Volume Nine, 2018
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Carrie Undérwo. D's Crossover Dreams >P.35
Carrie Undérwo. d's Crossover Dreams >P.35 #BXNCTCC 1111111111111111111111111111111111111111111 11/11111 #ßL2408043# APR06 A04 B01 )7 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 9080 -3402 NOV FOR'1ORE THAN 110 YEARS 19 R &B SinerjSongwriter SONY I3 IVI G Turns Jail Time Into Under Fire Over CD Copy- Protection >P.7 Hit Debut Album >P.30 11 N1 Illegal P212 (X) R\' Networks INVADES Face The NEW YORK IVIt,iSic; >P.? The CMAs Take Their Act On The Road >P.32 1 I1_IVI MUSIC', Can `Rent' & `Producers' Revive Soundtrack Biz? $6 99US S8.S9.A >P.27 US $6.99, CAN $8.99 UK £5.50, EURCPE 8.95, JAPAN V2,500 www.billboard.com www.billboard.biz www.americanradiohistory.com KEYSHIA COLE CERTIFIED GOLD DEBUT ALBUM "THE WAY _' IS' TOP SELLIN MALE R &B ARTIST 3 Vibe Award Nomt #1 Video at f - "I Should Have Cheated" Top 5 ringtone sales - "I Should Have Cheated" Top 5 (and gaining) at Urban radio - "I Should Have Cheated" Top 10 arum on Billboard R &B/Hip -Hop Chart TUNE INTO VIBE AWARDS TO SEE KEYSHIA PERFORM "I SHOULD HAVE CHEATED" TUESDAY, NOVEMBER 15TH ON UPN Executive Producers: Ron Fair, Manny Halley, and Keyshia Cole "I Should Have Cheated" AM Produced by: Daron_ Jones and Ron Fair / Written by: Daron Jones and Q. Parker REC Mixed by: Ron Fair and Tal Herzberg Management: Arthur Spivak for The Firm / ".2,U!: AY.1A Fnviili www.americanradiohistory.com YOU CAN'T AFFORD TO MISS THIS BILLBOARD EVENT DIGITAL ENTERTAINMENT 8 MEDIA DEM PO CONLEAENCE m z 2005 Billbearel NOVEMBER 19, 2005 TIE.is a 1.111111111115.1 VOLUME 117, NO. -
Overconfident Income Expectations and Consumer Indebtedness
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Grohmann, Antonia; Menkhoff, Lukas; Merkle, Christoph; Schmacker, Renke Working Paper Earn more tomorrow: Overconfident income expectations and consumer indebtedness Discussion Paper, No. 152 Provided in Cooperation with: University of Munich (LMU) and Humboldt University Berlin, Collaborative Research Center Transregio 190: Rationality and Competition Suggested Citation: Grohmann, Antonia; Menkhoff, Lukas; Merkle, Christoph; Schmacker, Renke (2019) : Earn more tomorrow: Overconfident income expectations and consumer indebtedness, Discussion Paper, No. 152, Ludwig-Maximilians-Universität München und Humboldt-Universität zu Berlin, Collaborative Research Center Transregio 190 - Rationality and Competition, München und Berlin This Version is available at: http://hdl.handle.net/10419/208052 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
I's the Merb'y: Masculinity, Mermen and Contemporary Newfoundland
I’S THE MERB’Y Masculinity, Mermen and Contemporary Newfoundland [Received 22nd April 2018; accepted 29th July 2018 – DOI: 10.21463/shima.12.2.17] Philip Hayward University of Technology Sydney <[email protected]> Cory W. Thorne Memorial University of Newfoundland <[email protected]> ABSTRACT: In late 2017 initial, low-key publicity for a charity calendar featuring a range of bearded Newfoundlanders posing as mermen resulted in international media coverage that discussed and commended the non-stereotypical images produced for the project. This article situates the calendar’s imagery within the history of regional folklore concerning mermen and mermaids, the socio-cultural character of the island of Newfoundland and, in particular, the milieu of its port capital, St. John’s. Through these perspectives, the article analyses aspects of masculinity present in an island society that has experienced significant transitions in recent decades in relation to the decline of its fishery, the increasing work- related mobility of former fisherpeople, increasing ethnic diversity and immigration, and the breaking down of once strongly held attitudes of Newfoundland as being isolated, homogenous and tradition-based. In terms of Island Studies discourse, this has involved the island’s transition from being a relatively autonomous aquapelagic assemblage to an increasingly post-aquapelagic one firmly incorporated within a nation-state. Long viewed as a quintessential “folk setting”, Newfoundland is in a state of change that includes the gradual modification of regional stereotypes of masculinity. The revised images and roles presented in the calendar can be seen to represent new, more fluid definitions of masculinity appropriate for an increasingly more cosmopolitan — yet proudly unique — island society. -
Release V2.5.6
MusicBrainz Picard Release v2.5.6 Feb 16, 2021 MusicBrainz Picard User Guide by Bob Swift is licensed under CC0 1.0. To view a copy of this license, visit https://creativecommons.org/publicdomain/zero/1.0 CONTENTS 1 Introduction 1 1.1 Picard Can. ...........................................2 1.2 Picard Cannot. .........................................2 1.3 Limitations...........................................2 2 Contributing to the Project3 3 Acknowledgements4 3.1 Editor and English Language Lead..............................4 3.2 Translation Teams.......................................4 3.3 Contributors..........................................4 4 Glossary of Terms 6 5 Getting Started 10 5.1 Download & Install Picard................................... 10 5.2 Main Screen.......................................... 12 5.3 Status Icons........................................... 18 6 Configuration 20 6.1 Screen Setup.......................................... 20 6.2 Action Options......................................... 21 6.3 Option Settings......................................... 21 7 Tags & Variables 66 7.1 Basic Tags........................................... 66 7.2 Advanced Tags......................................... 70 7.3 Basic Variables......................................... 72 7.4 File Variables.......................................... 73 7.5 Advanced Variables...................................... 74 7.6 Classical Music Tags...................................... 75 7.7 Tags from Plugins...................................... -
Fos Tering Emer Ging Artists and Musica L Diversity
ANNUAL REPORT 11 20 - 10 20 OR CT FOSTERING EMERGING ARTISTS FA AND MUSICAL DIVERSITY TABLE OF CONTENTS ANNUAL REPORT - FOR THE FISCAL PERIOD COVERING APRIL 1, 2010 - MARCH 31, 2011 4 MESSAGE FROM THE CHAIR 5 MESSAGE FROM THE PRESIDENT & CEO 7 WHO WE ARE 8 NATURE OF FACTOR FUNDING 8 OVERVIEW OF 2010-2011 9 CULTURAL DIVERSITY 12 PROGRAMS 22 AWARDS 29 CERTIFICATIONS 31 BOARD OF DIRECTORS 32 FACTOR STAFF 33 NATIONAL ADVISORY BOARD 34 CONTRIBUTING RADIO BROADCASTERS 35 REQUESTS AND COMMITMENTS BY PROGRAM 36 APPLICATIONS SUBMITTED AND APPROVED BY PROVINCE 37 APPLICATIONS SUBMITTED AND APPROVED BY MUSICAL GENRE 38 PROJECT EVALUATION PROCESS 39 JURORS 40 FINANCIAL RESULTS 41 PROJECT REQUESTS AND FUNDING COMMITMENTS FOR 2010 - 2011 41 OUTSTANDING COMMITMENTS AS OF MARCH 31, 2011 42 FINANCIAL STATEMENTS We acknowledge the financial support of the Government through the Canada Music Fund. We also acknowledge the financial support provided by Canada’s Private Radio Broadcasters. Vancouver-based Hannah Georgas began receiving FACTOR funding in 2008 with an Artist Demo Grant and a FACTOR Loan. Hannah’s most recent release This Is Good received support through the Emerging Artist program. The album has sold over 11,000 copies in Canada and FAC- TOR has continued to support the release with marketing and promotion, video, showcase and tour funding. “FACTOR HAS OPENED UP SO MANY DOORS FOR ME AND HAS HELPED MY MUSICAL CAREER GROW SIGNIFICANTLY. WITHOUT THEIR SUPPORT I WOuldn’T BE WHERE I AM TODAY. FACTOR IS VItaL FOR ASPIRING ARTISTS IN THIS DAY AND AGE AND FOR SUPPORTING CANADIAN CULTURe.” HANNAH GEORGAS 3 MESSAGE FROM CHAIR This is my last message to you as Chair of FACTOR. -
Kenneth Peacock's Contribution to Gerald S. Doyle's Old-Time Songs
Document generated on 09/24/2021 4:46 p.m. Newfoundland Studies Kenneth Peacock’s Contribution to Gerald S. Doyle’s Old-Time Songs of Newfoundland (1955) Anna Kearney Guigné Volume 22, Number 1, Spring 2007 URI: https://id.erudit.org/iderudit/nflds22_1art05 See table of contents Publisher(s) Faculty of Arts, Memorial University ISSN 0823-1737 (print) 1715-1430 (digital) Explore this journal Cite this article Guigné, A. K. (2007). Kenneth Peacock’s Contribution to Gerald S. Doyle’s Old-Time Songs of Newfoundland (1955). Newfoundland Studies, 22(1), 115–137. All rights reserved © Memorial University, 2007 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Kenneth Peacock’s Contribution to Gerald S. Doyle’s Old-Time Songs of Newfoundland (1955)1 ANNA KEARNEY GUIGNÉ INTRODUCTION IN 1965, AFTER TEN YEARS of folksong research in Newfoundland, the classical mu- sician and composer Kenneth Peacock (1922-2000) released a three-volume col- lection, Songs of the Newfoundland Outports, with 500 songs and variants, and a wide range of song material derived from the British, Irish, Canadian, French, and American traditions as well as several locally composed songs. It showed the strength and vitality of Newfoundland’s musical tradition as Peacock saw it, based on his field collecting in the 1950s and early 1960s on behalf of the National Mu- seum of Canada (Guigné 2004). -
Brittany Bentley, Nate Beutel, William Butler, Steven Canning, Andrew Hunter, Colin Mcnamara)
“UW B” (Brittany Bentley, Nate Beutel, William Butler, Steven Canning, Andrew Hunter, Colin McNamara) 1. One ruler in this conflict, when presented with demands to acknowledge his opponent’s authority, replied with a scornful letter calling the other leader a “young man…drunk with a 10 day success”, which included the capture of Alamut. The invading force in this event broke the dikes and canals, flooding the defenders’ camps and Chinese engineers used palm stumps and house foundations as projectiles. Because al-Mutasim was a religious as well as political leader his blood was not visibly shed as he was sewn into a carpet and trampled. During this event the translation center Bayt al-Hikma was destroyed and survivors said the Tigris ran black with ink and red with blood. For ten points, identify this 1258 event that involved the capture and sacking of Abbasid caliphate capital by Hulagu Khan and the Ilkhanate. ANSWER: Siege of Baghdad [accept answers that mention Baghdad and synonyms of destruction] 2. In June 2013, it was announced that one of these facilities near the village of Nizhneleninskoye, Russia would be expanded to facilitate Chinese access. A U.S. Federal Appeals court recently ruled that Alabama discriminates against the operators of these installations by exempting their competitors from a certain tax. In 2009, Warren Buffet bought the BNSF one of these for $26 billion dollars. Liu Zhijun, who used to oversee these entities in China, was in July 2013 sentenced to death for being corrupt. These have become a popular method to transport the products of Bakken because of delays in pipeline construction. -
Overconfidence, Income Expectations and Consumer Indebtedness
Earn more tomorrow: Overconfidence, income expectations and consumer indebtedness∗ Antonia Grohmann,y Lukas Menkhoff,z Christoph Merkle,x and Renke Schmacker{ January 2020 Abstract This paper examines whether biased income expectations due to overconfidence lead to higher levels of debt-taking. In a lab experiment, participants can purchase goods by borrowing against their future income. We exogenously manipulate income expec- tations by letting income depend on relative performance in hard and easy quiz tasks. We successfully generate biased income expectations and show that participants with higher income expectations initially borrow more. Overconfident participants scale back their consumption after feedback. However, at the end of the experiment they remain with higher debt levels, which represent real financial losses. To assess the external validity, we find further evidence for the link between overconfidence and borrowing behavior in a representative survey (GSOEP-IS). JEL classification: D14 (Personal Finance), D84 (Expectations), G40 (Behavioral Finance). Keywords: Debt, Consumption, Borrowing, Overconfidence, Income Expectations. ∗We thank for helpful comments Dirk Engelmann, Peter Haan, Frank Heinemann, Dorothea K¨ubler, Camelia Kuhnen, Steffen Meyer, Roel van Veldhuizen, Georg Weizs¨acker, and participants of the Experi- mental Finance 2018, the ESA 2018 World Meeting, the Research in Behavioral Finance Conference 2018, the SAFE Household Finance Workshop 2018, and seminar participants in Aalborg, Berlin, and Dublin. Financial support by the German Research Foundation (DFG, grant CRC 190) is gratefully acknowledged. yDIW Berlin, Mohrenstrasse 58, 10117 Berlin, Germany, [email protected]. zDIW Berlin, Mohrenstrasse 58, 10117 Berlin, Germany, lmenkhoff@diw.de, and Humboldt University Berlin. xAarhus University BSS, Fuglesangs All´e4, 8210 Aarhus, Denmark, [email protected]. -
Performing Mathematics
Performing Mathematics A Guide for Teachers & Students George Gadanidis Faculty of Education, University of Western Ontario Janette Hughes Faculty of Education, University of Ontario Institute of Technology January 2008 Gadanidis & Hughes 2008 Performing Mathematics Table of Contents Introduction 2 Context 2 The beauty of mathematics 3 A public celebration of mathematics 3 The 2008-9 Math Performance Festival 4 How to participate in the Math Performance Festival 4 Ideas for teachers How to write and perform a math poem 5 How to interview a math concept 6 How to perform a math problem 8 How to organize a math performance festival at your school 11 References 12 Gadanidis & Hughes 2008 Performing Mathematics 1 Introduction The writing of this booklet is motivated by the Canada-wide Math Performance Festival for teachers and students (http://www.mathfest.ca), sponsored by the Faculty of Education (http://www.edu.uwo.ca) at The Uni- versity of Western Ontario, the Fields Institute (http://www.fields.utoronto.ca) and the Canadian Mathematical Society (http://www.cms.math.ca). The Canada-wide Math Performance Festival is a celebration of students’, and teachers’, mathematical imaginations. The Festival is a way of helping change the face of mathematics across Canada, by seeing it though the wonder-filled eyes and inquisitive minds of young mathematicians. This booklet will help you and your students create math performances and also organize a Math Performance Festival in your own school. Context Mathematics has an image problem. As one prospective elementary school teacher commented, “Math is like an iguana. As long as it blends in its environment I don’t mind it. -
September2010issue.Pdf
HUMOR ENTERTAINMENT DINING TRAVEL SEPTEMBER 2010 MUSIC AND ENTERTAINMENT Seneca Casino's Event Centers Goo Goo Dolls - Live October 30 Randy Travis - September 18 27TH ANNUAL PENN'S COLONY FESTIVAL September 18-19 & 25-26, 2010 DINING REVIEW VILLAGE TAVERN The West End’s newest eatery ExclusiveExclusive photosphotos from the best rock concerconcertrt of the summer INSIDE Contents Page 3....................................Penns Colony Publisher: Joyce Campisi Page 4.......................................Bengal Cats Editor-in-Chief: Joyce Campisi Page 5..................Oak Crest Pet Crematory Executive Editor: Joseph P. Campisi, III Page 6...................................................Wine Assignment Editor: Jennifer L. Campisi Graphic Designer: Dennis Kostley, Pages 8-10.......................................Theater Casey King, Ryan Cherry, Colin Miller Page 11.......................Health And Wellness Photographer: Ryan Cherry, Trish Imbrogno, Page 12-13.........................................Dining Todd Brunozzi Pages 14........................................Tailgaters Feature Writers: Suz Pisano, Trish Imbrogno, Pages 15...Seneca Casino’s Events Centers Attorney Jeffrey Pollock Contributing Writers: Bill Mace, Jean Mace, Pages 16-19........................................Music Dottie Wilhelm, Gerry Pekol, Lori Hon, Pages 20-21..........................................KISS Boris Pekol Pages 22-39..................................... Humor Webmaster: Benjamin Auman Page 40......................................Classifieds Distribution -
Canadian Folk Music | Musique Folklorique Canadienne
Reviews Book Rev. Franceene Watson. Andy De Jarlis: Master of added bonus is the detailed (24-page!) genealogy of Métis Melodies. Métis Community Services, P.O. Box the de Jarlis family, provided by Stanley Hulme and 8660, Victoria, B.C. V8W 3S2; mail@métis.ca; Gail Morin, in which we learn, if I have figured it out www.métis.ca; Rev. Franceene Watson, 3945 Lexington correctly (some sort of legend or explanation would Ave., Victoria, B.C. V8N 5C1; [email protected] have been helpful here), that not only was he related to another famous Métis musician, Pierre Falcon Kudos to Ms. Watson for taking on a task that is long (often called "The Bard of the Métis"), but also he overdue – a biography of one of our most influential had connections to historical leader Cuthbert Grant. musicians, traditional fiddler Andy de Jarlis. It begs Unfortunately, the book’s strengths are also its the question, of course, why biographies of Canadian weaknesses, and it suffers from a number of basic musicians are so scarce. To my knowledge, this is journalistic shortcomings. Most of the information only the second of a fiddler, the first being a tribute comes from only one informant, the aforementioned to one of our first media superstars, Don Messer, sister, with a few quotes from other friends and written in 1969. But while the east had Don, the west admirers, notably fellow fiddler Victor Pasowisty. It had Andy, easily Don’s counterpart, with somewhere is pretty much devoid of any attempt at objectivity in the neighbourhood of 33 albums to his credit, and and, while loosely chronological, jumps around at least half a dozen full tribute albums exclusively of enough to be quite confusing at times.