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In Memoriam COMPILED by GEOFFREY TEMPLEMAN
In Memoriam COMPILED BY GEOFFREY TEMPLEMAN The Alpine Club Obituary Year of Election Charles Buchanan Moncur Warren 1931 Hon. 1980 Janet Buchanan Carleton (Janet Adam Smith) LAC 1946 Hon. 1994 Geoffrey John Streetly ACG 1952 Stephen Paul Miller Asp. 1999 Frederic Sinclair Jackson 1957 Christine Bicknell LAC 1949 Sir George Sidney Bishop 1982 John Flavell Coa1es 1976 Robert Scott Russell 1935 A1istair Morgan 1976 Arun Pakmakar Samant 1987 In addition to the above eleven members who died in 1999, mention should be made of four further names. Jose Burman, a South African member, died in 1995 but was not included at the time. Ginette Harrison was the first woman to climb Kangchenjunga, in 1998. Whilst not yet a member, she had started the application process for membership. She died on Dhaulagiri last year. Yossi Brain, who sent us valuable reports from South America for the Area Notes, died in an avalanche on 25 September 1999 while mountain eering with friends in Northern Bolivia. Yossi touched the lives of a lot of people, through his lively, bright, and often irreverent sense of humourwhich permeated his guiding, his books, his articles and above all his spirit. He achieved a lot in the time he had, making two different and sucessful careers, and providing inspiration to many. Ulf Carlsson was Chairman of the Mountain Club of Kenya between 1993 and 1996. He wrote an article about the Swedish mountains for the 1997 Alpine Journal and was well known to some of our members. He died in the Pamir in 1999. Geoffrey Templeman 277 278 THE ALPINE JOURNAL 2000 Charles Warren, 1906-1999 Our Honorary Member Charles Warren, who died at Felsted a few days short of his 93rd birthday, was the oldest surviving member of the pre-war Everest expeditions. -
Introduction
Notes Introduction 1. For more on the Romanticism and Classicism debate in the maga- zines, see David Goldie’s Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1918–1929 (69– 127). Harding’s discussion in his book on Eliot’s Criterion of the same debate is also worth reviewing, especially his chapter on Murry’s The Adelphi; see 25–43. 2. Esty suggests that the “relativization of England as one culture among many in the face of imperial contraction seems to have entailed a relativization of literature as one aspect of culture . [as] the late modernist generation absorbed the potential energy of a contracting British state and converted it into the language not of aesthetic decline but of cultural revival” (8). In a similar fashion, despite Jason Harding’s claim that Eliot’s periodical had a “self-appointed role as a guardian of European civilization,” his extensive study of the magazine, The “Criterion”: Cultural Politics and Periodical Networks in Inter-War Britain, as the title indicates, takes Criterion’s “networks” to exist exclusively within Britain (6). 3. See Suzanne W. Churchill, The Little Magazine Others and the Renovation of Modern American Poetry; Eric White, Transat- lantic Avant-Gardes: Little Magazines and Localist Modernism; Adam McKible, The Space and Place of Modernism: The Russian Revolution, Little Magazines, and New York; Mark Morrisson, The Public Face of Modernism: Little Magazines, Audience, and Reception, 1905–1920; Faith Binckes, Modernism, Magazines, and the Avant-Garde: Reading “Rhythm,” 1910–1914. 4. Thompson writes, “Making, because it is a study in an active process, which owes as much to agency as to conditioning. -
John Lehmann's New Writing: the Duty to Be Tormented
John Lehmann’s New Writing: The Duty to Be Tormented Françoise Bort To cite this version: Françoise Bort. John Lehmann’s New Writing: The Duty to Be Tormented. Synergies Royaume Uni et Irlande, Synergies, 2011, The War in the Interwar, edited by Martyn Cornick, pp.63-73. halshs- 01097893 HAL Id: halshs-01097893 https://halshs.archives-ouvertes.fr/halshs-01097893 Submitted on 7 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License John Lehmann’s New Writing: the Duty to be Tormented Françoise Bort Université de Bourgogne Synergies Royaume-Uni Royaume-Uni Summary: John Lehmann’s magazine New Writing, launched in 1936, may be said to give literary historians a slow-motion image of the evolution of 63-73 pp. artistic consciousness in one of the most turbulent periods of the twentieth et century. Throughout the fourteen years of its existence, encompassing the Irlande Spanish Civil War and the Second World War, the magazine covers a neglected period of transition in the evolution of modernism. Through his editorial n° 4 policy and a susceptible interpretation of the Zeitgeist, Lehmann voices the particular torments of his generation, too young to have participated in - 2011 the First World War, but deeply affected by it. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
Good Phrases Shining, One Wave After Another : a Look at Virginia Woolf's Creative Process and the Waves
Loma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 8-1980 Good Phrases Shining, One Wave After Another : A Look at Virginia Woolf's Creative Process and The Waves John Mc Dowell Follow this and additional works at: https://scholarsrepository.llu.edu/etd Part of the Creative Writing Commons, and the Literature in English, British Isles Commons Recommended Citation Mc Dowell, John, "Good Phrases Shining, One Wave After Another : A Look at Virginia Woolf's Creative Process and The Waves" (1980). Loma Linda University Electronic Theses, Dissertations & Projects. 1062. https://scholarsrepository.llu.edu/etd/1062 This Thesis is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact [email protected]. Loma Linda University Graduate School Good Phrases Shining, One Wave After Another: A Look at Virginia Woolf's Creative Process and The Waves by John Mc Dowell A Thesis in Partial F~lfillment Of the Requirements for the Degree Master of Arts in the Field of English August 1980 Each person whose signature appears below certifies that this thesis in his/her opinion is adequate, in scope and quality, as a thesis for the degree Master of Arts. , Chairperson of English '~s~~t~of English · Dorothy M. Co~m, Professor of English ii to Marcelle Birkenstock Acknowledgements In the preparation of this thesis I am grateful for the help of the following people: Dr. -
Sharpe, Tony, 1952– Editor of Compilation
more information - www.cambridge.org/9780521196574 W. H. AUDen IN COnteXT W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century’s shifting cultural terrain affect him and his work? Written by distinguished poets and schol- ars, these brief but authoritative essays offer a varied set of coor- dinates by which to chart Auden’s continuously evolving career, examining key aspects of his environmental, cultural, political, and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between him- self, his time, and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers, and students of English literature, cultural studies, and creative writing. Tony Sharpe is Senior Lecturer in English and Creative Writing at Lancaster University. He is the author of critically acclaimed books on W. H. Auden, T. S. Eliot, Vladimir Nabokov, and Wallace Stevens. His essays on modernist writing and poetry have appeared in journals such as Critical Survey and Literature and Theology, as well as in various edited collections. W. H. AUDen IN COnteXT edited by TONY SharPE Lancaster University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521196574 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
John Lehmann and the Acclimatisation of Modernism in Britain
JOHN LEHMANN AND THE ACCLIMATISATION OF MODERNISM A.T. Tolley It is easy to see the cultural history of modernism in terms of key volumes, such as Auden’s Poems of 1930, and to see their reception in the light of significant reviews by writers who themselves have come to have a regarded place in the history of twentieth-century literature. Yet this is deceptive and does not give an accurate impression of the reaction of most readers. W.B. Yeats, in a broadcast on “Modern Poetry” in 1936 could say of T.S. Eliot: “Tristam and Iseult were not a more suitable theme than Paddington Railway Station.”1 Yeats was then an old man; but most of Yeats’s listeners would have shared the hostility. Yet, in the coming years, acclimatisation had taken place. Eliot’s Little Gidding, published separately as a pamphlet in December 1942, sold 16,775 copies – a remarkable number for poetry, even in those wartime years when poetry had such impact. John Lehmann had a good deal to do with the acclimatisation of modernist idiom, most notably through his editing of New Writing, New Writing & Daylight and The Penguin New Writing, the last of which had had at its most popular a readership of about 100,000. The cultural impact of modernism came slowly in Britain, most notably through the work of Eliot and Virginia Woolf. The triumph of modernism came with its second generation, through the work of Auden, MacNeice and Dylan Thomas in poetry, and less markedly through the work of Isherwood and Henry Green in prose. -
Virginia Woolf's Publishing Archive
Marshall University Marshall Digital Scholar English Faculty Research English 4-1-2004 Virginia Woolf 's Publishing Archive John K. Young Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/english_faculty Part of the Literature in English, Anglophone outside British Isles and North America Commons, and the Women's Studies Commons Recommended Citation Young, John. “Virginia Woolf’s Publishing Archive.” Virginia Woolf Miscellany 65, Spring, 2004: 20-21. This Article is brought to you for free and open access by the English at Marshall Digital Scholar. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. Warner, Eric. Virginia Woolf: The Waves. New York: Cambridge UP, as well as such notable texts as: Katherine Mansfield’s Prelude; I. A. 1987. Bunin’s The Gentleman from San Francisco; F. M. Mayor’s The Woolf, Virginia. The Diary of Virginia Woolf. Ed. Anne Olivier Bell. Rector’s Daughter; William Plomer’s Turbott Wolfe and The Case Is Vol. 3. New York: Harcourt, 1980. 5 vols. 1977-1984. Altered; Italo Svevo’s The Hoax; Vita Sackville-West’s The —. Moments of Being. 2nd ed. Ed. Jeanne Schulkind. New York: Edwardians and All Passion Spent; John Hampson’s Saturday Night Harcourt, 1985. at the Greyhound; Christopher Isherwood’s Memorial and The Berlin —. The Waves. 1931. New York: Harcourt, 1959. Stories; Julia Strachey’s Cheerful Weather for the Wedding; Laurens van der Post’s In a Province; and Yuri Olesha’s Envy. Even more powerfully than T. -
Issue 7 Biography Dundee Inveramsay
The Best of 25 Years of the Scottish Review Issue 7 Biography Dundee Inveramsay Edited by Islay McLeod ICS Books To Kenneth Roy, founder of the Scottish Review, mentor and friend, and to all the other contributors who are no longer with us. First published by ICS Books 216 Liberator House Prestwick Airport Prestwick KA9 2PT © Institute of Contemporary Scotland 2021 Cover design: James Hutcheson All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means without the prior permission of the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 978-1-8382831-6-2 Contents Biography 1 The greatest man in the world? William Morris Christopher Small (1996) 2 Kierkegaard at the ceilidh Iain Crichton Smith Derick Thomson (1998) 9 The long search for reality Tom Fleming Ian Mackenzie (1999) 14 Whisky and boiled eggs W S Graham Stewart Conn (1999) 19 Back to Blawearie James Leslie Mitchell (Lewis Grassic Gibbon) Jack Webster (2000) 23 Rescuing John Buchan R D Kernohan (2000) 30 Exercise of faith Eric Liddell Sally Magnusson (2002) 36 Rose like a lion Mick McGahey John McAllion (2002) 45 There was a man Tom Wright Sean Damer (2002) 50 Spellbinder Jessie Kesson Isobel Murray (2002) 54 A true polymath Robins Millar Barbara Millar (2008) 61 The man who lit Glasgow Henry Alexander Mavor Barbara Millar (2008) 70 Travelling woman Lizzie Higgins Barbara Millar (2008) 73 Rebel with a cause Mary -
Women's Mass-Observation Diaries
Women’s Mass-Observation Diaries: Writing, Time & ‘Subjective Cameras’ Andrea Clare Salter This thesis has been composed by me, is my own work and has not been submitted for any other degree or professional qualification. ……….………. PhD in Sociology The University of Edinburgh 2008 --------------------- Women’s M-O Diaries: Writing, Time & ‘Subjective Cameras’ Contents List of Figures and List of Tables 3 Acknowledgements 4 Abstract 5 Guide to Reader 6 Chapter One – Mass-Observation: Ordinary People and Their Lives ……. 7 Such a sane balanced programme: Contextualising the PhD Project 7 Establishing Observation Points 10 ‘Worktown’ and ‘The Economics of Everyday Life’ Project 13 Individual Observers in Their Social Surroundings 18 The Observer as ‘Subjective Camera’ 27 Please Keep a Diary for the Day: Day-Diaries and ‘May The Twelfth’ 35 A Conclusion: M-O, Subjective Cameras and Women’s Wartime Diaries 43 Chapter Two – Mass-Observation’s Wartime Diaries: ‘Speaking for Themselves’?.............................................................................................. 48 The Wartime Diaries: Setting the Scene 48 Using the Wartime Diaries: The 1940s 54 Anthologising the Diaries 68 Publishing Women’s Wartime Diaries 79 A Conclusion: M-O’s Wartime Diaries, Editing, Time and Genre 87 Chapter Three – ‘M-O! Please Note’: Mass-Observation’s Diaries and the Diary-Genre …………………………………………………………. 94 Introduction 94 ‘Mrs Higham - & my diary, are my only confidents at times’: M-O Wartime Diaries as Private Texts 94 ‘Was very pleased to get Diarist letter from M-O – feel kept in touch’: M-O Wartime Diaries as Social Texts 107 Diary Letters? M-O Diaries and Epistolarity 118 A Conclusion: Hybridity, Context and Time 131 1 Women’s M-O Diaries: Writing, Time & ‘Subjective Cameras’ Chapter Four – ‘Shaped by the structures of our time’: Temporality, Women’s Wartime Diaries and ‘Telling the Time’ ……………………………. -
Simply Eliot
Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T. -
Ad Alta: the Birmingham Journal of Literature Volume X, 2018 ‘Unheard’
Ad Alta: The Birmingham Journal of Literature Volume X, 2018 ‘Unheard’ AD ALTA: THE BIRMINGHAM JOURNAL OF LITERATURE VOLUME X ‘UNHEARD’ 2018 Cover Image: (Untitled) excerpt from ‘Manifestations of Caledonian Road’ 2018 (digital and mixed media) by David Baldock Printed by Central Print, University of Birmingham, Birmingham, UK This issue is available online: birmingham.ac.uk/adalta Ad Alta: The Birmingham Journal of Literature (Print) ISSN 2517-6951 Ad Alta: The Birmingham Journal of Literature (Online) ISSN 2517-696X ⓒ Ad Alta: The Birmingham Journal of Literature Questions and Submissions: Rebekah Andrew ([email protected]) GENERAL EDITOR POETRY AND ARTS Rebekah Andrew Nellie Cole Alice Seville REVIEW PANEL Marie Allègre BOOK REVIEWS EDITOR Hannah Comer Katherine Randall Polly Duxfield Marine Furet Liam Harrison NOTES EDITORS Aurora Faye Martinez Kim Gauthier James McCrick Michelle Michel Antonia Wimbush PROOFS EDITOR EDITORIAL BOARD Yasmine Baker Joshua Allsop Emily Buffey Jessica Pirie Tom White Ad Alta: The Birmingham Journal of Literature wishes to acknowledge the hard work and generosity of a number of individuals, without whom this journal would never have made its way into your hands, or onto your computer screen. Firstly, our editorial board, who have provided wonderful advice and support throughout the entire process of producing this journal. We also wish to thank Will Cooper of Central Print, who provided assistance throughout the printing process. Also, our contributors, who have dedicated so much time and energy to write and redraft submissions, and the review panel, who provided excellent comments and feedback on our submissions. Thanks are also due to Rowanne Conway and Eve Green.