September2010issue.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Carrie Undérwo. D's Crossover Dreams >P.35
Carrie Undérwo. d's Crossover Dreams >P.35 #BXNCTCC 1111111111111111111111111111111111111111111 11/11111 #ßL2408043# APR06 A04 B01 )7 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 9080 -3402 NOV FOR'1ORE THAN 110 YEARS 19 R &B SinerjSongwriter SONY I3 IVI G Turns Jail Time Into Under Fire Over CD Copy- Protection >P.7 Hit Debut Album >P.30 11 N1 Illegal P212 (X) R\' Networks INVADES Face The NEW YORK IVIt,iSic; >P.? The CMAs Take Their Act On The Road >P.32 1 I1_IVI MUSIC', Can `Rent' & `Producers' Revive Soundtrack Biz? $6 99US S8.S9.A >P.27 US $6.99, CAN $8.99 UK £5.50, EURCPE 8.95, JAPAN V2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com KEYSHIA COLE CERTIFIED GOLD DEBUT ALBUM "THE WAY _' IS' TOP SELLIN MALE R &B ARTIST 3 Vibe Award Nomt #1 Video at f - "I Should Have Cheated" Top 5 ringtone sales - "I Should Have Cheated" Top 5 (and gaining) at Urban radio - "I Should Have Cheated" Top 10 arum on Billboard R &B/Hip -Hop Chart TUNE INTO VIBE AWARDS TO SEE KEYSHIA PERFORM "I SHOULD HAVE CHEATED" TUESDAY, NOVEMBER 15TH ON UPN Executive Producers: Ron Fair, Manny Halley, and Keyshia Cole "I Should Have Cheated" AM Produced by: Daron_ Jones and Ron Fair / Written by: Daron Jones and Q. Parker REC Mixed by: Ron Fair and Tal Herzberg Management: Arthur Spivak for The Firm / ".2,U!: AY.1A Fnviili www.americanradiohistory.com YOU CAN'T AFFORD TO MISS THIS BILLBOARD EVENT DIGITAL ENTERTAINMENT 8 MEDIA DEM PO CONLEAENCE m z 2005 Billbearel NOVEMBER 19, 2005 TIE.is a 1.111111111115.1 VOLUME 117, NO. -
Plusinside Senti18 Cmufilmfest15
Pittsburgh Opera stages one of the great war horses 12 PLUSINSIDE SENTI 18 CMU FILM FEST 15 ‘BLOODLINE’ 23 WE-2 +=??B/<C(@ +,B?*(2.)??) & THURSDAY, MARCH 19, 2015 & WWW.POST-GAZETTE.COM Weekend Editor: Scott Mervis How to get listed in the Weekend Guide: Information should be sent to us two weeks prior to publication. [email protected] Send a press release, letter or flier that includes the type of event, date, address, time and phone num- Associate Editor: Karen Carlin ber of venue to: Weekend Guide, Pittsburgh Post-Gazette, 34 Blvd. of the Allies, Pittsburgh 15222. Or fax THE HOT LIST [email protected] to: 412-263-1313. Sorry, we can’t take listings by phone. Email: [email protected] If you cannot send your event two weeks before publication or have late material to submit, you can post Cover design by Dan Marsula your information directly to the Post-Gazette website at http://events.post-gazette.com. » 10 Music » 14 On the Stage » 15 On Film » 18 On the Table » 23 On the Tube Jeff Mattson of Dark Star City Theatre presents the Review of “Master Review of Senti; Munch Rob Owen reviews the new Orchestra gets on board for comedy “Oblivion” by Carly Builder,”opening CMU’s film goes to Circolo. Netflix drama “Bloodline.” the annual D-Jam show. Mensch. festival; festival schedule. ALL WEEKEND SUNDAY Baroque Coffee House Big Trace Johann Sebastian Bach used to spend his Friday evenings Trace Adkins, who has done many a gig opening for Toby at Zimmermann’s Coffee House in Leipzig, Germany, where he Keith, headlines the Palace Theatre in Greensburg Sunday. -
Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having
Preview: Gathering of the Vibes 2008 Chad Berndtson July 29, 2008 Having recently finished an enterprise feature for another publication on the glut of national music festivals and what role that glut creates for regional festivals with a lot more personality, I’m more excited this year for the Gathering of the Vibes than I have been in quite some time. As the man said, “He’d have to be one charming motherfuckin pig”…er, sorry, “Personality goes a long way.” Compared to the Roo- and Coachella-sized behemoths, and a lot of the sexy new kids with names both playful and official-sounding—Rothbury might be a bit of both, and allegedly, it was quite the time—the Vibes is a creakier, more elegant dinosaur. A glorious, humble triceratops of a festival, yes, secure in its size, pleasant in its modest ambition and its abilities, not ostentatious, and kindly manageable. And damn isn’t it great to have it back in New England proper (it returned in 2007 after several years of renovation to Bridgeport’s Seaside Park and a few years at various upstate New York locales)? For this born/bred New Englander, it’s not only in a New England/Tri-State area happy medium, but it fills a still-felt void left by the big Phish festivals of yore and especially the can’t-believe-it’s-been-five-years-now departed Berkshire Mountain Music Festival (1997-2003). (For Berkfest alums from those heady days, monsoon conditions and all, have a scoop of nostalgia on the house) The Vibes doesn’t have the gaudy cache of some festivals, or some of the nationally dazzling headliners. -
Overconfident Income Expectations and Consumer Indebtedness
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Grohmann, Antonia; Menkhoff, Lukas; Merkle, Christoph; Schmacker, Renke Working Paper Earn more tomorrow: Overconfident income expectations and consumer indebtedness Discussion Paper, No. 152 Provided in Cooperation with: University of Munich (LMU) and Humboldt University Berlin, Collaborative Research Center Transregio 190: Rationality and Competition Suggested Citation: Grohmann, Antonia; Menkhoff, Lukas; Merkle, Christoph; Schmacker, Renke (2019) : Earn more tomorrow: Overconfident income expectations and consumer indebtedness, Discussion Paper, No. 152, Ludwig-Maximilians-Universität München und Humboldt-Universität zu Berlin, Collaborative Research Center Transregio 190 - Rationality and Competition, München und Berlin This Version is available at: http://hdl.handle.net/10419/208052 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
I's the Merb'y: Masculinity, Mermen and Contemporary Newfoundland
I’S THE MERB’Y Masculinity, Mermen and Contemporary Newfoundland [Received 22nd April 2018; accepted 29th July 2018 – DOI: 10.21463/shima.12.2.17] Philip Hayward University of Technology Sydney <[email protected]> Cory W. Thorne Memorial University of Newfoundland <[email protected]> ABSTRACT: In late 2017 initial, low-key publicity for a charity calendar featuring a range of bearded Newfoundlanders posing as mermen resulted in international media coverage that discussed and commended the non-stereotypical images produced for the project. This article situates the calendar’s imagery within the history of regional folklore concerning mermen and mermaids, the socio-cultural character of the island of Newfoundland and, in particular, the milieu of its port capital, St. John’s. Through these perspectives, the article analyses aspects of masculinity present in an island society that has experienced significant transitions in recent decades in relation to the decline of its fishery, the increasing work- related mobility of former fisherpeople, increasing ethnic diversity and immigration, and the breaking down of once strongly held attitudes of Newfoundland as being isolated, homogenous and tradition-based. In terms of Island Studies discourse, this has involved the island’s transition from being a relatively autonomous aquapelagic assemblage to an increasingly post-aquapelagic one firmly incorporated within a nation-state. Long viewed as a quintessential “folk setting”, Newfoundland is in a state of change that includes the gradual modification of regional stereotypes of masculinity. The revised images and roles presented in the calendar can be seen to represent new, more fluid definitions of masculinity appropriate for an increasingly more cosmopolitan — yet proudly unique — island society. -
Miakonda Guitar Book 4.Pdf
By Liz Wanless and the Grundys 4th Edition, 2008 Name: _ _ th Preface to the 4 Edition Welcome to the most intense Guitar Book yet! The book has come a long way since its 35-page first edition, and could not have been made possible without the support and enthusiasm of guitar jammers everywhere, from Birch Island to Algonquin Park, up north and beyond. Special thanks to Rob Grundy for his constant encouragement, editing, and contributions to this and past editions. Also, big high-fives to Ian Grundy, Rich Howard and Hil Best for their contributions, and to the Montreal chapter of Mi-A-Kon-Da and the McGill Outdoors Club for their suggestions and for testing out the book! I hope this book brings you all good times around the campfire, wherever that may be. Ashley Garrod 1985-2007 The 2008 edition of the Guitar Book is dedicated to Ashley Garrod, an outstanding Tanamakoon staff member and life-long camper who will always be remembered for her passion, devotion, and enthusiasm for camp and life. I will always remember her sitting patiently with her guitar book learning new songs and rocking out old favourites, and thank her for her guidance and leadership in Outdoor Ed and summer camp. Rock on, Ash. This book is intended for the personal use and enjoyment of campers, counsellors, and Outdoors Clubs. Many of the songs in the book are original tablatures, and many were adapted from crappy online versions. The tablatures in this book represent interpretations of artists’ work, which is property of the artists. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Volume Nine, 2018
Julia Brown Volume Nine, 2018 Contents Foreword 1 Editorial note 2 About the authors 4 About the editor 8 Cover art 9 Recent progress towards achieving an international plastics convention 10 Nicholas Blood Trump’s trade tariffs and the Article XXI ‘trump’ card 19 Georgie Juszcyk Grappling with dissent & political silencing during transition: The consequences of Myanmar’s NLD-led government defamation law 29 James Atkinson Rotten spaces: The role of waste in constructing the imaginal of the occupation in East Jerusalem 38 Sarah Barrie Contesting the universality of human rights for women: An examination of violence against women in the Global South and the Global North 51 Jessica Elliott Prosecuting elderly genocidaires: Why we should not reward the evasion of criminal Justice 66 Rebecca Kriesler A sugar tax can answer Australia’s obesity problem 78 Clare Langley Gold’s influence on Australian economic development in the nineteenth century 84 Tom Goodwin The autochthonous development and evolving approach to unjust enrichment by the High Court in Australia 94 Joshua Ling Unrepresentative swill? An unabashed defence of the Australian Senate 112 Julian Moss Bird species richness and abundance: The effects of structural attributes, habitat complexity and tree diameter 123 Yee Seng Tay The problem of induction in cosmology 138 Alex Lombard The role of human factors in airport baggage screening 146 Chenghao Yu Cross-linguistic influence on Chinese-L2 learners’ acquisition of classifiers 156 Jiahuan Zhang The hard cases for actualism: Efficacious vs inefficacious oughts 172 Kida Lin ‘We make angels’: Rediscovering the Victorian ‘Angel in the House’ in Spike Jonze’s Her (2013) and Denis Villeneuve’s Blade Runner 2049 (2017) 185 Annika Morling Dear, Aphro[die]te 198 Dana Royle The ANU Undergraduate Research Journal Foreword It gives me great pleasure to introduce the ninth volume of the ANU Undergraduate Research Journal. -
Release V2.5.6
MusicBrainz Picard Release v2.5.6 Feb 16, 2021 MusicBrainz Picard User Guide by Bob Swift is licensed under CC0 1.0. To view a copy of this license, visit https://creativecommons.org/publicdomain/zero/1.0 CONTENTS 1 Introduction 1 1.1 Picard Can. ...........................................2 1.2 Picard Cannot. .........................................2 1.3 Limitations...........................................2 2 Contributing to the Project3 3 Acknowledgements4 3.1 Editor and English Language Lead..............................4 3.2 Translation Teams.......................................4 3.3 Contributors..........................................4 4 Glossary of Terms 6 5 Getting Started 10 5.1 Download & Install Picard................................... 10 5.2 Main Screen.......................................... 12 5.3 Status Icons........................................... 18 6 Configuration 20 6.1 Screen Setup.......................................... 20 6.2 Action Options......................................... 21 6.3 Option Settings......................................... 21 7 Tags & Variables 66 7.1 Basic Tags........................................... 66 7.2 Advanced Tags......................................... 70 7.3 Basic Variables......................................... 72 7.4 File Variables.......................................... 73 7.5 Advanced Variables...................................... 74 7.6 Classical Music Tags...................................... 75 7.7 Tags from Plugins...................................... -
Event and Press Information
EVENT AND PRESS INFORMATION Life As A Zebra Foundation Why Life as a Zebra? In medical school, students are taught to diagnose patients based on the condition that’s most likely. This idea goes along with the saying: “When you hear hoofbeats, think horses, not zebras.” The horses are the likely explanation, while the zebras are less likely. A medical zebra, then, is a person with a rare medical condition. Life as a Zebra Foundation’s Mission The Life as a Zebra Foundation educates, advocates, and secures funds and charitable contributions for the prevention, treatment, and research of various hard to diagnose invisible illnesses including, but not limited to, Ehlers‐Danlos syndrome, dysautonomia, and vasculitis. What We Do Secure funds for education, prevention, treatment, and research of various invisible illnesses including, but not limited to, Ehlers‐Danlos syndrome, dysautonomia, and vasculitis. Build a community of people who care about eradicating various chronic, invisible illnesses. Inspire and advocate for people who live with chronic, invisible illnesses by sharing personal stories about living with chronic illnesses through print and public speaking engagements. Accomplishments Life as a Zebra Foundation became a domestic, nonprofit foundation on November 8, 2012. The Life as a Zebra Foundation as raised nearly $70,000 for invisible illness awareness, education, and research in the three years since its establishment. The Life as a Zebra Foundation spearheaded the adoption of a resolution for Invisible Illness Awareness Week in the state of Michigan, held May 25-31, 2014. In June of 2014, members of the Life as a Zebra Foundation board traveled to Washington, D.C. -
This Is a Great Band, and I Had a Great Time” Bob Weir, Grateful Dead Founding Member (Guitar/Vocalist)
“This is a great band, and I had a great time” Bob Weir, Grateful Dead founding member (guitar/vocalist) “Inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.” David Gans, Grateful Dead Hour “I've always been impressed by DSO, but the other night I thought they'd taken it to a new level. It was some of the best Grateful Dead music I've heard in the past 20 years, and that covers some ground. Somehow, Jeff Mattson manages to play Jerry's parts perfectly in the spirit, but without any sense of being imitative. And boy, does the band pick up on this energy. Big fun!” Dennis McNally, Grateful Dead publicist & biographer 1980 – 1995; Author “A Long Strange Trip: The History of the Grateful Dead” “As one who is classically trained, I actually always thought that DSO was very cool, treating Grateful Dead music as repertoire- much as I've tried to do in my various bands.” Phil Lesh, Grateful Dead founding member (bass/vocals) “Playing with Dark Star Orchestra is something that feels just exactly like it felt when I was playing with the Grateful Dead.” Donna Jean Godchaux, Grateful Dead vocalist, frequent DSO guest “There are moments where I can close my eyes and go back 30 years and have it be every bit as rewarding and satisfying. Dark Star is an amazingly legitimate representation of the Dead.” Dan Healy, Grateful Dead sound engineer 1966 -1994 “Thank you for a real good time.” Jon Fishman, Phish drummer after sitting in with DSO “The Dark Star Orchestra re-creates Grateful Dead shows with a flashback-inducing meticulousness.” The New Yorker “...recreates the Dead concert experience with uncanny verisimilitude. -
Graphdb Free Documentation Release 8.10
GraphDB Free Documentation Release 8.10 Ontotext Aug 09, 2019 CONTENTS 1 General 1 1.1 About GraphDB...........................................2 1.2 Architecture & components.....................................2 1.2.1 Architecture.........................................2 1.2.1.1 RDF4J.......................................3 1.2.1.2 The Sail API....................................4 1.2.2 Components.........................................4 1.2.2.1 Engine.......................................4 1.2.2.2 Connectors.....................................5 1.2.2.3 Workbench.....................................5 1.3 GraphDB Free............................................5 1.3.1 Comparison of GraphDB Free and GraphDB SE......................6 1.4 Connectors..............................................6 1.5 Workbench..............................................6 2 Quick start guide 9 2.1 Run GraphDB as a desktop installation...............................9 2.1.1 On Windows........................................ 10 2.1.2 On Mac OS......................................... 10 2.1.3 On Linux.......................................... 10 2.1.4 Configuring GraphDB................................... 10 2.1.5 Stopping GraphDB..................................... 11 2.2 Run GraphDB as a stand-alone server................................ 11 2.2.1 Running GraphDB..................................... 11 2.2.1.1 Options...................................... 11 2.2.2 Configuring GraphDB................................... 12 2.2.2.1 Paths and network settings...........................