DOCSLIB.ORG

Trans-Local Mobilities and Spatial Politics of Dance Across/Beyond the Early Modern Coromandel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Trans-Local Mobilities and Spatial Politics of Dance Across/Beyond the Early Modern Coromandel UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility. This study traces change through intersecting movement of people, ideas and repertoires anchored in specific new and changing urban milieus; developing the concept of performative geographies It unpacks the ways in which multiple stakeholders, themselves often on the move, drew from diverse milieus (performative, geopolitical, temporal and social), connecting through the subcontinent and across the Bay of Bengal. Examining three sets of articulations: of popular representations of performance, ideals of practice, and hybrid performed repertoire; this study reads across text (Indian language plays, memoirs, song text, treatise), painted visuals, and spaces themselves as archives. These circulations and the individual choices they weave together map shifting translocal relationships, imaginaries and politics of space. This interdisciplinary project lies at the intersection of dance studies, critical cultural studies approaches to space and place, and historiography of the Indian Ocean. It extends postcolonial dance studies investigations of performance and/as politics, focused on twentieth-century nationalisms and globalization, back into a consideration of eighteenth century shifts to engage with early modern scholarship on new subjectivities, circulations and intellectual networks. By offering performative geographies as both framework and methodology, this project works against macro-imperial narratives of decline, colonial rupture, and revival, as well as the fixing of precolonial bodily pasts in order to open up new considerations of urban connectivities across South Asia and the Indian Ocean world. iii This dissertation of Pallavi Sriram is approved. Anurima Banerji Susan Leigh Foster Sanjay Subrahmanyam Janet M. O’Shea, Committee Chair University of California, Los Angeles 2017 iv This dissertation is dedicated to Sidharth, Latha and Sriram v Table of Contents Abstract Of Dissertation ................................................................................................................. II Acknowledgements ........................................................................................................................ X Vita ............................................................................................................................................. XIII Introductions ................................................................................................................................... 1 Debates: Performance, Post-colonial Critique, and Indian Ocean Early Modernity .................. 7 Methodology: Plural Archives, Intertextuality, Dance & Circulations .................................... 15 Structure Of The Dissertation ................................................................................................... 24 Significance............................................................................................................................... 30 Chapter 1: Translating (Re/Staging) Urban Mobility: Space, Place And Scenarios Of Performance .................................................................................................................................. 34 Linking Political Geographies And New Politics Of Sensuality .............................................. 43 New Elite, Dance, Space, Place: Ramanathapuram .................................................................. 54 A World On The Move: The Kaveri Delta ............................................................................... 73 Dancing In/Out Of Space: Madras Europeans Inserting Into Scenarios Of Authority ............. 85 Scenarios Of ‘Native’ Romance: A Dutch Traveler Down The Coromandel Coast .............. 100 Conclusion .............................................................................................................................. 116 Chapter 2: Orienting Taste: Literati, Sanskrit Text, And Dance As Practice ............................. 121 Medieval Legacies And Inter-Textual Traces: Sangita Dance And Music ............................ 129 Early Modern Nartana: Instrumentalizing Text, Centralizing Courtly Eroticism .................. 142 Tukkoji’s Sangita Saramrta: Dance Practice As Effort In 18th Century Kaveri Delta ........... 169 Shifting Textual Temporalities: Orientalist Natya Sastra And Abhinaya Navaneetham In The Nineteenth Century ................................................................................................................. 189 Conclusion .............................................................................................................................. 197 Chapter 3: Structuring Repertoires And Socio-Spatial Publics: What Is A Kacceri? ................ 201 vi The Set Up: Kacceri As Assemblage ...................................................................................... 209 Constructing New Genres: Nrtta And Bhagavatar Migrations ............................................... 214 Ordering Dances: Sants, Dasas And Hybrid Performance Structures .................................... 236 Structuring New Public Space: Sadir, Kacchahari, And Concert Dance ................................ 257 Conclusion .............................................................................................................................. 269 Epilogue: Alternative Genealogies For The Present ................................................................... 274 Bibliography ............................................................................................................................... 285 vii List of Figures Fig. 1. Map of South Asia with Major Centers of Deccan and Coromandel, 18th century ............. 5 Fig. 2. Mural in the Ramalinga Vilasam Palace Durbar, Ramanathapuram, dated to early eighteenth century. Photograph from author’s travel ........................................................... 54 Fig. 3-8. Ceiling arches in the inner (3rd) chamber downstairs, Ramnad Ramalingavilasa darbar. Photographs from author’s travel.......................................................................................... 59 Fig. 9. Nayak era murals on walls of the inner corridor at Varadaraja perumal temple in Kancipuram, 17th century. Photograph from author’s travel ............................................... 69 Fig. 10. Setupati paintings on walls and ceilings of inner chamber at Ramalinga Vilasam, the palace darbar at Ramanathapuram, eighteenth century. Photograph from author’s travel. .. 70 Fig. 11. Bodinayakanur palace painting, part of Ramayana. Image by V Muthuraman............... 71 Fig. 12. Kalamkari Tapestry, late 17th century, Musee Guimet Riboud Collection .................... 71 Fig. 13-16. Friezes from along bottom of central courtyard, Maratha Yamunambal chatram at Needamangalam. Photographs from author’s travel. ............................................................ 80 Fig. 17-18. Upper floor half roof garden of Needamangalam Yamunambal chatram. Photographs from author’s travel............................................................................................................... 82 Fig. 19. Upper floor hall, where queen Yamunambal entertained and ostensibly stayed. Photograph from author’s travel ........................................................................................... 83 Fig. 20. ‘Nautch Scene’ with inscription “General Sir John Dalling Bart/Governor of Madras”, 1785-86; Artist Unknown. British Museum ......................................................................... 86 Fig. 21. “Dancers”, Artist Tilly Kettle; 1789. Oil on canvas. National Gallery of Modern Art, New Delhi ............................................................................................................................. 91 Fig. 22 (left): “Tanjore Dancing girl & her Tickataw men (Tanjavur)”, 1790s, Artist Unknown. British Library ......................................................................................................................
Load more

Recommended publications
  • Copyright by Kristen Dawn Rudisill 2007
    Copyright by Kristen Dawn Rudisill 2007 The Dissertation Committee for Kristen Dawn Rudisill certifies that this is the approved version of the following dissertation: BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT Committee: ______________________________ Kathryn Hansen, Co-Supervisor ______________________________ Martha Selby, Co-Supervisor ______________________________ Ward Keeler ______________________________ Kamran Ali ______________________________ Charlotte Canning BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT by Kristen Dawn Rudisill, B.A.; A.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 For Justin and Elijah who taught me the meaning of apu, pācam, kātal, and tuai ACKNOWLEDGMENTS I came to this project through one of the intellectual and personal journeys that we all take, and the number of people who have encouraged and influenced me make it too difficult to name them all. Here I will acknowledge just a few of those who helped make this dissertation what it is, though of course I take full credit for all of its failings. I first got interested in India as a religion major at Bryn Mawr College (and Haverford) and classes I took with two wonderful men who ended up advising my undergraduate thesis on the epic Ramayana: Michael Sells and Steven Hopkins. Dr. Sells introduced me to Wendy Doniger’s work, and like so many others, I went to the University of Chicago Divinity School to study with her, and her warmth compensated for the Chicago cold.
    [Show full text]
  • Azadari in Lucknow
    WEEKLY www.swapnilsansar.orgwww.swapnilsansar.org Simultaneously Published In Hindi Daily & Weekly VOL24, ISSUE 35 LUCKNOW, 07 SEPTEMBER ,2019,PAGE 08,PRICE :1/- Azadari in Lucknow Agency.Inputs With Sajjad Baqar- Lucknow is on the whole favourable to Madhe-Sahaba at a public meeting, and in protested, including prominent Shia Adeeb Walter -Lucknow.Azadari in Shia view." The Committee also a procession every year on the barawafat figures such as Syed Ali Zaheer (newly Lucknow is name of the practices related recommended that there should be general day subject to the condition that the time, elected MLA from Allahabad-Jaunpur), to mourning and commemoration of the prohibition against the organised place and route thereof shall be fixed by the Princes of the royal family of Awadh, district authorities." But the Government the son of Maulana Nasir a respected Shia failed to engage Shias in negotiations or mujtahid (the eldest son, student and inform them beforehand of the ruling. designated successor of Maulana Nasir Crowds of Shia volunteer arrestees Hussain), Maulana Sayed Kalb-e-Husain assembled in the compound of Asaf-ud- and his son Maulana Kalb-e-Abid (both Daula Imambada (Bara Imambara) in ulema of Nasirabadi family) and the preparation of tabarra, April 1939. brothers of Raja of Salempur and the Raja The Shias initiated a civil of Pirpur, important ML leaders. It was disobedience movement as a result of the believed that Maulana Nasir himself ruling. Some 1,800 Shias publicly Continue On Page 07 Imambaras, Dargahs, Karbalas and Rauzas Aasafi Imambara or Bara Imambara Imambara Husainabad Mubarak or Chhota Imambara Imambara Ghufran Ma'ab Dargah of Abbas, Rustam Nagar.
    [Show full text]
  • Philadelphia and the Southern Elite: Class, Kinship, and Culture in Antebellum America
    PHILADELPHIA AND THE SOUTHERN ELITE: CLASS, KINSHIP, AND CULTURE IN ANTEBELLUM AMERICA BY DANIEL KILBRIDE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1997 ACKNOWLEDGMENTS In seeing this dissertation to completion I have accumulated a host of debts and obligation it is now my privilege to acknowledge. In Philadelphia I must thank the staff of the American Philosophical Society library for patiently walking out box after box of Society archives and miscellaneous manuscripts. In particular I must thank Beth Carroll- Horrocks and Rita Dockery in the manuscript room. Roy Goodman in the Library’s reference room provided invaluable assistance in tracking down secondary material and biographical information. Roy is also a matchless authority on college football nicknames. From the Society’s historian, Whitfield Bell, Jr., I received encouragement, suggestions, and great leads. At the Library Company of Philadelphia, Jim Green and Phil Lapansky deserve special thanks for the suggestions and support. Most of the research for this study took place in southern archives where the region’s traditions of hospitality still live on. The staff of the Mississippi Department of Archives and History provided cheerful assistance in my first stages of manuscript research. The staffs of the Filson Club Historical Library in Louisville and the Special Collections room at the Medical College of Virginia in Richmond were also accommodating. Special thanks go out to the men and women at the three repositories at which the bulk of my research was conducted: the Special Collections Library at Duke University, the Southern Historical Collection of the University of North Carolina, Chapel Hill, and the Virginia Historical Society.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility.
    [Show full text]
  • Dāsa Sāhitya: Some Notes on Early Publications, Commentaries and Concerns1 Abstract: Dāsa Sāhitya Is a Literary Genre In
    Dāsa Sāhitya: Some Notes on Early Publications, Commentaries and Concerns1 Abstract: Dāsa Sāhitya is a literary genre in Kannada, beginning to be seen from the late- fifteenth century. Making its mark both in literature and in Indian classical music, Dāsa Sāhitya attracted the attention of missionaries and other colonial functionaries and was one of the first genres to be edited and published in Kannada in the mid-nineteenth century. Very soon, the native editors and publishers started working on the genre. Usually classified under Bhakti literature as part of modern Kannada literature, Dāsa Sāhitya got published by individuals of varying interests. This essay makes a survey of some of the early publications of the genre and attempts to segregate varying concerns and interests within what may be broadly and sometimes, urgently termed as either ‘colonial’ or ‘nationalist’, even as it makes certain interesting observations on the changing phase of the literary culture: from manuscript to print. Key Words: Dāsa Sāhitya, Dāsa, Pada, Kannada, literature, print Dāsa Sāhitya in Kannada seems to be a post late-fifteenth century phenomenon. It is largely perceived as Vaiṣṇava and Mādhva literature, eulogizing Puraṇic gods in the Vaiṣṇava pantheon and is considered part of Bhakti literature in Kannada. Travelling singers of medieval India who had a presence from Rajasthan in the north to north Karnataka in the south; Iyal and Isai traditions of Tamil and the Vārakarī tradition of Maharashtra seem to have had the foundational impacts on the Dāsa Sāhitya tradition apart from its own indigenous Kannada roots. Purandaradāsa, Kanakadāsa, Vijayadāsa, and Jagannathadāsa have been 1 I remain thankful for the comments and feedback during the presentation of this paper at the Conference, “Translating Oral/folk texts from Indian Languages into English” held in EFLU, Hyderabad, in March 2014.
    [Show full text]
  • Gert Jan Bestebreurtje Rare Books Catalogue
    GERT JAN BESTEBREURTJE RARE BOOKS CATALOGUE 215 - TRAVEL GERT JAN BESTEBREURTJE Rare Books Langendijk 8, 4132 AK Vianen The Netherlands Telephone +31-(0)347 - 322548 E-mail: [email protected] Visit our Web-page at http://www.gertjanbestebreurtje.com CATALOGUE 215 – TRAVEL Prices are quoted in euro, for clients within the European Community VAT will be added to the prices. Illustration on cover no 64 HAAFNER, Jacob. Reize naar Bengalen en terugreize naar Europa. Amsterdam, Johannes van der Hey, 1822. Wiert Adels, the master and boatswain of the Dutch ship De Bloeyende Blom 1 ADELS, Wiert. Wiert Adels. Stuurman op het Hollandsch kofschip De Bloeijende Blom, die zig van dezen bodem, na dat dezelve door de Franschen genomen, met veel bravoure meester gemaakt en den 5 Augustus te Hellevoet opgebracht heeft. (Middelburg), W.A. Keel, (1796). Half-length mezzotint portrait by Charles Howard Hodges after Jacobus Perkois. Ca. 26,5 x 21,5 cm. (Margins trimmed). € 275,00 Wiert Adels was steersman for the ship De Bloeyende Blom which was bringing grain from the Baltic port of Libau. A Duinkerk privateer seized his ship but after a few days he managed to recapture his ship and to seize the chief of the privateers and to throw him overboard. Thus he succeeded to bring his ship into Hellevoetsluis in 1794. This fine engraved portrait of a brave sailor was done by the mezzotint master Hodges (1764-1837) after a drawing by Perkois (1756-1804). Cf. Van Someren 227; Muller, Portetten, 17; Van der Feltz 626. Attack on the Jesuits’ attitude towards the Chinese rites 2 (ALEXANDRE, NOëL).
    [Show full text]
  • The Journal the Music Academy
    ISSN. 0970-3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LX 1989 *ra im rfra era faw ifa s i r ? ii ''I dwell not,in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by: T. S. PARTHASARATHY The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription — Inland Rs. 20 : Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor, Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type­ written (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS Pages The 62nd Madras Music Conference - Official Report 1-64 The Bhakta and External Worship (Sri Tyagaraja’s Utsava Sampradaya Songs) Dr. William J. Jackson 65-91 Rhythmic Analysis of Some Selected Tiruppugazh Songs Prof. Trichy Sankaran (Canada) 92-102 Saugita Lakshana Prachina Paddhati 7. S. Parthasarathy & P. K. Rajagopa/a Iyer 103-124 Indian Music on the March 7. S.
    [Show full text]
  • Thalassery Taluk- Details of Flood Affected Families Stayed at Various Camps
    THALASSERY FLOOD FAMILIES THALASSERY TALUK- DETAILS OF FLOOD AFFECTED FAMILIES STAYED AT VARIOUS CAMPS Sl No Name Address Village Camp Name 1 2 3 4 6 1 VIJAYALAKSHMI RAMAKRISHNA,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KUYIMBIL THAZHE 2 VASANTHA KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VENGERI THAZHE 3 PANKAJAKSHI KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVATAVIDA THAZHE 4 SASIDHARAN K M KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVATAVIDA THAZHE 5 PAVITHRAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KELOTH THAZHE 6 MITHRAN OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL PRASANTHI NILAYAM, 7 U K BALAN OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 8 PREMAN KANAKUNNUMAL THAZHE Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL DAMODARAM,VETTUVAN TAVIDA THAZHE, 9 SUNIL KUMAR OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KOTTAYIL THAZHE 10 BINOY KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VARAKKUL THAZHE 11 BABURAJAN V K KUNIYIL , OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL PATHIKKAL 12 ARUNAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVAN THAZHE 13 SAJEEVAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL VETTUVAN THAZHE 14 PRADEEPAN KUNIYIL,OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL NADEMMAL THAZHE 15 ABHILASH KUNIYIL OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 16 SATHI NADEMMAL OLAVILAM Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 17 PREMAN KOROTHU MEETHAL Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL KRISHNA NIVAS, 18 NANU VETTUVA THAZHE KUNI, Chockli 1. OLAVILAM SUM ENGLISH MEDIUM SCHOOL 19 SUMA KRISHNA KRIPA Chockli 1.
    [Show full text]
  • CII-ITC Sustainability Awards 2008 Chemplast Sanmar Gets Recognition in the Large Business Category Awards
    1 Sanmar Holdings Limited Sanmar Chemicals Corporation Sanmar Engineering Corporation Chemplast Sanmar Limited BS&B Safety Systems (India) Limited PVC Flowserve Sanmar Limited Chlorochemicals Sanmar Engineering Services Limited Trubore Piping Systems Fisher Sanmar Limited TCI Sanmar Chemicals LLC (Egypt) Regulator Valves Tyco Sanmar Limited Sanmar Metals Corporation Xomox Sanmar Limited Sanmar Foundries Limited Pacific Valves Division Sand Foundry Investment Foundry Sanmar Speciality Chemicals Limited Machine Shop ProCitius Research Matrix Metals LLC Intec Polymers Keokuk Steel Castings Company (USA) Performance Chemicals Richmond Foundry Company (USA) Bangalore Genei Acerlan Foundry (Mexico) Cabot Sanmar Limited NEPCO International (USA) Sanmar Ferrotech Limited Eisenwerk Erla GmBH (Germany) Sanmar Shipping Limited The Sanmar Group 9, Cathedral Road, Chennai 600 086. Tel.: + 91 44 2812 8500 Fax: + 91 44 2811 1902 2 In this issue... Momentous Moments MNC Flying to the Moon 4 MNC Celebrates 19th Anniversary 28 5th National Workshop on Early Intervention for Cover Story Mental Retardation 29 Sanmar’s Egyptian Sojourn 8 Social Responsibility Guest Column India’s Environment Ambassador Bata by Choice -Thomas G Bata 12 Voyages to the Arctic 30 A New Financial World Order - Arvind Subramanian 15 CII-Tsunami Rehabilitation Scorecard 32 Celebrating Art Chemplast Sanmar Distributes Rice in Hurricane- ravaged Villages in Cuddalore & Karaikal 34 Strumming to Spanish Music 19 Renovation of Park at Karaikal 35 Sruti Magazine Celebrates Silver Jubilee 20 The First Mrs Madhuram Narayanan Endowment Lecture 36 Pristine Settings Around Sanmar 22 Events Awards Sanmar Stands Tall 37 Flowserve Sanmar’s Training Centre 24 Trubore Dealers’ Meet 25 Legends from the South The 9th AIMA-Sanmar National Management Quiz 26 Padmini 42 Matrix can be viewed at www.sanmargroup.com Designed and edited by Kalamkriya Limited, 9, Cathedral Road, Chennai 600 086.
    [Show full text]
  • N.G.M. College (Autonomous) Pollachi- 642 001
    SHANLAX INTERNATIONAL JOURNAL OF ARTS, SCIENCE AND HUMANITIES (A Peer-Reviewed, Refereed/Scholarly Quarterly Journal with Impact Factor) Vol.5 Special Issue 2 March, 2018 Impact Factor: 2.114 ISSN: 2321-788X UGC Approval No: 43960 International Conference on Contributions and Impacts of Intellectuals, Ideologists and Reformists towards Socio – Political Transformation in 20th Century Organised by DEPARTMENT OF HISTORY (HISTORIA-17) Diamond Jubilee Year September 2017 Dr.R.Muthukumaran Head, Department of History Dr.K.Mangayarkarasi Mr.R.Somasundaram Mr.G.Ramanathan Ms.C.Suma N.G.M. College (Autonomous) Pollachi- 642 001 Dr.B.K.Krishnaraj Vanavarayar President NGM College The Department of History reaches yet another land mark in the history of NGM College by organizing International Conference on “Contributions and Impacts of Intellectuals, Ideologists and Reformists towards Socio-political Transformation in 20th century”. The objective of this conference is to give a glimpse of socio-political reformers who fought against social stagnation without spreading hatred. Their models have repeatedly succeeded and they have been able to create a perceptible change in the mindset of the people who were wedded to casteism. History is a great treat into the past. It let us live in an era where we are at present. It helps us to relate to people who influenced the shape of the present day. It enables us to understand how the world worked then and how it works now. It provides us with the frame work of knowledge that we need to build our entire lives. We can learn how things have changed ever since and they are the personalities that helped to change the scenario.
    [Show full text]
  • Madurai District
    CENSUS OF INDIA 2001 SERIES-33 TAMIL NADU DISTRICT CENSUS HANDBOOK Part - A MADURAI DISTRICT VILLAGE & TOWN DIRECTORY Dr. C. Chandramouli of the Indian Administrative Service Director of Census Operations, Tamil Nadu CHITHIRAI FESTIVAL Madurai Meenakshi Amman temple takes an important place in celebrating numerous festivals and also attracting a large pilgrims from a" over Tamil Nadu and from many parts of India. One of the famous festival which takes place in April/ May every year called as Chitirai festival that is the celestial marriage of the Goddess Meenakshi to the God Sundareswarar. The God Sundara rajar, the brother of Meenakshi, is carried by devotees in procession from Alagar Koil to Madurai for the wedding rituals. (i i i) Contents Pages Foreword Xl Preface Xlll Acknow ledgements xv Map of Madurai District District Highlights - 200 I XL'C Important Statistics of the District, 200 I Ranking of Taluks in the District Summary Statements from 1 - 9 Statement 1: Name of the headquarters of DistrictlTaluk their rural-urban X'CVl status and distance from District headquarters, 2001 Statement 2: Name of the headquarters of District/CD block, their X'CVl rural-urban status and distance from District headquarters, 200 I Statement 3: Population of the District at each census from 1901 to 200 I -:0..'Vll Statement 4: Area, number of villages/towns and population in District XXVlll and Taluk, 2001 Statement 5: CD block wise number of villages and rural population, 2001 :.\..""'Oill Statement 6: Population of urban agglomerations (including
    [Show full text]
  • CENTRAL LIST of Obcs for the STATE of TAMILNADU Entry No
    CENTRAL LIST OF OBC FOR THE STATE OF TAMILNADU E C/Cmm Rsoluti No. & da N. Agamudayar including 12011/68/93-BCC(C ) dt 10.09.93 1 Thozhu or Thuluva Vellala Alwar, -do- Azhavar and Alavar 2 (in Kanniyakumari district and Sheoncottah Taulk of Tirunelveli district ) Ambalakarar, -do- 3 Ambalakaran 4 Andi pandaram -do- Arayar, -do- Arayan, 5 Nulayar (in Kanniyakumari district and Shencottah taluk of Tirunelveli district) 6 Archakari Vellala -do- Aryavathi -do- 7 (in Kanniyakumari district and Shencottah taluk of Tirunelveli district) Attur Kilnad Koravar (in Salem, South 12011/68/93-BCC(C ) dt 10.09.93 Arcot, 12011/21/95-BCC dt 15.05.95 8 Ramanathapuram Kamarajar and Pasumpon Muthuramadigam district) 9 Attur Melnad Koravar (in Salem district) -do- 10 Badagar -do- Bestha -do- 11 Siviar 12 Bhatraju (other than Kshatriya Raju) -do- 13 Billava -do- 14 Bondil -do- 15 Boyar -do- Oddar (including 12011/68/93-BCC(C ) dt 10.09.93 Boya, 12011/21/95-BCC dt 15.05.95 Donga Boya, Gorrela Dodda Boya Kalvathila Boya, 16 Pedda Boya, Oddar, Kal Oddar Nellorepet Oddar and Sooramari Oddar) 17 Chakkala -do- Changayampadi -do- 18 Koravar (In North Arcot District) Chavalakarar 12011/68/93-BCC(C ) dt 10.09.93 19 (in Kanniyakumari district and Shencottah 12011/21/95-BCC dt 15.05.95 taluk of Tirunelveli district) Chettu or Chetty (including 12011/68/93-BCC(C ) dt 10.09.93 Kottar Chetty, 12011/21/95-BCC dt 15.05.95 Elur Chetty, Pathira Chetty 20 Valayal Chetty Pudukkadai Chetty) (in Kanniyakumari district and Shencottah taluk of Tirunelveli district) C.K.
    [Show full text]