Middle Class Recruits to Communism in the 1930S Transcript
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The Glass Case Modern Literature Published After 1900
The Glass Case Modern Literature Published After 1900 On-Line Only: Catalogue # 209 Second Life Books Inc. ABAA- ILAB P.O. Box 242, 55 Quarry Road Lanesborough, MA 01237 413-447-8010 fax: 413-499-1540 Email: [email protected] The Glass Case: Modern Literature Terms : All books are fully guaranteed and returnable within 7 days of receipt. Massachusetts residents please add 5% sales tax. Postage is additional. Libraries will be billed to their requirements. Deferred billing available upon request. We accept MasterCard, Visa and American Express. ALL ITEMS ARE IN VERY GOOD OR BETTER CONDITION , EXCEPT AS NOTED . Orders may be made by mail, email, phone or fax to: Second Life Books, Inc. P. O. Box 242, 55 Quarry Road Lanesborough, MA. 01237 Phone (413) 447-8010 Fax (413) 499-1540 Email:[email protected] Search all our books at our web site: www.secondlifebooks.com or www.ABAA.org . 1. ABBEY, Edward. DESERT SOLITAIRE, A season in the wilderness. NY: McGraw-Hill, (1968). First Edition. 8vo, pp. 269. Drawings by Peter Parnall. A nice copy in little nicked dj. Scarce. [38528] $1,500.00 A moving tribute to the desert, the personal vision of a desert rat. The author's fourth book and his first work of nonfiction. This collection of meditations by then park ranger Abbey in what was Arches National Monument of the 1950s was quietly published in a first edition of 5,000 copies ONE OF 10 COPIES, AUTHOR'S FIRST BOOK 2. ADAMS, Leonie. THOSE NOT ELECT. NY: Robert M. McBride, 1925. First Edition. -
Christopher Isherwood Papers
http://oac.cdlib.org/findaid/ark:/13030/c8pk0gr7 No online items Christopher Isherwood Papers Finding aid prepared by Sara S. Hodson with April Cunningham, Alison Dinicola, Gayle M. Richardson, Natalie Russell, Rebecca Tuttle, and Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2, 2000. Updated: January 12, 2007, April 14, 2010 and March 10, 2017 The Huntington Library. All rights reserved. Christopher Isherwood Papers CI 1-4758; FAC 1346-1397 1 Overview of the Collection Title: Christopher Isherwood Papers Dates (inclusive): 1864-2004 Bulk dates: 1925-1986 Collection Number: CI 1-4758; FAC 1346-1397 Creator: Isherwood, Christopher, 1904-1986. Extent: 6,261 pieces, plus ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood’s library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta. Language: English. Access The collection is open to qualified researchers by prior application through the Reader Services Department, with two exceptions: • The series of Isherwood’s daily diaries, which are closed until January 1, 2030. -
The Communist International Through a British Lens*
The Communist International through a British Lens* Alastair Kocho‐Williams University of the West of England, Bristol alastair.kocho‐[email protected] Cross‐Cultural Communism: Spanish, British, and Chinese Socialists inside Russia’s International Revolution AHA 123rd General Meeting, New York, 2‐5 January 2009 The Communist International (Comintern) was founded to export the Russian Revolution. Nominally independent of the Soviet state, it involved communist parties - often referred to as Sections - from around the world, but was directed from Moscow. The Comintern took an interest in Britain from its inception, invited British delegates to its founding congress in March 1919, and took an active role in the founding of the Communist Party of Great Britain (CPGB) in the summer of 1920. From the Comintern’s point of view Britain offered a good opportunity for revolution beyond Russia. As the leading imperial power following the First World War, it was a target for agitation against imperialism and colonialism, and a strong labour movement presented opportunities for mass mobilization. Willing participants in the programme of world revolution were found, and the CPGB rose out of longer-term trends in the British left, and an admiration of the Russian Revolution. Despite this, the CPGB and the prospects for revolution were an almost constant disappointment to Moscow. Britain remained stable, and mostly under Conservative governments, while the Party remained relatively small in comparison to other national parties with membership around 4,000 in 1920, rising to 12,000 in 1926, but dipping to approximately 2,500 by 1930, and despite recruitment after adoption of the popular front remaining below 20,000 by the start of the * I am grateful for the assistance of Norman Laporte, Kevin Morgan, and Stephen Hopkinson in the writing of this paper. -
Why Memorialize? Stephen Spender's Aesthetics of Remembrance in Vienna
WHY MEMORIALIZE? STEPHEN SPENDER’S AESTHETICS OF REMEMBRANCE IN VIENNA* Esther Sánchez-Pardo González Universidad Complutense de Madrid ASBTRACT Drawing from current theorization on aesthetics and from the heated debates of the repre- sentation of war and violence in arts, humanities and the media, this paper engages with the issue of art (and literature) and its condition in the world today, always at risk of mask- ing the extremity or reality of suffering, either by suffocating it or assimilating it and turn- ing it into an object of pleasure for the reader or spectator. With a reflection on issues on mourning and trauma, and within the domain of cultural memory, we take Stephen Spender’s poetry, and his long poem Vienna (1934), as a prime exponent of cultural production where loss and its aftermath—crucial as well in subject formation—becomes constitutive of the aesthetic, formal, and material properties of a good number of poems. KEY WORDS: War poetry, Stephen Spender, mourning, cultural memory, melancholia, trauma. RESUMEN A partir de la teorización actual sobre estética y de los acalorados debates sobre la represen- tación de la guerra y la violencia en las artes, las humanidades y los medios de difusión, este 39 artículo incide en la problemática de la representación de todas estas cuestiones en el arte y la literatura en la actualidad. Arte y literatura corren el riesgo de enmascarar situaciones extremas de sufrimiento, bien acallándolas, bien asimilándolas y convirtiéndolas en objeto placentero para ser observado y examinado por lectores y espectadores. A través de una reflexión sobre cuestiones de duelo y trauma, y dentro del marco de la memoria cultural, ilustramos estos debates mediante la poesía de Stephen Spender, y en concreto, de su poe- ma largo Vienna (1934) como exponente de primer orden en el que la pérdida y sus secuelas —cruciales también en la formación de la subjetividad—se convierten en constitutivas de la propiedades estéticas, formales y materiales de éste y otros volúmenes del mismo autor. -
Introduction
Notes Introduction 1. For more on the Romanticism and Classicism debate in the maga- zines, see David Goldie’s Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1918–1929 (69– 127). Harding’s discussion in his book on Eliot’s Criterion of the same debate is also worth reviewing, especially his chapter on Murry’s The Adelphi; see 25–43. 2. Esty suggests that the “relativization of England as one culture among many in the face of imperial contraction seems to have entailed a relativization of literature as one aspect of culture . [as] the late modernist generation absorbed the potential energy of a contracting British state and converted it into the language not of aesthetic decline but of cultural revival” (8). In a similar fashion, despite Jason Harding’s claim that Eliot’s periodical had a “self-appointed role as a guardian of European civilization,” his extensive study of the magazine, The “Criterion”: Cultural Politics and Periodical Networks in Inter-War Britain, as the title indicates, takes Criterion’s “networks” to exist exclusively within Britain (6). 3. See Suzanne W. Churchill, The Little Magazine Others and the Renovation of Modern American Poetry; Eric White, Transat- lantic Avant-Gardes: Little Magazines and Localist Modernism; Adam McKible, The Space and Place of Modernism: The Russian Revolution, Little Magazines, and New York; Mark Morrisson, The Public Face of Modernism: Little Magazines, Audience, and Reception, 1905–1920; Faith Binckes, Modernism, Magazines, and the Avant-Garde: Reading “Rhythm,” 1910–1914. 4. Thompson writes, “Making, because it is a study in an active process, which owes as much to agency as to conditioning. -
Edward Upward and the Novel of Politics
Edward Upward and the Novel of Politics ANTHONY ARBLASTER Edward Upward, novelist, has enjoyed a second, fictional or semi- fictional life in the writings of his contemporaries for half a century. Under the pseudonym of “Allen Chalmers”, given to him by Christo- pher Isherwood, he appears in the autobiographies of Isherwood (Lions and Shadows) and Stephen Spender (World Within World). But Chalmers’ first appearance is as a character in Isherwood’s very first novel, All the Conspirators, published in 1928. Did Upward himself really exist? In the 1930’s some stories and a short novel, Journey to the Border, were published under his name. But for twenty years between 1942 and 1962 Upward published nothing except for one early story, The Railway Accident, which he partly disowned, and which therefore appeared under the familiar pseudonym, with an introduc- tion, appropriately, by Isherwood, the inventor of “Allen Chalmers”. Like another writer of the ’thirties, Jean Rhys, Upward disappeared from public view for many years. He has since explained the relation between this long silence and his engagement with and painful dis- engagement from the Communist Party. This relationship is itself one main theme of the trilogy of novels published since 1962 under the overall title of The Spiral Ascent (Onward and Upward?). Even now that Upward can be perceived as a novelist in his own right, the relationship between Upward and Chalmers still flourishes in the material of the trilogy, as will be seen. Isherwood and Upward have enjoyed a kind of literary partnership, the most enduring among those writers who formed a recognisable group or generation in the 1930’s. -
Crucibles of Virtue and Vice: the Acculturation of Transatlantic Army Officers, 1815-1945
CRUCIBLES OF VIRTUE AND VICE: THE ACCULTURATION OF TRANSATLANTIC ARMY OFFICERS, 1815-1945 John F. Morris Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 John F. Morris All Rights Reserved ABSTRACT Crucibles of Virtue and Vice: The Acculturation of Transatlantic Army Officers, 1815-1945 John F. Morris Throughout the long nineteenth century, the European Great Powers and, after 1865, the United States competed for global dominance, and they regularly used their armies to do so. While many historians have commented on the culture of these armies’ officer corps, few have looked to the acculturation process itself that occurred at secondary schools and academies for future officers, and even fewer have compared different formative systems. In this study, I home in on three distinct models of officer acculturation—the British public schools, the monarchical cadet schools in Imperial Germany, Austria, and Russia, and the US Military Academy—which instilled the shared and recursive sets of values and behaviors that constituted European and American officer cultures. Specifically, I examine not the curricula, policies, and structures of the schools but the subterranean practices, rituals, and codes therein. What were they, how and why did they develop and change over time, which values did they transmit and which behaviors did they perpetuate, how do these relate to nineteenth- and early-twentieth-century social and cultural phenomena, and what sort of ethos did they produce among transatlantic army officers? Drawing on a wide array of sources in three languages, including archival material, official publications, letters and memoirs, and contemporary nonfiction and fiction, I have painted a highly detailed picture of subterranean life at the institutions in this study. -
BTC Catalog 172.Pdf
Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material. -
Jessica Mitford
Jessica Mitford: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator Mitford, Jessica, 1917-1996 Title Jessica Mitford Papers Dates: 1949-1973 Extent 67 document boxes, 3 note card boxes, 7 galley files, 1 oversize folder (27 linear feet) Abstract: Correspondence, printed material, reports, notes, interviews, manuscripts, legal documents, and other materials represent Jessica Mitford's work on her three investigatory books and comprise the bulk of these papers. Language English. Access Open for research Administrative Information Acquisition Purchase, 1973 Processed by Donald Firsching, Amanda McCallum, Jana Pellusch, 1990 Repository: Harry Ransom Center University of Texas at Austin Mitford, Jessica, 1917-1996 Biographical Sketch Born September 11, 1917, in Batsford, Gloucestershire, England, Jessica Mitford is one of the six daughters of the Baron of Redesdale. The Mitfords are a well-known English family with a reputation for eccentricity. Of the Mitford sisters, Nancy achieved notoriety as a novelist and biographer. Diana married Sir Oswald Mosley, leader of the British fascists before World War II. Unity, also a fascist sympathizer, attempted suicide when Britain and Germany went to war. Deborah became the Duchess of Devonshire. Jessica, whose political bent ran opposite to that of her sisters, ran away to Loyalist Spain with her cousin, Esmond Romilly, during the Spanish Civil War. Jessica eventually married Romilly, who was killed during World War II. In 1943, Mitford married a labor lawyer, Robert Treuhaft, while working for the Office of Price Administration in Washington, D.C. The couple soon moved to Oakland, California, where they joined the Communist Party. In California, Mitford worked as executive secretary for the Civil Rights Congress and taught sociology at San Jose State University. -
Harry Pollitt, Maurice Thorez and the Writing of Exemplary Communist Lives
The University of Manchester Research Harry Pollitt, Maurice Thorez and the writing of exemplary communist lives Document Version Accepted author manuscript Link to publication record in Manchester Research Explorer Citation for published version (APA): Morgan, K., Gottlieb, J. (Ed.), & Toye, R. (Ed.) (2005). Harry Pollitt, Maurice Thorez and the writing of exemplary communist lives. In Making Reputations: power, persuasion and the individual in British politics I.B. Tauris. Published in: Making Reputations: power, persuasion and the individual in British politics Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:10. Oct. 2021 An exemplary communist life? Harry Pollitt’s Serving My Time in comparative perspective Kevin Morgan i Traditionally, biography has been one of the weakest genres of communist historiography. In a country like Britain, where the communist party (the CPGB) had a peak membership in the 1940s of perhaps 55,000 and never elected more than two MPs, its leading figures held few obvious attractions for the conventional political biographer. -
Stevenson-Mastersreport
Copyright by Katharine A. Stevenson 2013 The Report Committee for Katharine A. Stevenson Certifies that this is the approved version of the following report: Delicacy or Shame: Christopher Isherwood’s Obscured Sexuality in Lions and Shadows APPROVED BY SUPERVISING COMMITTEE: Supervisor: Mia Carter Alan Friedman Delicacy or Shame: Christopher Isherwood’s Obscured Sexuality in Lions and Shadows by Katharine A. Stevenson, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2013 Dedication This project is lovingly dedicated to my brother Sam, who has so much in common with certain personalities in Lions and Shadows. Don’t worry—it took Christopher nearly fifty years. Acknowledgements I would like to thank both of my committee members, Professors Mia Carter and Alan Friedman, for their time and input on this project, and for setting shining examples of leadership and dedication in academia. My adviser Professor Carter deserves particular thanks for introducing me to Christopher Isherwood’s work. His writing has become more meaningful to me than that of almost any other author, and I hope to continue to explore why for years to come. I would like to thank my parents for their unflagging faith, help, and moral support, without which I’m not sure that I could accomplish anything, and my best friend L.A. Fields for being my sounding board at all hours of the day and night. Finally, I must thank the other members of my cohort class. -
Sharpe, Tony, 1952– Editor of Compilation
more information - www.cambridge.org/9780521196574 W. H. AUDen IN COnteXT W. H. Auden is a giant of twentieth-century English poetry whose writings demonstrate a sustained engagement with the times in which he lived. But how did the century’s shifting cultural terrain affect him and his work? Written by distinguished poets and schol- ars, these brief but authoritative essays offer a varied set of coor- dinates by which to chart Auden’s continuously evolving career, examining key aspects of his environmental, cultural, political, and creative contexts. Reaching beyond mere biography, these essays present Auden as the product of ongoing negotiations between him- self, his time, and posterity, exploring the enduring power of his poetry to unsettle and provoke. The collection will prove valuable for scholars, researchers, and students of English literature, cultural studies, and creative writing. Tony Sharpe is Senior Lecturer in English and Creative Writing at Lancaster University. He is the author of critically acclaimed books on W. H. Auden, T. S. Eliot, Vladimir Nabokov, and Wallace Stevens. His essays on modernist writing and poetry have appeared in journals such as Critical Survey and Literature and Theology, as well as in various edited collections. W. H. AUDen IN COnteXT edited by TONY SharPE Lancaster University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Mexico City Cambridge University Press 32 Avenue of the Americas, New York, NY 10013-2473, USA www.cambridge.org Information on this title: www.cambridge.org/9780521196574 © Cambridge University Press 2013 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.