M E D I C a L F a C U L

Total Page:16

File Type:pdf, Size:1020Kb

M E D I C a L F a C U L MEDICAL FACULTY • anesthesiology and pain management • biochemistry • cardiovascular and thoracic surgery • cell biology • dermatology • family and community medicine • internal medicine • microbiology • molecular biology • molecular genetics • neurological surgery • neurology • neuroscience • obstetrics and gynecology • ophthalmology • orthopaedic surgery • otolaryngology - head and neck surgery • pathology • pediatrics • pharmacology • physical medicine and rehabilitation • physiology • plastic surgery • psychiatry • radiation oncology • radiology • surgery • urology • ANESTHESIOLOGY ABD PAIN MANAGEMENT DEPARTMENT OF ANESTHESIOLOGY AND Linda K. Douning, M.D. (UT Southwestern) PAIN MANAGEMENT Magda K. Girgis, M.D. (UT Southwestern ) Nancy B. Greilich, M.D. (UT Galveston) I PROFESSOR AND CHAIR Philip E. Greilich, M.D. (Texas Tech U.) Charles W. Whitten, M.D. (UT Southwestern) Karl E. Griffith, M.D. (UT Galveston) Seval Gunes, M.D. (U. of Heidelberg, Germany) I PROFESSORS EMERITUS Cindy K. Kelly, M.D. (UT Southwestern) A.H. “Buddy” Giesecke Jr., M.D. (UT Galveston) Amy D. Macaluso, M.D. (UT Southwestern) Edward R. “ERJ” Johnson, M.D. (Northwestern U.) Babatunde O. “Tunde” Ogunnaike, M.B., B.S. (U. of Horin, Nigeria) I PROFESSORS Beverly J. Perez, D.O. (UNT Health Science Ctr,) John E. Forestner, M.D. (Northwestern U.) Selvi Pohar, M.B., B.S. (U. of Pune, India) James D. Griffin, M.D. (UT Southwestern) Chen Shi, M.D. (U. of Cincinnati) Desmond B. Henry, M.D. (Autonoma U., Mexico) Gary D. Skrivanek, M.D. (UT Southwestern) Gary E. Hill, M.D. (Creighton U.) Elizabeth A. Slaymaker, M.D. (U. of Illinois) Girish P. Joshi, M.B., B.S., M.D. (U. of Pune, India) Louis A. Stool, M.D. (UT Southwestern) Frank Kern, M.D. ((U. of Pennsylvania) Peter Szmuk, M.D. (Inst. of Med., Romania) Kevin W. Klein, M.D. (UT Southwestern) Ludmilla J. Tabaczewska, M.D. (Marcinkowski William J. Krippner Jr., M.D. (UT Southwestern) Med. Sch., Poland) Thomas A. Lacour, M.D. (Louisiana State U., W. Kendall Tongier, M.D. (UT Houston) Shreveport) Ann M. Trowbridge, M.D. (UT Galveston) B. Lee Mootz II, M.D. (UT Southwestern) Kimberly J. Yamanouchi, M.D., M.P.H. (Tulane Frances C. Morriss, M.D. (UT Southwestern) U.) M. Lisa Morse, M.D. (UT Southwestern) I ASSISTANT PROFESSORS John H. Pennant, M.B., B.S. (U. of Cambridge, England) Osama Aboul-Fettouh, M.D. (Cairo U., Egypt) Z. Farzaneh “Fay” Safavi, M.B., B.S. (U. of London, Marco A. Aguirre, M.D. (UT Houston) Guy’s) Syed A. Ahmed, M.D. (Dow Med. Col., Pakistan) Shiv K. Sharma, M.B., B.S., M.D. (Mahatma Eric Aubel, M.D. (Texas Tech U.) Ghandi U., India) Leonard Auman, M.D. (U. of North Carolina) Vance E. Shearer, M.D. (UT Southwestern ( Michael J. Babiak, M.D. (U. of Calgary, Canada) J. Elaine Sidawi, M.D. (UT Southwestern) Catherine B. Barden, M.D. (Tulane U.) S. John Sum-Ping, M.D. (U. of Cambridge, Ravi Bhoja, M.D. (Mercer U.) England) Irwin H. Brown Jr., M.D. (U. of Oklahoma) Donald H. Wallace, M.D., B.S. (U. of Melbourne, Hsi Chiao, M.D. (Beijing Capitol U.) Australia) Margaret C. Craig, M.D. (Boston U.) Paul F. White, Ph.D., M.D. (U. of California, San Owen Davenport, M.D. (UT Health Science Ctr.) Francisco) Dan Davis, M.D. (Indiana U.) Huy Do, M.D. (Texas A&M U.) I ASSOCIATE PROFESSORS Philip J. DuChamp, M.D. (Texas A&M U.) Adebola O. Adesanya, M.D. (U. of Lagos, Nigeria) Ahmad Elsharydah, M.D. (Damascus U., Syria) Carl E. Adkins, M.D. (Louisiana State U., Caroline G. Ferris, M.D. (U. College of Dublin, Shreveport) Ireland) Steven C. Armbruster, M.D. (UT Galveston) David G. Francis, M.D. (Bangalore U., India), Stephanie I. Byerly, M.D. (U. of Florida) Ph.D. (State U. of New York) Jayne E. Coleman, M.D. (U. of Oklahoma) Chiawan “Wendy” Fu, M.D. (UT Southwestern) Suzanne M. Dellaria, M.D. (Pennsylvania State U.) Jose E.L. Garcia, M.D. (U. of Santo Tomas, Philippines) 2008 – 2010 69 UT SOUTHWESTERN MEDICAL SCHOOL Irina Gasanova, M.D. (Azerbaijan State Med. U., Vadim D. Vornik, M.D. (Sarato State U., Russia) Russia), Ph.D., (Russian State Med. U.) Mirjana Vustar, M.D. (U. Novi Sad Sch. Med., Chris Glover, M.D. (Baylor Col. of Med.) Yugoslavia) Gail O. Hackney, M.D. (U. of Alabama) James B. Wall, M.D. (Med. Col. of Georgia) Donald R. Harper, M.D. (U. of Mississippi) Jean A. Wall, M.D. (UT San Antonio) Colleen Heartsill, M.D. (UT Health Science Cntr.) Deryk Walsh, M.D. (UT Houston) Luis F. Herazo, M.D. (U. Autonoma de Nuevo Megan Way, M.D. (UT Health Science Ctr.) Leon, Mexico) Cynthia A. Woerz, M.D. (U. of Kansas) Cynthia Heyne, M.D. (UT Galveston) Christine Wyrick, M.D. (U. of Cincinnati) Srikanth Hosur, M.D. (Osmania Med. Col., India) Amr M.K. Zidan, M.D. (Ain-Shams U., Egypt) Benjamin H. Im, M.D. (UT Southwestern) I CLINICAL PROFESSORS Chandramouli P. Iyer, M.D. (Med. Col. of Ohio) William H. Jones, D.O. (Philadelphia Col. of Ost. George P. Beck, M.D. (UT Galveston) Med.) Napoleon Burt, M.D. (Ohio U.) Enas S. Kandil, M.D. (Cairo U., Egypt) Robert J. Gatchel, Ph.D. (U. of Wisconsin) Nagarajani Kapu, M.D. (UT Galveston) H.A. Tillman Hein, M.D. (Freie U. Berlin, Galit Kastner, M.D. (New York Med. Col.) Germany) Justin L. Koch, M.D. (UT Galveston) Jan-Peter A.H. Jantzen, M.D., Ph.D. (U. of Mainz, Fima Lenkovsky, M.D., Ph.D. (Kemcrovskii Med. Germany) Inst., Russia) Gabor B. Racz, M.B., Ch.B. (U. of Liverpool) Jingbo Li, M.D., Ph.D. (Beijing Med. U., China) Michael A.E. Ramsay, M.D. (London Hosp. Med. Lawrence W. Liang, M.D. (UT Southwestern) Col.) Peter G. Lunt, M.D. (U. of Geneva, Switzerland) Charles C. Tandy, M.D. (UT Southwestern) Laila F.H. Makary, M.B., B.Ch., Ph.D. (Cairo U., I CLINICAL ASSOCIATE PROFESSORS Egypt) Javier H. Marull, M.D. (Texas Tech U.) John F. Geiser, M.D. (U. of Illinois) Millicent L. McDonald, M.D. (UT Southwestern) Thomas C. Gunning III, M.D. (UT Southwestern) Jin Meng, M.D. (Harbin Med. U., China) Mary F. Harris, M.D. (UT Southwestern) David W. Mercier, M.D. (UT Houston) John C. Lundell, M.D. (Yale U.) Intikhab Mohsin, M.D. (Dow Med. Col., Pakistan) Robert I. Parks Jr., M.D. (UT Southwestern) Dawood Nasir, M.B., B.S. (Punjab U., Pakistan) Robert W. Rehmet, M.D. (UT Galveston) Teekam Ochani, M.B., B.S. (U. of Karachi, Sigurdur S. Sigurdsson, M.D. U. of Iceland) Pakistan) Thomas H. Swygert, M.D. (UT Southwestern) Patrick Olomu, M.D. (U. of Ibadan, Nigeria) Peter T. Walling, M.B., B.S. (London Hosp. Med. Mythili Paladugu, M.D. (Osmania Med. Col., Col. ) India) I CLINICAL ASSISTANT PROFESSORS David O. Palmer, M.D. (U. of Mississippi) Edward J. Prejean III, M.D. (UT San Antonio) Martha A. Anderson, M.D. (UT Southwestern) Adnan Rafique, M.D. (Dow Med. Col., Pakistant) Anthony E.S. Aramoonie, D.O. (Lake Erie Col. of Mary N. Shah, M.D. (UT Galveston) Ost. Med) Paul W. Sheeran, M.D. (U. of Washington, Seattle) Vera L.F. Barbosa, M./D. (U. of Ceara, Brazil) Z. Erin Silav, M.D. (U. of Cukurova, Turkey) Weiwei L. Boone, M.D. (Beijing Capitol U.) Wesley D. Smith, M.D. (Texas Tech U. ) Marc R. Brown, M.D. (U. of Michigan) Thomas Spain, M.D. (UT Health Science Ctr.) David T. Bui, M.D. (U. of Rochester) Weike Tao, M.D. (UT Galveston) Carol C. Burns, M.D. (UT Southwestern) Prabhav K.H. Tella, M.D. (Andhra Med. Col., Robert Castorena Jr., M.D. (UT Southwestern) India) Rosemary G. Christy, M.D. (UT San Antonio) J. Eric Theisen, M.D. (UT Galveston) Joel F. Ciarochi, M.D. (UT Houston) 70 2008 – 2010 BIOCHEMISTRY William C. Conner, M.D. (UT Southwestern) Gong W. Lee, M.D. (U. of Missouri) William F. Craig, M.D. (U. of Ottawa) Kim Lopez, M.D. (UT San Anotnio) Bryan P. Curry, M.D. (UT Houston) Randy J. Marcel, M.D. (Mercer U.) Jesse J. Dadson, M.D. (Sch. of Med. Sci., Ghana) Winston L. Mascarenhas, M.D. (UT San Antonio) Linda J. Delwood, M.D. (UT Southwestern) Christopher M. Meggyesy, M.D. (UT South- James L. Dirting, M.D. (UT San Antonio) western) Stephen M. Donahue, M.D. (U. of Michigan) Barry D. Meyer, M.D. (UT Southwestern) Xiao-En Fang, M.D. (U. of Michigan) Matthew J. Miller, M.D. (UT Galveston) Alan C. Farrow-Gillespie, M.D. (UT Houston) Ngo K. Nguyen, M.D. (U. of South Dakota) Semyon Fishkin, M.D. (Russian State Med. U.) Tibor A. Racz, M.D. (UT Galveston) Bruce E. Fitzgerald, M.D. (UT Houston) Norman S. Rice, M.D. (Howard U.) Cynthia R. Gonzales, M.D. (U. of the East, Shannon L. Roden, M.D. (UT Houston) Philippines) Hadi Sakhai, M.D. (Ohio State U.) John C. Guedalia, M.D. (State U. of New York, Timothy D. Saye, M.D. (UT Southwestern) Buffalo) Larry B. Scott, M.D. (Johns Hopkins U.) R. Heath Gulden, M.D. (UT Southwestern) Stuart B. Simon, M.D. (UT Southwestern) Emmanuel E. Harrison, M.D. (Tulane U.) Tham T. Trinh, M.D. (UT San Antonio) Robert F. Haynsworth Jr., M.D. (UT Houston) Gary R. Turner, M.D. (Ohio State U,.) Stephen Q. Hoang, M.D. (UT San Antonio) Debra S. Tyler, M.D. (Texas Tech U.) Scott C. Holden, M.D. (UT Southwestern) Timothy R. Valek, M.D.
Recommended publications
  • Thomé H. Fang, Tang Junyi and the Appropriation of Huayan Thought
    Thomé H. Fang, Tang Junyi and the Appropriation of Huayan Thought A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 King Pong Chiu School of Arts, Languages and Cultures TABLE OF CONTENTS Table of Contents 2 List of Figures and Tables 4 List of Abbreviations 5 Abstract 7 Declaration and Copyright Statement 8 A Note on Transliteration 9 Acknowledgements 10 Chapter 1 - Research Questions, Methodology and Literature Review 11 1.1 Research Questions 11 1.2 Methodology 15 1.3 Literature Review 23 1.3.1 Historical Context 23 1.3.2 Thomé H. Fang and Huayan Thought 29 1.3.3 Tang Junyi and Huayan Thought 31 Chapter 2 – The Historical Context of Modern Confucian Thinkers’ Appropriations of Buddhist Ideas 33 2.1 ‘Ti ’ and ‘Yong ’ as a Theoretical Framework 33 2.2 Western Challenge and Chinese Response - An Overview 35 2.2.1 Declining Status of Confucianism since the Mid-Nineteenth Century 38 2.2.2 ‘Scientism’ as a Western Challenge in Early Twentieth Century China 44 2.2.3 Searching New Sources for Cultural Transformation as Chinese Response 49 2.3 Confucian Thinkers’ Appropriations of Buddhist Thought - An Overview 53 2.4 Classical Huayan Thought and its Modern Development 62 2.4.1 Brief History of the Huayan School in the Tang Dynasty 62 2.4.2 Foundation of Huayan Thought 65 2.4.3 Key Concepts of Huayan Thought 70 2.4.4 Modern Development of the Huayan School 82 2.5 Fang and Tang as Models of ‘Chinese Hermeneutics’- Preliminary Discussion 83 Chapter 3 - Thomé H.
    [Show full text]
  • Bengal Tiger
    20!2 - 20IJ SEASON C T3PEOPLE C ON OTHER STAGES BOARD OF DIRECTORS AT&T PERFORMING ARTS CENTER CHAIR Marion L. Brockette, Jr. FEB 13 - 24 Anything Goes LIAISON, CITY OF DALLAS CULTURAL COMMISSION CIRCLE THEATER Lark Montgomery JAN 24- FEB 23 God of Carnage BOARD MEMBERS Jac Alder, Suzanne Burkhead, Laura V. Estrada, Sally Hansen, David G. Luther, DALLAS CHILDREN'S THEATER Victoria McGrath, David M. May, Margie J. Reese, JAN 25 - MAR 3 Goodnight Moon Dana W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D., Scott Williams DALLAS SUMMER MUSICALS FEB 12 -24 Catch Me IfYouCan D HONORARY BOARD MEMBERS Roland & Virginia TH Dykes, Gary W. Grubbs, John & Bonnie Strauss DALLAS THEATER CENTER NORMA YOUNG ARENA STAGE 2012-2013 ADMINISTRATION JAN 18- FEB 17 King Lear Cl 1- PRODUCER-DIRECTOR Jac Alder FEB 7 • MAR 24 Red PRESENT LAUGHTER MANAGING DIRECTOR Cory Norman EISEMANN CENTER FOR THE z Aug. 2 - Sept. 1 COMPANY MANAGER Terry Dobson PERFORMING ARTS z DIRECTOR OF BUSINESS AFFAIRS Joan Sleight LLJ JAN 20 IfYouGive a Mouse a Cookie 11<,Other Story c:::( a comedy by Noel Coward IN-HOUSE ACCOUNTANT Wendy Kwan Books DIRECTOR OF PUBLICATIONS «(COMMUNICATIONS FEB 6 - 10 Late Nite Catechism Las Vegas: Sister Rolls c:::: � Kimberly Richard the Dice FREUD'S LAST SESSION IT MANAGER Nick Rushing FEB 10 Romona Quimby Z Sept. 20 - Oct. 20 EXECUTIVE ADMINISTRATIVE ASSISTANT FEB 15 Broadway Love Songs lJ Adele Acrey _ a new drama by Mark St. Germain KITCHEN DOG THEATRE HOUSEKEEPING Kevin Spurrier FEB 8 - MAR 9 The Chairs - PRODUCTION c:::( PEGASUS THEATER V) CRAZY FOR YOU TECHNICAL DIRECTOR Daniel Pucul DEC 31 - JAN 20 XSR: Die/ LLJ I- Nov.
    [Show full text]
  • Rajiv Joseph: “Creative Cauldron” Air Date: 4/27/21 Featuring: Rajiv Joseph and Caroline Neff
    Season 2, Ep: 3 – Rajiv Joseph: “Creative Cauldron” Air Date: 4/27/21 Featuring: Rajiv Joseph and Caroline Neff. With Cliff Chamberlain, James Vincent Meredith, Caroline Neff, Karen Rodriguez and Michelle Medvin. Rajiv Joseph: But I guess I don't ever think about—that I'm throwing them out. I don't ever think that I'm killing anything. Audrey Francis: From Steppenwolf Theatre Company in Chicago, Illinois. Rajiv Joseph: I don't think that any work is wasted. I think that all work is cumulative. Audrey Francis: This is Half Hour. Cliff Chamberlain: Welcome back, listeners, to Half Hour. This week we've got me Cliff Chamberlain— James Vincent Meredith: James Vincent Meredith— Karen Rodriguez: Karen Rodriguez— Caroline Neff: And me, Caroline Neff. Cliff Chamberlain: And Caroline, this week we've got a conversation with you and our esteemed playwright, ensemble member, Rajiv Joseph. I don't think I've ever met Rajiv in the real world. I've talked him through email. I'm curious, have you ever met Rajiv before this conversation? Caroline Neff: I have. And, you know, I feel like his presence always feels a little bit like Brigadoon. It’s like—it's just sort of there, like, when you're least expecting it. So, I actually—I think the first time that I met him was… I don't remember if it was when I saw Guards at the Taj at the Atlantic, if I met him that night. But I'm trying to think if I've ever actually met him within the confines of the Steppenwolf complex.
    [Show full text]
  • MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MACBETH by WILLIAM SHAKESPEARE
    MACBETH Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MACBETH BY WILLIAM SHAKESPEARE WITH BARZIN AKHAVAN, RAFFI BARSOUMIAN, NADIA BOWERS, N’JAMEH CAMARA, ERIK LOCHTEFELD, MARY BETH PEIL, COREY STOLL, BARBARA WALSH, ANTONIO MICHAEL WOODARD COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN ANN HOULD-WARD SOLOMON WEISBARD MATT STINE FIGHT DIRECTOR PROPS SUPERVISOR THOMAS SCHALL ALEXANDER WYLIE ASSOCIATE ASSOCIATE ASSOCIATE SCENIC DESIGN COSTUME DESIGN SOUND DESIGN DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI PRESS PRODUCTION CASTING REPRESENTATIVES STAGE MANAGER TELSEY + COMPANY BLAKE ZIDELL AND BERNITA ROBINSON KARYN CASL, CSA ASSOCIATES ASSISTANT DESTINY LILLY STAGE MANAGER JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE MACBETH (in alphabetical order) Macduff, Captain ............................................................................ BARZIN AKHAVAN Malcolm ......................................................................................... RAFFI BARSOUMIAN Lady Macbeth ....................................................................................... NADIA BOWERS Lady Macduff, Gentlewoman ................................................... N’JAMEH CAMARA Banquo, Old Siward ......................................................................ERIK LOCHTEFELD Duncan, Old Woman .........................................................................MARY BETH PEIL Macbeth.....................................................................................................
    [Show full text]
  • Paul Taffanel Hagyatéka
    Liszt Ferenc Zeneművészeti Egyetem 28. számú művészet- és művelődéstörténeti tudományok besorolású doktori iskola PAUL TAFFANEL HAGYATÉKA VÁMOSI-NAGY ZSUZSA TÉMAVEZETŐ: ITTZÉS GERGELY DLA DOKTORI ÉRTEKEZÉS 2014 I TARTALOMJEGYZÉK I. KÖSZÖNETNYILVÁNÍTÁS ....................................................................................... III II. BEVEZETÉS ................................................................................................................. IV 1. A FRANCIA FUVOLAISKOLA KIALAKULÁSÁNAK ÁTTEKINTÉSE .................. 1 1.1. Fuvolás zeneszerzők Franciaországban a XVII. századtól napjainkig .................... 1 1.1.1. A francia fuvolaiskola ...................................................................................... 1 1.1.2. A német fuvolaiskola ..................................................................................... 13 1.1.3. Alkotó fuvolások Európa más országaiban .................................................... 16 1.2. A párizsi Conservatoire .......................................................................................... 20 1.3. Böhm újításai és fogadtatásuk. A Böhm-Gordon per ............................................ 28 1.4. A Böhm-fuvolák fogadtatása német és francia földön és adaptálásuk a párizsi Conservatoire-ban .............................................................................................................. 33 2. PAUL TAFFANEL, A MODERN FRANCIA FUVOLAISKOLA MEGALAPOZÓJA . ......................................................................................................................................
    [Show full text]
  • Playwright: from Page to Stage Premieres on Independent Lens Monday, December 16, 2013 on Pbs
    FOR IMMEDIATE RELEASE CONTACT Lisa Tawil, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom/ PLAYWRIGHT: FROM PAGE TO STAGE PREMIERES ON INDEPENDENT LENS MONDAY, DECEMBER 16, 2013 ON PBS Film Traces the Journey of Two Outstanding New Voices in American Theater From Script to Opening Night (San Francisco, CA) — A rare and intimate glimpse into the dynamic process of creating and launching new plays, Playwright: From Page to Stage follows two outstanding young playwrights through the writing, development, staging, rehearsal, and public performance of their plays. Over the course of three years, the dramatic parallel journeys of Rajiv Joseph and Tarell Alvin McCraney unfold, from the time their work receives development funding until the riveting climax, when one of the productions makes it to Broadway with Robin Williams in a leading role. From acclaimed director Robert Levi, Playwright: From Page to Stage premieres on Independent Lens, hosted by Stanley Tucci, on Monday, December 16, 2013, 10:00-11:00 p.m. ET on PBS (check local listings). When the film begins, McCraney and Joseph are fresh talents bursting onto the scene, both having written probing new plays depicting society in turmoil. Young, black, gay, and from Miami’s inner city, McCraney has an unusual background for mainstream American theater. His Brother/Sister Plays, a sprawling coming-of-age trilogy set in a fictional black Louisiana community, reflect not only his own life experiences, but also the social and cultural realities of America’s underclass.
    [Show full text]
  • Gruesome Playground Injuries: the Study Guide
    Gruesome Playground Injuries: The Study Guide Meet the Playwright: Rajiv Joseph American playwright Rajiv Joseph was born and raised in Cleveland, Ohio. He graduated with a degree in Creative Writing from Miami University in Oxford, Ohio in 1996, where he also performed with the Glee Club, an a cappella group called the Cheezies, and competed for the forensics team. In 2004 Joseph earned a Master of Fine Arts in Dramatic Writing from NYU’s Tisch School of the Arts. Since then he has taught Essay Writing at NYU and wrote for Seasons 3 and 4 of the Showtime series Nurse Jackie. For his work as a playwright, Joseph has received numerous awards: in 2008 he received the Vineyard Theatre’s Paula Vogel Award for emerging playwrights. Bengal Tiger at the Baghdad Zoo was chosen as an Outstanding New American play by the NEA (US State Department), and became a finalist for the Pulitzer Prize for Drama in 2010. In 2009 he received a Whiting Writer’s Award, an international award given to 10 writers of any style of work who demonstrate “exceptional talent and promise in early career.” Joseph later received the Steinberg Playwright Award, and in 2015 he received the Laurents/Hatcher Foundation Award for his new play The Guards at the Taj, set to premiere at the Atlantic Theater Company in May 2015. Other plays by Rajiv Joseph include: Huck & Holden, his first full-length play which was based on his father’s experience immigrating to the United States; All this Intimacy, about a man who impregnates 3 women at the same time; Animals out of Paper, in which a world-renowned origami artist opens her studio to a South-Asian teenage prodigy; The North Pool, which deals with race and alienation in a conversation between a transfer student and his vice principal.
    [Show full text]
  • Paper Title (Use Style: Paper Title)
    International Academic Workshop on Social Science (IAW-SC 2013) Grotesque and Gaudy World of Music, Indispensable Narrative Pen Study on The Narrative Strategy of Modern Chinese Pop Songs’ Lyrics Chunjing Zhang College of Applied Technology Southwest University Chongqing,China [email protected] Abstract—Since the 1990s, the creation of pop songs’ lyrics has symbol presents "conation ", which promotes recipient to undergone a lot of changes, transforming from the past take action. According to Jacobsen’s brilliant analysis, lyrics emphasis on inner expression to frequent use of narration. appear to be more emotional or strongly conative. Therefore, Thus, the grotesque and gaudy world of music, concentrating the lyrics have a strong tendency of appealing. Answering is on creators ’narrative pen, unfolds vividly. Some important the basic trend of the lyrics, narrative strategy of “I tell you" narrative strategy has gradually taken shape, including basic is the most fundamental sending mode of lyrics. The narrative strategy of “I tell you” and public participation in appearance of subject expressing is an important “telling a story”, Demonstration of details and fragments in life characteristics of the lyrics. of whole narration and defamiliarization on narration. There are too many examples that we cannot cite them all. Keywords-lyrics; pop songs; narration According to the study of the highest search volume of 100 new songs lyrics on Baidu MP3 search, the author find that 95% of the lyrics comprise the basic strategy of "I tell you", I. INTRODUCTION including "I", "you" or slightly distorted "I" and "you", even No matter what kinds of art form, story-telling is the if starting in the fashion of third person and through the most attractive method.
    [Show full text]
  • OFFICIAL RECORD of PROCEEDINGS Thursday, 14 June
    LEGISLATIVE COUNCIL ─ 14 June 2007 8865 OFFICIAL RECORD OF PROCEEDINGS Thursday, 14 June 2007 The Council continued to meet at Nine o'clock MEMBERS PRESENT: THE PRESIDENT THE HONOURABLE MRS RITA FAN HSU LAI-TAI, G.B.S., J.P. THE HONOURABLE JAMES TIEN PEI-CHUN, G.B.S., J.P. IR DR THE HONOURABLE RAYMOND HO CHUNG-TAI, S.B.S., S.B.ST.J., J.P. THE HONOURABLE LEE CHEUK-YAN THE HONOURABLE MARTIN LEE CHU-MING, S.C., J.P. THE HONOURABLE FRED LI WAH-MING, J.P. THE HONOURABLE MARGARET NG THE HONOURABLE MRS SELINA CHOW LIANG SHUK-YEE, G.B.S., J.P. THE HONOURABLE JAMES TO KUN-SUN THE HONOURABLE CHEUNG MAN-KWONG THE HONOURABLE CHAN YUEN-HAN, J.P. THE HONOURABLE BERNARD CHAN, G.B.S., J.P. THE HONOURABLE CHAN KAM-LAM, S.B.S., J.P. 8866 LEGISLATIVE COUNCIL ─ 14 June 2007 THE HONOURABLE MRS SOPHIE LEUNG LAU YAU-FUN, S.B.S., J.P. THE HONOURABLE LEUNG YIU-CHUNG THE HONOURABLE SIN CHUNG-KAI, J.P. DR THE HONOURABLE PHILIP WONG YU-HONG, G.B.S. THE HONOURABLE WONG YUNG-KAN, J.P. THE HONOURABLE JASPER TSANG YOK-SING, G.B.S., J.P. THE HONOURABLE HOWARD YOUNG, S.B.S., J.P. DR THE HONOURABLE YEUNG SUM THE HONOURABLE LAU CHIN-SHEK, J.P. THE HONOURABLE LAU KONG-WAH, J.P. THE HONOURABLE LAU WONG-FAT, G.B.M., G.B.S., J.P. THE HONOURABLE MIRIAM LAU KIN-YEE, G.B.S., J.P. THE HONOURABLE EMILY LAU WAI-HING, J.P.
    [Show full text]
  • Sex, Gender, and Desire §1 Fantasy 就像你註定是要離開的 Like You Were Destined to Leave
    The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 3: Sex, Gender, and Desire §1 Fantasy 就像你註定是要離開的 Like you were destined to leave. [No guitar, silence. Xiao He seems to say to himself:] 對不起 Sorry. [To the audience:] 世界卻不會 The world, however, won’t 因為你走了而停止 stop turning because you’re gone. In the verses of SIMPLE TRUTH 簡單的道理 that precede the above, Xiao He sings of impossible love. Xiao He’s desire for his Lady is inflamed by her inaccessibility. In these last lines, Xiao He traverses the fanta- sy: he reveals his Lady to be insubstantial and redundant. Nevertheless, the ensuing instrumental, tango-like chorus creates a mixed feeling of sadness and relief. It does not suggest the awakening to propriety, to commonsensical reality that might be ex- pected. On the contrary, SIMPLE TRUTH ridicules common sense from the start. It starts with a joke: [Background noises of people talking, drinking, laughing, a few seemingly ran- domly placed staccato chords on an acous- Illustration 3.1: Xiao He and Li Tieqiao tic guitar, pause. Xiao He starts sing-talk- performing SIMPLE TRUTH with Glorious ing a capella:] Pharmacy at the Midi Modern Music Festival 2004.
    [Show full text]
  • Capriccioso Recordings
    Capriccioso Recordings New Release James Strauss and Friends Plays Beethoven. James Strauss, flute Miyo Umezu, violin Olli Varoven - Cello Regina Glasunova- piano Hummel & Beethoven Symphonies / The Symphonies of Beethoven as Chamber Overtures Music The symphonies of Ludwig van Beethoven since his time are considered works of art that challenge the Hummel is today a name more familiar to scholars common interpretation of perfectionism. One of than to the general public, but his status at the time the greatest landmarks of Western music has only was quite different .Austrian composer and pianist. been discussed when, in 60 years of the twentieth In 1785 his family moved to Vienna, where he century have intensified the voices advocating a gained useful experience through his father's post as resource-based interpretation of the time, with director of the Theater auf der Wieden. An infant instruments (or prodigy, he impressed Mozart , who gave him replicas) original phrasing and "actual intent of the lessons. A four-year concert tour with his father author." Independent reviews and discussions of the took him through Bohemia, Germany, Denmark, two streams one thing not touched: the work and Britain. He was in London itself. Transcriptions, or arrangements, was a taboo from 1790 to 1792 but returned in 1793 to Vienna, subject for some of those involved to where he studied with Albrechtsberger , Salieri , sacrilege. Except that the transcript of symphonies and Haydn , and began his close and sometimes and other works was a very common practice in stormy relationship with Beethoven ; they were to Beethoven's own time, and even during the be both friends and rivals until Beethoven's death.
    [Show full text]
  • Pan • Flute • News
    The British Flute Society the President Sir James Galway OBE magazine Vice-president Albert Cooper • Chairman Atarah Ben-Tovim MBE pan lute pan f The Journal of the British Flute Society 3 News 53 Fluting in the 1940s Volume 27 number 2 June 2008 BFS Silver Jubilee Competition. Convention Patrick Souper’s name is strangely Editor Robert Bigio matters. BFS Council news. Flute choir news. familiar. In this fascinating memoir he explains why. • BFS Convention artists Contacting the BFS 9 Secretary and advertising Interviews with the fantastic musicians who Anna Munks will be performing at the BFS Convention in 27 Eskdale Gardens Manchester in August. Purley, Surrey CR8 1ET Telephone and fax 020 8668 3360 The flute music of Email [email protected] 59 York Bowen. Membership secretary John Rayworth The Nook, How Mill Glen Ballard, flute player and York Bowen Brampton, Cumbria CA8 9JY expert, describes the flute music of this sadly Telephone 0845 680 1983 neglected composer. Email [email protected] Editorial Robert Bigio The new Associated Board 1 Doveridge Gardens 65 London N13 5BJ syllabus: A fuss about Telephone 020 8882 2627 nothing? Fax 020 8882 2728 Email [email protected] Christine Hankin discusses the merits of the • new syllabus. Editorial committee Robert Bigio Simon Hunt 70 Reviews Mike MacMahon • CDs, literature, software and music. Assistant editor Carla Rees [email protected] Junior editor Thomas Hancox How flutes are made [email protected] 41 Copy editor Christopher Steward • Jim Phelan rounds off his four-part series by showing the stages in the making of a The small print Design and typesetting Robert Bigio headjoint.
    [Show full text]