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Fabulously Tidal — Issue 117, 1 January 2018
Fabulously Tidal — Issue 117, 1 January 2018 SPONSORED FEATURE — PHILIP SAWYERS' THIRD SYMPHONY Alice McVeigh: 'This is a fabulously tidal symphony, with wild expanses of differing moods, but it begins with a ripple of unease. We in the cello section were told to play the opening with as much stillness as possible, allowing the first theme to grow as it weaves into violins and violas, into threads of flute and oboe, and — from there — into a tempestuous section of interweaving themes. The argument descends into a woodwind quarrel, resolved by flute and oboe, decorated by horns — while the strings continue to niggle and churn away at any sense of calm. 'Then solo bassoon ignites a new, still tenser, section. The violins take over, lightly but resolutely, answered by middle strings conveying a sense of tenderness — but with a bitter aftertaste. (This is incidentally one of Sawyers' most characteristic strengths: a tenderness, never saccharine, often undermined by subtle discontent.) From the brass comes the first glimpse of escape: the powerful broken octave theme over which the other themes furiously contend. 'The cellos at the recapitulation, now deepened and enriched, are twisted by Sawyers into something passionate and grounded in lower brass, reinforced by timpani. The movement ends with the heavy brass seemingly triumphant over the strings' stubborn reiteration of the theme. Still, the lower strings' pessimism prevails. 'Tutti violins kick-start the second movement with a dramatic leap from their richest register, only yielding to keening solo oboe. 'The sobered strings leave the solo winds to mourn, yet, with characteristic Sawyers intensity, something is brewing at subterranean depths: eventually, the violas' chuntering is answered by full insistent brass, in a stormily ecstatic tantrum. -
TUTTO VERDI 2013 TV P Rogram
TV P ROGRAM 2013 CELebrating VERDI'S 200TH birthday ctober O O ctober 2013 ROGRAM TUTTO VERDI TV P Tutto Verdi – one of the most ambitious opera projects ever – is UNITEL CLASSICA’s exclusive highlight this October, celebrating Verdi’s 200th birthday on October 10. Enjoy as a world TV premiere Giuseppe Verdi‘s complete operatic works and his Requiem in High Definition and with Surround Sound. All 26 operas, which were produced in coproduction with the Verdi Festival, the Teatro Regio di Parma and the Teatro Verdi di Busseto are presented in chronological order, giving the viewer the unique chance to discover the grand composers musical development as well as the musical and historical influences he was under. On the birthday itself the great composer is honored with the broadcast of his Requiem in a special open air concert starring D’Arcangelo, Grigolo, De Young and Di Giacomo. The L.A. Philharmonic are conducted by no less than Gustavo Dudamel. Richard Wagner is born Giuseppe Verdi is born as Giuseppe Fortunino Francesco on 10 October 1813 in Le Roncole, a village near Busseto on 23 May in Leipzig 1813 (Parma), as son of the merchant Carlo Giuseppe Verdi and his wife Luigia Uttini. Congress of Vienna 1815 Premiere of Beethoven’s First engagement as organist in Le Roncole at the age of nine 1824 1822 Symphony No.9 Verdi moves to Busseto to Antonio Barezzi, a local merchant and president of the Philharmonic Society and supporter Wagner composes 1831 of Verdi’s musical ambitions. He gets engaged with Barezzi’s daughter Margherita. -
Enzo Dara - Legenda Komické Opery
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra zpěvu Sólový zpěv Enzo Dara - legenda komické opery Diplomová práce Autor práce: David Szendiuch Vedoucí práce: doc. Mgr. MgA. Monika Holá Ph.D. Oponent práce: PhDr. Alena Borková Brno 2015 Bibliografický záznam Szendiuch, David: Enzo Dara - legenda komické opery (Enzo Dara - legend of comic opera). Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra zpěvu, 2015, s. 49. Vedoucí magisterské práce doc. Mgr. MgA. Monika Holá Ph.D. Anotace Diplomová práce na téma „Enzo Dara - legenda komické opery“ pojednává o italském operním pěvci Enzo Darovi. V práci je dokumentován vývoj jeho bohaté pěvecké kariéry, která od počátku 70. let minulého století nevyhnutelně mířila k světovým operním jevištím. Cílem je představit a vyzdvihnout tohoto výjimečného operního pěvce, který dokázal v průběhu své kariéry zvládnout téměř všechny basové komické role na nejvyšší mistrovské úrovni. Nemalou měrou tak přispěl k obohacení hudební kultury, která si zasluhuje podrobnější prezentaci v českém hudebním prostředí. V nejlepších letech svého života, zužitkoval své životní zkušenosti v pozici režiséra a pedagoga. Annotation This Master's Thesis, with the subject "Enzo Dara- the legend of comical opera", deals about Italian singer Enzo Dara. In the master's thesis it is described his rich singing career, which was, inevitable, since the beginning of seventies of last century, heading to the worlds’ opera stages. The aim of the master's thesis is to introduce as well as to emphasize this extraordinary opera singer who managed during his career to deal with all his bass comical roles at the most possible highest masterly level. -
Verdi Otello
VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers; -
Signumclassics
170booklet 6/8/09 15:21 Page 1 ALSO AVAILABLE on signumclassics Spanish Heroines Silvia Tro Santafé Orquesta Sinfónica de Navarra Julian Reynolds conductor SIGCD152 Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 170booklet 6/8/09 15:21 Page 3 Rossini Mezzo Rossini Mezzo gratitude, the composer wrote starring roles for her in five of his early operas, all but one of them If it were not for the operas of Gioachino Rossini, comedies. The first was the wickedly funny Cavatina (Isabella e Coro, L’Italiana in Algeri) the repertory for the mezzo soprano would be far L’equivoco stravagante premiered in Bologna in 1. Cruda sorte! Amor tiranno! [4.26] less interesting. Opera is often thought of as 1811. Its libretto really reverses the definition of following generic lines and the basic opera plot opera quotes above. In this opera, the tenor stops Coro, Recitativo e Rondò (Isabella, L’Italiana in Algeri) has been described as “the tenor wants to marry the baritone from marrying the mezzo and does it 2. Pronti abbiamo e ferri e mani (Coro), Amici, in ogni evento ... (Isabella) [2.45] the soprano and bass tries to stop them”. by telling him that she is a castrato singer in drag. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
|What to Expect from L'elisir D'amore
| WHAT TO EXPECT FROM L’ELISIR D’AMORE AN ANCIENT LEGEND, A POTION OF QUESTIONABLE ORIGIN, AND THE WORK: a single tear: sometimes that’s all you need to live happily ever after. When L’ELISIR D’AMORE Gaetano Donizetti and Felice Romani—among the most famous Italian An opera in two acts, sung in Italian composers and librettists of their day, respectively—joined forces in 1832 Music by Gaetano Donizetti to adapt a French comic opera for the Italian stage, the result was nothing Libretto by Felice Romani short of magical. An effervescent mixture of tender young love, unforget- Based on the opera Le Philtre table characters, and some of the most delightful music ever written, L’Eli s ir (The Potion) by Eugène Scribe and d’Amore (The Elixir of Love) quickly became the most popular opera in Italy. Daniel-François-Esprit Auber Donizetti’s comic masterpiece arrived at the Metropolitan Opera in 1904, First performed May 12, 1832, at the and many of the world’s most famous musicians have since brought the opera Teatro alla Cannobiana, Milan, Italy to life on the Met’s stage. Today, Bartlett Sher’s vibrant production conjures the rustic Italian countryside within the opulence of the opera house, while PRODUCTION Catherine Zuber’s colorful costumes add a dash of zesty wit. Toss in a feisty Domingo Hindoyan, Conductor female lead, an earnest and lovesick young man, a military braggart, and an Bartlett Sher, Production ebullient charlatan, and the result is a delectable concoction of plot twists, Michael Yeargan, Set Designer sparkling humor, and exhilarating music that will make you laugh, cheer, Catherine Zuber, Costume Designer and maybe even fall in love. -
Download Programmheft Guillaume Tell
Guillaume Tell ROSSINI in WILDBAD Belcanto Opera Festival Zum Opernfestival „Rossini in Wildbad“ heiße ich als Schirmherr alle Besuche- rinnen und Besucher herzlich in der Schwarzwälder Thermal-Kurstadt Bad Wild- bad im Enztal willkommen. 2013 feiert die national und international renom- mierte Veranstaltung ihr 25. Jubiläum - hierzu gratuliere ich allen Beteiligten sehr herzlich. In den vergangenen Jahren hat sich das Belcanto Opera Festival „Rossini in Wildbad“ zu einem kulturellen Aushängeschild entwickelt, dessen Ruf weit über die Region und das Land hinausstrahlt. Insbesondere in Fachkreisen wird es als Kleinod geschätzt, das mit großem Erfolg verheißungsvollen Nachwuchskünstle- rinnen und -künstlern im Belcanto-Stil eine breite Bühne bietet. Zur Feier des 25-jährigen Bestehens der Festspiele haben die Verantwortlichen und Organisatoren einen ganz besonderen Programm schwerpunkt gewählt: Gioachino Rossinis Freiheitsoper „Wilhelm Tell“ soll erstmals ohne jegliche Kür- zung aufgeführt werden. Ich bin sicher, dass die Aufführung von Rossinis letzter geschriebener Oper dem Jubiläum einen besonderen Glanz verleihen und weit über Baden-Württemberg hinaus Beachtung finden wird. Das Opernfestival „Rossini in Wildbad“ zeigt: Baden-Württembergs Kulturland- schaft überzeugt durch Qualität und Vielfalt. Es ist die Summe der zahlreichen und vielfältigen Veranstaltungen in den Städten und Gemeinden, die Baden- Württembergs Ruf als Kultur- und Kunstland im In- und Ausland mehren. Gerade auch die Rossini-Festspiele stellen - obgleich eines der kleinsten internationalen Opernfestivals - seit nunmehr einem Vierteljahrhundert ebenso eindrucksvoll wie erfolgreich unter Beweis, dass nicht nur die großen Metropolen im Land hervorragende Kulturarbeit leisten. Auch die Regionen ermöglichen Musikerleb- nisse auf allerhöchstem künstlerischem Niveau. Zum besonderen Flair und der hohen Attraktivität dieses Festivals trägt neben den herausragenden Künstlerin- nen und Künstlern auch der Umstand bei, dass Gioachino Rossini einst selbst als Gast im Kurort Wildbad weilt. -
Riccardo Botta
OperaManager.com - Riccardo Botta RICCARDO BOTTA Riccardo Botta, tenore lirico-leggero, formatosi sotto la cura del padre, il tenore Giuseppe Botta, e del M° Enza Ferrari, inizia la carriera solistica in giovane età, debuttando ventiquattrenne nei teatri di Treviso e Rovigo nel ruolo di Paolino nel Matrimonio segreto di Cimarosa, dopo essere stato premiato al 23° concorso Toti dal Monte di Treviso; da allora la sua carriera lo ha portato ad esibirsi su importanti palcoscenici in Europa e oltre oceano. Propri del suo repertorio i ruoli di grazia, come Nemorino in Elisir damore (teatro alla Scala di Milano, Nederlandse Opera di Amsterdam, Opernhaus di Zurigo, Teatro Regio di Parma, Teatro Verdi di Trieste, Teatro la Fenice di Venezia, New Zealand Art Festival Wellington e Auckland, Montpellier); Ernesto in Don Pasquale (Teatro Donizetti di Bergamo, teatro del Giglio di Lucca, Teatro lirico di Cagliari, Teatro la Fenice di Venezia, Garsington Opera); Fenton in Falstaff (Semperoper di Dresda, Canadian Opera Company di Toronto, teatro filarmonico di Verona) e quelli rossiniani come il Conte dAlmaviva ne Il barbiere di Siviglia (Teatro regio di Parma, Teatro Sao Carlos di Lisbona, Teatro comunale di Bologna, Stadtheatre di Stoccarda); Lindoro in Italiana in Algeri (Festival di Maiorca, Teatro Massimo di Palermo), don Ramiro in Cenerentola (Teatro deRinnovati a Siena, Glyndebourne Opera); Baldassarre in Ciro in Babilonia (Festival Rossini di Wildbad); Florville in Signor Bruschino (teatro municipale di Losanna, Conzertgebouw di Amsterdam); il cavalier Belfiore in Viaggio a Reims ( Opera Novodtna di Varsavia, teatro de La Monnais di Bruxelles); per poi passare a quelli Mozartiani come don Ottavio in Don Giovanni e Tamino in Flauto magico (Teatro massimo di Palermo, Teatro Rendano di Cosenza), e ad alcuni più lirici come Edgardo in Lucia di Lammermoor (Teatro Bellini di Catania) Alfredo ne La Traviata (Ferrara Estate) ed Adolar in Euryanthe (Teatro lirico di Cagliari). -
L'œuvre À L'affiche
37 affiche xp 2/06/05 10:13 Page 120 L'œuvre à l'affiche Recherches: Elisabetta Soldini avec la contribution de César Arturo Dillon, Georges Farret Calendrier des premières représentations du Barbier de Séville d’après A. Loewenberg, Annals of Opera 1597-1940, Londres 1978 et Pipers Enzyklopädie des Musiktheaters, éd. C. Dahlhaus et S. Döhring, 1991 Le signe [▼] renvoie aux tableaux des pages suivantes. Sauf indication contraire signalée entre parenthèses, l’œuvre a été chantée en italien: [Ang] anglais, [All] allemand, [Bulg] bulgare, [Cro] croate, [Dan] danois, [Esp] espagnol, [Est] estonien, [Finn] finnois, [Flam] flamand, [Fr] français, [Héb] hébreu, [Hong] hongrois, [Lett] letton, [Lit] Lituanien, [Née] néerlandais, [Nor] norvégien, [Pol] polonais, [Rou] roumain, [Ru] russe, [Serb] serbe, [Slov] slovène, [Sué] suédois, [Tch] tchèque CRÉATION: 20 février 1816, Rome, Teatro Argentina. [▼] 1869: décembre, Le Caire. 1871: 3 novembre, Paris, Athénée. 1818: 10 mars, Londres, Her Majesty’s Theatre. - 16 juillet, Barcelone. - 1874: 29 septembre, Helsinki. [Finn] - 2 décembre, Zagreb. [Cro] 13 octobre, Londres, Covent Garden. [Ang] 1875: Le Cap. 1819: 1er janvier, Munich. - Carnaval, Lisbonne. - 3 mai, New York [Ang] - 1876: Tiflis. - Kiev. [Ru] 27 mai, Graz. [All] - 28 septembre, Vienne, Theater auf der Wieden. [All] - 1883: 23 novembre, New York, Metropolitan. 26 octobre, Paris, Théâtre-Italien. 1884: 8 novembre, Paris, Opéra-Comique. 1820: 6 septembre, Milan, Teatro alla Scala. - 29 septembre, Prague. [All] - 1905 : Ljubljana. [Slov] 3 octobre, Braunschweig. [All] - 16 décembre, Vienne, Kärntnertor- 1913 : 3 mai, Christiania (Oslo). [Norv] Theater. [All] - 18 décembre, Brünn. [All] 1918 : Shanghai. [Ru] 1821: 25 août, Madrid. - 31 août, Odessa. - 19 septembre, Lyon. -
CINDERELLA Websites
GIOACHINO ROSSINIʼS CINDERELLA Links to resources and lesson plans related to Rossiniʼs opera, Cinderella. The Aria Database: La Cenerentola http://www.aria- database.com/search.php?sid=e2dbb31103303fb8f096f9929cf13345&X=1&dT=Full&fC=1&searching=yes&t0=all &s0=Cenerentola&f0=keyword&dS=arias Information on 9 arias for La Cenerentola, including roles, voice parts, vocal range, synopsisi, with aria libretto and translation. Great Performances at the Met: La Cenerentola http://www.pbs.org/wnet/gperf/gp-at-the-met-la-cenerentola/3461/ Joyce DiDonato sings the title role in Rossiniʼs Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. The Guardian: Glyndebourne: La Cenerentola's storm scene - video http://www.theguardian.com/music/video/2012/jun/18/glyndebourne-2012-la-cenerentola-video Watch the storm scene in this extract from Glyndebourne's 2005 production of Rossini's La Cenerentola, directed by Peter Hall. IMSLP / Petrucci Music Library: La Cenerentola http://imslp.org/wiki/La_cenerentola_(Rossini,_Gioacchino) Read online or download full music scores and vocal scores for La Cenerentola, music by Gioacchino Rossini. Internet Archive: La Ceniecineta: opera en tres actos https://archive.org/details/lacenicientaoper443ferr Spanish Translation of La Cenerentola, 1916. Internet Archive: La Cenerentola: Dramma Giocoso in Due Atti (published 1860) https://archive.org/stream/lacenerentoladra00ross_0#page/n1/mode/2up Read online or download .pdf of libretto for Rossiniʼs opera, La Cenerentola. In Italian with English Translation. The Kennedy Center: Washington National Opera: La Cenerentola https://www.kennedy-center.org/events/?event=OPOSD Francesca Zambello discusses Rossiniʼs opera, Cinderella. Lyric Opera of Chicago: Cinderella Backstage Pass! https://www.lyricopera.org/uploadedFiles/Education/Children_and_Teens/2011- 12%20OIN%20Backstage%20Pass%20color.pdf Cinderella is featured in Backstage Pass, Lyric Opera of Chicagoʼs student magazine. -
Tuscia Operafestival™ Brings Italian Style to California IAOF Is Delighted
Tuscia Operafestival™ brings Italian Style to California IAOF is delighted to announce an exciting partnership with Italian luxury brand Bulgari, proud sponsors of the first edition of the “Italian Opera Festival”. Every night before the show will 'offer the public a free taste of the best wines and oils of the tuscia and Italy The Tuscia Operafestival™, now in its sixth season in the historic papal city of Viterbo, will see its Californian debut with the opening of the Italian Opera Festival™ in Orange County, the pearl of Southern California, at the Soka Performing Arts Center of Soka University in Aliso Viejo. The series of events will begin on Saturday, May 26th at 5:00 PM with a press conference hosted by the Italian Cultural Institute (1023 Hilgard Avenue, Los Angeles) and its director, Alberto Di Mauro, and will end on June 2nd, the “Festa della Repubblica”, national Italian holiday commemorating the independence of the Republic of Italy, to be celebrated at the Pico House (430 North Main Street, Los Angeles) in the presence of the Italian Consul General . This new version of our festival strives to promote the excellence of world renowned Italian products such as opera, art, wine, olive oil, water and fashion. The first cultural event, on Wednesday, May 30th at 7:00 PM, at the Soka Performing Arts Center (1 University Drive, Aliso Viejo) will be the recital of international opera star Bruno Praticò: "Buffo si nasce!" (We are Born Funny!), presenting operatic arias and duets by Italian composers Donizetti and Rossini. Recently featured at the LA Opera in the role of "Don Bartolo” in Rossini's Barbiere di Siviglia, Praticò is considered to be one of the greatest comic bass-baritone artists of our time.