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Musical and Cultural Osmoses in the Balkans
NATIONAL UNIVERSITY OF MUSIC BUCHAREST & INTERNATIONAL MUSICOLOGICAL SOCIETY REGIONAL ASSOCIATION FOR THE STUDY OF MUSIC OF THE BALKANS 8 th International Musicological Conference MUSICAL AND CULTURAL OSMOSES IN THE BALKANS Bucharest, 2–6 September, 2019 CONFERENCE PROGRAM KEYNOTE LECTURES ABSTRACTS ROUND TABLE ABSTRACTS BIOGRAPHIES National University of Music Bucharest Mediateca Building Address: 33 Știrbei Vodă Street, Sector 1, 010102, Bucharest CONTENTS Musical and cultural osmoses in the Balkans Musical and Cultural Osmoses in the Balkans, Bucharest, 2–6 September 2019 www.ims2019bucharest.ro Contents Conference program 3 x Keynote lectures 18x Abstracts 21 x Round table abstracts 64 x Biographies 77x | 2 Page 2 2-6 September 2019 www.ims2019bucharest.ro Musical and Cultural Osmoses in the Balkans, Bucharest, 2–6 September 2019 www.ims2019bucharest.ro Conference schedule Venue: National University of Music Bucharest, Mediateca Building Address: 33 Știrbei Vodă Street, Sector 1, 010102, Bucharest Monday, September 2 Sessions/Round table 08:30 Registration (entrance of the Mediateca Building) 09:30–10:00 Welcome greetings 10:00–12:00 Session 1: ART MUSIC IN THE BALKANS Auditorium Historical and Analytical Approaches in Music Composition (I) hall - Session chair: Evi Nika Sampson 1. , Hide-and-Seek between the Serial and the Modal in Anatol Speakers:Vieru’s Concerti Olguța Lupu 2. Piano Music by the Romanian-French Composer Marcel Mihalovici (1898-1985) in the Context of Western European Art Music and EasternLukas Näf, European Folk Music 3. - - Songs for Voice and Piano of Greek Composers of the 19th and the Beginning of the 20th Century Anna Maria Rentzeperi Tsonou, 4. Aurel Stroe and the Cultural-Music Resonances of the Balkan Space Petruța Maria Coroiu (Măniuț), 10:00–12:00 Session 2: EAST MEETS WEST (I) Sala de vizionări Session chair: Katy Romanou 1. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
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THE TUNES OF DIPLOMATIC NOTES Music and Diplomacy in Southeast Europe (18th–20th century) *This edited collection is a result of the scientific projectIdentities of Serbian Music Within the Local and Global Framework: Traditions, Changes, Challenges (No. 177004, 2011–2019), funded by the Ministry of Education, Science and Technological Development of the Republic of Serbia, and implemented by the Institute of Musicology SASA (Belgrade, Serbia). It is also a result of work on the bilateral project carried out by the Center for International Relations (Faculty of Social Sciences, University of Ljubljana) and the Institute of Musicology SASA (Belgrade, Serbia) entitled Music as a Means of Cultural Diplomacy of Small Transition Countries: The Cases of Slovenia and Serbia(with financial support of ARRS). The process of its publishing was financially supported by the Ministry of Education, Science and Technological Development of the Republic of Serbia. THE TUNES OF DIPLOMATIC NOTES MUSIC AND DIPLOMACY IN SOUTHEAST EUROPE (18th–20th CENTURY) Edited by Ivana Vesić, Vesna Peno, Boštjan Udovič Belgrade and Ljubljana, 2020 CONTENTS Acknowledgements ������������������������������������������������������������������������������������������������������ 7 1. Introduction ����������������������������������������������������������������������������������������������������������������������������9 Ivana Vesić, Vesna Peno, Boštjan Udovič Part I. Diplomacy Behind the Scenes: Musicians’ Contact With the Diplomatic Sphere 2. The European Character of Dubrovnik and the Dalmatian Littoral at the End of the Enlightenment Period: Music and Diplomatic Ties of Luka and Miho Sorkočević, Julije Bajamonti and Ruđer Bošković ��������������������������������������������������������������������������������17 Ivana Tomić Ferić 3. The Birth of the Serbian National Music Project Under the Influence of Diplomacy ���������37 Vesna Peno, Goran Vasin 4. Petar Bingulac, Musicologist and Music Critic in the Diplomatic Service ������������������53 Ratomir Milikić Part II. -
EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS from The
EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers S-Z DIMITAR SAGAEV (1915-2003, BULGARIAN) Born in Plovdiv. He studied piano and music theory with Asen Dimitrov, and later continued piano studies with Dimitar Nenov. He graduated from the Bulgarian Musical Academy where he was taught composition by Pancho Vladigerov, orchestration by by Vesselin Stoianov and piano by Panka Pelishek. His catalogue includes operas, ballets, symphonic, chamber, instrumental and vocal works. Among these are Piano Concertos Nos. 1 (1992) and 2 (1994), Violin Concerto No. 2 (1964). Cello Concerto (1997), Oboe Concertos Nos. 1 (1966) and 2 (1991), Flute Concerto (1976), Horn Concerto, Trumpet Concerto (1989) and Trombone Concerto 1988). Violin Concerto No. 1 (1963) George Badev (violin)/Ivan Voulpe/Sofia State Philharmonic Orchestra ( + Wieniavski: Concert Polonaise No. 1, Tchaikovsky: Valse-Scherzo and Saeasate: Introduction and Tarantella) BALKANTON BCA 423 (LP) (1960s) Bassoon Concerto (1973) Misak Godzhikan (bassoon)/Dragomir Nenov/Bulgarian Radio Opera-Symphony Orchestra ( + Shipchenskata Epopei) BALKAHTON BCA 2188 (LP) (c. 1980) TADEÁŠ SALVA (1937-1995, SLOVAK) Born in Lúčky. He studied composition at the Academy of Performing Arts in Bratislava with Alexander Moyzes and Ján Cikker and with Bolesław Szabelski in Katowice, Poland. He worked for the music departments of Slovak Radio and Television and taught at the Faculty of Education in Nitra. His catalogue includes operas, ballets, orchestral, chamber, instrumental, vocal and choral works. Among his other works are Slovak Liturgic Concerto Grosso for Violin, Viola, Cello, Double Bass and String Orchestra (1994), Slovak Rhapsody for Flute and String Orchestra (1975), Rhapsody for Violin and Orchestra (1981),Ballad-Symphony for Clarinet, Piston Trumpet, Timpani and String Orchestra (1988) and Slovak Concerto Grosso No. -
EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS from The
EAST-CENTRAL EUROPEAN & BALKAN CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers M-R OTMAR MÁCHA (1922-2006, CZECH) Born in Ostrava. As a child, he learned the violin from a village teacher then studied composition with Jaroslav Rídký at the Prague Conservatory. He worked as a music adviser at Czechoslovak Radio in Prague but then became a freelance composer. He composed operas and other stage works as well as orchestral, chamber and vocal music. His other concertante works are Hommage à Josef Suk for Violin and String Orchestra (1977), and Ballad and Finale for Viola, Piano and Strings (2001). Violin Concerto (1989) Ivan Zenatý (violin)/Jaromir Nohejl/Moravian Philharmonic Orchestra, Olomouc ( + Hurnik: Klicperian Overture) PANTON 810720 (LP) (1987) Ivan Ženatý (violin)/Valdimir Válek/Prague Radio Symphony Orchestra ( + Patria Bohemorum and Variations) ARCO DIVA UP00262191 (c. 2010) Double Concerto for Violin, Piano and Orchestra (1978) Nora Grumliková (violin)/Jaroslav Kolar (piano)/František Vajnar/Prague Radio Symphony Orchestra ( + Hanuš: Essays and Tichý: 6 Inventions)/ PANTON 81100224 (LP) (1981) Concerto Grosso for Soprano, Mezzo, Tenor, Baritone, Bass and Orchestra (1980) Linhy Vocal Group/Rostislav Hališka/Gottwald State Symphony Orchestra ( + Gregor: Concerto Giocando) PANTON 81100283 (LP) (1982) "Eiréné," Fantasy for Oboe and String Orchestra (1988) Jiří Krejčí (oboe)/Virtuosi di Praga. ( + Pauer: Marimba Concerto, Bodorová: 3 Canzoni da Suonare and Zámečník: Kontaktonia -
Biblioteca ICR Berlin/ Die Bibliothek Des Rki Berlin
Biblioteca ICR Berlin/ Die Bibliothek des Rki Berlin Art ă / Kunst Aldea, Gheorghe Sculptura ță răneasc ă în piatr ă Alpatov, Mihail Istoria Artei Arnheim, Rudolf Arta și percep ția vizual ă Bergel, Hans Erkundungen und Erkennungen Bernard, Edina Arta Modern ă 1905-1945 Bertalan, Șt.; Mitroi, F.; Grigorescu, I. The self-punishing one. The Art and Romania in the 80s - 90s 2 englez ă Botez Crainic, Adriana Arta formei Busuioceanu, Alexandru Scrieri despre art ă 2 Călinescu, George Scrieri despre art ă Carlo Argan, Giulio Căderea și salvarea artei moderne Cârneci, Magda Art of the 1980s in Eastern Europe Chimet, Iordan Grafica American ă Comarnescu, Petru N.N.Tonitza Cornea, Andrei ”Primitivii” picturii române ști moderne Cornea, Andrei Mentalit ăți culturale și forme artistice Culianu, Ioan Petru Iocari serio Daicoviciu.C Columna lui Traian Dancu, Iuliana Hinterglasmalerei in Rumänien De Micheli, Mario Avangarda artistic ă a secolului XX Demetrescu, Camilian Culoarea - suflet și retin ă Dumitrescu, Vladimir Arta neolitic ă în România Dumitriu, Ion Groapa de gunoi Fastenrath, Melanie Kompendium für Künstler 3 Florea, Vasile Rumänische Malerei Focillon, Henri Via ța formelor Georgescu-Gorjan, Ștefan Amintiri despre Brâncu și Georgescu-Gorjan, Ștefan Brâncu și - Templul din Indoor Ghi țescu, Gheorghe Antropologie artistic ă Glass, Ingo Von der verbindenden Kraft der Kunst 2 german ă Gramatopol, M. Art ă și arheologie dacic ă și roman ă Grozdan, Dorian Romul Ladea și lumea lui cuprinz ătoare Guy Marica, Viorica Pictura german ă între Gotic -
BULETINUL PARTITURILOR ŞI AL LUCRĂRILOR DE GEN AFLATE ÎN COLECŢIA SECŢIEI DE ARTĂ 2 CUPRINS Pag
BULETINUL PARTITURILOR ŞI AL LUCRĂRILOR DE GEN AFLATE ÎN COLECŢIA SECŢIEI DE ARTĂ 2 CUPRINS Pag. 7 - ARTĂ. ARHITECTURĂ. DISTRACŢII. SPORT......................................................... 5 781 - Teoria muzicii. Exerciţii ....................................................................................... 5 782 - Operă................................................................................................................... 16 783 - Muzică religioasă................................................................................................ 29 784 - Muzică vocală ..................................................................................................... 40 784.4 - Muzică populară..............................................................................................122 785 - Muzică instrumentală orchestrală.......................................................................133 785.7 - Muzică de cameră ...........................................................................................152 786 - Instrumente cu claviatură ...................................................................................176 787 - Instrumente cu coarde........................................................................................236 788.1/.4 - Instrumente de suflat din metal (alămuri) ...................................................266 788.5/.8 - Instrumente de suflat din lemn....................................................................271 789 - Instrumente de percuţie......................................................................................280 -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography of CDs and LPs Prepared by Michael Herman Composers A-J ALOJZ AJDIĆ (b. 1939, SLOVENE) Born in Fojnica near Sarajevo, Bosnia and Herzegovina. He studied clarinet under Miha Gunzek at the Ljubljana Academy of Music and then went on to study composition privately with Uroš Krek. He has worked as a music teacher and businessman as well as a freelance composer. His compositions cover many genres, including opera, orchestral, chamber, instrumental, vocal and choral music. He has also written 2 other Symphony No. 3 for Percussion and Orchestra (1996). Symphony No. 1 (1968) Uroš Lajovic/Slovenian Philharmonic ( + Rhapsody for Trumpet and Orchestra and Wind Quintet) ARS SLOVENICA ED. DSS 201077 (2010) Symphony No 2 "Window of the Soul" (1992) Uroš Lajovic/Slovenian Philharmonic Orchestra SF 900059 NECIL KÂZIM ÂKSES (1908-1999, TURKISH) Born in Istanbul. He studied composition in Vienna with Joseph Marx and in Prague with Josef Suk and Alois Hába. He was one of the founders, along with Paul Hindemith, of the Ankara Conservatory and was that school's director for a number of years. Together with Cemal Resid Rey, Ulvi Cemal Erkin, Ahmet Adnan Saygun, and Ferid Alnar, Akses belonged to a group called The Turkish Five, who were the first Turkish composers to adapt their native musical tradition to Western classical compositional techniques. Akses composed orchestral works, chamber music, and pieces for piano. His unrecorded Symphonies are: Nos. 1 (1966), 2 for String Orchestra (1978), 3 (1979-80), 5 for Tenor, Chorus, Children’s Chorus, Organ and Orchestra "Thus Spoke Atatürk"/"Sinfonia Rhetorica" (1988) and 6 For Baritone, Chorus and Large Orchestra "Ölümsüz Kahramanlar" (Immortal Heroes) (unfinished - 1st movement only) (1992) Symphony No.