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L3700 LETHAL WEAPON (USA, 1987) (Other Titles: Arma Lethale; Arme Fatale; Dodbringende Veben; Zwei Stahlharte Profis)
L3700 LETHAL WEAPON (USA, 1987) (Other titles: Arma lethale; Arme fatale; Dodbringende veben; Zwei stahlharte profis) Credits: director, Richard Donner ; writer, Shane Black. Cast: Mel Gibson, Danny Glover, Gary Busey. Summary: Police thriller set in contemporary Los Angeles. Martin Riggs (Gibson) is no ordinary cop. He is a Vietnam veteran whose killing expertise and suicidal recklessness make him a lethal weapon to anyone he works against or with. Roger Murtaugh (Glover), also a veteran, is an easy-going homicide detective with a loving family, a big house, and a pension he does not want to lose. The only thing Murtaugh and Riggs have in common is that they hate to work with partners, but their partnership becomes the key to survival when a routine murder investigation turns into an all-out war with an international heroin ring. Ansen, David. “The arts: Movies: Urban Rambo” Newsweek 109 (May 16, 1987), p. 72. [Reprinted in Film review annual 1988] “L’Arme fatale” Cine-tele-revue 31 (Jul 30, 1987), p. 16-19. Boedeker, Hal. “Lethal weapon wastes Mel Gibson” Miami herald (Mar 6, 1987), p. 5D. Canby, Vincent. “Film view: Gun movies: Big bore and small caliber” New York times 136 (May 10, 1987), sec. 2, p. 17. Carr, Jay. “‘Lethal weapon’ is high-energy bullet ballet” Boston globe (Mar 6, 1987), Arts and film, p. 36. Christensen, Johs H. “Dodbringende veben” Levende billeder 3 (Sep 1, 1987), p. 51. Cunneff, T. [Lethal weapon] People weekly 27 (Mar 23, 1987), p. 8. Darnton, Nina. “At the movies: A new hit has the industry asking why” New York times 136 (Apr 3, 1987), p. -
PGIP Programme in Detail Rev 3 20
!1 of !6 Giles Foreman Centre" for Acting A LEADING PROFESSIONAL ACTING STUDIO, "BASED IN THE HEART OF SOHO " " " ACTOR TRAINING | FILM & TV PRODUCTION | CORPORATE" COMMUNICATION LONDON | NEW" YORK | PARIS "" What" makes the GFCA 16-month advanced Professional Intensive " Acting/Acting-Directing Programme unique? Our Advanced course is equivalent in level to Post Graduate study. However, the training is designed for those creative individuals - from any background - who have the capacity, ability and motivation to enter the Industry. The programme involves 30+ hours of intensive classes and rehearsal exercises per week, taught by top- level specialist coaches, each with extensive professional experience. There are in-house showings throughout the course, and plays are presented to the public and Industry during the final two terms. During the final term, as well as advanced-level classes, students may join the Spotlight Casting Graduate scheme; scenes are filmed for showreel, there are Industry events, and a range of further performance opportunities. These continue after the conclusion of the formal training. We take only a single cohort of Intensive-Route acting students each year, to provide a focussed training designed to bring out individual strengths, and we welcome applications from people from a wide variety of previous backgrounds and experience. The programme is tailored towards the unique mix of talent drawn to our centrally-located Studio from across the UK, Europe and beyond. We have excellent links with UK and European Casting Directors, as well as a base in New York, and ofer many opportunities to showcase talent to European casting directors, largely due to the strong connections formed by our Director, Giles Foreman and his extensive work as a film acting-coach. -
The Earthing Movie Bringing It Home Poisoning Paradise Free Willy
SANTA MONICA COLLEGE FALL 2019 GREEN SCREEN SERIES Hosted by Sheila Laffey, Ph.D., Adjunct Professor 09.23.19 11.04.19 The Earthing Poisoning Movie Paradise Documentary Film Screening and Talk Film Screening with Filmmakers Josh and Rebecca Mon, November 4 | 4 p.m. Tickell and Oscar-nominated Actor Mariel Hemingway 11.18.19 Mon, September 23 | 4 p.m. Free Willy 10.07.19 Film Screening and Talk with Producers Lauren Shuler Donner Bringing It Home and Jennie Lew Tugend Film Screening Mon, November 18 | 3 p.m. and Talk with Sheila Laffey Mon, October 7 | 4 p.m. All events will be held at the Center for Media and Design, Auditorium. Free admission. THE EARTHING MOVIE Film Screening and Talk with Filmmakers Josh and Rebecca Tickell and Oscar-nominated Actor Mariel Hemingway The Earthing Movie (2019, 75 minutes) explores the effects on human physiology and health of connecting our skin to the ground for extended periods of time, which can significantly reduce inflammation, leading to often dramatic health benefits. A talk with the documentary’s award- winning filmmakers Josh and Rebecca Tickell and actor Mariel Hemingway follows the screening. Mon, September 23 | 4 p.m. | Free | Center for Media and Design, Auditorium 180 BRINGING IT HOME Film Screening and Talk with Sheila Laffey Hemp — it’s not just for hippies anymore. Today, it’s found in everything from salad dressings to construction materials. Industrial hemp is a nonpsychoactive plant grown in 31 other countries, but prohibited until very recently in the United States. Directed by Linda Booker, Bringing It Home (2006, 60 minutes) uses animation, archival images, and interviews with hemp business leaders and growers, to explore a crop with so many widespread benefits. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Robert Wise's the Day the Earth Stood Still Part I
Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film? By Anton Karl Kozlovic Fall 2013 Issue of KINEMA ROBERT WISE’S THE DAY THE EARTH STOOD STILL Part I: A RELIGIOUS FILM? Abstract Science fiction (SF) films have frequently been the home for subtextual biblical characters, particularly Christ-figures. Crafting these sacred subtexts can make the difference between an ordinary filmandan exceptional one. This investigation intends to explore the religious and other dimensions of the 1951 SF cult classic The Day the Earth Stood Still directed by Robert Wise. In Part 1 of this analytical triptych, the film’s reception as a UFO film with political, artificial intelligence (AI), police and philosophical dimensions was canvassed. It was argued that Wise’s film contains all of the above genre dimensions; however, it can bemore fully appreciated as a profoundly religious film wrapped in contemporary scientific garb. The forthcoming parts will explore the factual elements of this proposition in far greater analytical detail. Introduction: SF and Sacred Storytelling Historically speaking, science fiction (SF) films(1) have harboured numerous hidden biblical characters in typically covert forms. For example, Barry McMillan described many an SF alien as ”a ’transcendent’ being - a benign entity who brings wisdom and knowledge, the imparting of which brings resolution, insight and the beginnings of personal or political harmony” (360). Whilst Bonnie Brain argued that: ”The ascendancy of the aliens derives strongly from their aura of religious authority. Teachers, mystics, priests, or prophets, capable of ”miracles” and, in some cases, ”resurrection,” these aliens flirt with divinity” (226). -
L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2)
L3702 LETHAL WEAPON 2 (USA, 1989) (Other titles: Arma lethale 2; Arme fatale 2; Brennpunkt L.A.; Dodbringende veben 2) Credits: director, Richard Donner ; writer, Jeffrey Boam. Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland. Summary: Police thriller set in contemporary Los Angeles. Detectives Riggs (Gibson) and Murtaugh (Glover) must guard a free-wheeling witness (Pesci) in a drug money laundering scheme run by South African diplomats. A comedy of car chases, gun battles, and under-water escapes. Ansen, David. “The arts: Movies: Gibson and Glover return: ‘Lethal weapon 2’ serves up sadism with a smile” 114 Newsweek (Jul 17, 1989), p. 53. [Reprinted in Film review annual 1990] Avins, Mimi. “Shot by shot” Premiere 2/12 (Aug 1989), p. 72-6. Baumann, Paul D. “Screen: Scorching the screen” Commonweal 116 (Oct 6, 1989), p. 529-30. Blair, Iain. “Movies: Mel’s lethal appeal: He’s got killer looks, but shucks, Gibson’s just one of the guys” Chicago tribune (Jul 9, 1989), Arts, p. 4. Blois, Marco de. “Lethal weapon II” 24 images 44-45 (autumn 1989), p. 109. Broeske, Pat H. “A high-caliber Danny Glover” Los Angeles times (Jul 11, 1989), Calendar, p. 1. “Business: Talk about placements” Newsweek 114 (Jul 31, 1989), p. 50. Carr, Jay. “Three stooges with guns” Boston globe (Jul 7, 1989), Arts and film, p. 41. Christensen, Johs H. “Dodbringende veben 2” Levende billeder 5 (Sep 1989), p. 47. Clark, Mike. “‘Lethal 2’ is loaded with bang and blanks” USA today (Jul 7, 1989), p. 1D. Cliff, Paul. “Movie trax” Film monthly 1 (Dec 1989), p. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
Free Willy Theme Song
Free willy theme song click here to download Will You Be There (Theme from "Free Willy) - Reprise Lyrics: Hold me like the River Jordan / And I will then say to thee, you are my friend / Carry me like you are. Free Willy () SoundTracks on IMDb: Memorable quotes and exchanges ( Theme from "Free Willy") Courtesy of The RCA Records Label of BMG Music. Lyrics to Will You Be There [From Free Willy] by Michael Jackson from the Lo Esencial De Los Grandes Temas De Películas album - including song video, artist. Check out Will You Be There (Theme from "Free Willy") by Michael Jackson on Amazon Music. Stream ad-free or purchase CD's and MP3s now on www.doorway.ru . "Will You Be There" is a song by Michael Jackson which was released in The song is the eighth single from the album Dangerous. The song also appeared on the soundtrack to the film Free Willy, of which it is the main theme. Lyrics to 'Will You Be There (Theme From "Free Willy")' by Michael Jackson. Hold me like the River Music Videos. Michael Top Songs By Michael Jackson. 1. This is an easier version of MJ's, Free Willy theme tune, Will You Be There? I didn 't know what to call one note so I named it GT, its *basically playing the bottom. 12 Songs, 59 Minutes. Preview. Free Willy (Original Motion Picture Soundtrack) Various Artists Will You Be There (Theme from "Free Willy"). Michael Jackson. Will You Be There (Theme from 'Free Willy') Hold me like the River Jordan And I will then All songs www.doorway.ru (You Were The Only One) (Emile Haynie Remix) 2. -
MAKUP & Mcaleer
Feature MAKUP & McAleer Oscar nominated make-up artist Veronica McAleer achieved a dream ambition this year by opening up her own make-up school in Birmingham. She talks to David Baldwin about her storied career. ooking at the list of courses available at the new Ashley Johnson for 2004 biopic The Life & Death Of LMAKUP Film & Media Make-Up Academy that Peter Sellers), the selection of films she’s worked seasoned make-up artist Veronica McAleer has on runs the gamut from Charlotte Gray to The Da opened in the heart of Digbeth, one of the course Vinci Code via Jane Eyre, primping and coiffing topics instantly jumps out at you. In amongst the actors like Judi Dench, Anne Hathaway and Colin modules on period make-up, hair styling and pros- Firth. It’s a career that first took shape when she thetics sits the title of ‘Set Etiquette’. made a visit to BBC Pebble Mill in Birmingham, the ‘Set etiquette is make-up artist there in- SO important,’ says ‘Set etiquette is so important for a make- spiring her to follow her Paul Bettany in The Da Vinci Code McAleer, a veteran of dreams and begin train- film sets all over the up artist; you need to learn the who, what, ing in hair and make-up. world. ‘You need to And it’s just as inspiring 75 to 80 hours per week) and then months with no Birmingham, a chance for Midlands based artists to learn the who, what, when and why of the film world’ to learn that McAleer work. -
Grantarmstrong
(8/5/21) GRANT ARMSTRONG Production Designer www.grant-armstrong.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “CHASE” Brian Goodman Voltage Pictures Nicholas Chartier Marc Frydman “KICKS” Lindy Heymann BBC Films Andy Stebbing AS SUPERVISING ART DIRECTOR: “THE BATMAN” Matt Reeves Warner Bros. Dylan Clark DC Entertainment Matt Reeves “SPIDER-MAN: FAR Jon Watts Columbia Pictures Kevin Feige FROM HOME” Marvel Studios Amy Pascal Walt Disney Pictures “OVERLORD” Julius Avery Paramount Pictures J. J. Abrams Bad Robot Lindsey Weber “KINGSMAN: THE Matthew Vaughn Twentieth Century Fox Adam Bohling GOLDEN CIRCLE” Marv Films Jane Goldman TSG Entertainment David Reid Matthew Vaughn “A CURE FOR WELLNESS” Gore Verbinski New Regency David Crockett Blind Wink Productions Christoph Fisser Arnon Milchan Charlie Woebcken “CRIMINAL” Ariel Vromen Lionsgate Christa Campbell BenderSpink Denis Chobanov Millennium Films Mark Gill J.C. Spink “THE DANISH GIRL” Tom Hooper Artémis Productions Tim Bevan Pretty Pictures Eric Fellner Working Title Films Gail Mutrux “VICTOR FRANKENSTEIN” Paul McGuigan Moving Picture Co. John Davis Twentieth Century Fox Mairi Bett “MUPPETS MOST James Bobin Mandeville Films David Hoberman WANTED” Walt Disney Pictures Todd Lieberman “LES MISÉRABLES” Tom Hooper Cameron Mackintosh Ltd. Tim Bevan Relativity Media Eric Fellner Working Title Films Debra Hayward (cont.) SANDRA MARSH & ASSOCIATES +1 (310) 285-0303 [email protected] • www.sandramarsh.com (8/5/21) GRANT ARMSTRONG Production Designer - 2 - FILM & TELEVISION DIRECTOR COMPANIES -
JOHN BLAKE Make-Up Artist IATSE 706
JOHN BLAKE Make-Up Artist IATSE 706 FILM UNTITLED AVENGERS MOVIE Department Head Marvel Studios Director: Joe and Anthony Russo Cast: Robert Downey Jr., Elizabeth Olsen, Cobie Smulders, Paul Bettany, Haley Atwell AVENGERS: INFINITY WAR Department Head Marvel Studios Director: Joe and Anthony Russo Cast: Robert Downey Jr., Elizabeth Olsen, Cobie Smulders, Paul Bettany SPIDER-MAN HOMECOMING Personal Make-Up Artist to Robert Downey Jr. Columbia Pictures Director: John Watts GUARDIANS OF THE GALAXY VOL. 2 Department Head Marvel Studios Director: James Gunn Cast: Sylvester Stallone, Kurt Russell, Elizabeth Debicki, Sean Gunn, Tommy Flanagan, Laura Haddock, Glenn Close, Sharon Stone Nominated: Saturn Award for Best Make-Up Nominated: Hollywood Make-Up Artist and Hair Stylist Guild Awards for Best Special Make-Up effects – Feature length Motion Picture Nominated: OFTA Film Award for Best Make-Up and Hairstyling Nominated: ACCA for Best Make-Up and Hairstyling CAPTAIN AMERICA: CIVIL WAR Department Head & Marvel Studios Personal Make-Up Artist to Robert Downey Jr. Directors: Anthony Russo, Joe Russo Cast: Robert Downey Jr., Chadwick Boseman, Paul Bettany, Emily VanCamp, Frank Grillo JANE GOT A GUN Personal Make-Up Artist to Natalie Portman and Relativity Media Joel Edgerton Director: Gavin O’Connor AVENGERS: AGE OF ULTRON Personal Make-Up Artist to Robert Downey Jr. Marvel Studios Director: Joss Whedon THE JUDGE Personal Make-Up Artist to Robert Downey Jr. Warner Bros. Director: David Dobkin IRON MAN 3 Personal Make-Up Artist to Robert Downey