THE TALK of the TOWN - WATER!....Pg
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June 27, 1914 -3- T'ne Central Government for Everything That
June 27, 1914 -3- t'ne Central Government for everything that happens here. Therefore it w ill only he my official duty to send a. cable concerning your departure as soon as you set your feet on the steamer.* I was familiar with the fortuitous way of Oriental expressions, so I saw that this was a polite way of saying: "We w ill not let you go!" Hence I deferred it to a more opportune time. - By the narration of this story, I mean that whenever I give permission to the Pilgrims to depart for their respective coun tries, 1 mean this: Go forth arid diffuse the Fragrances of Brotherhood and spiritual relationship. Of course it is an undeniable truth that one second in this radiant spot is equal to one thousand years; but it is also equally true that., one second spent in teaching the Cause of God i s g r ea t ér than one thousand years .. Whosoever arises to teach the ~ Cause of God, k ills nine birds with one stone. First: Proclamation of the Glad-tidings of the Kingdom of-.Ahha. Second: Service to the Thres hold of the Almighty, Third: His spiritual presence in this Court . Fourth: His perfection under the shade of the Standard of Truth. Fifth: The descent of the Bestovfals of God upon him. Sixth: Bringing still nearer the age of fraternity and the dawn of Millenium. Seventh:Winning the divine approval of the Supreme Concourse . Eighth: The spiritual il lumination of the hearts of humanity. Ninth: The education of the chil dren of the race in the moral precepts of Baha’o’llah - -Spiritual presence does not depend upon the presence in body or absence from this Holy Land. -
Newsletter Art Barn and Finch Lane Gallery ǀ Newsletter of the Salt Lake City Arts Council
SUMMER 2013 NEWSLETTER ART BARN AND FINCH LANE GALLERY ǀ NEWSLETTER OF THE SALT LAKE CITY ARTS COUNCIL TABLE OF CONTENTS 2013 TWILIGHT CONCERT SERIES Click title below to go directly to story. The Salt Lake City Arts Council is pleased to announce the 2013 Twilight Concert Series, now in its 26th season, returning to Pioneer Park with another tremendous Twilight Concert Series lineup. The series will run July 18 through September 5 every Thursday evening, with special back-to-back shows scheduled for Wednesday, August 7 and Thursday, Oelerich & Somsen Exhibition August 8. Featured performing artists include Belle & Sebastian, Blitzen Trapper, Public Art Program The Flaming Lips, The National, Sharon Van Etten, Grizzly Bear, Youth Lagoon, Erykah Badu, Kid Cudi, Empire of the Sun, and MGMT. Twilight concerts are a Wheatley & Ashcraft Exhibition longtime staple of Salt Lake City‘s downtown landscape, recognized for inviting Brown Bag Concert Series some of today‘s most impressive names in music to perform on summer nights, when the air is slightly cooler and where the community can come together under New Visual Arts Season a canopy of stars. City Arts Grants Deadlines For 2013, tickets are still just $5 for each concert and $35 for season tickets. Arts Council Welcomes New Season tickets are on sale now via the local ticketing agency, www.24tix.com. Staff Member Additionally, individual tickets will go on sale June 1 at noon and will be available online at 24tix.com and all Graywhale locations throughout the valley. Day of Lifelong Learning Class show entry will be allowed at the gate for $5. -
High and Splendid Braveries
High and Splendid Braveries HIGH AND SPLENDID BRAVERIES By Caroline Russell-King The Playwright acknowledges the assistance of the Banff playRites Colony - a partnership between the Canada Council for the Arts, The Banff Centre for the Arts, and Alberta Theatre Projects Caroline Russell-King 2021 High and Splendid Braveries HIGH AND SPLENDID BRAVERIES Was written with financial support of the Alberta Foundation of the Arts, the Banff PlayRites Colony, The Banff Centre for the Arts, and Alberta Theatre Projects - many, many thanks. DEDICATED TO My mother-in-law, Angela Matthews, such a polite political protester, who was with me at the unveiling. The Prime Minister, Jean Chretien, who shook my hand and made all the difference. The Governor General, Adrienne Clarkson and Minister Sheila Copps, role models who spoke on the day. Francis Wright, past CEO of the Famous Five Foundation - a force to be reckoned with. Gerald, my Arthur and Emma, my love. (And of course) THE FIVE Irene Parlby, Henrietta Muir Edwards, Louise McKinney, Nellie McClung and Emily Murphy, my favourite. MY DEEPEST THANKS TO Ken Cameron, for asking great questions. Bob White, for everything at Banff and keeping me away from the BIC. Caroline Russell-King 2021 High and Splendid Braveries PLAYWRIGHT MUSEINGS This is of course, a dramatic literary translation of historic facts. I have borrowed lines from the published authors namely, Emily Murphy, Nellie McClung and Stephen Leacock. There has been the usual weaving and blurring of events to construct the dramatic arc. Initially, I had intended to write a play about The Five, but their lives were so expansive. -
Please Feel Free to Use Or Adapt This Resource in Any Way That Works for Your Own Setting
Sacred Circle for Our Climate Liturgy by David R. Weiss / www.davidrweiss.com Note: please feel free to use or adapt this resource in any way that works for your own setting. Simply credit David R. Weiss (www.davidrweiss.com). BACKGROUND This Sacred Circle service was a spontaneous outgrowth of a book study using Active Hope: How to Face the Mess We’re In without Going Crazy by Joanna Macy and Chris Johnstone (New World Library, 2012; www.activehope.info). The book presents a practical way to process thoughts and feelings about the threat posed by climate change. It is especially powerful when read as a group. We found it transformational. We did the book study over the summer of 2019. As we were completing the study, the Global Youth Climate Strike of September 2019 was on the horizon so we chose to plan a contemplative service for the evening of the same day as the strike. This was both to be in solidarity with the youth (who were inviting adults to join them in daytime strikes, marches, etc.) and also to offer a quieter and more spiritual opportunity at the end of the workday. However, this service is NOT specific to the Global Youth Climate Strike. Although it reflects the rising voices of youth around climate—a theme hardly limited to the September 2019 Strike—the service is shaped much more directly by the themes in Active Hope which express Joanna Macy’s “Work That Reconnects” philosophy of personal and communal empowerment. In that sense, this service can provide a powerful moment of spiritual reflection at any point during the year. -
Sydney Opera House Annual Report 2012-2013
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’ s Message 10 CEO ’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with seven primary performance venues in use nearly every day of the foundations. _2005 year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Juniors-Seniors Enjoy Annual Formal Banquet Coming out Day Begins
THE ECHO VOL. XXVIII TAYLOR UNIVERSITY, UPLAND, INDIANA, TUESDAY, MAY 20, 1941 No. 16 Juniors-Seniors Enjoy Frederic Thrills Coming Out Day Begins Annual Formal Banquet Lyceum Audience | End of Senior Trail Saturday afternoon at 4:45! With Great Skill Only three more short weeks midst general bell ringing and Playful Seniors Senior Privileges and our distinguished-looking carnation pinning-on and subtle Taylor's Lyceum series closed Seniors will be taking the last compliments for lovely corsages At Comprehensives last night when a most enthusi Have Dim-Past step in their four years of col and ladies, the Juniors met their astic and spellbound audience lege. The long anticipated guests, the Seniors, in Campbell- By 4:30 AM Friday heard Frederic. Background "sheep-skins" will be given out, Magee lobby and all were bund Frederic's second appearance and another group of Taylor led into cars and drove away to a As I watched the Seniors Ever since the age of the graduates will take their place in secret destination. After the march down the aisle on Coming Neolithic Romeos and Juliets, the occupational world. kind of drive that couples appre Those three short weeks, how Out Day looking so stately and and possibly before, if the annals ciate, we found ourselves at the dignified, I was more than a ever, will be crammed full of ac Hotel Indiana in Wabash. little envious of them. How love of courting and wooing were tivities as have been the past few We strolled pleasantly through ly it must be to be a Senior —- to 1 properly preserved, we find weeks. -
Revisited CLB CLB
September/October 2018 Thy Kingdom Faith Fellowship Come Vol. 85, No. 5 CLB Biennial Convention 2018 Revisited www.CLBA.org/BC18 CLB www.CLBA.org CLB Kingdom Secrets 4 Ed Nugent FF Dramatic Farming: The Weedy Truth FAITH & FELLOWSHIP 6 Michael Heuer Volume 85 - Number 5 A Treasure New and Old Former CLB President Bob Overgaard. Editor In Chief/ Paul Larson Graphic Designer: Troy Tysdal 8 [email protected] Editor: Brent Juliot CLB [email protected] Copy Editor: Aaron Juliot [email protected] F cusROY HEGGLAND Cover Photo: Game of Chess/xijian/iStock Japanese Ministries: My First Week as a BC18 Attendees enjoying the CLB Jubilee. A Model For Outreach Missionary in Chad All Scripture quotations, unless otherwise 11 Sue Olson 16 Kay A. indicated, are taken from the HOLY BIBLE, NEW INTERNATIONAL In Appreciation Can You Build a VERSION®, NIV®. Copyright ©1973, 12 of Dr. Boe 18 School For Us? 1978, 1984, 2011 by Biblica, Inc.™ Used Joel Egge Nathanael S. by permission of Zondervan. All rights reserved worldwide. www.zondervan.com Introducing the CLB News New Dean of LBS The “NIV” and “New International 13 Eugene Boe 18 Version” are trademarks registered in the United States Patent and Trademark Should We Pray For or re:Think The Fancy and the Functional performing during Against Our Enemies? Brent Juliot the CLB Jubilee. Office by Biblica, Inc.™ 14 Brad Pribbenow 20 Quiet Moments Email prayer requests to: [email protected] Idle Gifts H.E. WISLØFF tashka2000/iStock All God’s children have received a gift of grace. Not all He knows that if he can succeed in getting one gift out of use, he has have received the same gift. -
Sydney Opera House Annual Report 2012/13
_2012/13 Sydney Opera House Annual Report Celebrating 40 years in 2013 2012/13 Contents 3 Letter to Minister 3 Our History 3 Who We Are 4 Our Mission 5 Elements of Our Strategy 5 Our Values 6 Highlights 7 Awards 8 Chairman’s Message 10 CEO’s Message 12 Element 1: Our Stakeholders 14 Element 2: The Building 16 Element 3: Performing Arts 16 Presenting Companies 20 The Opera House Presents 24 Element 4: Visitor Experience 26 Element 5: Our Business Agility 27 Organisation Chart 28 Corporate Governance 30 Trust Members 34 People and Culture 38 Financial Overview 41 Financial Statements 74 Government Reporting 97 Donor Acknowledgement 101 Contact Information 102 Index Cover Image 103 Corporate Partners Sydney Opera House opened in 1973 and celebrates its 40th Anniversary in the 2013 year. 3 Our History Who We Are _1957 _2004 Sydney Opera House is a global icon, the most internationally recognised symbol of Australia and one of the great buildings Jørn Utzon wins Sydney Utzon Room opened – of the world. Opera House design first venue at Sydney competition. Opera House designed We are committed to continuing the legacy of Utzon’s creative by Jørn Utzon. genius by creating, producing and presenting the most acclaimed, imaginative and engaging performing arts experiences from Australia _1959 Recording Studio and around the world: onsite, offsite and online. Work begins on opened. Stage 1 – building the We are one of the world’s busiest performing arts centres, with foundations. _2005 seven primary performance venues in use nearly every day of the year. In 2012/13, 1,895 live performances were enjoyed by more than National Heritage 1.37 million people. -
Identity Construction of Afrikaner Carguards in Durban
Identity Construction of Afrikaner Carguards in Durban By Lydia Dekker A full research Dissertation Submitted to the Faculty of Humanities For the Requirement for the Degree of Masters in Social Science Supervisor: Prof. Gerhard Maré DECLARATION Submitted in fulfilment / partial fulfilment (delete whichever is applicable) of the requirements for the degree of MSocSc , in the Graduate Programme in Sociology , University of KwaZulu-Natal, South Africa. I declare that this dissertation is my own unaided work. All citations, references and borrowed ideas have been duly acknowledged. I confirm that an external editor was / was not used (delete whichever is applicable) and that my Supervisor was informed of the identity and details of my editor. It is being submitted for the degree of MSocSc in the Faculty of Humanities, Development and Social Sciences, University of KwaZulu-Natal, South Africa. None of the present work has been submitted previously for any degree or examination in any other University. Lydia Carol Dekker Student name & surname 20 October 2011 Date Vanessa-Lynn Neophytou Editor name & surname (if applicable) 1 Acknowledgements I wish to acknowledge the following individuals for their support: My direct family for cheering me on till the end, especially Nico Dekker, Maria and Jerrard D‟Alton for their endless patience and support. In memory of Nic Dekker who read my whole thesis whilst confined to bed during his last months with us. Vanessa Lynn Neophytou and Rob Pattman , initial supervisor and co-supervisor respectively, for guiding me through the initial stages of the research and without whom this thesis would not have been possible. -
Vivid LIVE Announces the International Artists Taking the Stage
Vivid LIVE Announces the International Artists Taking the Stage Kraftwerk, Bobby Womack, Karl Hyde, Sunnyboys, Empire of the Sun, Among Others, Music Headliners The program for Vivid LIVE at Sydney Opera House 2013 was announced today as part of the 5th annual Vivid Sydney festival of light, music and ideas. From May 24 – June 2, Sydney Opera House will welcome some of the most ambitious and innovative local and international artists for a ten-day celebration of music on the nation's most famous stages. Sitting alongside Vivid Ideas and Vivid Light, Vivid LIVE is a key component of Vivid Sydney, the city's premier winter creative industries and cultural event, owned and managed by Destination NSW, the NSW Government’s tourism and major events agency. Vivid LIVE invites the world’s leading artists, creative collectives, promoters and digital animators to raise the roof of Sydney Opera House's theatres, rehearsal spaces, recording studios and most famously, its iconic sails. Vivid LIVE Festival Director, Fergus Linehan said, "This year's Vivid LIVE has been a real pleasure to program - from Empire of the Sun to Kraftwerk, from Karl Hyde to Sunnyboys, it will be a time to be inspired and elated in equal measure. We look forward to welcoming people from all over Australia and overseas to the Opera House." Vivid LIVE 2013 celebrates the musical pioneers whose ground-breaking work has shaped popular music today – featuring Kraftwerk’s retrospective 3D Shows, The Catalogue 1 2 3 4 5 6 7 8, the centre-stage Australian debut of r’n’b soul legend Bobby Womack, the solo debut of Underworld’s electronic king Karl Hyde, a reimagining of the music of Joy Division by Heritage Orchestra and Scanner, a special presentation featuring the original line-up Australian pop-rock legends, the Sunnyboys and a folk-rock tribute to the landmark work of legendary American folklorist Alan Lomax – Sounds of the South - featuring psych-folk trio Megafaun, jazz collective Fight the Big Bull and Grammy Award-winning Bon Iver frontman Justin Vernon. -
The Problem We Face Romans 1—2
SERMON OUTLINE 1 The Problem We Face Romans 1—2 I. Introduction A. Max Lucado’s study Romans: In the Grip of Grace describes true heroes. True heroes can be hard to identify. They often don’t look like heroes. B. The apostle Paul is an example of a true hero. When we look at his life, what we find is often more harrowing than heroic. Two decades of travel and trouble planting churches, and what does he have to show for it? 1. There’s squabbling in Philippi, competition in Corinth, legalists swarming in Galatia, and money grabbers plaguing Crete. 2. Many of his own friends have turned against him. C. His missionary journeys have spread the gospel throughout the world. He’s debated philosphers in Athens, been part of a jailbreak in Philippi, and witnessed a boy being brought back to life in Troas. But the misfortunes have outpaced the sucesses. 1. He’s been rounded up for execution in one city and stranded in another—beaten with rods on numerous occasions. 2. If he spent more than one week in the same place, it was typically in a prison. 3. He never received a salary and kept a part-time job on the side to make ends meet. D. Paul doesn’t look like a “hero.” Certainly no one could have guessed that his letters would begin to shape the world within 200 years of his death. Or that today we would regard those letters as the core doctrines of our Christian faith. II. Teaching A. Setting the scene for the book of Romans: 1. -
Week 26-2013 Soundscan Chartpack.Xlsx
AllSonyMusicEntertainmenttitlesareboldedandcolorͲcodedbylabelgroup. =ColumbiaRecords =RCARecords =EpicRecords =SonyMusicNashville =REDDistributedTitles =AllOtherSonyMusicLabels/Groups ClickonChartNametojumptothatchart: TheBillboard200 CurrentAlbums AlbumswTEA DigitalSongs DigitalTracks DigitalAlbums NewArtistAlbums CatalogAlbums MusicVideos IndieAlbums VinylAlbums PhysicalAlbums InternetAlbums TopSingles SonyAlbums AlbumsByStrata Billboard200ͲWeek26Ͳ2013SoundScanChartpack.xlsx CHART:TopAlbums:BillboardTop200 Weeks Label 2W LW TW Artist Title TW % LW RTD On Rank Rank Rank Sales CHG Sales Sales 1 ATL 1 WALE THEGIFTED 158,325 999 149 158,474 2 COL 2 2 COLE*J. BORNSINNER 84,425 Ͳ72 296,642 381,400 2 DEF 1 3 WEST*KANYE YEEZUS 64,501 Ͳ80 326,841 391,515 1 ATLG 4 SKILLET RISE 59,594 999 242 60,001 6 COL 2 6 5 DAFTPUNK RANDOMACCESSMEMORIES 30,988 Ͳ23 40,079 613,651 30 RͲRN 5 8 6 FLORIDAGEORGIALINE HERE'STOTHEGOODTIMES 30,805 Ͳ7 33,255 790,970 1 MOT 7 INDIA.ARIE SONGVERSATION 30,555 999 149 30,704 43 INT 11 10 8 IMAGINEDRAGONS NIGHTVISIONS 28,919 13 25,596 1,108,815 1 T&NR 9 AUGUSTBURNSRED RESCUE&RESTORE 25,661 999 164 25,858 3RͲRR 1 5 10 BLACKSABBATH 13 25,364 Ͳ44 45,523 226,938 2RͲRR 4 11 ROWLAND*KELLY TALKAGOODGAME 24,580 Ͳ64 67,886 92,703 38 MACK 17 15 12 MACKLEMORE&RYANLEWIS THEHEIST 23,404 3 22,783 866,795 29 ATLG 19 11 13 MARS*BRUNO UNORTHODOXJUKEBOX 22,849 Ͳ10 25,423 1,465,691 2 RTUM 3 14 MILLER*MAC WATCHINGMOVIESWITHTHESOUND 22,833 Ͳ78 101,600 124,541 14 WAR 7 12 15 SHELTON*BLAKE BASEDONATRUESTORY 22,322 Ͳ11 25,037 702,706 65 ATLG 80 7