DOCSLIB.ORG

Sun Ra Egypt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sun Ra Egypt Sun Ra Egypt '71 (5x LP box set ) 5LP K7/Strut Marcy Luarks & Classic Touch Electric Murder (LP) LP K7/Kalita Records Ace Of Base The Sign (7" picture disc ) ACE7 7" K7/!K7 Records Phoebe Killdeer The Fade Out Line (12" Picture Disc ) 12" K7/Kwaidan Records Strut Records Artist: Sun Ra Title: Egypt '71 Format: 5x LP box set In December 1971, Sun Ra made an impromptu trip to Egypt with his Arkestra, his first time in the country. Hosted by drummer Salah Ragab and Goethe Institute's Hartmut Geerken, they performed hastily arranged concerts at Ballon Theatre in Cairo and at Geerken's house in Heliopolis. The performances emerged on three LPs released by Ra during the '70s: 'Horizon', 'Nidhamu' and 'Dark Myth Visitation Equation'. These three LPs now receive their first reissue on vinyl alongside 2 LPs of previously unreleased recordings. Rare photos and extensive new liner notes by Geerken and Paul Griffiths complete a definitive package celebrating Sun Ra's iconic trip to the Land of Ra. First vinyl reissue + 2 xLP previously unreleased !K7 Records Artist: Ace Of Base Title: The Sign Format: 7" picture disc "The Sign" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Kalita Records Artist: Marcy Luarks & Classic Touch Title: Electric Murder Format: LP It's grail time! Kalita are honoured to officially release for the first time since 1983 Marcy Luarks & Classic Touch's mythical American-Nigerian Afro boogie masterpiece 'Electric Murder', accompanied by extensive liner notes based on interviews with Marcy's family and producer Daniel Irabor. The product of the then husband and wife team of Marcy and Dan, 'Electric Murder' brought together both the former's American and the latter's Nigerian roots; recorded in London with UK-based session musicians, this mix of heritage and styles resulted in an Afro disco album unlike any other. With original copies turning up for sale roughly once every few years, and with an eye-watering four- figure price tag to match, Kalita for this year's Record Store Day saves you the never-ending search for this true holy grail. Released on black vinyl, with printed insert detailing Marcy's life and musical career. Kwaidan Records Artist: Phoebe Killdeer Title: The Fade Out Line Format: 12" Picture Disc Phoebe Killdeer's "The Fade Out Line" was initially released in 2010 and then remixed by The Avener. His version became a worldwide hit and has now more than 120 million streams on Spotify & 57 million on YouTube. Her original track got then massive traction too. To celebrate the 10 year anniversary of the original track's release, Kwaidan are releasing a limited / one sided 12" Picture disc of the original track. Soul Jazz Records Presents Brazil Funk Power (5 x 7" vinyl box) 5x 7” Vinyl Box, Soul Jazz Records are releasing Brazil Funk Power – Brazilian Funk & Samba Soul, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic Brazilian funk, boogie and Samba soul tracks cut across five individual bespoke 7" singles, all housed in a bespoke box set. Soul Jazz Records Presents Studio One 007 – Licensed To Ska! (5 x 7" vinyl box) 5x 7” Vinyl Box, Soul Jazz Records Ska Soul Jazz Records are releasing Studio One 007 – Licensed to Ska!, a limited edition one-off pressing exclusive Record Store Day collectors seven-inch box set, featuring ten super rare killer cuts on five 7" singles. Featuring The Skatalites, Lee Perry, Jackie Mittoo, Bob Marley & The Wailers, Roland Alphonso and The Soul Brothers, rare and classic tracks from Jamaica's no.1 record label, Studio One. Soul Jazz Records Presents Studio One Rockers (2LP Green) 2LP Soul Jazz Records Reggae Soul Jazz Records are releasing this 20th anniversary edition of their classic Studio One Rockers on unique Record Store Day EXCLUSIVE coloured vinyl + download code. This new edition is a one-off pressing exclusively for Record Store Day. Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music. The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field and has become the essential introduction to reggae fans throughout the world. "Compilation of the year. 100% Essential” Time Out "Compilation of the year. A compilation of unbelievable quality. Awesome” DJ "A who's who of Jamaican music” The Times "An essential slice of musical history" Wire "The most credible compilation of reggae you can buy” The Guardian .
Load more

Recommended publications
  • 4823C7a9d589da82e72837249d
    RETURN TO THE EAST BROOKLYN RECLRIMS THE BLRCK RRT FORM KNOWN RS JRZZ I' IIlII£I SCIIII£I • B9 BllSIl MCHBII 'What you're about to hear is not jazz, or some other irrelevant term we allow others 10 use in defining our creation, but the sounds thai are about to saturate your being and serlsitize your soul is the continuing process of nationalist consciousness manifesting its message within the conlext of one of our strongest natural resources: Black music. What is represented on these jams is the crystallization of the role of Black music as a functional organ in the struggle for national liberation.. AJkebu-lan is the unfolding of this progress as mu!>ic-meaoing. It is sound-feeling." KwmbI. >PUI<Irc .... -_. on SUN-Uol his lpOkrn.word innoduuion amounl$ 10 :l m:o.ni- Kwasi Konadu'l r«mt book, Trulh Cru.sJKJ It> tIN &nh rrd:o.iming tlK Black nl form known u WiU RiM Api.., is the delining tome on lhe Ezsr.. h details T for uS/: ali :o.libn:aling. II2l1"P"rti..., vdlic:k. '1M do- lhecompln worIrinV ofhow the organiulion flourished for qurnl <kKript ion ofil :oJ :l -funuion,,1 organ- ckserillQ 1M o>'n adead... 1hc wt and iu primary k>c:o.tion at ,00aver mk of$('lUnd wilhin m.- Ezsr. organiu.ion wdl. MllSic Plac:c in Brooklyn WU n(K just a norefrom or musk hall, bul the blood pumping, mako i. as;"r m dig"". and a w::o.yoflifc.lhc Uhunf Food asan or.
    [Show full text]
  • Sun Ra and the Performance of Reckoning
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2015 "The planet is the way it is because of the scheme of words": Sun Ra and the Performance of Reckoning Maryam Ivette Parhizkar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1086 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] "THE PLANET IS THE WAY IT IS BECAUSE OF THE SCHEME OF WORDS": SUN RA AND THE PERFORMANCE OF RECKONING BY MARYAM IVETTE PARHIZKAR A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York. 2015 i This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the requirement for the degree of Master of Arts. Thesis Adviser: ________________________________________ Ammiel Alcalay Date: ________________________________________ Executive Officer: _______________________________________ Matthew K. Gold Date: ________________________________________ THE CITY UNIVERSITY OF NEW YORK ii Abstract "The Planet is the Way it is Because of the Scheme of Words": Sun Ra and the Performance of Reckoning By Maryam Ivette Parhizkar Adviser: Ammiel Alcalay This constellatory essay is a study of the African American sound experimentalist, thinker and self-proclaimed extraterrestrial Sun Ra (1914-1993) through samplings of his wide, interdisciplinary archive: photographs, film excerpts, selected recordings, and various interviews and anecdotes.
    [Show full text]
  • The Avant-Garde in Jazz As Representative of Late 20Th Century American Art Music
    THE AVANT-GARDE IN JAZZ AS REPRESENTATIVE OF LATE 20TH CENTURY AMERICAN ART MUSIC By LONGINEU PARSONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2017 © 2017 Longineu Parsons To all of these great musicians who opened artistic doors for us to walk through, enjoy and spread peace to the planet. ACKNOWLEDGMENTS I would like to thank my professors at the University of Florida for their help and encouragement in this endeavor. An extra special thanks to my mentor through this process, Dr. Paul Richards, whose forward-thinking approach to music made this possible. Dr. James P. Sain introduced me to new ways to think about composition; Scott Wilson showed me other ways of understanding jazz pedagogy. I also thank my colleagues at Florida A&M University for their encouragement and support of this endeavor, especially Dr. Kawachi Clemons and Professor Lindsey Sarjeant. I am fortunate to be able to call you friends. I also acknowledge my friends, relatives and business partners who helped convince me that I wasn’t insane for going back to school at my age. Above all, I thank my wife Joanna for her unwavering support throughout this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF EXAMPLES ...................................................................................................... 7 ABSTRACT
    [Show full text]
  • Jazz at the Crossroads)
    MUSIC 127A: 1959 (Jazz at the Crossroads) Professor Anthony Davis Rather than present a chronological account of the development of Jazz, this course will focus on the year 1959 in Jazz, a year of profound change in the music and in our society. In 1959, Jazz is at a crossroads with musicians searching for new directions after the innovations of the late 1940s’ Bebop. Musical figures such as Miles Davis and John Coltrane begin to forge a new direction in music building on their previous success earlier in the fifties. The recording Kind of Blue debuts in 1959 documenting the work of Miles Davis’ legendary sextet with John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers and Jimmy Cobb and reflects a new direction in the music with the introduction of a modal approach to composition and improvisation. John Coltrane records Giant Steps the culmination of the harmonic intricacies of Bebop and at the same time the beginning of something new. Ornette Coleman arrives in New York and records The Shape of Jazz to Come, an LP that presents a radical departure from the orthodoxies of Be-Bop. Dave Brubeck records Time Out, a record featuring a new approach to rhythmic structure in the music. Charles Mingus records Mingus Ah Um, establishing Mingus as a pre-eminent composer in Jazz. Bill Evans forms his trio with Scott LaFaro and Paul Motian transforming the interaction and function of the rhythm section. The quiet revolution in music reflects a world that is profoundly changed. The movement for Civil Rights has begun. The Birmingham boycott and the Supreme Court decision Brown vs.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Dypdykk I Musikkhistorien - Del 25: Sun Ra (16.09.2019 - TFB) Oppdatert 16.09.2019
    Dypdykk i musikkhistorien - Del 25: Sun Ra (16.09.2019 - TFB) Oppdatert 16.09.2019 Spilleliste pluss noen ekstra lyttetips: Intro Enlightment (Nuits De La Fondation Maeght Volume 1 (1970) / Sun Ra) Inspirasjon Fletcher Henderson Anitras dance​ [1939] / The John Kirby Sextet (The eternal myth revealed vol. 1 : 1926-1959 (2011) [14 CD-box] / Sun Ra) Drums of passion (1959) / Olatunji! Tidlige år / Arrangør / R&B Doo wop / Singler Jitterbuggin​ [1948] / The Red Saunders Orchestra Smile​ [1949] / Sun Ra You go to my head​ [1949] / The Sonny Blunt Trio Call my baby​ [1953] / Jo Jo Adams w/ The Red Saunders Orchestra The best things in life are free​ [1953] / Sun Ra Velvet [1956] / The Sun Ra Bebop Band (The eternal myth revealed vol. 1 : 1926-1959 (2011) [14 CD-box] / Sun Ra) I am a instrument ; I am strange [195?] / Sun Ra Spaceship lullaby ; A foggy day​ / The Nu Sounds (Singles : the definitive 45s collection 1952-1991 (2016) / Sun Ra) Daddy’s gonna tell you no lie ; Bye bye​ / The Cosmic Rays (Singles : the definitive 45s collection 1952-1991 (2016) / Sun Ra) M uck m uck (Matt matt) ; Hot skillet momma (Singel, 1957) / Yochanan 1 Arkestra Jazz by Sun Ra (1957) Høyt tempo Enlightenment ; Ancient aiethopia (Jazz in silhouette [1958](1959) / Sun Ra and his Arkestra) Diverse Music from tomorrows world [1960](2002) / Sun Ra and his Arkestra The invisible shield [1961-1963, 1970] (1974) / Sun Ra and his Intergalactic Research Arkestra Cluster of galaxies ; Infinity of the universe ; Solar drums (Art forms of dimensions tomorrow [1961-62] / Sun Ra and his Solar Arkestra) Brazilian sun (When sun comes out (1963) / Sun Ra and his Myth Science Arkestra) Adventure equation ; Moon dance ; Thither and Yon (Cosmic tones for mental therapy [1963](1967) / Sun Ra and his Myth Science Arkestra) Atlantis ; Mu ; Yucatan #1 [Hohner clavinet] (Atlantis [1967-1968](1969) / Sun Ra and his Astro-Infinity Arkestra) The perfect man (My brother the wind vol.
    [Show full text]
  • ピーター・バラカン 2013 年 6 月 1 日放送 Sun Ra 特
    ウィークエンド サンシャイン PLAYLIST ARCHIVE DJ：ピーター・バラカン 2013 年 6 月 1 日放送 Sun Ra 特集 ゲスト：湯浅 学 01. We Travel The Space Ways / Sun Ra & His Astro Infinity Arkestra // Greatest Hits: Easy Listening For Intergalatic Travel 02. Saturn / Sun Ra & His Solar Arkestra // Visits Planet Earth Interstellar Low Ways 03. Dig This Boogie / Wynonie Harris with Jumpin' Jimmy Jackson Band // The Eternal Myth Revealed, Vol.1 04. Message to Earth Man / Yochanan, Sun Ra And The Arkestra // The Singles 05. MU / Sun Ra & His Astro Infinity Arkestra / Atlantis 06. The Design-Cosmos II / Sun Ra & His Astro Infinity Arkestra // My Brother The Wind Volume II 07. The Perfect Man / Sun Ra And His Astro Galactic Infinity Arkestra // The Singles 08. Gods of The Thunder Realm / Sun Ra And His Arkestra // Live At Montreux 09. Rocket#9 / Sun Ra // Space Is The Place 10. Dancing In The Sun / Sun Ra & His Solar Arkestra // The Heliocentric Worlds Of Sun Ra Vol.1 11. Take The A Train / Sun Ra Arkestra // Sunrise In Different Dimensions 12. The Old Man Of The Mountain / Phil Alvin // Phil Alvin Un "Sung Stories" 13. Love In Outer Space / Sun Ra // Purple Night 14. Lanquidity / Sun Ra // Lanquidity 2013 年 6 月 8 日放送 01. You're My Kind Of Climate (Party Mix) / Rip Rig & Panic // Methods Of Dance Volume 2 02. Bold As Love / Jimi Hendrix // The Jimi Hendrix Experience: Box Set 03. Who'll Stop The Rain / John Fogerty with Bob Seger // Wrote A Song For Everyone 04. Fortunate Son / John Fogerty with Foo Fighters // Wrote A Song For Everyone 05.
    [Show full text]
  • Cry of Jazz by Chuck Kleinhans
    The Cry of Jazz By Chuck Kleinhans “The Cry of Jazz” is a remarkable and unique film that demonstrates the imaginative power of black intel- lectuals and artists in the Civil Rights Era. Combining sophisticat- ed music theory with a social analy- sis of race in the post-war period, the self-financed work uses some of the familiar tropes of educational films of the time along with ingen- ious demonstrations of jazz art by the young Afro-Futurist composer and performer Sun Ra. The result is a passionate essay about music and race presented in a novel form by first- time filmmakers. Ronnie Boykins, bassist for Sun Ra and His Arkestra, appears as one of the musicians in the film. Edward O. Bland directed “The Cry of Jazz,” making it with several others who were part of the Chicago art world of the time. A one of his statements. That then redirects the argu- 34-minute-long argument about the nature and sta- ment. As Alex says that white America oppresses tus of jazz music and the situation of black Ameri- the Negro, Natalie objects that he’s saying whites cans, the film uses dramatic dialogue, direct address (like her) are “not human.” This sets up Alex’s next argumentation, realist documentary illustration, an line of argument in a directly confrontational style. innovative music soundtrack, and essayistic con- The film is remarkable in allowing both sides to struction to argue for jazz music as an expression of strongly express their views heavily laden with emo- the situation of black Americans.
    [Show full text]
  • Decisive Instant
    D e c i s i v e I n s t a n t Playing the music of S u n R a Tuesday April 22nd 7:30PM Marvin Laser Recital Hall $2 With N a t i v e P l a n t S o c i e t y Jonathon Grasse, guitar Breeze Smith, drums, percussion Alexander Vogel, saxophones Tony Green, bass (This set is spontaneously improvised) Sun Ra compositions to be selected from the following (arranged by DI members Martinelli, Schwartz, and Sharp) "Adventure Equation" "And Otherness" "Angel Race" "Love in Outer Space" "Watusa" "Moon Dance" "Tapestry from an Asteroid" "That's the Way I Feel" "Thither and Yon" Decisive Instant Jeff Schwartz & Charles Sharp, directors reeds: David Adler, Steve Bowie, Ken Luey, Charles Sharp, & Alexander Vogel brass: Bruce Friedman, William Roper, Chris Schell, Ed Weiss, & Dave Williams guitars: Jonathon Grasse, Angelo Metz bass: Jeff Schwartz keyboards: Scott Dibble, Wesley Flowers drums: Alan Cook, Tom Steck percussion: David Martinelli, Jonathon Saxon, Jonathon Grasse Sun Ra (1914 –1993) . a prolific jazz composer, bandleader, piano and synthesizer player, poet and philosopher known for his cosmic philosophy, musical compositions and performances. He was born in Birmingham, Alabama. From the mid-1950s to his death, Sun Ra led The Arkestra (a deliberate re-spelling of "orchestra"), an ensemble with an ever-changing lineup and name. It was by turns called The Solar Myth Arkestra, His Cosmo Discipline Arkestra, the Blue Universe Arkestra, & The Jet Set Omniverse Arkestra Sun Ra asserted that the ever-changing name of his ensemble reflected the ever-changing nature of his music.
    [Show full text]
  • The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
    The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. Keith Jackson, DMA, Committee Chair Constinia Charbonnette, EDD David Taddie, Ph.D. Michael Vercelli, DMA Mitchell Arnold, DMA Music Morgantown, West Virginia 2019 Keywords: Hard Bop, Trombone, Jazz, Jazz Improvisation Copyright 2019 Emmett C. Goods The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964). Emmett C. Goods This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics of the Hard-Bop Trombone Era. Evidence for these claims is bolstered by interviews conducted with the four men and their protégés. In a third and final part, a discography has been compiled for each artists during the defined era. Through historical analysis of these four artists’ music and recording of first-hand accounts from the artists themselves, this document attempts to properly contextualize the Hard-Bop Trombone Era as unique and important to the further development of the jazz trombone.
    [Show full text]
  • An Exhibition Organized by Diedrich Diederichsen & Christopher Müller
    Cosmic Communities: Coming Out Into Outer Space – Homofuturism, Applied Psychedelia & Magic Connectivity an exhibition organized by Diedrich Diederichsen & Christopher Müller feat. Marcus Behmer, Stefan George, Rainer Werner Fassbinder, Hans Henny Jahnn, Lutz Bacher, Hans Kayser, Ludwig Gosewitz, Jordan Belson, Hapshash and the Coloured Coat, The Fool, Rogério Duarte, The Red Krayola/Mayo Thompson, Walter de Maria, Sigmar Polke, Emil Schult, Isaac Abrams, John McCracken, Pedro Bell, Kai Althoff, Henrik Olesen, Öyvind Fahlström, Karlheinz Stockhausen, Sun Ra, Hartmut Geerken, Albert Oehlen, Jack Goldstein, Jutta Koether, Isa Genzken, Palermo, John Coltrane, Tony Conrad 2 November 2017 – 13 January 2018 In General This exhibition looks at a constellation of historical phenomena that branched out and evolved in various directions. Artists who formulated strong, almost violent, and widely impactful and inspired claims, and who in this sense still bore out the myth of the artist hero, but did so always with the commanding need to form groups, families, or even monastic orders. They sought to change the world through artisanal disciplines, “life reform”-related practices and strict internal rules–yet always in connection with liberating or covertly liberating intentions. We begin with a phenomenon in German literature in the early twentieth century: male collectives, often but not always homosexual but usually homosocial in character, that were interested in aesthetically and often magically based alternative world orders. Among these, we are here primarily addressing the special cases in which the supposed cosmic laws, the musical and mathematical harmonies of planetary orbits, and the numerical ratios that can be found in both nature and music serve as justifications for recasting interpersonal, societal, but also sexual relationships.
    [Show full text]
  • Guide to the Alton Abraham Collection of Sun Ra 1822-2008
    University of Chicago Library Guide to the Alton Abraham Collection of Sun Ra 1822-2008 © 2009 University of Chicago Library Table of Contents Acknowledgments 3 Descriptive Summary 3 Information on Use 3 Access 3 Citation 3 Biographical Note 4 Scope Note 5 Related Resources 7 Subject Headings 7 INVENTORY 8 Series I: Biographical 8 Series II: Performance 13 Series III: Recording 17 Subseries 1: Production and Promotion 17 Subseries 2: Discographies 20 Series IV: Music Manuscripts 20 Subseries 1: Sun Ra Manuscripts 21 Subseries 2: Manuscripts by Others 25 Series V: Verse, Prose and Notes 27 Series VI: Business Records 33 Series VII: Alton Abraham 48 Subseries 1: Spirituality and the Supernatural 49 Subseries 2: Science and Technology 56 Subseries 3: Politics and Society 60 Subseries 4: Music Instruction 61 Subseries 5: Knights of Music 62 Subseries 6: Entrepreneurship 62 Subseries 7: Correspondence, Notes and Ephemera 63 Series VIII: Audio-Visual 65 Subseries 1: Photographs 65 Subseries 2: Film and Video 68 Subseries 3: Audio 68 Series IX: Art and Artifacts 75 Series X: Oversize 90 Subseries 1: Biographical 91 Subseries 2: Performance 91 Subseries 3: Recording 92 Subseries 4: Verse, Prose and Notes 93 Subseries 5: Business Records 93 Subseries 6: Alton Abraham 94 Series XI: Restricted 95 Descriptive Summary Identifier ICU.SPCL.ABRAHAMA Title Abraham, Alton. Collection of Sun Ra Date 1822-2008 Size 156 linear feet (146 boxes, 1 oversize folder) Repository Special Collections Research Center University of Chicago Library 1100 East 57th Street Chicago, Illinois 60637 U.S.A. Abstract Alton Abraham (1927-1999), entrepreneur and hospital technician, was a longtime friend and business associate of Sun Ra (1914-1993), the influential jazz composer and musician.
    [Show full text]