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Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
The Passage of the Comic Book to the Animated Film: the Case of The
THE PASSAGE OF THE COMIC BOOK TO THE ANIMATED FILM: THE CASE OF THE SMURFS Frances Novier Baldwin, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2011 APPROVED: Marie-Christine Koop, Major Professor and Chair of the Department of Foreign Languages and Literatures Christophe Chaguinian, Committee Member Lawrence Williams, Committee Member James D. Meernik, Acting Dean of the Toulouse Graduate School Baldwin, Frances Novier. The Passage of the Comic Book to the Animated Film: The Case of the Smurfs. Master of Arts (French), August 2011, 56 pp., bibliography, 31 titles. The purpose of this study is to explore the influence of history and culture on the passage of the comic book to the animated film. Although the comic book has both historical and cultural components, the latter often undergoes a cultural shift in the animation process. Using the Smurfs as a case study, this investigation first reviews existing literature pertaining to the comic book as an art form, the influence of history and culture on Smurf story plots, and the translation of the comic book into a moving picture. This study then utilizes authentic documents and interviews to analyze the perceptions of success and failure in the transformation of the Smurf comic book into animation: concluding that original meaning is often altered in the translation to meet the criteria of cultural relevance for the new audiences. Copyright 2011 By Frances Novier Baldwin ii ACKNOWLEDGMENTS I am particularly grateful to Dr. Marie-Christine Koop for suggesting the topic for my thesis. For their instruction and guidance, I am also obliged to Drs. -
Diehl Cv 2019
! " Biography 2019" BORN:" 1949 " Pittsburgh, Pennsylvania, USA" EDUCATION: 1976 M.A. San Francisco State University, CA" 1973 B.A. California State University Hayward, CA " 1970 Diablo Valley College, Pleasant Hill, CA" SOLO EXHIBITIONS: 2020 Dolby Chadwick Gallery, San Francisco, CA" 2018 Solo Exhibition, Fresno Museum of Art, Fresno, CA - July to October" Dolby Chadwick Gallery, San Francisco, CA" 2015 Dolby Chadwick Gallery, San Francisco, CA" 2013 Dolby Chadwick Gallery, San Francisco, CA" 2011 Dolby Chadwick Gallery, San Francisco, CA " 2007 Sonoma Valley Museum of Art, Sonoma, CA " Hackett-Freedman Gallery, San Francisco, CA " 2004 Hunsaker/Schlesinger Gallery, Santa Monica, CA" 2003 Hackett-Freedman Gallery, San Francisco, CA" 2001 Hackett-Freedman Gallery, San Francisco, CA" 1998 Hackett-Freedman Gallery, San Francisco, CA" 1997 Modernism, San Francisco, CA" 1995 Fletcher Gallery, Santa Fe, NM" 1994 Modernism, San Francisco, CA" #" 1993 Modernism, San Francisco, CA " " 1990 Jeremy Stone Gallery, San Francisco, CA" 1989 University of Pacific, Stockton, CA" #" 1988 Jeremy Stone Gallery, San Francisco, CA" www.guydiehl.com Guy Diehl biography 2016 - page !1 Magic Theater, Fort Mason Art Center, San Francisco, CA" 1987 Hunsaker/Schlesinger Gallery, Los Angeles, CA" 1986 Jeremy Stone Gallery, San Francisco, CA" The Lurie Company, San Francisco, CA" 1984 Hank Baum Gallery, San Francisco, CA" " 1982 Hank Baum Gallery, San Francisco, CA" 1981 Shepard Art Gallery, University of Nevada, Reno, NV" 1980 Hank Baum Gallery, San Francisco, CA" -
Coloring the Gap Between Canoga Park and Calabasas
West Valley New Hotel Proposed - See Page 6 Local Artist Playhouse Hangs With Finds Temporary Cartoon New Home + Characters More Theatre See page 3 See Page 9 ValleyVolume 34, Issue 52 A CompendiousVantage Source of Information February 21, 2019 NEWS IN BRIEF Coloring the Gap Between It Snowed Today! Canoga Park and Calabasas As if the recent A crayon is such a little thing. rainstorms haven’t been But yellow can create a sun. Blue can crazy enough, sights fill in a sky. A whole box can make a rainbow. of snow were reported But here in our backyard, a crayon can in Calabasas this be a big thing - if you don’t have any. Thursday, February 21. At Hart Street Elementary School in Calabasas resident and Canoga Park, most of the kids are on the free actor Jerry O’ Connell lunch program. They come from homes that took to his Instagram are barely scraping by. There is never enough stories to record the money for rent, food, clothes. Crayons are unprecedented weather way down the list. event, pointing out the shocking flurries. Weather stations Enter a partnership between the have forecasted that with the record low temperatures, Calabasas County Club and Crayon snowfall would drop to lower levels but no one could have Collection, a non-profit art-centered predicated we would see snowflakes in Calabasas. Yet, in organization. effect today through Friday morning is a freeze watch that Anastasia Using crayons from could see temperatures drop to between 29 and 32 degrees. Alexander, Crayon Collection to While we sadly can’t cross our fingers for upcoming snow Clubhouse Manager create art, above. -
9781474410571 Contemporary
CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Frame by Frame
3 Pars Pro Toto Character Animation and the Work of the Anonymous Artist Everyone does his or her task on the conveyor belt, performing a partial function without grasping the totality. —Siegfried Kracauer1 The single frame is the basic unit of film just as bricks are the basic unit of brick houses. —Robert Breer2 DELIBERATE MISTAKES In late March 1937, in order to meet the booming demand for Popeye cartoons, the management at Fleischer Studios called for the production process to be sped up. In-betweeners, the animators tasked with drawing the stages of movement that come in between key poses, were expected to double their daily output, from twenty sketches per day to forty.3 But tensions between management and labor at the studio were running high, and the in-betweeners did not comply. Instead, they countered with a “slowdown” strike, which meant, effectively, continuing to produce drawings at the regular rate.4 In the month that followed, fifteen anima- tors were fired for participating in the slowdown, and on May 6 the Commercial Artists and Designers Union authorized a full walkout of the studio. The story of what happened next has already been told, as have the stories of other labor conflicts in the US animation industry—most notably, the 1941 strike at Walt Disney Studios.5 But I want to focus on what didn’t happen. By this I do not mean a counterfactual history, at least not in the traditional sense of the term. Rather, I wish to imagine what is left unsaid in these narratives, which tell us only what went on behind the scenes. -
Poland and Hungary)
DOCUMENT RESUME ED 455 189 SO 032 915 TITLE Projects Submitted by Participants of the Fulbright-Hays Summer Seminars Abroad Program, 2000 (Poland and Hungary). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 2000-00-00 NOTE 383p.; Some photographs and text will not reproduce well. PUB TYPE Collected Works - General (020) Guides Classroom Teacher (052) EDRS PRICE MF01/PC16 Plus Postage. DESCRIPTORS Citizenship Education; *Curriculum Development; Curriculum Enrichment; Elementary Secondary Education; Filmographies; Foreign Countries; Music Appreciation; Social Studies; Thematic Approach IDENTIFIERS Catholic Church; Economic Growth; Fulbright Hays Seminars Abroad Program; Holocaust; *Hungary; *Poland ABSTRACT These curriculum projects were developed by participants of the Fulbright-Hays Seminars Abroad Program in Poland and Hungary during the summer of 2000. The following 11 projects are in the collection: "A Thematic Multicultural Interactive School Event on Poland and Hungary: Exploration and Learning for 6-to-9-Year-Olds" (Ruth Albert); "Once upon a Time in Hungary and Poland: A Unit for Upper Elementary School" (Linda F. Buzzard); "Curriculum Project" (Cheryl Daugherty); "New Models of Democracy: Applying Central European Democracy to American Civic Education" (Kathy Fagan); "The Catholic Church in Poland and Hungary: The Middle Ages and Today" (Justine Garvey); "Civil Liberties and Sovereignty in the Modern World: Constitutions and Conventions in Europe" (Jack C. Guy); "Nationalistic Elements in the Music of Chopin, Liszt, Bartok and Kodaly" (Karen J. Hom); "A Selected Annotated Filmography of Polish and Hungarian Cinema" (David Munro); "High School Unit of Study on Post-Communist Central Europe, with an Emphasis on Poland and Hungary" (Jon Nuxoll); "Animal, Vegetable or Mineral: Understanding the New Emerging Economies of Poland and Hungary" (Dany M. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
Lost (And Returned) in Africa: a Juxtaposition of Joseph Conrad's Mr Kurtz and Caryl Phillips' Nash Williams
Beteckning : Department of Humanities and Social Sciences Lost (and Returned) in Africa: A Juxtaposition of Joseph Conrad’s Mr Kurtz and Caryl Phillips’ Nash Williams Emilie Sjöö September 2010 C-Essay, 15 credits English Literature Teacher Training Programme Supervisor: Alan Shima Examiner: Marko Modiano Table of Contents 1. Introduction.......................................................................................................1 2. Lost in the Notions of Imperialism: Mr Kurtz in Heart of Darkness ...................2 3. Returning “Home”: Nash Williams in Crossing the River ................................11 4. Conclusion......................................................................................................19 5. Works Cited....................................................................................................21 1 1. Introduction Tales of exploration and journeys into the unknown are familiar themes in literature, and are often used as allegories for the classical search for identity and purpose in life. The Western world’s construct of Africa as exotic indicates a need to project the dark qualities of the mind onto something palpable, which can be conquered or destroyed. Literary journeys into the unknown can thus be seen as studies of the mind. Joseph Conrad’s character Mr Kurtz in Heart of Darkness , published in 1902, and Caryl Phillips’ character Nash Williams in Crossing the River , published in 1993, both journey to Africa on a mission, but unforseeable events lead to a different outcome than -
Investigating Visual Differences Between Japanese and American Animation
Rochester Institute of Technology RIT Scholar Works Theses 12-12-2016 Investigating Visual Differences Between Japanese and American Animation Boyao Dai [email protected] Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Dai, Boyao, "Investigating Visual Differences Between Japanese and American Animation" (2016). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Running head: INVESTIGATING VISUAL DIFFERENCES 1 Rochester Institute of Technology School of Communication College of Liberal Arts Investigating Visual Differences Between Japanese and American Animation by Boyao Dai A thesis submitted in partial fulfillment of the Master of Science degree in Communication & Media Technologies Degree Awarded: December 12, 2016 INVESTIGATING VISUAL DIFFERENCES 2 The members of the Committee approve the thesis of Boyao Dai presented on December 8, 2016. _______________________________________ Andrea Hickerson, Ph.D. Associate Professor and Director School of Communication ________________________________________ Kelly Norris Martin, Ph.D. Assistant Professor School of Communication Thesis Advisor ________________________________________ Emily Glass Visiting Assistant Professor Department of Imaging Arts & Science Thesis Advisor _______________________________________ -
Form 8-K Genius Brands International, Inc
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 8-K Current Report Pursuant To Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): June 29, 2016 GENIUS BRANDS INTERNATIONAL, INC. (Name of registrant as specified in its charter) Nevada 000-54389 20-4118216 (State or other jurisdiction of (Commission File Number) (I.R.S. Employer Incorporation or organization) Identification Number) 301 N. Canon Drive, Suite 305 Beverly Hills, CA 90210 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (310) 273-4222 _________________________________________ (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2. below): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Item 7.01 Regulation FD Disclosure. On June 29, 2016, Genius Brands International, Inc. (the “Company”) distributed to its shareholders the letter attached hereto as Exhibit 99.1. The information disclosed under this Item 7.01, including Exhibit 99.1 hereto, is being furnished and shall not be deemed “filed” for purposes of Section 18 of the Securities Exchange Act of 1934, as amended, nor shall it be incorporated by reference into any registration statement or other document pursuant to the Securities Act of 1933, as amended, except as expressly set forth in such filing. -
Heart of Darkness
HEART OF DARKNESS BY JOSEPH CONRAD 7^WYS`f7Taa]e COPYRIGHT INFORMATION Book: Heart of Darkness Author: Joseph Conrad, 1857–1924 First published: 1899 (serial), 1902 (book) The original book is in the public domain in the United States and in most, if not all, other countries as well. Readers outside the United States should check their own countries’ copyright laws to be certain they can legally download this ebook. The Online Books Page has an FAQ which gives a summary of copyright durations for many other countries, as well as links to more official sources. This PDF ebook was created by José Menéndez. I The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.