crisis, the CSU ficult for them. faced a $500 million budget shortfall. Smith added that the students Page 5 CSUF is managing its own $38 mil- who usually like to take more than 16 lion reduction. Gordon hopes stu- units will be at a disadvantage due to dents will understand that the school the 16 unit cap. “We have not been did not create these situations. allowed to make all classes available Minutes before Pizza with the to them because we are cutting many Presidents, Santos said, “That is what sections due to the budget cuts.” ASI is for, to come out for the stu- Some students suggested ideas to dents and do something for them to help fund some of the courses that voice their concerns.” are being cut because of a lack of Once the panel was ready for funding. questions, students were encouraged James Yarrow, a linguistics and to step up to the microphone. The English major, asked Gordon, “If first 50 students to do so received an the students were to have a student- ASI goody bag. based drive to try and raise funds to The issue of shortened library put classes back, can we get a com- hours began the students’ and presi- mitment from you to help us reach dents’ discussion. out to the community to help fund Library hours will be extended us during this time of crisis?” within the next 10 days from 7:45 “Absolutely, as long as we can stay a.m. – 10:30 p.m., Santos said. within the limits that the system Class cuts will continue in the has imposed on us in terms of the reductions of the FTES (Full-Time DETOUR: Equivalent Student hours). The stu- Examining life and MULTIMEDIA dents are always our number one death in pencil and For video of the hardest consideration and concern,” Gordon responded. watercolor, Page 7 hitting questions, go to Photo BY LUCIO VIlla/For the Daily Titan Dailytitan.com/pizzapres09 Cal State Fullerton President Milton Gordon grabs a slice of vegetarian pizza during Pizza with the Presidents at “University See PANEL, Page 2 Hour” in the Quad. New club promotes awareness BY RYAN BLOOM Public,” a documentary by award-win- to give students in human services Daily Titan Staff Writer ning filmmaker David J. Sperling. The and various other departments [email protected] movie, based on the book by the same valuable experience in the field. name, chronicles the last 15 years in “It is a great club for students SPORTS: A new organization on campus the life of Orange County native Mark that have an interest in the pro- Sitting down with aimed at providing substance abuse David Allen, who has been arrested for fession,” said SAAPSA Treasurer lacrosse’s Ansel and awareness and prevention methods being drunk in public over 450 times. Debra Bush. “It brings awareness Cole, Page 10 to students, will hold its first meet- Sperling will be on campus for the straight to the campus for the stu- ing this week on Friday at 10 a.m., viewing and a discussion of his film on dents that need it.” in University Hall Room 239. Tuesday, Oct. 27, from 4 – 6:30 p.m., The organization can be especial- Substance Abuse Awareness and in McCarthy Hall Room 238. ly helpful to those who are major- Prevention Student Association The group also hopes to work with ing in any of the social or behavioral Stay connected to the Photo COUrtesy JOSEPH CHANG hopes to promote substance abuse Mothers Against Drunk Driving to sciences, including human services, Daily Titan on: Student Veterans Association is preparing care packages for military personnel in Afghanistan. awareness and prevention to Cal coordinate on-campus events such as a psychology, sociology, nursing, edu- From Left: Interns Catherine Pruitt and Bonnie Ritchie with coordinator Joseph Chang. State Fullerton students, faculty, display of a destroyed car in order to cation, child and adolescent studies, staff and community members show the effects of drunk driving. They social work, counseling, health sci- through education, outreach and also hope to work with the Student ence and criminal justice. community service, according to Health Center in the future. It is a valuable experience with- the group’s mission statement. Members will be raising money in in their majors, but members are Care packages prepared The goal of SAAPSA will be to order to attend a conference in April more excited about being involved help students understand that sub- sponsored by the California Asso- in something that will benefit the WEATHER stance abuse does not just affect the ciation for Alcohol/Drug Educators, students. people abusing drugs and alcohol. where speakers will be discussing the “I get to help students and be in- TODAY TOMorrow for Afghanistan troops “We want to emphasize that treatment of substance abuse and any volved on campus and work within substance abuse affects everyone, new legislation. my major, so it’s great,” said Cole, a BY Vanessa Ayala Women’s Center that asks for the directly or indirectly, in some form “It’s really exciting to be involved human services major. For the Daily Titan name, address and 10 items that the or another,” said Daniel Cole, a se- with the club and doing something Membership in SAAPSA is open [email protected] individual might like to make for the nior at CSUF and vice president of that can really help the students and to all students at CSUF. Mem- High: 73° High: 75° package to be more meaningful and the organization. community,” said SAAPSA President bership is $30 annually, and club Low: 54° Low: 55° Student Veterans Association personal. The group plans to have vari- Rebecca Cunningham. “Hopefully, we members are expected to attend is preparing care packages for the “We did not want the troops to ous events on campus throughout can help raise awareness and really get two meetings and two events per Partly Cloudy Partly Cloudy troops in Afghanistan. The last day receive the same redundant care the semester in order to spread the the message out to the students so that academic year. Future meetings will for care package requests is today, but packages,” said Joseph Chang, ad- word about the dangers that stem they don’t just forget the information be held monthly. CONTACT US late requests will also be accepted. viser of the SVA. from the consumption of drugs and we give them.” For more information or to be- Main line: (657) 278-3373 For the past several weeks, SVA The organization chose Afghani- alcohol. While the overall goal of the organi- come involved with SAAPSA, con- News desk: (657) 278-4415 has been asking students who are stan to send troops care packages The first event they will be host- zation will be to encourage substance tact the club at SAAPSACSUF@ Advertising: (657) 278-4411 friends or family of military per- ing will be a viewing of “Drunk in abuse awareness, the group also hopes gmail.com. E-mail: [email protected] sonnel to pick up a form from the See PACKAGES, Page 2 CONTACT US Main line: (657) 278-3373 News desk: (657) 278-4415 Advertising: (657) 278-4411 E-mail: [email protected] 2 PAGE Two October 8, 2009 IN OTHER NEWS PACKAGES: preparing gifts for gi’s From Page 1 since they were first established in the spring of troops requested. INTERNATIONAL 2008. Phase three will be sending out the care pack- Pakistan’s Army Objects Conditions On U.S. Aid because there is a “huge need in Afghanistan,” However, they are not alone in preparing the ages to the troops, Jimenez said.
Load more

Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Alter Ego #78 Trial Cover
    TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc.
    [Show full text]
  • To What Extent Has Digital Art Changed the Comic Book Industry? Jack Taylor
    To What Extent Has Digital Art Changed the Comic Book Industry? Jack Taylor Over time, artists have used a wide variety of techniques and styles to create comic books, they convey and explore the narrative they are illustrating. Traditional Art refers to artwork created using conventional resources and materials. This could include the use of paints, inks or coloured markers which can be found in Killing Girl (Image Comics, Toby Cypress, 2009). This style of comic book making strongly contrasts the style of Digital Art which allows the artist more freedom to create their work. Digital Art directly refers to artwork created using technology such as a tablet or computer, this style of digital art can be found in Justice League (DC Comics, Jorge Jimenez, 2018). Comic books were originally designed by the Japanese during the 18th century in the form of woodblock prints that were aimed at less-literate readers due to the illustrated narrative. These books focused on shorter narratives based around Japanese folk law and historical accounts, the books were created in the Kibyōshi genre which is well known for its influences on modern manga. The creator of the Kibyōshi genre was Koikawa Harumachi who developed ideas about Japanese picture books into a format aimed at everyone rather than just less-literate readers. Harumachi’s thoughts on illustrated narrative became “Master Flashgold's Splendiferous Dream” (Harumachi, 1775) which is regarded as one of the first true comic books. Despite creating this new art form, Harumachi received negative attention from the authorities and later died in 1789 to illness however many believe that Harumachi was ordered to commit suicide.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • Tmnt: the Ultimate Collection Teenage Mutant Ninja Turtles
    hether you’re brand-new to IDW, or an IDW connoisseur, you’d probably agree W that it’s hard to say what an “IDW Greatest Hits” checklist would look like, but this Gateway Collection catalog features an overwhelming number of titles that would certainly be considered worthy of that title. This is about more than our “Greatest Hits,” however. What you’ll find here on page after page is diversity. From creators, to stories, to formats, IDW offers a Gateway to comics in more ways than ever. Looking through this catalog you’ll come across what truly makes IDW a unique publisher. Not only do we work with the biggest brands in the industry, but we also bring in some of the biggest names from across industries and beyond. Legendary science-fiction author William Gibson made his comic book debut here with us, in the dystopian Archangel. And of course Congressman John Lewis’ essential graphic memoir, March, which began the year by earning the coveted National Book Award, the first graphic novel to do so, in fact. From our award-winning Artist’s Edition line that features the greatest comic book art throughout history, to the beloved Teenage Mutant Ninja Turtles, down to our newest format you might have seen in comic shops and major retail chains across the country, the Micro-Comic Collector Packs, we truly strive to make this art form more accessible than ever. No matter where your interests lie, I am confident that within these pages you’ll find something that catches your eye. The scope of our output which maintains a fine balance of range and quality is unparalleled, and something we as a company take great pride in.
    [Show full text]
  • Quick Guide Is Online
    SAN DIEGO SAN DIEGO MARRIOTT CONVENTION MARQUIS & MARINA CENTER JULY 18–21 • PREVIEW NIGHT JULY 17 QUICKQUICK GUIDEGUIDE SCHEDULE GRIDS • EXHIBIT HALL MAP • CONVENTION CENTER & HOTEL MAPS HILTON SAN DIEGO BAYFRONT MANCHESTER GRAND HYATT ONLINE EDITION INFORMATION IS SUBJECT TO CHANGE MAPu HOTELS AND SHUTTLE STOPS MAP 1 28 10 24 47 48 33 2 4 42 34 16 20 21 9 59 3 50 56 31 14 38 58 52 6 54 53 11 LYCEUM 57 THEATER 1 19 40 41 THANK YOU TO OUR GENEROUS SHUTTLE 36 30 SPONSOR FOR COMIC-CON 2013: 32 38 43 44 45 THANK YOU TO OUR GENEROUS SHUTTLE SPONSOR OF COMIC‐CON 2013 26 23 60 37 51 61 25 46 18 49 55 27 35 8 13 22 5 17 15 7 12 Shuttle Information ©2013 S�E�A�T Planners Incorporated® Subject to change ℡619‐921‐0173 www.seatplanners.com and traffic conditions MAP KEY • MAP #, LOCATION, ROUTE COLOR 1. Andaz San Diego GREEN 18. DoubleTree San Diego Mission Valley PURPLE 35. La Quinta Inn Mission Valley PURPLE 50. Sheraton Suites San Diego Symphony Hall GREEN 2. Bay Club Hotel and Marina TEALl 19. Embassy Suites San Diego Bay PINK 36. Manchester Grand Hyatt PINK 51. uTailgate–MTS Parking Lot ORANGE 3. Best Western Bayside Inn GREEN 20. Four Points by Sheraton SD Downtown GREEN 37. uOmni San Diego Hotel ORANGE 52. The Sofia Hotel BLUE 4. Best Western Island Palms Hotel and Marina TEAL 21. Hampton Inn San Diego Downtown PINK 38. One America Plaza | Amtrak BLUE 53. The US Grant San Diego BLUE 5.
    [Show full text]
  • DC: the Fourth World a Jumpchain CYOA by Heavensanon There Came a Time When the Old Gods Died! the Brave Died with the Cunning!
    DC: The Fourth World A Jumpchain CYOA By HeavensAnon There came a time when the Old Gods died! The brave died with the cunning! The noble perished, locked in battle with the unleashed evil! It was the last day for them! An ancient era was passing in fiery holocaust! The final moment came with the fatal release of the indescribable power — which tore the home of the Old Gods asunder — split it in great halves — and filled the universe with the blinding death-flash of its destruction! In the end there were two giant molten bodies, spinning slow and barren — clean of all that had gone before — adrift in the fading sounds of cosmic thunder... Silence closed upon what had happened — a long, deep silence — wrapped in massive darkness... it was this way for an age... THEN—THERE WAS NEW LIGHT! So begins the saga of the Fourth World and the beings that inhabit it, advanced aliens who embody concepts of the worlds below them, the New Gods. Within this world exists two sister planets – the paradise of New Genesis, and the living hell of Apokolips. The lord of Apokolips, the tyrannical Darkseid, seeks the Anti-Life Equation which will give him complete dominance of all creation by snuffing out free will entirely. The forces of New Genesis, led by wise Highfather, continually skirmish with Darkseid’s forces and seek to stop him from completing his mad agenda. In the past, a truce was brokered between these two forces...in exchange of their own sons as hostages, Highfather and Darkseid bargained their own family to ensure a ceasefire between the two.
    [Show full text]
  • 100 Top Creators Celebrate Jack Kirby's Greatest Work 100 Top Creators Celebrate Jack Kirby's Greatest Work 100 Top Creators
    100100100 TopTopTop CreatorsCreatorsCreators CelebrateCelebrate JackJackJack Kirby’sKirby’sKirby’s GreatestGreatest WorkWork TABLE OF CONTENTS Introduction by John Morrow..... 6 27. Kyle Baker: 54. José Villarrubia: 80. Kevin Eastman: Captain America.................... 60 Captain America #109......... 112 Kamandi #16 ....................... 162 THE GOLDEN AGE 28. Shannon Wheeler: 55. Joe Sinnott: 81. Thomas Yeates: 1. Paris Cullins: Blue Beetle....... 8 The X-Men #8........................ 62 Fantastic Four #95 ............... 114 Kamandi #19 ....................... 164 2. Allen Bellman: 29. Larry Hama: Sgt. Fury #13... 64 82. Scott Shaw!: Captain America Comics #5 .... 10 DC AND THE FOURTH WORLD 30. Steve Mitchell: 1st Issue Special #6 ............. 166 56. Jerry Ordway: 3. Mike Vosburg: Sgt. Fury #13 ......................... 65 83. Alan Davis: OMAC #4 ....... 170 Stuntman #2 ............................ 12 Mister Miracle #1 ............... 116 31. Fred Hembeck: 84. Batton Lash: 57. Dustin Nguyen: THE 1950s Fantastic Four #34 ................. 66 Our Fighting Forces ............. 172 The Forever People #6......... 117 4. John Workman: 32. W alter Simonson: 85. Alex Ross: 58. Will Meugniot: Boys’ Ranch #3 ........................ 14 Journey Into Mystery #113 ... 68 The Sandman #4 ................. 174 Mattel Comic Game Cards ...118 5. Bill Black: Captain 3-D #1 .... 16 33. Adam Hughes: 59. Al Milgrom: Jimmy Olsen RETURN TO MARVEL 6. T revor Von Eeden: Tales of Suspense #66 .......... 70 Adventures .......................... 120 86. Evan Dorkin: Fighting American #1 .............. 18 34. P . Craig Russell: 60. Cliff Galbraith: Superman’s Captain America’s Fantastic Four #40–70........... 72 7. Bob Burden: Pal, Jimmy Olsen #134........ 123 Bicentennial Battles ............ 176 Fighting American ................... 20 35. Richard Howell: 61. Dan Jurgens: Superman’s 87. Bruce Timm: Fantastic Four #45 ................
    [Show full text]
  • Previews #306 (Vol. Xxiv #3, Mar14)
    PREVIEWS #306 (VOL. XXIV #3, MAR14) PREVIEWS PUBLICATIONS PREVIEWS #308 MAY 2014 THIS MONTH’S COVER ART: New projects from Image and DC! THIS MONTH’S THEME: Women in Comics! Since 1988, PREVIEWS has been your ultimate source for all of the comics and merchandise to be available from your local comic book shop… revealed up to two months in advance! Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise on Earth; plus PREVIEWS exclusive items available nowhere else! Now more than ever, PREVIEWS is here to show the tales, toys and treasures in your future! This May issue features items scheduled to ship in July 2014 and beyond. Catalog, 8x11, 500+pg, PC $4.50 PREVIEWS #308 CUSTOMER ORDER FORM — MAY 2014 PREVIEWS makes it easy for you to order every item in the catalog with this separate order form booklet! This May issue features items scheduled to ship in July 2014 and beyond. Comic-sized, 62pg, PC PI MARVEL PREVIEWS VOLUME 2 #22 Each issue of Marvel Previews is a comic book-sized, 120-page, full-color guide and preview to all of Marvel’s upcoming releases — it’s your #1 source for advanced information on Marvel Comics! This May issue features items scheduled to ship in July 2014 and beyond. FREE w/Purchase of PREVIEWS Comic-sized, 120pg, FC $1.25 COMICS SECTION PREMIER VENDORS DARK HORSE COMICS HATSUNE MIKU: UNOFFICIAL HATSUNE MIX TP KEI (W/A/Cover) On sale July 2 FC/b&w, 480 pages $19.99 TP, 5 3/4" x 8 1/4" Who's that girl with the long green ponytails you've been seeing everywhere? It's Hatsune Miku, the Vocaloid—the synthesizer superstar who's singing your song! She's a global cyber celebrity and a cosplay favorite at conventions.
    [Show full text]
  • Click Above for a Preview, Or Download
    JACK KIRBY COLLECTOR THIRTY-EIGHT $9 95 IN THE US Jack Kirby (right) Burne Hogarth’s classic Dynamic Figure Drawing was a revelation to me as a budding teenage artist, but deep down I always wondered what a “how-to” book by Kirby would be like. Jack DYNAMIC never produced such a book, and if he had, it’s a safe bet nobody would’ve bought it for the words anyway. So here’s my take on what the cover might’ve FIGURE looked like. Hulk, Thing TM & ©2003 Marvel Characters, Inc. Big Barda TM & ©2003 DC Comics. DRAWING COPYRIGHTS: Atlas, Big Barda, Boy Commandos, Challengers of the Unknown, Darkseid, Demon, Dingbats of Danger Street, Dr. Fate, Forager, Forever People, Green Lantern, Jimmy Olsen, Kamandi, Lightray, Losers, Mr. Miracle, Negative Man, New Gods, Newsboy Legion, OMAC, Orion, Promethea, Pyra, Spectre, Superman, Toxl the World Killer, Wonder Woman, Young Romance TM & ©2003 DC Comics • Black Bolt, Black Panther, Bucky, Capt. America, Crystal, Dr. Doom, Dr. Strange, Dragon Man, Enchantress, Fantastic Four, Galactus, Gorgon, Hercules, Hulk, Human Torch, Infant Terrible, Inhumans, Invisible Girl, Iron Man, Karnak, Liberty Legion, Magneto, Makarri, Medusa, Melter, Modok, Mr. Fantastic, Nick Fury, Rawhide Kid, Red Skull, Sgt. Fury, Silver Surfer, Spider-Man, Sub-Mariner, Super Skrull, Thing, Thor, Triton, Two-Gun Kid, Warlock TM & ©2003 Marvel Characters, Inc. • Enchantra, Silver Star, The Family, Capt. Glory, Capt. Victory, Satan's Six, Inky, Galaxy Green TM & Spotlighting the artist of ©2003 Jack Kirby Estate • Boys' Ranch, Police Trap TM & ©2003 Simon & Kirby • THE FOURTH WORLD TRILOGY Thundarr TM & ©2003 Ruby-Spears Productions, Inc.
    [Show full text]
  • Click Above for a Preview, Or Download
    FIGHTING AMERICANS Captain America TM & ©2002 Marvel Characters, Inc. N M O 2 0 A . 0 R 2 34 . T H E N E W C o l l e c t o r I n $ 9 T h . 9 e 5 U S Contents OPENING SHOT . .2 THE NEW (a salute to the fighting Americans who saved United Flight #93 from terrorists) UNDER THE COVERS . .4 (the inimitable Alex Toth drops us a card about this issue’s cover art) JACK F.A.Q. s . .6 (Mark Evanier solves a Frequently Asked Question about how inkers were ISSUE #34, MAR. 2002 Collector chosen at Marvel in the 1960s) R.L. BRYANT . .11 (our semi-regular columnist surveys a certain Scientific American) RETROSPECTIVE . .12 (Keith Hammond takes aim at Kirby’s run on Green Arrow) LOOKING BACK . .16 (Carmine Infantino reminisces about Joe, Jack, and all kinds of heroes) INNERVIEW . .21 (a brief chat with Jack, circa 1974) BATTLE LINES . .22 (Kirby’s 12-issue run was a winner for the Losers) OLD PANELING . .29 (some unseen ’50s Kirby comic strips) GALLERY . .30 (a selection of Captain America’s greatest hits, kicks, and wallops, shown at our giant tabloid size) KIRBY AS A GENRE . .46 (Adam McGovern dips into a grab-bag of Kirby homages) INTERNATIONALITIES . .48 (French comics legend Philippe Druillet learns that the Kirby influence speaks a universal language) PULPED . .54 (get your fingers dirty on these torrid, lusty Simon & Kirby illos) SHIELD . .58 (Spies, Hydra, Intrigue, and Espionage in a Lengthy Dissertation) COLLABORATORS . .66 (Simon says, “Read this article!”) EXTRA! .
    [Show full text]
  • Cci2017 Kirby100section.Pdf
    100 • A SOUVENIR BOOK SPECIAL SECTION CELEBRATING THE CENTENNIAL OF THE KING OF COMICS • •100• JACK KIRBY: A LIFE IN COMICS by Randolph Hoppe n August of 1917, Rose and Ben Kurtzberg, two immigrants from Galicia in the ghetto. Most of his pals saw careers as policemen, politicians, or gangsters what is now Poland, welcomed their firstborn child, Jacob. In the early 20th in their future. I century, New York City’s Lower East Side was the most densely populated Jack stayed less than a week in an art class at the Pratt Institute. Not only two square miles on the planet. Ben sewed pants in sweatshops. Rose did wasn’t he the kind of artist they wanted—he worked fast—but his father also piecework at home, when not raising her sons. lost his job, and Jack dropped out of school entirely to find work. Lower East Side kids played in the streets, and fighting was a favorite pas- After a brief stint as a newsboy, Jack found work at the Fleischer Brothers time. Kurtzberg’s gang, the Jewish kids of Suffolk St., would take on the Italian animation studio, working on Popeye and Betty Boop cartoons as an inbe- kids from another block or the African American kids from yet another block. tweener, filling in the necessary number of drawings to complete the illusion of Jacob, now going by Jake, was small in stature and once had to rescue his movement. Jack’s steady work allowed the Kurtzbergs to move from the Lower younger brother David from an attack by a rival gang.
    [Show full text]