The Hudson River Valley Review
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Entrepreneurs
HUDSON VALLEY WOMEN ENTREPRENEURS ENTREPRENEURS The following profiles of remarkable Hudson Valley women entrepreneurs are part of a larger publication. Women in the Hudson Valley: A Teaching Resource introduces more than 50 extraordinary women with ties to our region -- artists and athletes, lawyers and legislators, mapmakers and mathematicians. Whether you’re a teacher or a site educator, you’ll find a story to help students you work with see women. Our aim is to stir interest, not to tell the women’s full stories or portray the complexity of their lives. We hope these mini-bios prompt you to dig more deeply. You can learn more about the other sections or download them here. ENTREPRENEURS Cathryna Rombout Brett Women of Huguenot Street Margaret Beekman Livingston Elizabeth Corne Kennedy Dyckman Flavia Miranda Bristol Sarah Breedlove “Madam CJ Walker” Katharine Graham Resources Hudson Valley Women: A Teaching Resource, June 2018 | Written by Molly Scott. Conceived by Mariah Bohanon. Research by Molly Scott, Mariah Bohanon, and Julia Jardine. Design by Kerry Sclafani. Coordinated and edited by Debi Duke. [email protected] 845-229-9116, ext. 2029 www.TeachingtheHudsonValley.org THV is a program of the Roosevelt-Vanderbilt National Historic Sites, National Park Service | Hudson River Valley National Heritage Area and Greenway Conservancy | Hudson River Valley Institute at Marist College | Hudson River Estuary Program, New York State Dept. of Environmental Conservation | Additional funding for this project provided by a Barnabas McHenry Award from the Open Space Institute Image on previous page: Sarah Breedlove, “Madam C.J. Walker”, c. 1914, Scurlock Studio, Wash., DC, Smithsonian, National Museum of American History, Archives Center, Wash., DC 1687-1763 Catheryna Rombout Brett "Madam Brett" Dutchess County Catheryna Rombout has been called America's first female real estate tycoon. -
Beacon New York
Cover Art by Katrina Ross - www.katrinaross.net - curated by CLUB/DRAW by curated - www.katrinaross.net - Ross Katrina by Art Cover This guide is proudly sponsored by: sponsored proudly is guide This #beaconarts #beaconny #beaconarts @beaconarts 12 classical music concerts per year at the Howland Cultural Center. Cultural Howland the at year per concerts music classical 12 /beaconarts.org howlandmusic.org 845.765.3012 - Howland Chamber Music Circle Music Chamber Howland - 5O services, and supporters of the arts. the of supporters and services, PERFORMING ARTS PERFORMING Our members include artists, galleries, specialty shops, restaurants, restaurants, shops, specialty galleries, artists, include members Our cultural vibrancy that has become Beacon, New York’s trademark. trademark. York’s New Beacon, become has that vibrancy cultural Zumba. ages at affordable prices. Tap, jazz, ballet, hip-hop, modern, tumbling, and and tumbling, modern, hip-hop, ballet, jazz, Tap, prices. affordable at ages a 501 (c) 3 non-profit organization promoting and nurturing the the nurturing and promoting organization non-profit 3 (c) 501 a A staple in Beacon, NY for 60 yrs. Quality dance lessons for people of all all of people for lessons dance Quality yrs. 60 for NY Beacon, in staple A Formed in 2002, (BeaconArts Community Association /BACA) is is /BACA) Association Community (BeaconArts 2002, in Formed yanarelladance.com 845.831.9759 St. Main 312 Dance of School Yanarella - 3J music retailer. Locations in Beacon and Brooklyn. and Beacon in Locations retailer. music Classical guitar conservatory for the next generation, and high quality quality high and generation, next the for conservatory guitar Classical ezraguiltar.com 718.434.2103 Ave. -
County Travel Guide Hudson Valley Region
HUDSON VALLEY REGION DuCOUNTYtc TRAVELh GUIDEess SIMPLE AND SOPHISTICATED. YOU DESERVE DUTchESS. 1 2010 / 2011 HELLO. Welcome to scenic Dutchess County, formed in 1683 as one of the original counties of New York. Nestled in the Hudson River Valley, midway between New York City and the capital city of Albany, it is easily accessible by car, train, bus and air. With its abundance of historic landmarks, restaurants, festivals and natural scenic beauty, Dutchess County is 800 square miles of fascinating sites, lively events and breathtaking vistas. Above: History Relaxation Innisfree Garden, Millbrook Historic Sites ..................4 Accommodations .............24 Museums .....................6 Drive-in Movies ...............30 On the cover (clockwise from top left): Entertainment................30 Dutchess County Celebrates the Arts!; Recreation Shopping Malls ...............31 Kaatsbaan International Dance Center, Recreation....................8 Tivoli/Richard Brodzellar; Antiques ....................32 Biking .......................9 Richard B. Fisher Center for the Specialty Shops ...............32 Performing Arts, Bard College, Golf .........................9 Personal Growth ..............33 Annandale-on-Hudson. Family Fun...................10 Photo: Peter Aaron/ESTO; Fish & Game .................12 Frances Lehman Loeb Art Center, Cuisine Vassar College, Poughkeepsie; Hudson River Enjoyment .......12 Wineries ....................34 Rhinebeck Dance Center, Center for Shooting Clubs & Preserves .....13 Restaurants ..................44 -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
The Domestication of History in American Art: 1848-1876
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 The domestication of history in American art: 1848-1876 Jochen Wierich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Wierich, Jochen, "The domestication of history in American art: 1848-1876" (1998). Dissertations, Theses, and Masters Projects. Paper 1539623945. https://dx.doi.org/doi:10.21220/s2-qc92-2y94 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
2010 Exhibition Brings Women Artists to Light
Spring 2010 Newsletter A New Organization is Formed 2010 Exhibition Brings A new chapter in the story has Women Artists to Light begun. On October 19th, 2009, May 2 - October 31 the New York State Board of Regents approved a charter This May, join us for the opening of our new exhibi- establishing an independent tion, “Remember the Ladies: Women of the Hudson non-profit organization to own River School,” the Lisa Fox Martin and operate the home of Thom- first known exhibi- Board Chairman as Cole. For the past ten years, tion to focus solely the historic site has been owned by the Greene County on the women art- Historical Society, which owns several other impor- ists associated with tant historic properties. Thomas Cole’s home and the 19th-century studio will now be run as an independent non-profit landscape paint- organization. ing movement. The exhibition will Although the ownership structure is new, the people include approxi- who are involved remain the same. The new orga- mately 25 works of nization’s Board of Trustees consists of the same art by artists such twelve people who were on the “Cole Committee” of as Julia Hart Beers, the Greene County Historical Society, with the same (sister to William officers including Lisa Fox Martin as Chairman. The and James Hart), three paid staff – Betsy Jacks, Joanna Frang, and Linda Evelina Mount Bartula – have been retained by the Trustees to work (niece to William for the new organization. A new part-time person, Sidney Mount) Melissa Gavilanes, was added this year. -
Remember the Ladies: Women of the Hudson River School
Remember the Ladies d women of the hudson river school Charlotte Buell Coman (1833–1924) frontispiece: Forest Brook, 1895 Oil on canvas, 24 x 20 in. Private Collection Remember the Ladies d women of the hudson river school May 2–October 31, 2010 essays by Nancy Siegel and Jennifer Krieger 218 Spring Street, Catskill, NY 12414 518.943.7465 • www.thomascole.org Edith Wilkinson Cook (active 1851–1875) FIG.1: Autumn Landscape with Figures, 1871 1 5 Oil on canvas, 7 /4 x 5 /8 in. Mark Lasalle Fine Art director’s statement d N MAY 2010 THE THOMAS COLE NATIONAL HISTORic SITE opened the first known exhibition to focus Isolely on the women artists associated with the Hudson River School, the nineteenth-century land- scape painting movement. Considering all the attention that has been given to this art movement in recent decades, it is certainly time that the names of these women become better known. The fact that there were women artists who were inspired by the landscape during the same years as Thomas Cole, Asher Durand, and Frederic Church is a story that needs to be told, and we are so pleased to bring their fascinating lives and work to the public. Their landscape paintings, and the stories behind them, speak to these women’s perseverance, triumph, heartbreak, and even their sense of humor about it all. One young woman was forbidden to create art, and her drawings were burned by her stepmother. Another was conducting her art career while raising her children as a single mother. Yet another climbed “all the principal peaks of the Catskills, Adirondacks, and White Mountains, as well as those of the Alps, Tyrol, and Black Forest, often tramping twenty-five miles a day, and sketching as well, often in the midst of a blinding snow- storm,” according to an 1889 article.1 And all this in the sort of clothing we today would not consider practical. -
1St New York State Legislature - Wikipedia
1st New York State Legislature - Wikipedia https://en.wikipedia.org/wiki/1st_New_York_State_Legislature The 1st New York State Legislature, consisting of the New York State 1st New York State Senate and the New York State Assembly, met from September 9, 1777, to Legislature June 30, 1778, during the first year of George Clinton's governorship, first at Kingston and later at Poughkeepsie. ← State 2nd → Constitutional Convention Background Apportionment and election Sessions State Senate Districts Senators Senate House, Kingston, the place Employees of the first session of the State State Assembly Senate (2007) Districts Overview Assemblymen Employees Jurisdiction New York, United States Notes Sources Term September 9, 1777 – June 30, 1778 Senate The 4th Provincial Congress of the Colony of New York convened at White Members 24 Plains on July 9, 1776, and declared the independence of the State of New President vacant York. The next day the delegates re-convened as the "Convention of Temporary Pierre Van Representatives of the State of New-York" and on August 1 a committee was President Cortlandt appointed to prepare a State Constitution. The New York Constitution was Assembly adopted by the Convention on April 20, 1777, and went into force Members 70 (de facto 65) immediately, without ratification by popular vote. Speaker Walter Livingston Sessions 1st September 1, 1777 – October The State Senators were elected on general tickets in the senatorial 7, 1778 districts, and were then divided into four classes. Six senators each drew 2nd January 5, 1778 – April 4, 1778 lots for a term of 1, 2, 3 or 4 years and, beginning at the following election in April 1778, every year one fourth of the State Senate seats came up for 3rd June 22, 1778 – June 30, 1778 election to a four-year term.[1] 1 of 7 12/17/2018, 12:04 PM 1st New York State Legislature - Wikipedia https://en.wikipedia.org/wiki/1st_New_York_State_Legislature Assemblymen were elected countywide on general tickets to a one-year term, the whole assembly being renewed annually. -
Beacon Scenic Resources Inventory
Scenic Resource Inventory City of Beacon, NY Prepared by: Caterina Brescia, Jesse Martens Victoria Neenan, Sarene Shaked Osamu Tsuda Department of City & Regional Planning Land Use and Environmental Planning Workshop, Cornell University The following Scenic Resource Inventory was developed during the fall of 2017 in the CRP 3072/5072 Land Use and Environmental Planning Field Workshop at Cornell University. It is funded in part by a grant from the New York State Environmental Protection Fund through the Hudson River Estuary Program of the New York State Department of Environmental Conservation. Table of Contents Mission Statement 1 Community Profile 2 History of Beacon 3 Prior Planning Initiatives 4 Existing Land Use Regulatory Structure 7 Existing Land Use 10 Natural Resources 12 Existing Open Space and Historic Sites 16 Scenic Resource identification 18 Program Implementation 23 Priority Properties for Preservation 31 Endnotes 36 Case Study: Craig House Redevelopment Plan 37 Appendices 43 Mission Statement Nestled between the Hudson River and the slopes of the Hudson Highlands, the City of Beacon is rich in natural and historic resources. From Denning’s Point State Park to Madam Brett’s Homestead, the city’s landmarks tell the story of Beacon’s early settlement, active role in the Revolutionary War, and industrious past. The recent opening of Dia: Beacon, a world-class contemporary art museum has spurred new interest in the City, and pressure to accommodate new residents and tourists should not come at the expense of historic and natural resources that have shaped the character of the city for decades. Instead, rising popularity should be complemented by an active campaign to preserve and protect Beacon’s scenic resources from incompatible development. -
Luminist Landscapes by Female Hudson River School Painters (1825-1875)
Luminist Landscapes by Female Hudson River School Painters (1825-1875) Julia A student of the ImpressionistBacon painter Edmund C. Tarbell (1862- 1938), Julia Bacon was also a member of the Boston Art Stu- dents’ Association. She exhibited at Copely Hall and the Bos- ton Art Club, and may have also exhibited at the National Academy of Design in New York. Julia Bacon spent much of her life in Boston, Massachusetts. Beyond records of her ex- hibitions, however, the details of Bacon’s life remain obscure. Hudson River Valley Vista presents an expansive scene, with much more of a stylistic affinity for the realism of the Hudson River School than the Impressionism of Bacon’s mentor. Two sailboats in the middle ground represent a mild narrative, striking two bright points against rolling banks of umbrageous trees. Rising from the banks of the central waterway are humped peaks, un- identifiable in shape but reminiscent of similar views painted by contemporaneous Hudson River School painters. Special care is given to the treatment of the sky, which subtly undulates between pink-tinged shades of blue. Rendered in near-textureless brush Julia Bacon (1861-1901), Hudson River Valley Vista strokes, the expansive ceiling of sky and light cloud cover is off- Oil on canvas, 14 x 22 inches, signed lower right set by the rough-hewn branches of the lone tree rising to the left. SOARING SIGHTS | 2 SOARING SIGHTS | 3 Barstow Susie M. Unique in her artistic practice and her position as a female Hudson River School painter during the latter half of the nine- teenth century, Susie M. -
Putnam Couxty, N. Y.;
THE HISTORY PUTNAM COUXTY, N. Y.; WITH AN ENUMERATION OF ITS TOWNS, VILLAGES, RIVERS, CREEKS, LAKES, PONDS, MOUNTAINS, HILLS, AND GEOLOGICAL FEATURES ; LOCAL TRADITIONS ; AND SHORT BIOGRAPHICAL SKETCHES OF EABLY SETTLEBI, ETC* BY WILLIAM J. BLAKE, ESQ., COUNSELLOR-AT-LAW. NEW YORK: PUBLISHED BY BAKER & SCRIBNER, 146 Nassau Street,- irnd 36 Park Row. 1S49. GenealogyCDs.com Specializing in New York, New Jersey and Neighboring Areas Genealogy Data-Ware© at affordable Prices!! Thank You for Purchasing from GenealogyCDs.com It is our sincere hope that you enjoy your purchase and find it useful in you at home Research. For an up to date listings of our current products please visit us at: http://genealogycds.com PREFACE. WE hardly know what excuse to offer the reader, for daring to introduce our little work into his literary presence, and lay his time under an embargo for its perusal. We have not written for fame or profit. Had we done either, or both, we would have selected a different subject than the history of a little County like that of Putnam. What we have written is the result of leisure hours, which might possibly have been squandered in the pursuit of a less worthy object, pro- ductive of no benefit to self or community. If we have garnered up one fact that was in danger of being lost, and which is beneficial and worthy to be pre- served, in a historical point of view, we are satisfied and rewarded for our labor. That our little work is defective, no oljb is ' m6r&.... ... th.3r;6hgjNi-'satisfied, and ready to admit *iC~TSO: -.