Animagazin 6. Sz. (2019. November 20.)
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Princess Princess Anime Trailer
Princess princess anime trailer Princess Princess DVD Trailer. MediaB . I wonder if I can be a princess, LOL. this is not yaoi or yuri anime. Princess Principal (Trailer anime ). Just Anime. Loading Unsubscribe from Just Anime? Cancel. Heute habe ich einen kleine Trailer zu einem Anime geschnitten den ich sehr mag. „princess princess. Princess Princess Trailer. YamiYugiSetoJoey4. Loading Unsubscribe from YamiYugiSetoJoey4? Cancel. Premier - July Sountrack - Mission Imposible. Princess trailer. Almaschy Flamin The trailer spoils a few things.. Read more. Show less @EffectFreak4. Now Available from Nozomi Entertainment at ! In the male-dominated sport of. PRINCESS ist ein ungewöhnlicher und fulminanter Animationsfilm (für Erwachsene) in bester Anime. プリンセス・プリンシパル Other: Princess Principal Genre: Advanture, Action Synopsis The. Princess Principal | TV Anime | Trailer Anime verano | CM | Julio 9. Estidio Otaku. Loading. Murder Princess - Complete Box Set Trailer Princess Alita crosses paths with the infamous bounty hunter. Corpse Princess Trailer Buy the complete series part one and two on DVD at Part 1. Find and purchase our anime titles from the following select retailers: NISA Online Store (http://store. Rumbling Hearts Trailer - Duration: dragonballmarcus , views · · The Worst Anime Ever. The White Princess Official Trailer (). The White Princess () · WATCH NOW. Amazon Video. Related Videos. 1 of 7. The White Princess Official Trailer. Shirley Temple stars in her first color movie, The Little Princess (), as an orphan who must endure a nasty. Crunchyroll - Yona of the Dawn Full episodes streaming online for free || Watch a little princess grow into a strong, battle-ready woman. Their names seem. "Princess Princess" ist ein Anime mit dem Hauptgenre Komödie ☆ Rang ✓ Screenshots ✓ Wallpaper. -
La Complejidad Narrativa En Los Cuentos De Brujas Del Anime Contemporáneo: Autoconsciencia Y Cognoscibilidad En Kurozuka Y Madoka Magica1
B R U M A L Revista de Investigación sobre lo Fantástico DOI: https://doi.org/10.5565/rev/brumal.627 Research Journal on the Fantastic Vol. VIII, n.º 2 (otoño/autumn 2020), pp. 183-205, ISSN: 2014-7910 LA COMPLEJIDAD NARRATIVA EN LOS CUENTOS DE BRUJAS DEL ANIME CONTEMPORÁNEO: AUTOCONSCIENCIA Y COGNOSCIBILIDAD EN KUROZUKA Y MADOKA MAGICA1 ANTONIO LORIGUIllO-LÓPEZ Universitat Jaume I [email protected] Recibido: 30-09-2019 Aceptado: 27-07-2020 RESUMEN El fantástico es uno de los principales marcos temáticos de las producciones de la ani- mación comercial japonesa. Dentro de este género, las diversas adaptaciones y reelabo- raciones de mitos y cuentos tradicionales suponen recursos fértiles con los que cubrir las demandas de una industria extremadamente prolífica. Sin embargo, pese a su po- pularidad como objeto de estudio, las exploraciones textuales sobre anime fantástico rara vez se aventuran más allá de las coordenadas temáticas o históricas de sus argu- mentos. El presente artículo persigue atender a la relación entre la intricada narración de dos series televisivas significativas dentro del fantástico en el anime —Kurozuka y Madoka Magica— y la representación de las brujas que las protagonizan. Mediante el uso de las categorías narratológicas de la autoconsciencia y de la cognoscibilidad inda- 1 El autor quiere hacer constar el apoyo de las fuentes de financiación de esta investigación: Conselle- ria d’Educació, Investigació, Cultura i Esport de la Generalitat Valenciana y Fondo Social Europeo de la Unión Europea (ref. APOSTD/2019/067). Universitat Jaume I, proyectos «Análisis de identidades en la era de la posverdad. -
2005 Pixelache Dotorgboom.Pdf
introduction PixelACHE 2005 theme : “...the Net is not Yet a monolithic The Dot Org Boom broadcast medium. I remain wildly optimistic about it’s potential. The The Dot Org Boom is here to stay. It recent ascent of peer-to-peer net- is the non-profit version of Dot Com works, weblogs and free software Boom (RIP), fueled by the enthusias- could be a sign of a coming Internet tic efforts of inviduals which are ac- renaissance” cumulated together through infor- - Geert Lovink, My First Recession mal but elaborate structures. Some (2003) of the key components of this rap- idly growing boom are open source “In United States and Canada, for and open content initiatives, media example, almost everyone knows activist networks, ever growing blog- about the explosion of the dot-coms osphere and vast networks of NGOs - a much smaller phenomenon - but around the world. millions have not heard the big sto- ry: the worldwide explosion of dot- Putting together the PixelACHE Dot orgs. It is a story with far-reaching Org Boom program was not an ac- implications: By sharpening the role ademic research process but rath- of government, shifting practises and er a dive into grassroot networks in attitudes in business and opening up search for ideas and initiatives with waves of opportunity for people to strong energy and hopefully a bright apply their talents in new, positive future. PixelACHE Festival brings to- ways, the emerging citizen sector is gether a very diverse group of art- reorganising the way the work of so- ists, engineers, activists, architects ciety gets done.” and designers to discuss and devel- - David Bornstein, How to Change the op the future of Dot Org Boom. -
![Fuwaku No Adagio] Friday 8 October at 9:30Pm](https://docslib.b-cdn.net/cover/0385/fuwaku-no-adagio-friday-8-october-at-9-30pm-280385.webp)
Fuwaku No Adagio] Friday 8 October at 9:30Pm
AUTUMN ADAGIO [FUWAKU NO ADAGIO] FRIDAY 8 OCTOBER AT 9:30PM A nun going through her menopause might sound like the punch-line of a joke you wouldn’t tell your mum, but Tsuki Inoue’s disarmingly beautiful film Autumn Adagio takes what could have so easily been a premise ripe for exploitation and makes from it a profoundly moving and utterly restrained masterpiece. Mariko, who is first seen absent-mindedly plucking the stamen from a bouquet of lilies, lives a cloistered, routine life. One day, confused by the way she is feeling, she takes a leap of faith and volunteers to play the piano for the local ballet school. Whilst working she becomes entranced by the instructor’s graceful movements in a scene that is both gently surreal and quietly erotic. Although she plays well, the instructor tries to encourage her to put more of herself into the music. Moriko, who has spent her life repressing her sexuality and emotions, decides to let them out for a short time before they are lost forever and we can’t help but be swept along with her new enthusiasm. From then on the film is by turns disturbing, tragic and uplifting as she learns to reengage with the world. More and more we start to see her without her habit, and the change is striking. The tension between religion and sexuality has been explored in many films, but rarely has it been handled with such sensitivity. DB Country Japan Running Time 70 mins Format HDCam Director/Producer/ Screenplay Tsuki Inoue DoP Yosuke Omori Cast Rei Shibakusa, Peyton Chiba, Takuo Shibuya Print Source Dongyu Email [email protected] 104 18TH RAINDANCE FILM FESTIVAL BOYS ON THE RUN [BOIZU ON ZA RAN] FRIDAY 1 OCTOBER AT 6:30PM Boys on the Run stars Kazunobu Mineta (frontman for punk-rock band Ging Nang Boyz) as Tanishi, a 29-year-old virgin stuck in a menial position at a failing company. -
Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11 SU 4/1/05 3:50 PM Page 4
4105-11_SU 4/1/05 3:50 PM Page 3 Building Pedagogical Curb Cuts: Incorporating Disability in the University Classroom and Curriculum 4105-11_SU 4/1/05 3:50 PM Page 4 Copyright 2005© The Graduate School, Syracuse University. For more information about this publication, contact: The Graduate School Syracuse University 423 Bowne Hall Syracuse, New York 13244. 4105-11_SU 4/1/05 3:50 PM Page 5 v Contents Acknowledgements vii Chancellor’s Preface ix Editors’ Introduction xi I. Incorporating Disability in the Curriculum Mainstreaming Disability: A Case in Bioethics 3 Anita Ho Language Barriers and Barriers to Language: Disability 11 in the Foreign Language Classroom Elizabeth Hamilton and Tammy Berberi Including Women with Disabilities in Women and 21 Disability Studies Maria Barile Seeing Double 33 Ann Millett Cinematically Challenged: Using Film in Class 43 Mia Feldbaum and Zach Rossetti “Krazy Kripples”: Using South Park to Talk 67 about Disability Julia White Teaching for Social Change 77 Kathy Kniepmann II. Designing Instruction for Everyone Nothing Special: Becoming a Good Teacher for All 89 Zach Rossetti and Christy Ashby 4105-11_SU 4/1/05 3:50 PM Page 6 vi contents Tools for Universal Instruction 101 Thomas Argondizza “Lame Idea”: Disabling Language in the Classroom 107 Liat Ben-Moshe Learning from Each Other: Syracuse University 117 and the OnCampus Program Cheryl G. Najarian and Michele Paetow III. Students with Disabilities in the Classroom Being an Ally 131 Katrina Arndt and Pat English-Sand Adapting and “Passing”: My Experiences as a 139 Graduate Student with Multiple Invisible Disabilities Elizabeth Sierra-Zarella “We’re not Stupid”: My College Years 147 as a Mentally Challenged Student Anthony J. -
Review of the Scottish Animation Sector
__ Review of the Scottish Animation Sector Creative Scotland BOP Consulting March 2017 Page 1 of 45 Contents 1. Executive Summary ........................................................................... 4 2. The Animation Sector ........................................................................ 6 3. Making Animation ............................................................................ 11 4. Learning Animation .......................................................................... 21 5. Watching Animation ......................................................................... 25 6. Case Study: Vancouver ................................................................... 27 7. Case Study: Denmark ...................................................................... 29 8. Case Study: Northern Ireland ......................................................... 32 9. Future Vision & Next Steps ............................................................. 35 10. Appendices ....................................................................................... 39 Page 2 of 45 This Report was commissioned by Creative Scotland, and produced by: Barbara McKissack and Bronwyn McLean, BOP Consulting (www.bop.co.uk) Cover image from Nothing to Declare courtesy of the Scottish Film Talent Network (SFTN), Studio Temba, Once Were Farmers and Interference Pattern © Hopscotch Films, CMI, Digicult & Creative Scotland. If you would like to know more about this report, please contact: Bronwyn McLean Email: [email protected] Tel: 0131 344 -
Thomas Hudson
Thomas [email protected] Hudson crewhudson.com Objective To work with an energetic, inspiring team and create challenging and fun projects Experience Designer and Storyboard Artist, Little Airplane Productions, Inc.; New York – 2005-2006 - “Wonder Pets” TV Series, Background/ Character Designer and traditional animator - “Piper O Possum” segments, Storyboard artist using flash Designer, BFTV LLC; New York – April, 2006 - Conceptual Designer for several television production ideas Segment Designer, Mechanism Digital Inc.; New York – May, 2006 - “Will and Grace”, designer for last episode “scrapbook” montage - “American Revolution” - designer for maps and item inspection montage Designer, Flickerlab LLC; New York – June-July, 2006 -“Hooked on Phonics”, Designer for photo collage and backgrounds drawn in Flash Designer and Animator, Word World LP; New York –2006-2009 “Word World” TV Series - Background, character and prop designer for 3D animation production - Animation “Morph Sequence” designer Designer, Nickelodeon Inc.; New York – 2009-2010 -“Umi Zoomi” TV Series, Background design in Photoshop Animator, 4ºC Co., LTD; Tokyo – May-August, 2010 -“Green Lantern: Emerald Knights” FIlm- Traditional Animation Assistant Animator, 4ºC Co., LTD; Tokyo – January-Febuary, 2012 -“Thundercats” TV Series- Cleanup and assistant animator Assistant Animator, Tatsunoko LTD; Tokyo – August-September, 2012 -“Dekobokon” - Flash Animation Children’s production Compositor and Production Manager, Science Saru Inc; Tokyo – 2013-2014 - “Adventure Time” episode, -
The Big Tent’ Media Report Moveon.Org
‘The Big Tent’ Media Report MoveOn.org September 12, 2008 TABLE OF CONTENTS MEDIA SUMMARY .................................................................................................................... 3 TELEVISION ............................................................................................................................. 13 PRINT ......................................................................................................................................... 73 ONLINE…………………………………………………………………………………………89 2 MEDIA SUMMARY 3 Television CNN, America Votes 2008 The Big Tent mentioned as a blogging facility in Denver, 8/28/08. CNN, The Situation Room Mentioned the Big Tent as the place where 300 credentialed bloggers are working, 8/25/08. CNN, The Situation Room Mentioned how the Denver Nuggets’ weight room would become the Big Tent, 8/19/08. FBN, Countdown to the Closing Bell Josh Cohen interviewed about the Big Tent, 8/28/08. FBN, America’s Nightly Scorecard Mentioned Google doing a good job with the Big Tent, 8/22/08. CSPAN, Campaign 2008 Interviewed blogger Ben Tribbett about the Big Tent and filmed a walk-through of the entire tent, 8/28/08. CSPAN2, Tonight From Washington Leslie Bradshaw from New Media Strategies mentions the Big Tent during her interview, 8/26/08. MSNBC Morning Joe Interviewed several bloggers inside the Big (same clip ran on MSNBC News Live) Tent as part of Morning Joe’s “The Life of Bloggers: Cheetos-Eating, Star Wars Watching, Living in Basements?” 8/27/08. NBC; Denver, CO The Big Tent mentioned as the location of T. Boone Pickens’ event, 8/31/08. NBC; Boston, MA The Big Tent credited with helping Phillip (same clip ran in Cedar Rapids, IA; Anderson of the AlbanyProject.com and Wichita Falls, TX; New York, NY; others get work done at the convention, Cleveland, OH; Seattle, WA; interviewed Phillip Anderson and Markos San Diego, CA; Tuscon, AZ; Moulitsas about the Big Tent, 8/27/08. -
Kotatsu Japanese Animation Film Festival 2017 in Partnership with the Japan Foundation
Kotatsu Japanese Animation Film Festival 2017 In partnership with the Japan Foundation Chapter - September 29th - October 1st, 2017 Aberystwyth Arts Centre – October 28th, 2017 The Largest Festival of Japanese Animation in Wales Announces Dates, Locations and Films for 2017 The Kotatsu Japanese Animation Festival returns to Wales for another edition in 2017 with audiences able to enjoy a whole host of Welsh premieres, a Japanese marketplace, and a Q&A and special film screening hosted by an important figure from the Japanese animation industry. The festival begins in Cardiff at Chapter Arts on the evening of Friday, September 29th with a screening of Masaaki Yuasa’s film The Night is Short, Walk on Girl (2017), a charming romantic romp featuring a love-sick student chasing a girl through the streets of Kyoto, encountering magic and weird situations as he does so. Festival head, Eiko Ishii Meredith will be on hand to host the opening ceremony and a party to celebrate the start of the festival which will last until October 01st and include a diverse array of films from near-future tales Napping Princess (2017) to the internationally famous mega-hit Your Name (2016). The Cardiff portion of the festival ends with a screening of another Yuasa film, the much-requested Mind Game (2004), a film definitely sure to please fans of surreal and adventurous animation. This is the perfect chance for people to see it on the big-screen since it is rarely screened. A selection of these films will then be screened at the Aberystywth Arts Centre on October 28th as Kotatsu helps to widen access to Japanese animated films to audiences in different locations. -
… … Mushi Production
1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod. -
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