«FEARLESS THEREFORE POWERFUL» SOCIABILITY AND EMOTIONS IN MARY SHELLEY’S FRANKENSTEIN Cristina Paoletti Università di Bologna, Dipartimento di Filosofia,
[email protected] Abstract. «Fearless therefore Powerful». Sociability and Emotions in Mary Shelley’s Frankenstein This paper analyses the role played by fear as the motive of both Victor Frankenstein and his monster’s behaviour. Moving from the natural horror the monster excites, fear is mostly considered by Mary Shelley as a normal reaction, and its absence marks pathological circumstances, such as cruelty or unsympathetic and antisocial feelings. Referring to the philosophical debate on moral sympathy and to the scientific discussion on Erasmus Darwin’s account of animal instincts, Shelley also provided remarkable criticis Keywords: Enlightenment, Emotions, English Literature, Seventeenth Century. So should young SYMPATHY, in female form, Climb the tall rock, spectatress of the storm; Life's sinking wrecks with secret sighs deplore, And bleed for others' woes, Herself on shore; To friendless Virtue, gasping on the strand, Governare la paura – 2008, giugno Cristina Paoletti Bare her warm heart, her virgin arms expand1. An essay on Mary Shelley’s Frankenstein might perhaps appear an obvious choice when dealing with fear and its literary and artistic representations. Victor Frankenstein’s odd and shocking story was firstly received with dismay and disappointment and an early reviewer explained the terror produced by the novel with the folly of the author. The [author’s] dreams of insanity are embodied in the strong and striking language of the insane, and the author, notwithstanding the rationality of his preface, often leaves us in doubt whether he is not as mad as his hero.