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English Beat: in Concert at the Royal Festival Hall DVD Reviewed on Audiovideorevolution.Com
English Beat: In Concert at the Royal Festival Hall DVD Reviewed on AudioVideoRevolution.com title: English Beat: In Concert at the Royal Festival Hall studio: Secret Films MPAA rating: Not Rated starring: English Beat DVD release 2005 year: film rating: Three Stars sound/picture: Three Stars reviewed by: Dan MacIntosh When you break it right down, there’s nothing particularly English about The English Beat. You may recall how the group was once lumped in with the whole ska movement back in the ‘80s, mainly because it was on the 2 Tone Records label, along with The Specials and The Selector. But if you listen closely, you hear very little actual ska (which is not exactly a British export in the first place) in the group’s songs. For instance, the only horn player in this outfit is the ancient Saxa, who would much rather play mellow jazz than skanking beats anyhow. Furthermore, the group’s repertoire contains a bounteous supply of reggae – both fast and slow – as well as other dance grooves. But no matter the style, all of these elements support this act’s punkish political attitude, which is possibly its lone true English attribute. This show, which was filmed at The Royal Festival Hall in London, England, features quite a few of the band’s original members. These players include the two front people, Ranking Roger and Dave Wakeling, as well as Saxa and drummer Everett Morton. And except for Saxa, of course, all of these musicians still look incredibly young. Better yet, they also sound great. -
A Comparative Analysis of Punk in Spain and Mexico
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2018-07-01 El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico Rex Richard Wilkins Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Spanish and Portuguese Language and Literature Commons BYU ScholarsArchive Citation Wilkins, Rex Richard, "El futuro ya está aquí: A Comparative Analysis of Punk in Spain and Mexico" (2018). Theses and Dissertations. 6997. https://scholarsarchive.byu.edu/etd/6997 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brian Price, Chair Erik Larson Alvin Sherman Department of Spanish and Portuguese Brigham Young University Copyright © 2018 Rex Richard Wilkins All Rights Reserved ABSTRACT El futuro ya está aquí: A Comparative Analysis of Punk Culture in Spain and Mexico Rex Richard Wilkins Department of Spanish and Portuguese, BYU Master of Arts This thesis examines the punk genre’s evolution into commercial mainstream music in Spain and Mexico. It looks at how this evolution altered both the aesthetic and gesture of the genre. This evolution can be seen by examining four bands that followed similar musical and commercial trajectories. -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes -
Punk Fashion in Canada
PUNK FASHION IN CANADA: THE TRANSLATION OF AN INTERNATIONAL SUBCULTURE A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by KATIE VICTORIA GREEN In partial fulfilment of requirements for the degree of Master of Arts April, 2011 © Katie Victoria Green, 2011 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-88934-3 Our file Notre reference ISBN: 978-0-494-88934-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
General Public Rub It Better
Rub It Better General Public Now come in all G.P. crew This one is dedicated to you Whether you're black, brown, pink or blue General Public come back for true. Here comes General Public Here comes General Public Here comes General Public To rub it better aha, aha Here comes General Public Here comes General Public Here comes Pato Banton to rub it better Tell it to them, General Public come again To rub it better me friend, is no problem All for one and one for all United we stand but divided we fall I'm serious, me not joking The truth is an offence but never a sin Tell your family and tell your friends General Public have fe come back again Come back again Wadada wadada wa Come back again Wadada wadada wa Come back again Wadada wadada wa Come back again Here comes General Public Here comes General Public Here comes General Public To rub it better aha, aha Here comes Ranking Roger Here comes Ranking Roger Here comes Ranking Roger To rub it better aha, aha Watch the ride The General Public possie pon the mike, and anywhere we go we have to mash it up Watch the ride Man no bother slip or slide just Listen the music and take in the vibes Watch the ride The tune will make you feel so ire, so please don't you take it so serious Watch the ride Man this a de boomshockattack so, Take in the vibes and join in the fun, ay Here comes General Public Here comes General Public Here comes General Public To rub it better aha, aha Here comes Dave Wakeling Here comes Dave Wakeling Here comes Dave Wakeling Here comes Mr. -
Punk Community in Criminology Study (Study in Ngaliyan District, Semarang City)
Nurul Izzah Millenia, et.al, Punk Community in Criminology Study 37 Issue: Law, Democracy and Crime: How Society Responds the Imbalance? Research Article Punk Community in Criminology Study (Study in Ngaliyan District, Semarang City) Nurul Izzah Millenia1 , Yuni Anan2, Indah Lestari3, Ridwan Arifin4, Ashbar Hidayat5 1, 2, Independent Researcher on Law, Crimes, and Society Forum, Semarang, Indonesia 3, 5 Independent Researcher on Community and Crimes 4 Faculty of Law, Universitas Negeri Semarang, Indonesia [email protected] Abstract: The purpose of this research is to find out what criminal cases were carried out by punk children, then what factors behind them committed the crime, and why they could enter the punk community. Punk kids are always associated with a negative action, look weird, steal, children are slang, immoral, and other negative things. Sometimes punk children choose to live on the road not only a factor in the conditions of economic difficulties, but also because they enjoy environmental conditions on the road, they feel their families do not care, and lack of education. The research method used in conducting research on the criminal acts of punk children community is to use qualitative research methods with a sociological juridical approach. Qualitative research methods according to Lexy J Moleong are research that intends to understand the phenomenon of what is understood by the subject of research, such as behavior, perceptions, motivations, actions, etc., holistically and in description in the form of words and language in a natural context Data collection uses quantitative methods. The results of the study concluded that criminal acts or crimes by punk children were carried out due to economic, family, environmental factors, and lack of education. -
Punk and Anarchist Squats in Poland
Punk and Anarchist Squats in Poland Donaghey, J. (2017). Punk and Anarchist Squats in Poland. Trespass, 1, 4-35. https://www.trespass.network/?p=722&lang=en Published in: Trespass Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights Copyright 2017 the authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:04. Oct. 2021 Trespass Journal Article: Punk and Anarchist Squats in Poland Volume 1 2017 www.trespass.network Punk and Anarchist Squats in Poland Jim Donaghey Abstract Squats are of notable importance in the punk scene in Poland, and these spaces are a key aspect of the relationship between anarchism and punk. -
Whose Song Is That? Searching for Equity and Inspiration for Musi
Chisolm: Whose Song Is That? Searching For Equity and Inspiration For Musi Whose Song Is That? Searching For Equity and Inspiration For Music Vocalists Under the Copyright Act Tuneen E. Chisolm6 19 YALE J.L. & TECH. 274 (2017) This article examines some of the inherent inequities that exist for music vocalists under the United States Copyright Act and related music industry practices, due to the limited scope of protection given to sound recordings and the absence of an express inclusion of nondramatic music performance as a protected work under Section 102(a). It argues for expansion of the rights afforded to include, for musicvocalists with respect to nondramatic works, an inalienable copyright, separatefrom the sound recording copyright, based upon a sole right of authorship in their performance as an applied composition, oncefixed. It alsoargues for a restriction of thesound recording copyright to limit derivative works thereof to use of the integrated whole, thereby enabling thevocalist to control the use of an isolated vocal performance and the resulting applied composition embodied therein. eTuneen E. Chisolm,J .D. University of Pennsylvania Law School and Sc.B. Brown University, is an Assistant Law Professor at Campbell University School of Law, and former Westerfield Fellow at Loyola University New Orleans College of Law, with extensive practice experience in intellectual property and entertainment law. Special thanks are due to the following individuals for their support, encouragement, and comments on this article during the early phases of its development: Professor J asmine Abdel-Khalik; Professorj ohn Blevins and the junior scholars group at Loyola University College of Law; and the New Scholars in Intellectual Property Panel Participants of SEALS Conference 2014. -
Edinburgh Friends 2013
EDINBURGH 2013 5 INSIDE GLOBAL ACADEMIES A PATHWAY TO SUCCESS THE REBIRTH OF EDINBURGH GENOMICS OUR FRIENDS A pathway to success 4 The story of Megan McGregor, a fourth year student who has received the support of a Pathways to the Professions bursary Contents Words of support 6 Derek and Maureen Moss tell us what motivates the support that has led to them receiving University Benefactor status Getting involved 6 Cover feature: How charity events can help vital research into serious diseases EDINBURGH The University’s 2013 5 Global Academies A step forward for the Dick Vet 7 A new appeal aims to equip the Vet School with are offering a new life-saving equipment way for researchers from disparate The rebirth of Edinburgh Genomics 8 disciplines to How a new genetic sequencing facility at King’s Buildings will play a part in the Edinburgh genomics revolution INSIDE work together on GLOBAL ACADEMIES A PATHWAY TO SUCCESS THE REBIRTH OF EDINBURGH GENOMICS OUR FRIENDS worldwide issues. Preserving the past for the future 12 A visit to the treasures of the University’s Special Cover illustration Collections, a focus for determined conservation efforts For the first time in its history, the cover of Edinburgh Friends has been illustrated by one of the University’s students. A competition was held which saw Q & A: Safety first 14 fourth year students on the Edinburgh College of Art’s Illustration programme Dr Rory Hadden answers questions about the future compete to win the commission to interpret our cover story as an illustration. The of fire safety research at the University of Edinburgh winning student, Laura Griffin, explains the inspiration behind her drawing: “The competition was a great way for me to feel engaged with the Global Academies 16 University as a whole. -
Music Review
Guilfordian, October 31, 1984- Page Three "Ford isn't the only person who Martin asserts. continued from page 1 would like to have the rules On the Senate side, the Senate Bryan CUTS changed for his own benefit. Education Subcommittee will re- continued from page 2 There are probably younger main under senators Claiborne an off-duty security guard and a dividuals involved, and eventual- members who would like to get a Pell (D-RI) and Robert Stafford Bryan intern, who immediately ly took two of the students to the Ford sheparded the 1980 chance to run a subcommittee." (R-Vt). called the police. police station. Aaron Jones, one reauthorization act through the Wolamin says Ford is willing Only one senator oh the Senate of the A&T students, was taken in House, but gave up his education to give up his chairmanship of education committee, Pell, is up Following him was Reb Blan- position to become head of the another subcommittee to get forreelection, and he is expected chard, the security guard on du- connection with the actions In- Post Office and Civil Service Sub- postsecondary education post. to win an easy victory. ty. Blanchard stated later that volving the gun. Peter Bourgue a committee in 1981. "I would be very surprised if Nevertheless, staff aide Gault looking at the situation, the Guilford student, was taken in Ford may want the education they allow him to take the sub- thinks education will have a numbers, the attitudes and the connection with the destruction of subcommittee chairmanship committee over because Ithink it tougher time in Congress next gun, we were very lucky that private property. -
PDF (V. 86:3, October 5, 1984)
THE CALIFORNIA VOLUME 86 PASADENA, CALIFORNIA / FRIDAY, OCTOBER 5,1984 NUMBER 3 Trustees Decide On New Logo by Lily Wu dicated that the logo did not The . Caltech Board of matter as much symbolically Trustees have made a final because it is used mostly just logo choice recently" after for identification purposes on several months of logo con Institute publications. "The troversy this year. The new of Caltech seal, which is more im ficial logo is the same one portant, h'as not been affected which been temporarily at all." suspended in the beginning of The first logo change this the summer, except the one year was made in January. handed torch bearer has been However, the use of that logo replaced by the more familiar was suspended in June because 2-handed torch passing. The it was felt the January decision motto "The truth shall make was made too hastily and the you free" is not included and logo chosen was designed with no regard to the historical the founding date of Throop Professo'r Gary Lorden beams over his new gomain - Photo by Min Su Yun University, 1891, now appears. significance of earlier logos. The logo is a white design and The suspension was prompted lettering on a black by a discussion of the issue background. This is called the during a California Tech inter view with R. Stanton Avery, Lorden Chosen as New Dean primary logo. For cases when Lorden is perhaps best but he says he will suppress his that color scheme would not be the Chairman of the Board of by Julian West Trustees.