Scf2016program Web.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Scf2016program Web.Pdf 2 3 Inside Welcome/Acknowledgment 4 Contact Information 4 Getting Involved 5 Blast from the Past 6 Camp Etiquette RULES 7 Greatly Unexpected Expectations 8/9 The Artists 10-23 Campfire Jam 17 Schedule 24-26 Lineups Through the Years 27 The Knit(ted) Teepee 28/29 SITE MAP 30/31 Kidz/ Kountry 31 Awareness 32-35 Marina’s Cheesecake Recipe 36 Visual Arts 37 SCF Marketplace 38-40 SCF Faire Foode 40/41 Call For Poster Submissions 41 Message from the Mayor of SCF 42 Coordinators 44 A Very Special Thanks To... 44 Name that Camp Competiton 46 4 5 Welcome Getting to the Fair! involved with SCF If you’ve never been to our little festival, a special hello isn’t hard - we hope you find the weekend as invigorating as we do! We are an affiliation of like-minded individuals We like to meet like-minded people to share the from all walks of life who choose to express our artistic matchless beauty that is embodied by the word tendencies from within the borders of the South Country ‘festival’. Fair Association. More of a cost/time-share scheme than an event in the conventional sense, feel free to immerse/ If you want to volunteer or have a special talent submerge yourself in the special & unique qualities only you would like to share to help us continue to to be found at folk ‘n’ roots festivals -- dance, sing, have improve our little fair, talk to April at the Info/ fun, but be harmless and take care of each other. Volunteer Tent. On page 3 there is a list of rules; take the time to read In exchange for your time, you get a reduced and observe them. Please help us continue the tradition! rate on the cost of your ticket and you get to Don’t forget... experience a level of conviviality known only to those who take ‘the plunge’ plus you get a snazzy teeshirt in the bargain, not to mention Contact the free volunteer BBQ Thursday evening apres information the volunteer orientation, followed by a concert at East Stage, with performances from our Mayor South Country Fair Association Washboard Hank and rockabilly trio Eve Hell. www.southcountryfair.com If the Fair is already over and this short missive subscribe to our electronic newsletter! finds you nostalgically thumbing through the, by now, well-worn pages of a SCF program email: [email protected] book, you can email our Volunteer Coordinator Box 1251, Fort MacLeod, AB T0L0Z0 and set yourself up early for next year - [email protected]! South Country Fair gratefully acknowledges the financial Canadian Poets for their tireless work and finally the people support we receive for programming from the Government of Alberta for the perennial support we enjoy, designed to of Canada through the Canadian Heritage Canada Arts benefit all Albertans, from Alberta Lotteries and the Arts Presentation Fund, and indirectly through the participation Organization Operating Grant through the Alberta Foundation of Canada Council For The Arts. We also thank the League of For The Arts. 6 7 CAMP ETIQUETTE RULES Blast from SCFs past... 1. ESCHEW OBFUSCATION Bart Willis and Bernadean. 2. NO DOGS 1988/1990-ish. 3. NO GLASS 4. NO UNATTENDED FIRES Jame Mcdowell (l), 5. NO AGGRESSION, FIGHTING OR SWEARING John Wort HannamEarth, (r), Dwayne Donald 6. NO CAR STEREOS, RADIOS OR BLASTERS TO BE USED IN THE (falling), about 1997. CAMP 7. NO FIREWORKS 8. NO ILLICIT DRUGS 9. NO LIQUOR IN MAIN STAGE AREA 10. NO INTOXICATED PEOPLE ON SITE, NO UNDER AGED DRINKING Old site, John 11. NO UNAUTHORIZED VEHICLES Zoeteman Park, 18+ years ago 12. BEACH IS CLOSED AT SUNDOWN. RIVER CAN BE DANGEROUS - DON’T SWIM ALONE. SWIM AT OWN RISK. 13. NO LITTERING – PLEASE CLEAN UP AFTER YOURSELF. Rawn Wolfe 14. USE THE PORTABLE TOILETS, NOT THE BUSH Very First Fair, 1987. On stage is Great 15. RECYCLE IN PROPER BINS Western Orchestra, our very first touring 16. GATE WILL BE CLOSED FOR ENTRY AT 1:00 AM NIGHTLY act. David Wilkie, Cindy Church and Nathan Tinkham. Complaints regarding behaviour will be treated on a two strike basis - first one gets a warning, second strike results in being escorted from grounds. East Stage, 17. HAVE A GREAT WEEKEND! approx. 1998. Much like SCF itself, this years’ graphic is a community affair. The banner was designed by Ryland Moranz, Alex Pavlenko, 29 years ago. Maureen Chambers, The woodcut flowers are Helen Folkmann’s, Gillian Moranz, from 1994. Trent Moranz. Trent Moranz colourized it. Voila! 8 9 Greatly Unexpected Expectations by Billy Bowlegs “I am a balance freak in a dead football coach’s pants.” – Divine Right Davenport In the beginning, we believed our own lies. “South Country Fair is an important regional folk music festival that acts as a showcase for the club scene across Southern Alberta.” Or something similar – it’s strange how your dreams come true if you just keep your head down and work at the thing you love. After three decades the urge to look back and survey the trail we’ve taken is difficult to resist. There are dangers: the odds are good that at least one boot will get suctioned down into the hopeless muck of sentimentality. Another is that you’ll attempt, insipidly, to restate your vow of commitment to the ideal that Viewed that way, these flashes strung together form got our collective steam up to start with. almost three whole months of uninterrupted festival. “South Country Fair is a pirate enclave that once a year Uh, not counting a week either side representing setup warps in from Porto Bello for a few days, then ghosts and takedown. Between, we’ve held that bright line back out to wherever it came from again.” and managed to take all the flags we set out to take. And then some... We started out as a band of merry, carefree, somewhat bedraggled young men and women; a brace of jolly “South Country Fair is a human institution.” It’s the escaped asses who embraced ideals of peace on Earth “institution” part that rubs. We ponder, after 30 years, and wanted nothing more than to save the planet the dangers of becoming a countercultural parody of from ruin whilst listening to some strange new/old/ the dark machines we rage against. A little too close new music outside in the dark together. There wasn’t to letting dogma overtake charisma, just to grease a decent credit score to brandish among the lot of us. the progress of the unintentional edifice. A little too Well except as luck would have it, one. slick. A little too on-message. A little too invested in the talking points we’ve strenuously avoided “crafting”. That scorched scrap of plastic carried the first two or Because the kind of craft and artifice we want to stay three festivals, if that’s what you wanted to call them... invested in is the underappreciated hard work that single-day events that ran from noon to midnight on goes into writing an amazing lyric, and then another. the third Saturday in July. In getting a musical lick right, and then another. In pulling together those kinds of humans, and the ‘The Long Day’, that’s what some call us. Because Time humans who appreciate them. slows, shivering on an event horizon where all days run together – there is no difference or bright line between In shivering on the event horizon, bathing in novalight. this Fair and any other iteration of it. They have all been part and parcel of one long day, a series of nova flashes punctuated by a few months of quietus, after which the rogue star picks right up where it left off. 10 11 The Artists Amelia Curran A Canadian singer-songwriter born and raised in St. John’s. From busking on the streets of St. John’s to her first album release in 2000. Amelia’s knack for writing has yielded another 6 albums since. In 2010 Amelia was awarded a Juno in Billie Zizi This energetic lady mixes blues and jazz to create a Roots and Traditional Albums for self described “jazz influenced folk with dirty guitar.” We may Hunter Hunter, the first to be have missed out on this stunning natural-born talent if it weren’t recorded in Curran’s home-town . for an injury that ended her professional soccer career before it Her music has been described by had gotten started. Like fate itself her father booked a gig for the National Post as “a bit like them and the rest is history. Her solo album Gun Metal Dress Leonard Cohen being channeled in was released Feb 2015 and has since been hitting the festival a dusty saloon by Patsy Cline.” Which helps to describe how she scene. With one album out and nowhere to go but up Billie Zizi is very much an author of songs, delivering meaning in every has found a wonderful career. - CC lyric. - CC billiezizi.com ameliacurran.com Blackfoot Big Rude Jake Medicine Toronto born, Hamilton based Speaks guitarist/vocalist Last year we had Jake Hiebert aka Big Rude the honour of Jake, blends jazz, swing, starting our gospel, rockabilly and blues festival off with with a touch of punk. He has this amazingly been performing this blend powerful dance of music since the early ’90s. performance. This He will be bringing all of that year there will be to this years fair. He will be more dancers and bringing all of that the this an even bigger energy to awaken and inspire you on Sunday year‘s Fair.
Recommended publications
  • 52 Things to Do in Metro Vancouver on Thursday, November 2 by Steve Newton on November 1St, 2017 at 2:00 PM
    EVENTS GUIDES BEST OF VANCOUVER NEWS MUSIC ARTS LIFE MOVIES FOOD CANNABIS CONFESSIONS I SAW YOU GOLDEN PLATES CONTESTS CLAS Life TOPICS LIFE » 52 things to do in Metro Vancouver on Thursday, November 2 by Steve Newton on November 1st, 2017 at 2:00 PM 0 Take in Agnete and the Merman, an immersive cinema experience, at SFU Goldcorp Centre for the Arts. Looking for something to do on Thursday? The Straight’s got you covered. Here are 52 events happening in or around Vancouver on Thursday, November 2. CONCERTS EVENTS GUIDES BEST OF VANCOUVER NEWS MUSIC ARTS LIFE MOVIES FOOD CANNABIS CONFESSIONS I SAW YOU GOLDEN PLATES CONTESTS CLAS Caravan World Rhythms presents Montreal hip-hop group Nomadic Massive at the Rickshaw, with guests "Rap and Soul" crew JB The First Lady, Kimmortal & Missy D., DJ Su Comandante. Los Angeles metalcore band In This Moment coheadlines the Commodore with American rap-rock band Hollywood Undead, with guests Of Mice and Men and Avatar. The New North Collective performs jazz, folk, new music, spoken word, and rock at Burnab'y's Shadbolt Centre for the Arts. Yukon country singer-songwriter Kim Beggs plays the WISE Hall, with guest Larissa Tandy. Canadian Caribbean-music group Kobo Town plays Coquitlam's Evergreen Cultural Centre. BENEFITS EVENTS GUIDES BEST OF VANCOUVER NEWS MUSIC ARTS LIFE MOVIES FOOD CANNABIS CONFESSIONS I SAW YOU GOLDEN PLATES CONTESTS CLAS Martini Madness at Yaletown Brewing Co. sees three bartenders compete to see who can make the best martini, with proceeds to the Kids Help Phone. Bone Appetit at Pinnacle Hotel Harbourfront features cocktails, vegan and vegetarian hors d'oeuvres, and a silent auction, with proceeds to the B.C.
    [Show full text]
  • November 5 – 9, 2018
    Creating a Connected Community Program Guide November 5 – 9, 2018 #worldviudays world.viu.ca/worldviu-days world.viu.ca/worldviu-days Vancouver Island University is located on the traditional territory of the Snuneymuxw First Nation and we thank them for the opportunity to live, learn and work on their territory. Why we celebrate WorldVIU Days At Vancouver Island University, WorldVIU Days is a week-long annual event where we explore how culture influences the way we make sense of the world - our world view. This year we will focus on Creating a Connected Community at VIU. We will showcase initiatives that faculty, staff and students are making that increase social connections on and off campus, especially connections between international and domestic students or between people from different cultural backgrounds. The purpose of the week is to: • Raise awareness and build appreciation for the cultural diversity on campus. • Celebrate culture and recognize the richness that diverse perspectives bring to our campus and community. Thank you We would like to express our gradtitude to TD Bank for sponsoring our entertainment events. WORLDVIU DAYS Exploring identity, culture and community through hip hop Workshops • Performances • Panel Discussion Raul Espinoza The Northwest Kid (DJ Su Comandante) is a (Craig Frank Edes), Salvadoran-born Vancouver from Gitxsan Nation DJ and youth facilitator. He in northern BC, is one works with several hip hop half of the group Mob education organizations including Bounce. He delivers Surrey Urban Youth Project, hip hop Hope passionate and soulful and the Metaphor Project to name a few. hip hop music that blends acoustics and electronics with elements of Meryem Saci is a singer, his Indigenous cultures.
    [Show full text]
  • PANAMANIA Live @ Nathan Phillips Square FREE and OPEN to the PUBLIC Victory Celebrations Nightly at 7 P.M
    PANAMANIA Live @ Nathan Phillips Square FREE AND OPEN TO THE PUBLIC Weekdays: 12-2 p.m. & 6-11 p.m. Weekends 12:30 – 11 p.m. Victory Celebrations Nightly at 7 p.m. | Fireworks Nightly Friday, July 10 Tuesday, July 14 5:00 p.m. - Poirer and Fwonte 12:30 p.m. - Heavy Soundz 7:00 p.m. – T-Dots Finest BBoys & BGirl 6:00 p.m. - Reuben and the Dark 8:00 p.m. - Live broadcast on jumbo video 7:30 p.m. - Rich Aucoin screens of Pan Am Opening Ceremony 8:15 p.m. - Cold Specks presented by Cirque du Soleil 9:15 p.m. - Greta Hodgkinson in Venom 9:45 p.m. - Joel Plaskett with The Emergency Saturday, July 11 12:30 p.m. - Gypsy Kumbia Orchestra Wednesday, July 15 2:00 p.m. - Joaquin Diaz 12:30 p.m. - The High Bar Gang 3:00 p.m. - Lula All Stars 6:00 p.m. - Inti-Illimani 4:00 p.m. - The Heavyweights Brass Band 7:30 p.m. - Lila Downs 5:00 p.m. - Radio Radio 8:15 p.m. – Kassav’ 6:35 p.m. - Grand Bateria and Brass 9:15 p.m. - Greta Hodgkinson in Venom 7:30 p.m. - Systema Solar 9:45 p.m. - Marianas Trench 8:30 p.m. - Wyclef Jean 9:30 p.m. - Serena Ryder Thursday, July 16 12:30 p.m. - Canada’s National Ballet School ‘Of The People’ Sunday, July 12 1:00 p.m. - SonAche 2:00 p.m. - Indian City 5:00 p.m. - Local Steelpan Group 3:00 p.m.
    [Show full text]
  • Colleen Peterson Songwriting Award
    BOARD OF DIRECTORS 2018/19 EXECUTIVE COMMITTEE DIRECTORS CO-PRESIDENT Tim Des [email protected] Amie [email protected] Richard [email protected] CO-PRESIDENT Liz Scott.............................................lizscott555@gmail.com Preetam [email protected] Syma [email protected] VICE PRESIDENT Rosalyn [email protected] PAST PRESIDENTS TREASURER Paul [email protected] Katherine Partridge Carolyn Bigley Rachel Barreca Bill Marshall SECRETARY Max Merrifield............................................director@nlfb.ca Alex Sinclair Magoo Scott Merrifield Jim McMillan MEMBER-AT-LARGE Paul Mills Emma Jane [email protected] Aengus Finnan STAFF Sam Baijal Doug McArthur EXECUTIVE DIRECTOR Alka [email protected] Warren Robinson OFFICE ADMINISTRATOR Lianne Rancourt from May - August PAST EXECUTIVE DIRECTORS Kyle Young from September - October Peter MacDonald Erin Benjamin FOLK NORTH COORDINATOR Rachel [email protected] VOLUNTEER COORDINATOR PAST ESTELLE KLEIN AWARD RECIPIENTS Catherine [email protected] Bill Garrett Stan Rogers DEVELOPING ARTISTS PROGRAM COORDINATOR Magoo Richard Flohil Treasa [email protected]
    [Show full text]
  • Low Final Format
    At the Edge of Writing and Speech: The Curricular Implications of the Evolving Orality/Writing Matrix BRONWEN LOW McGill University I have been exploring youth-driven poetic forms and movements and their implications for literacy and curriculum, assuming that popular culture both steers and reflects changes to culture more generally and so has something to say about evolving communicative forms and practices. This has meant studying slam poetry and rap music as insurgent poetic forms and practices, enmeshed within the politics and poetics of language under conditions of globalization. The writings of Edouard Glissant (1989, 1997), generally neglected by cultural theorists in education, have been helpful to me in this project. In his quest for a theory of cultural identity and expression that is more suited to the complexities of Martinican culture and language use than are the fixed binaries of imperial world orders, Glissant develops a powerful conceptual vocabulary that has much to offer education and curriculum theory. Designed in response to the convergence of histories and the proliferation of new forms of cultural being out of the old forms found in the Caribbean, the theory also addresses the continuing “drama of creolization [that] is now taking place on a global scale” (Glissant, Journal of the Canadian Association for Curriculum Studies Volume 8 Number 2, 2011 At the Edge of Writing and Speech: The Curricular Implications of the Evolving Orality/Writing Matrix LOW 1989, p. 2). Particularly relevant to my interests has been Glissant’s thinking on the complex and evolving dynamic between orality and writing, or the orality/writing ‘matrix’ (Dyson 2005).
    [Show full text]
  • Finally Seeing Their All Improved on Their Times from Last Had a Great Energy Coming Off That “The First Thing Is the Backline,” Hamilton at 1 P.M
    — Middletown, Connecticut, since 1868 — TUESDAY, SEPTEMBER 23, 2014 VOLUME CLV, ISSUE 8 WESLEYANARGUS.COM Lighting the Way for Survivors Residential Fraternities Given Three Years to Fully Coeducate By Courtney Laermer ternities have contributed greatly to Assistant News Editor Wesleyan over a long period of time, but we also believe they must change All residential fraternities must to continue to benefit their members become fully coeducational over the and the larger campus community. next three years, according to an an- With equity and inclusion in mind, nouncement on Monday, Sept. 22, we have decided that residential fra- by University President Michael ternities must become fully co-edu- Roth and Chair of the Board of cational over the next three years.” Trustees Joshua Boger ’73. University Manager of Media “Some have urged that we pre- and Public Relations Kate Carlisle serve the status quo; others have explained that three years seemed to argued for the elimination of all be an appropriate amount of time exclusive social societies,” read the for this decision to become fully announcement, which was released implemented in Greek life. via email to students, faculty, and “[Three years] seemed to be an alumni. “The trustees and adminis- SOPHIE ZINSER/ASSISTANT NEWS EDITOR tration recognize that residential fra- FRATERNITIES, page 4 As members of the Board of Trustees left a dinner at President Michael Roth’s house on Saturday, Sept. 20, they were met with a candlelit vigil organized by students in the Feminist Underground. Long Lane Farm Sells SWERVE(D) Relaunches, Aims at Local Market By Erica DeMichiel Joined by other Connecticut vendors to Integrate Art Community Food Editor such as Beckett Farm of Glastonbury and George Hall Farm of Simsbury, the By Jianna Xiong up nonexclusive artistic interactions to Creative Time, and after conversa- I’ve always found a certain kind students do business from 10 a.m.
    [Show full text]
  • 2015 Juno Award Nominees
    2015 JUNO AWARD NOMINEES JUNO FAN CHOICE AWARD (PRESENTED BY TD) Arcade Fire Arcade Fire Music*Universal Bobby Bazini Universal Drake Cash Money*Universal Hedley Universal Leonard Cohen Columbia*Sony Magic! Sony Michael Bublé Reprise*Warner Nickelback Nickelback II Productions*Universal Serge Fiori GSI*eOne You+Me RCA*Sony SINGLE OF THE YEAR Hold On, We’re Going Home Drake ft. Majid Jordan Cash Money*Universal Crazy for You Hedley Universal Hideaway Kiesza Island*Universal Rude Magic! Sony We’re All in This Together Sam Roberts Band Secret Brain*Universal INTERNATIONAL ALBUM OF THE YEAR PRISM Katy Perry Capitol*Universal Pure Heroine Lorde Universal Midnight Memories One Direction Sony In the Lonely Hour Sam Smith Capitol*Universal 1989 Taylor Swift Big Machine*Universal ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Where I Belong Bobby Bazini Universal Wild Life Hedley Universal Popular Problems Leonard Cohen Columbia*Sony No Fixed Address Nickelback Nickelback II Productions*Universal Serge Fiori Serge Fiori GSI*eOne ARTIST OF THE YEAR Bryan Adams Badman*Universal Deadmau5 Mau5trap*Universal Leonard Cohen Columbia*Sony Sarah McLachlan Verve*Universal The Weeknd The Weeknd XO*Universal GROUP OF THE YEAR Arkells Arkells Music*Universal Chromeo Last Gang*Universal Mother Mother Mother Mother Music*Universal Nickelback Nickelback II Productions*Universal You+Me RCA*Sony BREAKTHROUGH ARTIST OF THE YEAR (SPONSORED BY FACTOR AND RADIO STARMAKER FUND) Glenn Morrison Robbins Entertainment*Sony Jess Moskaluke MDM*Universal Kiesza Island*Universal
    [Show full text]
  • The Catalyst
    A Musical Journey Towards Becoming An Educator By: Alejandro Sepulveda Department of Intergrated Studies in Education McGill University, Montreal Submission date: August/09 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Masters in Arts. 1 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-66361-5 Our file Notre référence ISBN: 978-0-494-66361-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • COMPILATION 2020 DOSSIER DE PRESSE Disponible En Version Digitale Le 21 Août 2020
    COMPILATION 2020 DOSSIER DE PRESSE Disponible en version digitale le 21 août 2020 COMPILATION 2020 Festival International Nuits d’Afrique Titre Festival International Nuits d’Afrique Artiste Variés Catégorie Musique du Monde Format Album numérique Label Disques Nuits d’Afrique Distribution Distribution Select Référence AFR2-2149 COMPILATION 2020 Disponible en version digitale le 21 août 2020 Le Festival International Nuits d’Afrique met à l’honneur les musiques d’Afrique, des Antilles et d’Amérique latine avec une programmation ambitieuse et éclectique. Pour cette 34e édition spéciale, retrouvez pour la première fois une fine sélection dédiée entièrement à la scène locale. Ces artistes présents dans la programmation du festival font briller les musiques du monde à Montréal et à l’international De l’émotion intense d’ILAM, en passant par la salsa réinventée de Mateo, Révélation Radio- Canada, à la cumbia revisitée de Gyspy Kumbia Orchestra ou la musique urbaine et métissée de Nomadic Massive, cette compilation de 14 titres révèle les multiples talents et l’impressionnante créativité des artistes d’ici. Un vibrant hommage à la diversité du Québec. 01 ILAM (SÉNÉGAL – QC) 09 NOMADIC MASSIVE (QC) Festival International Laram (ft Baaba Maal) . 04:00 Quoi te dire ? . 03:48 Avec l’aimable autorisation de Gestion Son Image Inc (GSI Avec l’aimable autorisation de Les Faux-Monnayeurs, extrait Musique Inc), extrait de l’album Néné, (p) © 2020 GSI Musique de l’album Times, (p) Productions Nomadic Massive © Les Nuits d’Afrique Faux-Monnayeurs 02 BANTÜ SALSA (CAMEROUN – QC) Bantü Salsa . 05:48 10 AYRAD (MAROC – QC) Avec l’aimable autorisation de Productions Miss Meuré, Houmti .
    [Show full text]
  • JULY 27 – 31, 2020 Our Office Is Located On, and This Conference Is Rooted In, the Ancestral Territory of the Onkwehon:We, Anishinaabe and Huron-Wendat
    JULY 27 – 31, 2020 Our office is located on, and this conference is rooted in, the ancestral territory of the Onkwehon:we, Anishinaabe and Huron-Wendat. The Dish With One Spoon Treaty was established between the Anishinaabe, Mississaugas and Haudenosaunee as an agreement to share and protect the land we call Tkaronto (Toronto) — “The Gathering Place”. We honour the ancestors of this land by acknowledging the shared responsibility of inhabiting this territory and its ongoing legacy as a meeting place for people across Turtle Island and from around the world. We are grateful for the stewardship, past, present, and future, that has enabled, and will enable, us to be here continuing the work that has been done over millennia in this very location. Table of Contents Welcome Message................................................................................................................................................................................................................... 4 About Global Toronto ............................................................................................................................................................................................................. 5 Schedule.................................................................................................................................................................................................................................... 7 Program....................................................................................................................................................................................................................................
    [Show full text]
  • Nomadic Massive Dossier De Presse 2016
    Nomadic Massive Dossier de presse 2016 NOMADIC MASSIVE THE BIG BAND THEORY AFTER ALMOST 3 YEARS OF SILENCE, THE UNIQUE AND ABLE MONTREAL 8-PIECE UNVEILS THE BIG BAND THEORY, AN EXTENSIVE 16-TRACK ALBUM SURFING THE LINE BETWEEN OLD-SCHOOL HIP-HOP AND NEW GUARD RAP, AVAILABLE NOW UNDER LES FAUX- MONNAYEURS NOMADIC MASSIVE is an incredible stage behemoth that has seen a fascinating evolution since its inception. With performances around the globe ranging from the Vancouver International Jazz Festival in British Columbia to the Rudolstadt Festival in Germany, by way of the Festival International de Louisiane and the Grand Performances in Los Angeles, the band has made its mark as an essential Canadian band. The collective delivers an unbounded hip-hop that skilfully combines live instrumentation with sampling and a wide range of vocals. Created between 2013 and 2016 – three years of touring, writing and exploration – The Big Band Theory, NOMADIC MASSIVE’s third album, is as original and authentic as they come. A vast polyglot work, it stands somewhere between the rebellious and suave rhythms of seventies soul, the crossbred sound of contemporary cosmopolitan cities and the sharp and vivid approach of avant-garde rap. With its electronic sounds over which warm brass are laid, “Apollo”, the opening track, sets the tone for the album, undeniably festive and raw. This wide-ranging scope of sound is further established through the essential pieces that are “Pan Am”, “Duty”, “Konba”, “Fade to Grey” and “Any Sound”, which are sure to resonate loud and clear through the summer of 2016.
    [Show full text]
  • Havanareporter SPORTS.AND MORE President: Luis Enrique González
    © YEAR IX THE Nº 5 MAR 16, 2019 HAVANA, CUBA ISSN 2224-5707 Price: avana eporter 1.00 CUC H YOUR SOURCE OF NEWSR & MORE 1.00 USD A Bimonthly Newspaper of the Prensa Latina News Agency 1.20 CAN P. 3 Cuba Diversifies Its Foreign Trade P. 11 P. 3 New Cuban Constitution and the Road Ahead Recreational Boats in Cuba P. 15 P. 7 A long and Winding Road for Musicians of the World Meet in Havana Cuban Baseball 2 TOURISM FITCuba Sums up Promotional efforts By TinoMANUEL HAVANA.- The International Tourism The delegation also consisted of Fair (FITCuba), whose 39th edition will specialists with major hotel chains such as be held from May 7 to 11, sums up the Gran Caribe and Cubanacán, Cubatur and Cuban industry’s promotional efforts in Paradiso Travel Agencies, and associate the world. hotel chains like Meliá, Iberostar, Blue Delegations from the Ministry of Diamond, Roc Hoteles and NH. Tourism (MINTUR) attend the world’s The Colombian market continues to most important fairs of this sector, such as be of great importance for Cuba’s tourism, Fitur Trade Show in Spain, the ITB of Berlin the note stressed. and the World Travel Market of London. In 2018 the Colombian market was The examples are many. This year ranked 16th on the list of main issuing FITCuba will be hosted by Havana, on markets of tourists to Cuba, with 45,966 the occasion of its 500 years of founding, visitors, accounting for an 11.7 percent while Spain will be the guest of honor increase over the previous year.
    [Show full text]