Track Listing

Total Page：16

File Type：pdf, Size：1020Kb

Wadada Leo Smith American Trumpeter and Composer (December 18, 1941 - ) Track listing 1. title: Nine (9) Stones On A Mountain personnel: Wadada Leo Smith (trumpet) album title (format): Creative Music (lp) label (country) (catalog number): Kabell Records (USA) (Kabell 1) recording date: 1971 reissued title (format): Kabell Years 1971-1979 (cdx4) reissue label (country) (catalog number): Tzadik Records (USA) (TZ 7610-4) reissue date: 2004 duration: 5:28 1 2. title: Full Fathom Five personnel: Wadada Leo Smith (trumpet), Susie Ibarra (drums), John Zorn (alto saxophone) album title (format): John Zorn 50th Birthday Celebration – 8 (cd) label (country) (catalog number): Tzadik Records (USA) (TZ 5008) recording date: 2004 duration: 6:49 3. title: Lake Biwa: A Fullmoon Purewater Gold personnel: Wadada Leo Smith (trumpet, composer), John Zorn (alto saxophone), John Lindberg (bass), Wes Brown (bass), Erik Friedlander (cello), Gerald Cleaver (drums), Kwaku Kwaakye (drums), Susie Ibarra (drums), Marc Ribot (guitar), Anthony Coleman (piano), Craig Taborn (piano), Jamie Saft (piano), Yuko Fujiyama (piano), Marcus Rojas (tuba), Jennifer Choi (violin) album title (format): Lake Biwa (cd) label (country) (catalog number): Tzadik Records (USA) (TZ 8008) recording date: 2004 duration: 11:13 4. title: Martin Luther King, Jr.: Memphis,The Prophecy (fragment) personnel: John Lindberg (bass), Peter Jacobson (bass), Jim Foschia (clarinet), Jeff von der Schmidt (conductor), Susie Ibarra (drums), Larry Kaplan (flute), Alison Bjorkedal (harp), Lynn Vartan (percussion), Anthony Davis (piano), Wadada Leo Smith (trumpet, composer), Jan Karlin (viola), Lorenz Gamma (violin), Shalinin Vijayan (violin) album title (format): Ten Freedom Summers (cdx4) label (country) (catalog number): Cuneiform Records (USA) (Rune 350/351/352/353) recording date: 2012 duration: 8:06 5. title: Queen Hatshepsut personnel: Veli Kujala (accordion), Mikko Innanen (saxophones), Iida-Vilhelmiina Laine (cello), Wadada Leo Smith (trumpet, conductor, composer), John Lindberg (bass), Ulf Krokfors (bass), Mika Kallio (drums), Stefan Pasborg (drums) Janne Tuomi (drums, marimba), Kalle Kalima (guitar), Mikko Iivanainen (guitar), Juhani Aaltonen (flutes), Kalle Hassinen (french horn), Iro Haarla (harp), Seppo Kantonen (piano), Fredrik Ljungqvist (saxophones), Jari Hongisto (trombone), Verneri Pohjola (trumpet, electronics), Kenneth Ojutkangas (tuba), Barbora Hilpo (viola), Niels Thorkild Levinsen (violin), Terhi Pylkkänen (violin) album title (format): Occupy the World (cdx2) label (country) (catalog number): TUM Records (Finland) (TUM CD 037-2) recording date: 2013 duration: 17:13 2 6. title: The Culture Of Gun Violence In The US personnel: Wadada Leo Smith (trumpet), George Lewis (trombone), John Zorn (alto saxophone) album title (format): Sonic Rivers (cd) label (country) (catalog number): Tzadik Records (USA) (TZ 4001) recording date: 2014 duration: 5:42 7. title: Passage personnel: Wadada Leo Smith (trumpet), Vijay Iyer (piano, electric piano [Fender Rhodes], electronics) album title (format): A Cosmic Rhythm With Each Stroke (cd) label (country) (catalog number): ECM Records – (Germany) (ECM 2486) recording date: 2016 duration: 6:15 Links: Musician’s Website: http://www.wadadaleosmith.com/ Wikipedia: http://en.wikipedia.org/wiki/Wadada_Leo_Smith Discogs.com website: http://www.discogs.com/artist/347445-Wadada-Leo-Smith 3 .

Copy Link

Recommended publications

Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
[Show full text]
'Standardized Chapel Library Project' Lists
Standardized Library Resources: Baha’i Print Media: 1) The Hidden Words by Baha’u’llah (ISBN-10: 193184707X; ISBN-13: 978-1931847070) Baha’i Publishing (November 2002) A slim book of short verses, originally written in Arabic and Persian, which reflect the “inner essence” of the religious teachings of all the Prophets of God. 2) Gleanings from the Writings of Baha’u’llah by Baha’u’llah (ISBN-10: 1931847223; ISBN-13: 978-1931847223) Baha’i Publishing (December 2005) Selected passages representing important themes in Baha’u’llah’s writings, such as spiritual evolution, justice, peace, harmony between races and peoples of the world, and the transformation of the individual and society. 3) Some Answered Questions by Abdul-Baham, Laura Clifford Barney and Leslie A. Loveless (ISBN-10: 0877431906; ISBN-13 978-0877431909) Baha’i Publishing, (June 1984) A popular collection of informal “table talks” which address a wide range of spiritual, philosophical, and social questions. 4) The Kitab-i-Iqan Book of Certitude by Baha’u’llah (ISBN-10: 1931847088; ISBN-13: 978:1931847087) Baha’i Publishing (May 2003) Baha’u’llah explains the underlying unity of the world’s religions and the revelations humankind have received from the Prophets of God. 5) God Speaks Again by Kenneth E. Bowers (ISBN-10: 1931847126; ISBN-13: 978- 1931847124) Baha’i Publishing (March 2004) Chronicles the struggles of Baha’u’llah, his voluminous teachings and Baha’u’llah’s legacy which include his teachings for the Baha’i faith. 6) God Passes By by Shoghi Effendi (ISBN-10: 0877430209; ISBN-13: 978-0877430209) Baha’i Publishing (June 1974) A history of the first 100 years of the Baha’i faith, 1844-1944 written by its appointed guardian.
[Show full text]
ORDER FORM FULL Pdfcd
JAZZ ARTIST TITLE LABEL RETAIL BILK, ACKER STRANGER ON THE SHORE-BEST OF GNP CRESCENDO RM59.00 CAINE, ELLIOTT - SEXTET HIPPIE CHICKS ON ACID (LIVE AT ALVA WONDERCAP RM63.00 DJ BONEBRAKE TRIO THE OTHER OUTSIDE WONDERCAP RM63.00 GRADY, KRAIG BEYOND THE WINDOWS PERHAPS AMONG TH TRANSPARENCY RM48.00 HARLEY, RUFUS BAGPIPES OF THE WORLD TRANSPARENCY RM61.00 HARLEY, RUFUS RE-CREATION OF THE GODS TRANSPARENCY RM61.00 JONES, NORAH COME AWAY WITH ME (BONUS DISC) BLUE NOTE RM132.00 LEONARDSON, ERIC & STEVE BARSOTTI RAREBIT TRANSPARENCY RM48.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.1 (FAL TRANSPARENCY RM61.00 LOS ANGELES FREE MUSIC SOCIETY THE BLORP ESETTE GAZETTE VOL.2 (WIN TRANSPARENCY RM61.00 MINGUS, CHARLES THE LEAVES JAZZ CAT RM67.00 MONK, THELONIOUS SOULVILLE JAZZ CAT RM67.00 MORGAN, LEE AFTER THE LIGHTS JAZZ CAT RM67.00 OMER, PIERRE - SWING REVUE SWING CREMONA VOODOO RHYTHM RM78.00 PATCHEN, KENNETH READS HIS POETRY WITH JAZZ TWO-BEAT BEATNK RM61.00 PUSSYWARMERS, THE THE CHRONICLES OF... VOODOO RHYTHM RM78.00 ROACH, MAX & CLIFFORD BROWN IN CONCERT GNP CRESCENDO RM59.00 ROYAL CROWN REVUE KINGS OF GANGSTER BOP BYO RM53.00 SUN RA DANCE OF THE LIVING IMAGE (L.R. 4) TRANSPARENCY RM61.00 SUN RA LIVE AT THE ELECTRIC CIRCUS/NEWPORT TRANSPARENCY RM62.00 SUN RA THE CREATOR OF THE UNIVERSE TRANSPARENCY RM61.00 SUN RA THE ROAD TO DESTINY (LOST REEL 6) TRANSPARENCY RM55.00 SUN RA THE SHADOWS TOOK SHAPE (LOST REEL 3 TRANSPARENCY RM61.00 SUN RA THE UNIVERSE SENT ME (LOST REEL 5) TRANSPARENCY RM55.00 SUN RA UNTITLED RECORDINGS TRANSPARENCY
[Show full text]
Freier Download BA 88 Als
BAD 88 ALCHEMY Merke: Der Misophoniker könnte der Meinung sein, dass es einer richtige und eine falsche Art gebe, den Kartoffelbrei zu essen. rbd's Favoriten 2015 Phall Fatale - Moonlit Bang Bang (Qilin Records / Slowfoot) Jenny Hval - Apocalypse, girl (Sacred Bones Records) Konstruktivists - Anarchic Arcadia (E-Klageto) Loomings - Everyday Mythology (AltrOck) Malerai + Uchihashi + Maya R - Utsuroi (For Tune) Mary Ocher + Your Government (Klangbad) Oiseaux-Tempête - ÜTOPIYA? (Sub Rosa) Post Office - The Marylebone Greenwave (Minority Records) Dominik Strycharski Core 6 - Czôczkò (For Tune) The Very Big Experimental Toubifri Orchestra - Waiting in the Toaster (Label Bleu) alternativ auch BDC La Belle - Merci Professeur (La main mouche) Julia Holter - Have You In My Wilderness (Domino Records) The Necks - Vertigo (ReR Megacorp) Rejoice with the Book-Spider (Iain Sinclair) Martin Amis - Die Anderen. Eine mysteriöse Geschichte John Banville - Sonnenfinsternis Edmond Baudoin + Fred Vargas - Die Tote im Pelzmantel Anthony Burgess - Clockwork Orange (neu übersetzt vom U. Blumenbach) Yves Chaland - Freddy Lombard (complete) Didier Comès - Die Wildkatze; Eva Corbeyran + Horne - Die Verwandlung von Franz Kafka Samuel R. Delany - Babel-17; Treibglas (beides nicht zum ersten Mal) E. L. Doctorow - City of God Aris Fioretos - Der letzte Grieche John Fowles - Der Magus Matthias Gnehm - Der Maler der Ewigen Portrait Galerie Mark Haddon - Supergute Tage oder die sonderbare Welt des Christopher Boone Cesare Pavese - Die einsamen Frauen Padgett Powell - Edisto; Rückkehr nach Edisto Martin Rowson - Leben und Ansichten von Tristram Shandy, Gentleman Stendhal - Rot und Schwarz David Foster Wallace - Unendlicher Spaß (übersetzt von U. Blumenbach) Warn's + Raives - Lou Cale. Snapping The Big Apple's Bad Seeds Tommy Wieringa - Joe Speedboat 2 Life is a liquid drop by drop HOPE beim Jazz Festival Frankfurt 31.10.2015 Stellen wir uns den hr-Sendesaal in Frankfurt als Pandoras Büchse vor und das 46.
[Show full text]
Primary & Secondary Sources
Primary & Secondary Sources Brands & Products Agencies & Clients Media & Content Influencers & Licensees Organizations & Associations Government & Education Research & Data Multicultural Media Forecast 2019: Primary & Secondary Sources COPYRIGHT U.S. Multicultural Media Forecast 2019 Exclusive market research & strategic intelligence from PQ Media – Intelligent data for smarter business decisions In partnership with the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers Co-authored at PQM by: Patrick Quinn – President & CEO Leo Kivijarv, PhD – EVP & Research Director Editorial Support at AIMM by: Bill Duggan – Group Executive Vice President, ANA Claudine Waite – Director, Content Marketing, Committees & Conferences, ANA Carlos Santiago – President & Chief Strategist, Santiago Solutions Group Except by express prior written permission from PQ Media LLC or the Association of National Advertisers, no part of this work may be copied or publicly distributed, displayed or disseminated by any means of publication or communication now known or developed hereafter, including in or by any: (i) directory or compilation or other printed publication; (ii) information storage or retrieval system; (iii) electronic device, including any analog or digital visual or audiovisual device or product. PQ Media and the Alliance for Inclusive and Multicultural Marketing at the Association of National Advertisers will protect and defend their copyright and all their other rights in this publication, including under the laws of copyright, misappropriation, trade secrets and unfair competition. All information and data contained in this report is obtained by PQ Media from sources that PQ Media believes to be accurate and reliable. However, errors and omissions in this report may result from human error and malfunctions in electronic conversion and transmission of textual and numeric data.
[Show full text]
Representations of Hiv/Aids in Popular American Comic Books, 1981- 1996
REPRESENTATIONS OF HIV/AIDS IN POPULAR AMERICAN COMIC BOOKS, 1981- 1996 William Richard Avila A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2021 Committee: Jeffrey Brown, Advisor Michael Decker Graduate Faculty Representative William Albertini Timothy Messer-Kruse © 2021 William Richard Avila All Rights Reserved iii ABSTRACT Jeffery Brown, Advisor From 1981-1996, the United States experienced an epidemic of human immunodeficiency virus/acquired immunodeficiency syndrome (HIV/AIDS) that held profound implications for issues ranging from civil rights, public education, and sexual mores, to government accountability, public health, and expressions of heterosexism. Popular comic books that broached the subject of HIV/AIDS during the U.S. epidemic elucidate how America’s discourse on the disease evolved in an era when elected officials, religious leaders, legal professionals, medical specialists, and average citizens all struggled to negotiate their way through a period of national crisis. The manner whereby comic book authors, illustrators, and publishers engaged the topic of HIV/AIDS changed over time but, because comic books are an item of popular culture primarily produced for a heterosexual male audience, such changes habitually mirrored the evolution of the nation’s mainstream, heteronormative debates regarding the epidemic and its sociocultural and political implications. Through studying depictions of the HIV/AIDS epidemic in popular comic books, alterations in the heterocentric, national discourse emerge revealing how homophobic dismissals of the “gay plague” in the early 1980s gave way to heterosexual panic in the mid-1980s, followed by the epidemic’s reinterpretation as a national tragedy in the late-1980s.
[Show full text]
Drew Gilpin Faust Leading Harvard in Challenging Times
CriminalizingCriminalizing RaceRace •• CommencementCommencement •• PoisoningPoisoning thethe OceansOceans JULY-AUGUST 2018 • $4.95 Drew Gilpin Faust Leading Harvard in challenging times Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 MANAGING THE FUTURE OF WORK TOMORROW’S WORKFORCE IS TODAY’S CHALLENGE Advancements in technology, shifting markets, and the gig economy are changing the very nature of work. With this challenge in mind, Harvard Business School Executive Education is launching a new program, Managing the Future of Work. Based on the latest research into the forces reshaping workforce demographics, this program is designed to help employers remain competitive by thinking strategically about today’s evolving business landscape. Managing the Future of Work 21–24 OCT 2018 Learn more www.exed.hbs.edu Reprinted from Harvard Magazine. For more information, contact Harvard Magazine, Inc. at 617-495-5746 180706_HBS_ExecEd.indd 1 5/17/18 9:27 AM JULY-AUGUST 2018, VOLUME 120, NUMBER 6 FEATURES 39 The “Global Chemical Experiment” | by Courtney Humphries Elsie Sunderland maps ocean pollutants—and their effects on human health 44 Vita: Moorfield Storey | by Geoffrey D. Austrian Brief life of a patrician reformer: 1845-1929 p. 14 46 Faust in Focus | by John S. Rosenberg A Harvard presidency during challenging times 57 Writing Crime into Race | by Lydialyle Gibson Khalil Muhammad plumbs the history of Americans’ racialized ideas about crime JOHN HARVARD’S JOURNAL 14 The picture-perfect 367th Commencement celebrated Harvard’s twenty-eighth president, amid politically uncertain times. Plus a voice coach, the Law School’s immigration clinic, seasonal views of the Arboretum, biodiversity at Walden Pond, Corporation changes, S.
[Show full text]
2017 NYC Program Booklet
THE 2017 RESONANT BODIES FESTIVAL RESONANT BODIES FESTIVAL Welcome! It is my pleasure to welcome you to the fifth-annual Resonant Bodies Festival in New York City. RBF began in 2013, with a mission to catalyze the creation of new vocal music, expand new vocal music’s audience, and challenge and transform the role of the vocal recitalist. To my delight, critics, performers, and audiences have greeted our efforts with sustained acclaim. Four years later, we have reached a new chapter in the Festival’s evolution: expanding beyond New York City. This past May, I visited Melbourne for the first-ever Resonant Bodies Festival Australia. It was thrilling to dive into the musical culture of the city and hear local artists. The experience profoundly affected me as a curator, widening my scope of what we call “contemporary music”—who belongs to it, and for whom it is performed. As we continue to take Resonant Bodies to new places, we will adapt our format to the culture of the location, which means sometimes changing how we do things. This brings up the question: what is at the core of Resonant Bodies Festival? The answer is always: freedom. Empowering artists with curatorial control. And in this, RBF’s aim is quietly revolutionary: for much of the history of Western classical music, vocalists were trained to be “vessels”—instruments at the (typically male) composer’s disposal. The autonomous vocalist and performer, empowered to realize their own creative potential, is a radical paradigm shift. We believe the art form as a whole will correspondingly advance when vocalists have “full voice” in the process and are treated as creative, self-actualizing beings.
[Show full text]
On Lyric's Minor Commons by Daniel Benjamin a Dissertation Submitted
On Lyric’s Minor Commons By Daniel Benjamin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English and the Designated Emphasis in Critical Theory in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Lyn Hejinian, Chair Professor Judith Butler Professor Nadia Ellis Professor Anne-Lise François Summer 2019 Abstract On Lyric’s Minor Commons by Daniel Benjamin Doctor of Philosophy in English and Designated Emphasis in Critical Theory University of California, Berkeley Professor Lyn Hejinian, Chair On Lyric’s Minor Commons studies how minoritized writers use lyric poems to create alternative forms of collectivity. I argue that poets like Amiri Baraka, Frank O’Hara, M. NourbeSe Philip, and Jack Spicer use lyric poetry’s undetermined multiplicity of voicing and reading for various social and political aims. These poems become spaces for politics: they conjure and mobilize collectives of action and feeling. My argument complicates generic and historicist critiques that associate lyric voice with the reinforcement of humanism. While lyric is often considered to be the genre of individual subjective experience, I read lyric as the genre of the collective who can voice or read it. For the minoritized poets I discuss in this dissertation, lyric’s collective is not the unmarked hegemonic universal, but another commons. The politics of difference often emphasizes the individual relative to the collective; my readings show how the “black poem” or the “queer poem” offer a commons of their own. These poems are minor in their position vis-à-vis the unmarked hegemonic universal, and also minor in their alternative prefiguring of a different form of sociality without a coercive and majoritarian impulse.
[Show full text]
SONIC WARFARE Technologies of Lived Abstraction Brian Massumi and Erin Manning, Editors
SONIC WARFARE Technologies of Lived Abstraction Brian Massumi and Erin Manning, editors Relationscapes: Movement, Art, Philosophy, Erin Manning, Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics, Steven Shaviro, Sonic Warfare: Sound, Aff ect, and the Ecology of Fear, Steve Goodman, SONIC WARFARE Sound, Affect, and the Ecology of Fear Steve Goodman The MIT Press Cambridge, Massachusetts London, England © Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please e- mail special_sales@mitpress .mit .edu This book was set in Syntax and Minion by Graphic Composition, Inc. Printed and bound in the United States of America. Library of Congress Cataloging- in- Publication Data Goodman, Steve. Sonic warfare : sound, aff ect, and the ecology of fear / Steve Goodman. p. cm. — (Technologies of lived abstraction) Includes bibliographical references and index. ISBN - - - - (hardcover : alk. paper) . Music—Acoustics and physics. Music—Social aspects. Music—Philosophy and aesthetics. I. Title. ML.G '.—dc Contents Series Foreword vii Acknowledgments ix Introduction xiii 1 1998: A Conceptual Event 1 2 2001: What Is Sonic Warfare? 5 3 2400–1400 B.C.: Project Jericho 15 4 1946: Sonic Dominance 27 5 1933: Abusing the Military- Entertainment Complex 31 6 403–221 B.C.:
[Show full text]
Jazzpress 0214
MAJ 2014 Gazeta internetowa poświęcona muzyce improwizowanej ISSN 2084-3143 ISSN Rozmowy: Piotr Damasiewicz Krzysztof Dys Sebastian Zawadzki Dionizy Piątkowski Wojciech Karolak Nie mam nic do powiedzenia Wojciech Karolak, fot. Kuba Majerczyk < Od Redakcji redaktor naczelny Roch Siciński [email protected] „Im więcej mamy czasu na wykonanie jakiejś pracy, tym więcej czasu nam ona zabiera”. Dla wielu taka obserwacja jest oczywista. Większość z nas zacytowaną prawdę zna z autopsji. Choć podobnie jest i w moim przypadku (jak każdy szanu- jący się młody człowiek jestem skrytym leniem!) to dziękuję Bogu, że JazzPRESS nie jest tygodnikiem. Czemu? Kolejne miesiące pędzą jak coltrane’owskie solo w „Giant Steps”! Planowanie okładek, najbliższych wywiadów, typowanie albumów do rub- ryki Top Note, czy przydzielanie akredytacji na nieskończoną ilość koncertów i fe- stiwali wygląda trochę jak pakowanie walizki przez Wojtka Karolaka. Ostatecznie jednak bagaż się domyka, a my z uśmiechami na twarzach zachęcamy Cię do jego rozpakowania i wybrania ulubionej jazzowej garderoby na bieżący miesiąc. Tym razem właśnie Karolak zarzucił nas najdłuższą rozmową, jaka na Jazz- PRESSowych łamach ukazała się w ciągu ostatnich trzydziestu pięciu numerów… Gazeta internetowa czasem jest z gumy i w przeciwieństwie do prasy drukowanej z radością pozwalamy sobie na jej bezwstydne rozciąganie. Majową przyczynę rozciągania serdecznie polecam wszystkim fanom naszego narodowego organi- sty, muzyki jazzowej, a także całej reszcie, która zajrzała tutaj przez przypadek. Pojęcie czasu, a właściwie jego pozornego kurczenia się czy przyspieszania od- grywa istotną rolę nie tylko każdego miesiąca, ale uświadamia jak szybko nadcią- gają różnego rodzaju rocznice. Zaledwie chwilę temu bydgoskiemu klubowi Mózg stuknęło dwadzieścia lat! Nie pozwoliliśmy, by przy tej okazji słów kilku (i fanta- stycznych fotografii) mogło zabraknąć w naszej skromnej gazetce.
[Show full text]
Voices from the Golden Age of Non-Idiomatic Improvisation FYS 129 Playlist Course Website: Instructor: Prof
FYS 129: The Golden Age of Non-Idiomatic Improvisation Voices from the Golden Age of Non-Idiomatic Improvisation FYS 129 Playlist course website: http://utkstair.org/clausius/docs/fys129/index.html instructor: Prof. David J. Keffer [email protected] This playlist for Monday, March 28, 2016 largely features artists appearing at the Big Ears Festival (March 31-April 2, 2016) in Knoxville, Tennessee (tracks 1, 2, 4-8 & 10). Oliveros (track 3) played Big Ears 2009. Mitchell (track 9) should be invited to next years Big Ears festival. 1. Ikue Mori Japanese American drummer, drum machine programmer & composer (December 17, 1953- ) title: Mojave personnel: Ikue Mori (drum programming), Marc Ribot (guitar), Robert Quine (guitar) album title (format): Painted Desert (cd) label (country): Avant Records (Japan) catalog number: Avan 030 recording date: 1995 duration: 6:59 1 FYS 129: The Golden Age of Non-Idiomatic Improvisation 2. Wadada Leo Smith American trumpeter & composer (December 18, 1941 - ) title: The Culture Of Gun Violence In The US personnel: Wadada Leo Smith (trumpet), George Lewis (trombone), John Zorn (alto saxophone) album title (format): Sonic Rivers (cd) label (country): Tzadik Records (USA) catalog number: TZ 4001 recording date: 2014 duration: 5:42 Quote: LP: Can you describe what you are trying to do with your music today? WLS: I’m trying to create a horizontal and vertical universe that is continuously evolving and has the same characteristics as the universe that I live in. from Music and the Creative Spirit: Innovators in Jazz, Improvisation and the Avant-Garde by Lloyd Peterson, Scarecrow Press, Lanham, Maryland, 2006.
[Show full text]