Corinthian, Attic Black Figure and Red Figure Pottery from Sinope1
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The Athenian Agora
Excavations of the Athenian Agora Picture Book No. 12 Prepared by Dorothy Burr Thompson Produced by The Stinehour Press, Lunenburg, Vermont American School of Classical Studies at Athens, 1993 ISBN 87661-635-x EXCAVATIONS OF THE ATHENIAN AGORA PICTURE BOOKS I. Pots and Pans of Classical Athens (1959) 2. The Stoa ofAttalos II in Athens (revised 1992) 3. Miniature Sculpturefrom the Athenian Agora (1959) 4. The Athenian Citizen (revised 1987) 5. Ancient Portraitsfrom the Athenian Agora (1963) 6. Amphoras and the Ancient Wine Trade (revised 1979) 7. The Middle Ages in the Athenian Agora (1961) 8. Garden Lore of Ancient Athens (1963) 9. Lampsfrom the Athenian Agora (1964) 10. Inscriptionsfrom the Athenian Agora (1966) I I. Waterworks in the Athenian Agora (1968) 12. An Ancient Shopping Center: The Athenian Agora (revised 1993) I 3. Early Burialsfrom the Agora Cemeteries (I 973) 14. Graffiti in the Athenian Agora (revised 1988) I 5. Greek and Roman Coins in the Athenian Agora (1975) 16. The Athenian Agora: A Short Guide (revised 1986) French, German, and Greek editions 17. Socrates in the Agora (1978) 18. Mediaeval and Modern Coins in the Athenian Agora (1978) 19. Gods and Heroes in the Athenian Agora (1980) 20. Bronzeworkers in the Athenian Agora (1982) 21. Ancient Athenian Building Methods (1984) 22. Birds ofthe Athenian Agora (1985) These booklets are obtainable from the American School of Classical Studies at Athens c/o Institute for Advanced Study, Princeton, N.J. 08540, U.S.A They are also available in the Agora Museum, Stoa of Attalos, Athens Cover: Slaves carrying a Spitted Cake from Market. -
Corpvsvasokvm Antiqvorvm
VNION ACADEMIQVE INTERNATIONALE CORPVSVASOKVM ANTIQVORVM RUSSIA POCC145I THE STATE HERMITAGE MUSEUM FOCYLAPCTBEHHLII 3PMHTA)K ST. PETERSBURG CAHKT-HETEPBYPF ATTIC RED-FIGURE DRINKING CUPS by ANNA PETRAKOVA <<L'ERMA>> di BRETSCHNEIDER - ROMA RUSSIA - FASCICULE xii THE STATE HERMITAGE MUSEUM - FASCICULE V National Committee Corpus Vasorum Antiquorum Russia Chairpersons Professor MIKHAIL PIOTROVSKY, Director of The State Hermitage Museum, St. Petersburg Member of the Russian Academy of Sciences and the Russian Academy of Arts Dr. IRINA DANILOVA, Pushkin State Museum of Fine Arts, Moscow Committee Members Professor GEORGY VILINBAKHOV, Deputy Director of The State Hermitage Museum, St. Petersburg ANNA TROFIMOVA, Head of the Department of Greek and Roman Antiquities, The State Hermitage Museum, St. Petersburg Professor EDuARD FROL0v, Head of the Department of Ancient Greece and Rome, St. Petersburg State University IRINA ANTONOVA, Director of Pushkin State Museum of Fine Arts, Moscow Member of the Russian Academy of Education Professor GEORGY KNABE, Institute of the Humanities, State Humane University of Russia, Moscow Dr. OLGA TUGUSHEVA, Department of the Art and Archaeology of the Ancient World, Pushkin State Museum of Fine Arts, Moscow Corpus Vasorum Antiquorum. Russia. - Roma: <<L'ERMA>> di BRETSCHNEIDER. - V.; 32 cm. In testa al front.: Union Academique Internationale. - Tit. parallelo in russo 12: The State Hermitage Museum, St. Peterbsurg. 5. Attic Red-Figure Drinking Cups / by Anna Petrakova. - Roma: <<L'EFJVIA>> di BRETSCHNEIDER, 2007. - 94 P., 17 c. di tav.: ill.; 32 cm. (Tavole segnate: Russia da 540 a 622) ISBN 88-8265-427-3 CDD 21. 738.3820938 1. San Pietroburgo - Museo dell'Ermitage - Cataloghi 2. Vasi antichi - Russia I. -
Classical Images – Greek Pegasus
Classical images – Greek Pegasus Red-figure kylix crater Attic Red-figure kylix Triptolemus Painter, c. 460 BC attr Skythes, c. 510 BC Edinburgh, National Museums of Scotland Boston, MFA (source: theoi.com) Faliscan black pottery kylix Athena with Pegasus on shield Black-figure water jar (Perseus on neck, Pegasus with Etrurian, attr. the Sokran Group, c. 350 BC Athenian black-figure amphora necklace of bullae (studs) and wings on feet, Centaur) London, The British Museum (1842.0407) attr. Kleophrades pntr., 5th C BC From Vulci, attr. Micali painter, c. 510-500 BC 1 New York, Metropolitan Museum of ART (07.286.79) London, The British Museum (1836.0224.159) Classical images – Greek Pegasus Pegasus Pegasus Attic, red-figure plate, c. 420 BC Source: Wikimedia (Rome, Palazzo Massimo exh) 2 Classical images – Greek Pegasus Pegasus London, The British Museum Virginia, Museum of Fine Arts exh (The Horse in Art) Pegasus Red-figure oinochoe Apulian, c. 320-10 BC 3 Boston, MFA Classical images – Greek Pegasus Silver coin (Pegasus and Athena) Silver coin (Pegasus and Lion/Bull combat) Corinth, c. 415-387 BC Lycia, c. 500-460 BC London, The British Museum (Ac RPK.p6B.30 Cor) London, The British Museum (Ac 1979.0101.697) Silver coin (Pegasus protome and Warrior (Nergal?)) Silver coin (Arethusa and Pegasus Levantine, 5th-4th C BC Graeco-Iberian, after 241 BC London, The British Museum (Ac 1983, 0533.1) London, The British Museum (Ac. 1987.0649.434) 4 Classical images – Greek (winged horses) Pegasus Helios (Sol-Apollo) in his chariot Eos in her chariot Attic kalyx-krater, c. -
MUSE, Volumes 44 & 45, 2010–2011
MVSE volumes forty-four & forty-five 2010–2011 ANNUAL OF THE MUseUM OF ART AND ARCHAEOLOGY UNIVERSITY OF MISSOURI MVSE VOLUME FORTY-FOUR & FORTY-FIVE 2010–2011 Annual of the Museum of Art and Archaeology University of Missouri 1 Pickard Hall Columbia, MO 65211 Telephone: (573) 882-3591 Web site: http://maa.missouri.edu Jane Biers editor Jeffrey Wilcox assistant editor Kristie Lee graphic design © 2012 by the Curators of the University of Missouri ISSN 0077-2194 ISBN 0-910501-42-4 The Museum of Art and Archaeology is open from 9:00 a.m. to 4:00 p.m. Tuesday through Friday, Thursday evenings until 8:00 p.m., and from noon to 4:00 p.m. Saturday and Sunday. Admission is free. The museum is closed on Mondays, from December 25 through January 1, and on University of Missouri holidays: Martin Luther King Day, Memorial Day, Independence Day, Labor Day, Thanks- giving Day, and the Friday following. Guided tours are available, if scheduled two weeks in advance. The Museum Store is open from 10:00 a.m. to 4:00 p.m. Tuesday through Friday, Thursday evenings until 8:00 p.m., and from noon to 4:00 p.m. Saturday and Sunday. Back numbers of Muse are available from the Museum of Art and Archaeology. All submitted manuscripts are reviewed. Front cover: Antoine-Louis Barye (French, 1796–1875) Lion and Serpent Bronze, H. 25.8 cm Gilbreath-McLorn Museum Fund (2011.306) Back cover: Frederick E. Conway (American, 1900–1973) Mardi Gras Scene, ca. 1945–1950 Encaustic on Masonite panel, 78 x 65.2 cm Gilbreath-McLorn Museum Fund (2011.8) Table of Contents Director’s Report 2010 alex w. -
Colloquia Pontica Volume 10
COLLOQUIA PONTICA VOLUME 10 ATTIC FINE POTTERY OF THE ARCHAIC TO HELLENISTIC PERIODS IN PHANAGORIA PHANAGORIA STUDIES, VOLUME 1 COLLOQUIA PONTICA Series on the Archaeology and Ancient History of the Black Sea Area Monograph Supplement of Ancient West & East Series Editor GOCHA R. TSETSKHLADZE (Australia) Editorial Board A. Avram (Romania/France), Sir John Boardman (UK), O. Doonan (USA), J.F. Hargrave (UK), J. Hind (UK), M. Kazanski (France), A.V. Podossinov (Russia) Advisory Board B. d’Agostino (Italy), P. Alexandrescu (Romania), S. Atasoy (Turkey), J.G. de Boer (The Netherlands), J. Bouzek (Czech Rep.), S. Burstein (USA), J. Carter (USA), A. Domínguez (Spain), C. Doumas (Greece), A. Fol (Bulgaria), J. Fossey (Canada), I. Gagoshidze (Georgia), M. Kerschner (Austria/Germany), M. Lazarov (Bulgaria), †P. Lévêque (France), J.-P. Morel (France), A. Rathje (Denmark), A. Sagona (Australia), S. Saprykin (Russia), T. Scholl (Poland), M.A. Tiverios (Greece), A. Wasowicz (Poland) ATTIC FINE POTTERY OF THE ARCHAIC TO HELLENISTIC PERIODS IN PHANAGORIA PHANAGORIA STUDIES, VOLUME 1 BY CATHERINE MORGAN EDITED BY G.R. TSETSKHLADZE BRILL LEIDEN • BOSTON 2004 All correspondence for the Colloquia Pontica series should be addressed to: Aquisitions Editor/Classical Studies or Gocha R. Tsetskhladze Brill Academic Publishers Centre for Classics and Archaeology Plantijnstraat 2 The University of Melbourne P.O. Box 9000 Victoria 3010 2300 PA Leiden Australia The Netherlands Tel: +61 3 83445565 Fax: +31 (0)71 5317532 Fax: +61 3 83444161 E-Mail: [email protected] E-Mail: [email protected] Illustration on the cover: Athenian vessel, end of the 5th-beg. of the 4th cent. -
Red-Figured Pottery from Corinth Plate 64
RED-FIGUREDPOTTERY FROM CORINTH SACRED SPRING AND ELSEWHERE (PLATES 63-74) THE PRESENT ARTICLE publishes the inventoried pieces of Attic red-figured pottery discovered during the excavations of the Sacred Spring. Four fragments, 49-52, belong to an unidentified fabric which does not appear to be Attic. The article also includes fragments from the Peribolos of Apollo and the Lechaion Road East, and ends with two miscellaneous sherds and an importantstemless cup. This is, in fact, the first of two articles which will cover most of the Attic red figure that has been found at Corinth since 1957.1The second article will deal with the pottery from the recent exca- vations in the central and southwesternarea of the Forum. Some 71 pieces, mainly fragments, are presented here: 52 (1-52) come from the Sacred Spring, 6 (53-58) from the Peribolos of Apollo, 10 (59-68) from excavations below Roman Shop V, east of the Lechaion Road, 3 (69-71) from various findspots. The catalogue is arrangedby shape and, within each shape, by date so far as possible. A. SACRED SPRING (Pls. 63-69) The early excavations in the Sacred Spring were published by B. H. Hill. The area was re-examined from 1968 to 1970 and again in 1972, during which eight architectural phases were distinguished, the earliest beginning in the later 8th century, the latest ending with the destruction of Corinth in 146 B.C.2 All the inventoried Attic red figure from the new excavations is listed in the following catalogue, but other fragments, of less significance, are kept in the relevant Corinth pottery lots. -
The Art and Archaeology of Ancient Greece Judith M
Cambridge University Press 978-1-107-00123-7 - The Art and Archaeology of Ancient Greece Judith M. Barringer Frontmatter More information The Art and This richly illustrated, color textbook introduces the art and Archaeology of archaeology of ancient Greece, from the Bronze Age through the Roman conquest. Suitable for students with no prior knowledge of Ancient Greece ancient art, this book reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what “messages” they transmitted, and how the surrounding environment shaped their meaning. The book includes more than 500 illustrations (with over 400 in color), including specially commissioned photographs, maps, fl oorplans, and reconstructions. Judith Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta fi gurines, reliefs, jewelry, armor, and wall paintings. Numerous text boxes, chapter summaries, and timelines, complemented by a detailed glossary, support student learning. • More than 500 illustrations, with over 400 in color, including specially commissioned photographs, maps, plans, and reconstructions • Includes text boxes, chapter summaries and timelines, and detailed glossary • Looks at Greek art from the perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects Judith M. Barringer is Professor of Greek Art and Archaeology in Classics at the University of Edinburgh. Her areas of specialization are Greek art and archaeology and Greek history, myth, and religion. -
Corpus Vasorum Antiquorum Malibu 2 (Bareiss) (25) CVA 2
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 25 The J. Paul Getty Museum, Malibu, Fascicule 2 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined closed shape, and lids from neck-amphorae ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 2 . [U.S.A. FASCICULE 25] 1990 \\\ LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA (Revised for fasc. 2) Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fasc. 23) Fasc. 1- by Andrew J. Clark. At head of title: Union académique internationale. Includes index. Contents: fasc. 1. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes.—fasc. 2. Molly and Walter Bareiss Collection: Attic black-figured oinochoai, lekythoi, pyxides, exaleiptron, epinetron, kyathoi, mastoid cup, skyphoi, cup-skyphos, cups, a fragment of an undetermined open shape, and lids from neck-amphorae 1. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . IL J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fasc. 23, etc. NK4640.C6U5 fasc. 23, etc. 738.3'82'o938o74 s 88-12781 [NK4624.B37] [738.3'82093807479493] ISBN 0-89236-134-4 (fasc. -
Bareiss Collection Attic Black-Figured Amphorae, Neck-Amphorae, Kraters, Stamnos, Hydriai, and Fragments of Undetermined Closed Shapes
CORPVS VASORVM ANTIQVORVM UNITED STATES OF AMERICA • FASCICULE 23 The J. Paul Getty Museum, Malibu, Fascicule 1 This page intentionally left blank UNION ACADÉMIQUE INTERNATIONALE CORPVS VASORVM ANTIQVORVM THE J. PAUL GETTY MUSEUM • MALIBU Molly and Walter Bareiss Collection Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes ANDREW J. CLARK THE J. PAUL GETTY MUSEUM FASCICULE 1 • [U.S.A. FASCICULE 23] 1988 LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Corpus vasorum antiquorum. [United States of America.] The J. Paul Getty Museum, Malibu. (Corpus vasorum antiquorum. United States of America; fase. 23- ) Vol. i by Andrew J. Clark. At head of title : Union académique internationale. Includes index. Contents: v. i. Molly and Walter Bareiss Collection: Attic black-figured amphorae, neck-amphorae, kraters, stamnos, hydriai, and fragments of undetermined closed shapes. i. Vases, Greek—Catalogs. 2. Bareiss, Molly—Art collections—Catalogs. 3. Bareiss, Walter—Art collections—Catalogs. 4. Vases—Private collections— California—Malibu—Catalogs. 5. Vases—California— Malibu—Catalogs. 6. J. Paul Getty Museum—Catalogs. I. Clark, Andrew J., 1949- . II. J. Paul Getty Museum. III. Series: Corpus vasorum antiquorum. United States of America; fase. 23, etc. NK4640.C6.U5 fase. 23, etc. 73 8.3'82*0938074 s 88-12781 [NK4Ó24.B3 7] [73 8.3 '82J093 8074019493] ISBN 0-89236-134-4 © 1988 The J. Paul Getty Museum, Malibu, California All rights reserved Library of Congress Cataloging-in-Publication -
Aphrodite on a Ladder
APHRODITE ON A LADDER (PLATES 17-19) N JULY OF 1981, in Byzantinelevels above and west of what was soonto be identified as the Stoa Poikile, the excavatorsof the Athenian Agora found two joining fragmentsof a Classical votive relief (P1. 17:a).1 The relief is framed by simple moldings: taenia and ovolo at top and a plain band at the right side. In the pictorial field is preservedthe head of a young woman carved in low relief. She gazes down to the left at a vessel raised in her right hand. Her head is coveredby a short veil. Above and behind the veil are two rungs and the vertical supports of a ladder whose upper end disappearsbehind the frame. Although frag- mentary and weathered, the relief provides a precious document for the study of Classical relief sculpture, and its unusual iconographygives a valuable clue to the identity of one of the deities worshiped in the area. Most of the figure'sprofile is broken away, but the carefully carvedlines of the lips and eye show that the sculptor took pains to give her delicate features. Her hair, where it ap- pears below the veil, is mostly worn away. Along the side of her face appear waves of hair with a scallopedcontour. No trace of her ear is preserved.It was either very small or hidden beneath her hair. Folds of the veil cross her head in bifurcating linear patterns of rounded ridges. Below her hair two folds fall down along her neck, while others, from the hidden right side of her head, blow out behind in sweeping curves. -
A Lyre on the Ground
Hyperboreus 18:1 (2012) Nina Almazova A LYRE ON THE GROUND To Prof. Dr. Heinz Heinen Among Attic red-fi gured vases from the Hermitage collection is a stemmed plate by the Dish Painter 1 dated to 470–460 BC. The painting in the interior (fi g. 1a) represents a bare-footed short-haired girl wearing a short high- girdled chiton and a diadem or a leaved fi llet. In a dance that resembles running she approaches a lyre lying on the ground and looks backwards. A ribbon is attached to the instrument; over the lyre there is an inscription in purple, all the letters of which are clearly visible: CORFELES. The content of this image has not been much discussed. The most detailed examination is that of Anna Peredolskaya in her Hermitage catalogue of red-fi gured Attic vases.2 Peredolskaya argues that the musical instrument3 decorated with a ribbon points rather to a cult dance with an accompaniment than to running. The glance of the girl is directed backwards, which makes it probable that she is being followed by someone; possibly, she is leading a chorus of young girls. The same explanation is implied by the inscription, which states clearly that the image deals with a chorus performance – though the translation given by Peredolskaya (‘идущая во главе хора’ – ‘leading a chorus’) is inadequate.4 The girl’s headgear which she calls “a golden diadem” points to a festive garment, according to Peredolskaya “a traditional garment of a young dancer”. Peredolskaya points out that the reason for placing the lyre on the ground is obscure. -
VII Signatures, Attribution and the Size and Organisation of Workshops
UvA-DARE (Digital Academic Repository) Pottery to the people. The producttion, distribution and consumption of decorated pottery in the Greek world in the Archaic period (650-480 BC) Stissi, V.V. Publication date 2002 Link to publication Citation for published version (APA): Stissi, V. V. (2002). Pottery to the people. The producttion, distribution and consumption of decorated pottery in the Greek world in the Archaic period (650-480 BC). General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:04 Oct 2021 VII Signatures, attribution and the size and organisation of workshops 123 VII.1 Signatures, cooperation and specialisation The signatures tell us something about more than only the personal backgrounds of potters and painters, individually or as a group.