PUBLICATIONS Spring 2011 CORNERHOUSE PUBLICATIONS SPRING 2011 INDEX TO FEATURED PUBLISHERS

Cornerhouse provides a specialist sales and distribution service for many of the most Art Editions North 1 innovative galleries, museums and publishers working in contemporary visual arts. Aspex 2 Our list encompasses all the visual arts including architecture, art theory and education, British Council 2 design, digital media, fashion, film and video, painting, photography, performance and Castlefield Gallery Publications 3 sculpture. For further information about our services, please contact Paul Daniels, Cornerhouse 3 Publications Director The Drawing Room 4 In addition to the new titles featured in this catalogue, our backlist includes over 2,700 DuMont Buchverlag 4 titles that are currently available. If you require further details or if you want to order any Engage (National Association for Gallery Education) 7 of these titles, please contact us or visit our online bookstore Ffotogallery 7 GlobalArtAffairs Publishing 8 Cornerhouse Publications Haunch of Venison 9 70 Oxford Street, Manchester M1 5NH, England Hayward Publishing 10 Publications Director Paul Daniels Henry Moore Institute 11 Ikon Gallery 11 orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies John Hansard Gallery 12 He Phantasieblume trade orders / enquiries +44 (0)161 200 1501 Art Editions North David Chandler and John Nick Fox mail order / enquiries +44 (0)161 200 1502 JRP|Ringier* 12 distributed by Cornerhouse world-wide Kerber Verlag 24 Kippin texts by Philip Auslander, Dr. Stephanie general enquiries +44 (0)161 200 1503 Brown, Clive Jennings, George Chakravarthi, Verlag der Buchhandlung Walther König 28 text by David Chandler fax +44 (0)161 200 1504 Matthew Hearn Len Grant Photography 41 photographs by John Kippin email [email protected] introductions by Andrew Hewish, Paul Stone Manchester Art Gallery 41 online bookstore: www.cornerhouse.org/books Mirror edited by Andrew Hewish Manchester Metropolitan University 41 Elaine Wilson He is a publication about fathers, Mead Gallery 42 memory and places. It brings TRADE TERMS texts by Trevor Keeble, Matt Hearn, In collaboration with Art Editions Milton Keynes Gallery 42 Sue Hubbard together writing by David Chandler Please email orders to [email protected] North, Phantasieblume is the first Modern Art Oxford 42 together with by John Kippin. Standard discount 35% in Centre for Recent Drawing’s Verlag für moderne Kunst Nürnberg 43 Both create an image based on A small order surcharge of £3.00 will be added to orders of less than £25 invoice value In Mirror Elaine Wilson explores Documents for Recent Drawing Rakennustieto Publishing 46 memories of their own fathers. The UK orders carriage free. Overseas carriage charged at cost themes of self and the ‘other’ in a monograph series, devoted to Nick Research Group for Artists Publications (RGAP) 47 two different narratives wind their series of ceramic sculptures and Fox’s highly charged and aesthetic RETURNS Richter Verlag 47 way in and out of one another, often collages. Using the language of practice. His seductive drawings, Returns by permission only. In case of damage, defect or dispatch error please contact Ridinghouse 49 offering up unexpected echoes, or ornamental sculpture and figurines mirrored paintings and craft objects Cornerhouse Publications at the address above Saatchi Gallery Publications 51 images and situations that resonate she retraces received notions of reveal an intoxicating blend of Authorised returns must be sent to: Cornerhouse Returns, c/o NBN International, Sainsbury Centre for Visual Arts 51 strangely together. The reader is Airport Business Centre (ABC), 10 Thornbury Road, Plymouth, PL6 7PP, England women and femininity. The book graphic sexual imagery and Victorian Shisha 51 taken from place to place, through Please note that returns sent to Cornerhouse’s Manchester address will not be accepted was associated with solo exhibitions Floriography, creating elusive University of Hertfordshire Galleries 52 interior and exterior, and between at The Hatton Gallery and Globe narratives and unsustainable utopias. Witte de With 52 past and present, in a way that PAYMENT Gallery, Newcastle upon Tyne, Playfully inverting and personalising Cheques should be made payable to Cornerhouse Publications and drawn on a UK reflects not only personal histories *JRP|Ringier titles are distributed by Cornerhouse in the UK and Europe and GIFT gallery, London. ‘Elaine these subcultural and decorative bank. Payment can be made directly into our bank account – please contact us for further (excluding , Austria, Switzerland and France) but also reveal something of a wider, Wilson’s work is gritty, uncomfortable languages, Fox fuses a symbolic details. We also accept payment by American Express, Eurocard, Maestro, MasterCard social one. Overall the book aims to and probing. It asks questions role to themes of desire, longing or VISA. All payments must be made in £ sterling Cornerhouse also distributes titles for the following publishers: explore the ambiguities of texts and about who we are and how we see and loss. This survey features works of images in revealing their stories ONLINE BOOKSTORE Arnolfini | Art and Sacred Places | Artangel | The Arts Catalyst | Arts Council ourselves within the confines of our made between 2005 and 2010 and and it has become an experiment in Full details of all titles distributed by Cornerhouse are available from our online bookstore England | August Projects | Autograph ABP | Aye-Aye Books | BALTIC commodified society. Subtle, complex was published following the touring Beam | Camerawork | The Caravan Gallery | Centre for Art International making a different kind of publication; www.cornerhouse.org/books where customers can purchase titles quickly and securely Research (CAIR) | Centre for Contemporary Arts (CCA) | Chinese Arts and multilayered, it sneaks up on us exhibition of the same name at one that synthesizes memory, prose Centre | Control Magazine | Coracle | Éditions Revue Noire | Firstsite to take us by surprise, lulling us with Centre for Recent Drawing, London Greater Manchester Arts Centre Limited trading as Cornerhouse Publications Forma | Information as Material | Institute of Contemporary Arts (ICA) and photography; that is personal, its decorative beauty, whilst pulling (2009), Vane, Newcastle (2010) and Reg no. 1681278 VAT no. GB383410758 Reg Charity no. 514719 Institute of International Visual Arts (Iniva) | Inventory | Khadija Productions but public, truthful and recognizable, Lowry Press | Matt’s Gallery | National Museums Liverpool | The New Art a punch like an iron fist in a very Hå gamle prestegard, Norway (2011). Cornerhouse is Greater Manchester’s international centre for contemporary visual arts Gallery Walsall | New Contemporaries (1988) Ltd | Pharos Publishers elegant velvet glove.’ (Sue Hubbard) but ultimately grasping at that which Photoworks | Picture This | Public Art Development Trust is unknowable. Art Editions North / C4RD £17.00 and film. Located in the heart of Manchester, UK, the centre has 3 floors of contemporary Sainsbury Centre for Visual Arts | Salon3 | Shoreditch Biennale Art Editions North £12.00 ISBN 978-1-907226-04-5 art galleries, 3 cinema screens, a bar, café and bookshop. For weekly updates on films, Site Gallery | Southampton City Art Gallery | Stour Valley Arts | Tramway Art Editions North / The Havelock Press £20.00 Turnpike Gallery | Ümran Projects | Velvet Press | Viewpoint Photography ISBN 978-0-9557478-8-5 hardback 68 pages exhibitions, events and the latest news, log on to www.cornerhouse.org ISBN 978-0-9564392-0-8 Gallery | The Wellcome Trust softback 48 pages 58 colour illustrations hardback 94 pages While every effort has been made to ensure that the contents of this catalogue are 28 colour illustrations 250 x 200 mm 230 x 180 mm 25 colour illustrations accurate, all details are subject to change at any time and without notice 235 x 270 mm

Cover image: Walead Beshty, Six-Sided Picture (RGBCMY), January 11th 2007, Valencia, , Kodak Supra, 2007, detail. Colour photographic paper, 84 1/2 x 54 1/2 inches (214.6 x 138.4 cm) Collection of Robinson & Nancy Grover. Copyright Walead Beshty. From Walead Beshty, Natural Histories by JRP|Ringier 1 SPRING 2011

NOTES on a return Villa Frankenstein aspex British Council Castlefield Gallery Cornerhouse contributors: Christopher Bamford, Anne distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Volume 2 distributed by Cornerhouse world-wide Bean, Sam Belinfante, Guy Brett, Ramsay Publications distributed by Cornerhouse world-wide Burt, Rachel Lois Clapham, Mike Collier, John La Laguna di Venezia Dummett, Rose English, Sofia Greff, Sophia Yadong Hao, Matthew Hearn, Simon Herbert, Graham Hudson, Bruce McLean, Meg Mosley, This is the second volume of a two- Nigel Rolfe, Andrea Tarsia, Viola Yeşiltaç Delaine Le Bas Reconstruction part publication exploring the themes BORN AFTER 1924 UnSpooling foreword by Amelia Jones Witch Hunt Cultural Heritage and the of Villa Frankenstein, the British artists: Ingo Gerken, Matti Isan Blind, Artists and Cinema Madeleine Boschan, Rainer Ganahl, Antonia afterword by Lois Keidan texts by Angela Kingston, Making of Contemporary artists: Michaël Borremans, Cartune Xprez, Pavilion contribution to the 12th Low, Tim Noble & Sue Webster, Reto Pulfer, Damian James Le Bas David Claerbout, Sally Golding, Ben Gwilliam edited by Sophia Yadong Hao, Matthew Hearn Fashion International Architecture Exhibition Gregor Schneider edited by Hannah Firth & Matt Wand, Roman Kirschner, Kerry Laitala, artists: Vivienne Westwood, Sophia in . Commissioned by the edited by Clarissa Corfe Wayne Lloyd, Elizabeth McAlpine, Sheena This book accompanies a late-2009 Kokosalaki, Osman Yousefzada, Marios British Council, artistic director muf Macrae, Juhana Moisander, Alex Pearl, Greg Delaine Le Bas’ installations Schwab, Paul Smith, Peter Jensen, Hussein architecture/art LLP challenged all Pope & Lee Patterson, Mario Rossi, Gebhard exhibition at the Laing Art Gallery Chalayan BORN AFTER 1924 is a re-edited Sengmüller, Harald Smykla, Ming Wong, incorporate found objects, textile assumptions by opening up the in Newcastle. NOTES on a return text by Alison Moloney and a re-interpreted version of Kurt Stefan Zeyen British Pavilion to everyone from featured a series of exhibitions and techniques, performance and film Schwitters and El Lissitzky’s historic, texts by Andrew Bracey, Dave Griffiths, Janet a symposium, which revisited five and, as part of the UK Romany scientists to children in the city. Harbord, Steve Hawley This guide was produced to avant-garde Merz Magazine (issue live artworks made at the Laing Art community, explore many of Under the loose banner of ‘two-way accompany the British Council 8/9) of 1924 called Nasci featuring Gallery, Newcastle-upon-Tyne, in the experiences of intolerance, traffic between Britain and Venice’, This illustrated catalogue explores touring exhibition Reconstruction: the contemporary works by the artists 1985, 1986 and 1987 by influential misrepresentation, transitional muf brought together a rich gamut how international contemporary Cultural Heritage and the Making in the exhibition. Interpreting the artists Anne Bean, Rose English, displacement and homelessness that of collaborators; rare notebooks by artists are deploying text, image, of Contemporary Fashion. The contemporary legacy of the Merzbarn Mona Hatoum, Bruce McLean and the community continues to face. John Ruskin, previously unseen sound, chemistry, light, personal exhibition celebrates the work of and Kurt Schwitters in the UK, Nigel Rolfe. This publication further Witch Hunt is a multimedia project photographs of Venice by a resident archives, gesture and spoken word seven of the UK’s leading fashion Castlefield Gallery invited German examines ideas of memory, archive comprising installation, performance amateur photographer, and an to prompt reflection on past, present designers whose work embodies artist Ingo Gerken to respond to and the documentation of ephemeral and new music. Originally important scientific study of the and potential forms of cinema. elements of their respective pasts Schwitters’ publication. The theme of practices and queries the reasons commissioned by aspex, Portsmouth, Venetian lagoon. Also available Together the work explores a field – either personal moments or a the magazine, Nasci, meaning ‘being and conditions for remembering the exhibition has continued to is Volume 1 Close Looking which where cinema – as experience, collective cultural heritage – to born’ or ‘becoming’ forged an alliance within the discourses of institution develop with further exhibitions for provides a rich collection of essays language, history, theory and artefact create contemporary garments with of Dadaist and Constructivist ideals and art history. Chapter, Cardiff and Context, Derry. and images addressing the context – is unraveled as potent material narrative. Although fashion is deeply and included reproductions and texts Le Bas is included in Sixty Innovators of the British Pavilion exhibition in and strategy for artistic production. entwined with personal identity, it by Tatlin, Braque, Ray, Mondrian, Art Editions North £12.00 Shaping Our Creative Future Venice. These reinvented visual technologies ISBN 978-09557478-6-1 can also hold within its fabric whole Malevich and van der Rohe among published by Thames & Hudson others. Often referring to his work and forensic dissections of iconic softback 192 pages histories and cultures. Included in British Council £8.50 per volume 210 x 130 mm and is represented by Galleria scenes indicate the continuing this guide is the work of some of ISBN 978-086355-646-3 volume 1 40 pages as ‘activating’ art-historical contexts, Sonia Rosso, Turin and Galerie Giti project by contemporary artists to British fashion’s most internationally ISBN 978-086355-647-0 volume 2 64 pages Gerken is interested in the porosity Nourbakhsch, . ISBN 978-086355-657-9 2 volume set £14.50 critically recycle cinema history, renowned designers – Paul Smith, of imagined and real spaces, softback illustrated in colour and b&w their construction, flexibility and to reveal the fundamental illusory aspex / Chapter £15.00 Vivienne Westwood, Hussein 260 x 185 mm nature of celluloid, and question the ISBN 978-1-900029-31-5 Chalayan and Sophia Kokosalaki, English and Italian text weight. Published to accompany dominant digital model. Published softback 52 pages Peter Jensen, Marios Schwab and the exhibition at Castlefield Gallery, illustrations tbc to accompany the Cornerhouse Osman Yousefzada. February – April 2011. 275 x 185 mm exhibition, UnSpooling: Artists & British Council £5.00 Castlefield Gallery Publications £8.00 Cinema, curated by artists Andrew Delaine Le Bas, Witch Hunt, 2009 – 2010 ISBN 978-086355-658-6 ISBN 978-0-9559557-2-3 Bracey and Dave Griffiths. softback 48 pages softback 24 pages 19 b&w illustrations 18 colour, 7 b&w illustrations tbc Cornerhouse £8.00 277 x 216 mm 130 X 210 mm ISBN 978-0-9550478-6-2 English and German text hardback spiralbound 64 pages illustrated in colour 188 x 210 mm 2 3 SPRING 2011

A moving plan B – KRIWET Heinz Mack Alexander Mihaylovich The Drawing Room DuMont Buchverlag Yester ‘n’ Today Life and Work 1931 – 2011 text by Wibke von Bonin distributed by Cornerhouse world-wide Chapter ONE distributed by Cornerhouse in the UK Selected by Thomas Scheibitz artist: Ferdinand Kriwet edited by Heinz Mack, Ute Mack edited by Gregor Jansen The American artist Alexander Mihaylovich comprehends his work This book is designed by the artist On his 80th birthday, the life and as a ‘modest tribute to a great Aleana Egan Thomas Scheibitz to accompany The 80s Revisited This is a survey of Kriwet’s works work of the sculptor and painter civilisation of the past,’ and has dealt At intervals, while turning a group exhibition of other artists’ From the Bischofberger made over the past 40 years. Heinz Mack is honoured with this comprehensive publication that intensely with classical antiquity text by Ciara Moloney work that he has selected. A moving Collection Ferdinand Kriwet is regarded as a provides insights into the innovative since the late 1970s. Mihaylovich edited by Kate Macfarlane plan B – chapter ONE reveals the pioneer of media art. Ahead of his not only paints seemingly Egyptian, motivation and inspiration behind time, he already dealt in the 1960s and creative quality, and authenticity The feeling about being alive was Greek or Roman sculptures, he also Thomas Scheibitz’s paintings, with our way of seeing that has been of a unique artistic personality. It This is an artist’s book that marked by many contradictions invents ideal landscapes in the style sculptures and works on paper and influenced by the sensory overload casts light on all phases of Mack’s accompanies Aleana Egan’s solo in the 1980s. Many young artists of the Dutch and the Italians. He introduces various approaches of the mass media in exhibitions, development, including the decisive exhibition at the Drawing Room in felt homeless and yet full of furthermore loves baroque ‘stagings to drawing as used by artists, stage appearances and radio plays, ZERO period, drafting a lucid 2011. ‘Drawing forms the starting energy; their works feature cold and putti’ that appear sweet and architects, film-makers and writers analysing the process, the language spectrum of his fascination with point of Egan’s work, with a abstraction alongside fierce Neo- contemplative at the same time. One over the past 50 years. The exhibition of television, advertising and light. Noteworthy authors such as sketchbook providing a repository Expressionism. The Swiss art dealer of his best known works is a painting and catalogue includes sketches, photography. Kriwet, whose work is Johannes Cladders, Dieter Honisch for the noting down of ideas and Bruno Bischofberger dedicated and installation at the same time: drawings, notes and working journals rooted in concrete poetry, describes and Karin Thomas offer snapshots experimentation with forms that himself to the art of this young, wild King Menes, the first ruler to unite not usually available for public himself as a visual poet. Aside from of Mack’s multifaceted oeuvre. The are developed into autonomous generation and assembled the most Upper and Lower Egypt, serves as viewing. Published by The Drawing his neon signs and wall paintings, artist takes the viewer along on an drawings, collages, sculptures and significant collection of 1980s art. a symbol of the universal human Room and Verlag der Buchhandlung the versatile Düsseldorf-born artist inspiring journey to the Algerian films. Ideas are triggered through After almost 30 years, a look back at principle. The artist’s plea is: If we Walther König to accompany the also worked in subsequent years on desert and the Arctic, among other observations made during everyday the aesthetic power of these pictures lose art, we lose ourselves. Carpe exhibition at The Drawing Room, numerous art projects in conjunction places, and invites the reader in an life, but also by memories of makes painting’s great virtuosity in diem. Preserve art. London, September – October 2010. with architecture. He furthermore autobiographical text to partake in his childhood experiences and works of the late 20th century very visible. It produced a large number of texts for dreams and utopias. Heinz Mack’s literature. Often inchoate, these are involved a ‘battle against the yawn’, DuMont Buchverlag £47.95 The Drawing Room / Verlag der Buchhandlung Walther radio. Ferdinand Kriwet had already artistic ideas circulate in this tension ISBN 978-3-8321-9253-2 atmospheric and sensory triggers König £20.00 an uncompromising reanimation of written ROTOR, his first book to be field between utopia and reality and hardback 232 pages that lack narrative definition and ISBN 978-3-86560-895-6 painting. The first part of the book published by DuMont Buchverlag, the artist draws his energy from the 497 colour, 31 b&w illustrations hardback 104 pages carry through into her practice presents John Armleder, Francesco 340 x 255 mm 23 colour, 3 b&w illustrations at the age of 19. His oeuvre discrepancy between bold designs through a subtle and intuitive working Clemente, Enzo Cucchi, Jirí Georg English and German text 250 x 170 mm encompasses paintings, music, texts and harsh reality. process. For example, it was the English and German text Dokoupil, Rainer Fetting, Keith and mixed media works. aura of tightness, a certain tension, Haring, Salomé, Philip Taaffe and DuMont Buchverlag £72.00 that reading Jean Rhys’ novel Good others. The second part is devoted DuMont Buchverlag £37.95 ISBN 978-3-8321-9353-9 Morning, Midnight left her with, and to the superstars of the ISBN 978-3-8321-9371-3 hardback 504 pages hardback 282 pages 41 colour, 531 b&w illustrations it was this quality that she sought 1980s such as Andy Warhol, Julian 300 x 260 mm to engender in a sculptural form 150 colour, 150 b&w illustrations Schnabel and Jean-Michel Basquiat. 290 x 225 mm English and German text Character, 2010, although quite English and German text different from the drawing that Egan DuMont Buchverlag £47.95 made after reading this story, does ISBN 978-38321-9348-5 hardback 448 pages retain some of its characteristics.’ 299 colour, 15 b&w illustrations (Drawing Room) 285 x 240 mm

The Drawing Room £8.00 ISBN 978-0-9558299-4-9 softback 24 pages 23 colour illustrations 300 x 220 mm 4 5 SPRING 2011

Emil Nolde and Emil Power Up Arnulf Rainer Katharina Sieverding Female Pop Art Visages Testcuts. Projected Data engage Ffotogallery Schumacher distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Kindred Spirits artists: Evelyne Axell, Christa Dichgans, edited by Arnulf Rainer Museum Images Rosalyn Drexler, Jann Haworth, Dorothy edited by imai-inter media art institute edited by Manfred Reuther Iannone, Sister Corita Kent, Kiki Kogelnik, Marisol, Niki de Saint Phalle This catalogue is devoted to one of Emil Nolde (1867 – 1956) and Emil edited by Angelika Stief the central themes in Arnulf Rainer’s Katharina Sieverding is known engage 26 Visual Pleasure Schumacher (1912 – 1999) are oeuvre: faces. Rainer demonstrates for her self-portraits, large-format Marketing and Gallery Dawn Woolley here his long interest in and dealings united by an unconditional search Rediscovering outstanding women photographs and photographic Education text by Darian Leader with his own face, death masks and for a painterly expression of their Pop artists, Power Up aims at the installations dealing with the origins, texts by Helen Charman, Josephine Chanter, afterword by Dawn Woolley inner pictorial worlds. Both artists reinterpretation of an art movement the re-use of faces from the history production, encoding and suggestive Rachel Escott, Elizabeth Fraser-Betts, Helen that until today has primarily been of art ranging from antiquity to the impact of media images. The O’Donoghue and Philomena Byrne, Emma draw on the Romantic legacy, Thomas and Ann Cooper, Gill Nicol, Zoe Visual Pleasure brings together late 19th century. Rainer employs catalogue focuses on the installation remaining true to its central demand associated with male protagonists. Renilson, Jonathan Branson, Katja Lindqvist artwork and research completed over the face as a tabula rasa, as the Projected Data Image: Testcuts, that the artist should not only paint Plastic, loud colours, reduced edited by Karen Raney the past four years by artist Dawn foundation on which he develops for which the artist undertook a first what he sees, but more importantly forms, and graphic contours – the Woolley including documentation nine women artists’ works on an art that is free of conventions on comprehensive sorting through of the what he sees in himself. Nolde’s This issue of the engage journal from a series of performance display resemble those of their the one hand, and is also capable photographic archive she has been painting is characterised by powerful, examines the current relationship installations: Cut to the Measure male colleagues in many respects. of re-establishing the link between assembling for more than 40 years. contrasting colours and a high level between learning and marketing of Desire. Woolley’s artwork forms Whereas their works appeal to art and life on the other. Published The basis of this auditing was not of abstraction. Schumacher’s work, in gallery education. Some of the an enquiry into the act of looking the taste of the masses, these to accompany the exhibition at the the negatives, but the so-called ‘test on the other hand, is marked by a questions considered in this journal and being looked at. Referring to artists, as pioneers of Feminism, Arnulf Rainer Museum, Baden, cuts’, the fragmentary by-products of life-long shift between abstraction are: What are the implications of psychoanalysis, phenomenology have remained belligerent and November 2010 – September 2011. the analogue enlargement process. and figuration, the formal bracket the ‘experience economy’ when and feminism she examines her of which is formed by the pictures’ critical. They reveal the consumer Strung together in digital montages, DuMont Buchverlag £37.95 applied to museums and galleries? experience of being an object of sight culture’s superficiality, exposing the these chance picture details from sensual materiality and colours. ISBN 978-3-8321-9370-6 Does gallery education need to be and also considers the experience commodity myth as an empty shell over 1,800 photographs offer This book covers the range from hardback 132 pages defended from market forces? How the viewer has when looking at her like Christa Dichgans, ironically 74 colour, 1 b&w illustration contemporary references that bring Nolde’s Expressionist landscapes are education and marketing allied as a female, and as a photographic and seascapes to Schumacher’s transforming everyday objects to 290 x 240 mm an individual, ahistorical memory English and German text in different kinds of institutions? How object. Voyeurism and exhibitionism oversized kitsch objects like Jann construction of persons, exhibitions gesturally developed landscapes of does the need to generate income intertwine in purposefully provocative Haworth, or exploring mass media and events in Düsseldorf and the the soul, and thus casts light for the affect education? Do education and scenes. Visual Pleasure includes a clichés and superstar constructions international art world since 1966 first time on the visual connection marketing use different languages? critical essay by Woolley that takes like Rosalyn Drexler. Like Sister to life. between Expressionism and Abstract The articles come together to modes of looking and spectatorship Corita, a committed peace activist, Expressionism in the work of two of explore the areas where marketing as its subject. The text considers the they took a clear stand on the sixties’ DuMont Buchverlag £37.95 its greatest masters. ISBN 978-3-8321-9369-0 and learning conflict and where psychology of perception and illusion social and political events such as softback 608 pages they co-exist well. First published in art referring to seminal texts by DuMont Buchverlag £27.95 the Vietnam War. 580 duotone illustrations Laura Mulvey, Maurice Merleau- ISBN 978-3-8321-9351-5 300 x 225 mm in 1996, the engage journal is the Ponty, Micheal Foucault and Jacques hardback 144 pages DuMont Buchverlag £27.95 English and German text international journal of visual art and 95 colour, 17 b&w illustrations ISBN 978-3-8321-9356-0 gallery education. Each edition of this Lacan. 295 x 240 mm softback 288 pages twice-yearly publication focuses on English and German text 181 colour, 31 b&w illustrations a separate theme to form a definitive Ffotogallery £15.00 270 x 190 mm ISBN 978-1-872771-83-0 English and German text collection of work on all aspects of softback 95 pages visual art and gallery education. 42 colour, 6 b&w illustrations 210 x 255 mm engage £10.00 English and Welsh text ISSN 1365-9383 softback 82 pages illustrated in b&w 290 x 190 mm 6 7 SPRING 2011

No Place Like Home Minjung Kim Cosmo.Sys LOUD FLASH GlobalArtAffairs Haunch of Venison Faye Chamberlain / Chris texts by Jean-Christophe Ammann, Hedwig Brouckaert distributed by Cornerhouse world-wide British Punk on Paper Publishing Martina Cavallarin Young distributed by Cornerhouse world-wide texts by Peter Lodermeyer, Jan Van Woensel texts by , Susanna Greeves, Simon edited by Patrick Heide Contemporary Art, Ford, Matthew Worsley editorial and introduction by Lisa Edgar edited by Jan Dhaese Gallery London text by Dr. Ben Fincham More than any movement before Nelleke Beltjens ‘Minjung Kim’s work is a projection of Cosmo.Sys is the first publication Damien Hirst / Michael Immense documenting the drawings of Belgian or since, Punk was defined by No Place Like Home was a unique the imaginary and the imagination. It Joo artist Hedwig Brouckaert. For her the poster. Excluded from TV and arts project culminating in a texts by Peter Lodermeyer, Jonathon Keats is a rogue wave made up of energy- Have You Ever Really Looked Magazine series (since 2005), the daytime radio, struggling to be heard publication, exhibition and sound charged refinement that swells up at the Sun? installation at Cardiff’s city centre picture material she uses comes in the mainstream press, posters Immense is the first publication in an unspeakable progression; it is homeless hostels, Tresillian House from all kinds of printed matter text by John Grey provided an effective – and virtually documenting the drawings of a dizzying poem that is at the same and The Huggard – which in 2011 such as mail order catalogues, artist’s interview by Hans Ulrich Obrist free – means for bands to reach the Dutch artist Nelleke Beltjens. Her time solid – a poem that describes will be demolished to make way newspapers, TV guides, fashion public. LOUD FLASH is a unique highly complex works have been the universe and the soul. Kim is for a brand new homeless facility. and lifestyle magazines. The artist Have You Ever Really Looked at exhibition of posters curated by the shown internationally, including a lyrical and mysterious artist who The project provided a means for pores over such magazines in search the Sun? is a unique collaboration artist and designer Toby Mott. His galleries and art fairs in New York, works with the effects of sublimation the residents, staff and service of certain motifs (figures, faces, between British artist Damien Hirst collection, which also incorporates , Germany and and the tangible results of a work that users to examine and rationalise poses, patterns etc.), which she and American artist Michael Joo. fanzines, flyers and other ephemera, Switzerland. Fragmentation is the contains experience, sentiment and their relationship with the physical then transfers and arranges on the Since gaining international attention delivers a gripping snapshot of the overriding principle of these works life. There cohabits in the creations of environment of these buildings sheet. In 2008 Brouckaert began in 1995, Joo has employed a highly Britain of that time, a country rife and the structure of lines has no the Korean artist the transversality of before they are lost; and to provide expanding her drawings into the personal language in the creation with divisions. As well as iconic longer anything to do with a firm Western art and the boundless magic a lasting testament to their vital virtual space of digitalisation – and of his art to express ideas about works by (for the Sex definiteness. The staccato of the of Eastern transcendence, spirituality function in relation to Cardiff’s from there, bringing them in turn into identity, nature and the body. In Pistols) and Linder Sterling (for the short successions of pen marks and laicism, a patience inbred with homeless over the last 20 years. real space: presented as large-scale key works like Improved Rack Buzzcocks), the exhibition features rather has a dynamic, rhythmic the biological structure inherent to The book and accompanying CD printouts in the form of wallpapers (Elk #18) (2010), a wall-mounted a wealth of material produced by character. In our perception of her being an artist with intelligence are the results of a summer long or as foils for windows, they become sculpture of elk antlers, Joo plays anonymous artists of the era and Beltjens’ works, there is no possible at the service of a creation that is residency by photographic artist space-specific installations, which on the traditional presentation of so offers a complete survey of the perspective anymore that would give a total sign. Her reminiscences, Faye Chamberlain; the insightful directly affect the exhibition rooms. the hunter’s trophy. In dialogue with punk aesthetic. It also includes us the impression of completeness. unknowingly, come from an atavistic colour images of the buildings’ Brouckaert’s digital drawings show Joo’s works, Hirst brings together political material. The rise of the From a certain distance the forms past, a personal trace made up hidden life taken by staff and service a highly interesting combination of numerous signature sculptures National Front is charted through its seem like intangible, cloud structures. of symbols that retrace, through users, along with the work of sonic media, already significant in itself: and paintings: including two major incendiary propaganda, while the Coming closer, they disintegrate into their position, the temporal past by artist Chris Young, whose haunting transfer paper, an invention of the vitrine works, The Incredible Journey posters advertising ‘Rock Against an excess of individual information. bringing it back on the clear track of compositions are constructed entirely 19th century, which still transports (2008), a zebra suspended in Racism’ events show how this was Over the years, the linear texture her current individual form.’ (Martina from recordings within the hostel an air of the inherent stringency of formaldehyde in a white painted opposed and how the designers became lighter, airier, reminiscent Cavallarin) walls, taking us into an ever deeper venerable old law firms, meets the steel tank and The Black Sheep adopted punk as stark graphical of delicate textile fabrics, clouds, and more emotional encounter with world of the digital picture, which with Golden Horns (divided) (2009). styles to entice young supporters. floating forms, almost intangible, GlobalArtAffairs Publishing £15.00 these buildings and their residents. ISBN 978-3-941763-05-0 turns all information, once fed into Published on the occasion of the Published on the occasion of the indefinable in terms of their formal hardback 100 pages the system, into something like ‘free- exhibition at Haunch of Venison, exhibition at Haunch of Venison, features. 68 colour, 1 b&w illustrations Ffotogallery £20.00 floating signifiers’. London, September – October 2010. 280 x 240 mm Berlin, May – August 2010. ISBN 978-1-872771-84-7 hardback 96 pages GlobalArtAffairs Publishing £15.00 Haunch of Venison £20.00 GlobalArtAffairs Publishing £14.50 Haunch of Venison £70.00 48 colour, 49 b&w illustrations ISBN 978-3-941763-06-7 ISBN 978-1-905620-54-8 ISBN 978-3-941763-07-4 ISBN 978-1-905620-53-1 210 x 235 mm softback 68 pages 128 pages softback softback 80 pages hardback 144 pages English and Welsh text 54 colour illustrations 113 colour illustrations 118 colour illustrations 230 x 310 mm 85 colour, 2 b&w illustrations 274 x 204 mm 250 x 210 mm English and German text 280 x 247 mm English and German text

8 9 SPRING 2011

Tracey Emin Pipilotti Rist Undone Hayward Publishing distributed by Cornerhouse in the UK Love Is What You Want texts by Elizabeth Bronfen, Chrissie Iles, Henry Moore Institute Making and Unmaking in Ikon Gallery Stefanie Müller distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide and Europe texts by Michael Corris, Jennifer Doyle, Contemporary Sculpture Cliff Lauson, Ralph Rugoff, Ali Smith edited by Stephanie Rosenthal artists: Tonico Lemos Auad, Claire Barclay, Alexandra Bircken, Nayland Blake, Ruth Pipilotti Rist burst onto the Claxton, Krysten Cunningham, Michael Dean, George Condo Tracey Emin is one of Great Britain’s Savage Messiah Angus Fairhurst, Leo Fitzmaurice, Len Lye Mental States best-known and most controversial international art scene in the 1990s A Biography of the Sculptor Tom Friedman, Franziska Furter, Neil Gall, The Body Electric Jim Lambie, Tim Machin, Sally Osborn, Simon artists. Published to accompany with visually lush video works and Henri Gaudier-Brzeska texts by Ralph Rugoff, Laura Hoptman, multimedia installations that explore Periton, Mary Redmond, Eva Rothschild, Will Self the first major survey exhibition of Armando Andrade Tudela her work in London since her rise sexuality and media culture through texts by Jon Wood, Sebastiano Barassi, This small publication has been short story by David Means Evelyn Silber texts by Lisa Le Feuvre, Stephen Feeke, to prominence in the 1990s, this playful and provocative remixes of Sophie Raikes produced alongside the first UK edited by Jon Wood, Sebastiano Barassi book will bring together suites of fantasy and the everyday. Published retrospective exhibition of New Straddling the line between comedy to accompany a major survey Zealand artist Len Lye (1901 – 1980). works from across the artist’s career Undone is concerned with sculpture and tragedy, the grotesque and the exhibition at London’s Hayward This new edition of the Savage Comprising film, sculpture, painting emphasising the diversity of her that lies somewhere on the threshold beautiful, the rich pictorial inventions Gallery as well as a European Tour, Messiah, Jim Ede’s biography and drawing, often influenced by dynamic practice. It will spotlight between the made and unmade. of George Condo have made him the book is lavishly illustrated and of the sculptor Henri Gaudier- indigenous Antipodean traditions, it her achievements in a wide variety This book of the exhibition (at Henry one of the most inventive painters of conceived in close collaboration with Brzeska, contains a large amount reveals the optimism and emphasis of media, including sculpture, Moore Institute, Leeds, September his generation and one whose work the artist. of additional interpretative material, on invention central to Lye’s outlook. drawing, painting, text-based works, 2010 – January 2011) brings together has become increasingly influential. including footnotes, appendices Lye travelled in the South Pacific photographs, video and performance. a large body of recent work by Published to coincide with a major The book is conceived and produced Hayward Publishing £22.99 tbc about correspondence and Ede’s as a young man, living for extended ISBN 978-1-85332-295-2 international contemporary artists exhibition in the USA and Europe, in close collaboration with the artist omissions, and new introductory periods in Samoa and Australia, softback pages tbc and in doing so identifies a shared this book surveys Condo’s career, essays on the making and reception before sailing for London in 1926. and designed by Graphic Thought illustrations tbc aesthetic that characterises the work focusing on his portrait paintings dimensions tbc of Ede’s book. This book comes out There he settled into an artistic Facility, London. of this otherwise disparate group of but also including a selection of not available to customers in North, South and of collaborative research between community that included Henry artists. These ‘homespun’ sculptures, sculptural busts made in precious Hayward Publishing £29.99 tbc Central America the Henry Moore Institute, Leeds and Moore, Barbara Hepworth and October 2011 made from readily-available materials substances such as gold and bronze. ISBN 978-1-85332-293-8 Kettle’s Yard, Cambridge and has Christopher Wood. During the 1930s softback 260 pages by artists from Europe, the US and It will be organised thematically, Hayward Gallery installation photo, Walking in My involved the work of its curators, Dr. Lye’s main interest lay in film-making 140 illustrations tbc Brazil seem to reflect a new age of exploring the artist’s relationship to Mind, Summer 2009 Jon Wood and Sebastiano Barassi, and he was commissioned by the 245 x 245 mm austerity. Focusing on objects and art history, as well as the shifting not available to customers in North, South and as well as that of Dr. Evelyn Silber. visionary film unit of the General structures which are ‘handmade’, responses in his work to popular Central America The book is also lavishly illustrated Post Office to make a number of May 2011 using traditional and more ad-hoc culture and contemporary society. with photographs of works and commercials, now seen as seminal craft techniques, the works featured original drawings (many of which are in the history of moving imagery. Hayward Publishing £34.99 draw on a wide range of materials, not widely known) that were originally Lye’s distinct style and experimental ISBN 978-1-85332-289-1 colours, scales and textures, and included in Ede’s 1930 manuscript technique of ‘direct’ film-making saw hardback 172 pages their structures are as much bound 125 colour, 5 b&w illustrations version of his book. him paint colour directly onto together as they are poised to 305 x 285 mm celluloid film. not available to customers in North, South and Henry Moore Institute £20.00 disintegrate. Central America ISBN 978-1-905462-34-6 Ikon Gallery £5.00 hardback pages tbc Henry Moore Institute £10.00 ISBN 978-1-904864-67-7 A pack of George Condo playing cards is also available at illustrations tbc ISBN 978-1-905462-32-2 softback 22 pages £12.50, ISBN 978-1-85332-296-9 dimensions tbc softback 48 pages 20 colour illustrations 30 colour, 2 b&w illustrations 210 x 150 mm Portrait of Gaudier, with statue, (photograph by 226 x 160 mm Edward Cahen of Gaudier within his studio with Bird Swallowing a Fish, 1914).

10 11 SPRING 2011

Doug Aitken Aristide Antonas Ruedi Bechtler Valérie Belin JRP|Ringier John Hansard Gallery distributed by Cornerhouse in the UK The Idea of the West Ta dyo dwmatia Flip Flop Black Eyed Susan distributed by Cornerhouse world-wide and Europe texts by Doug Aitken, Dirk Dobke, texts by Daniel Baumann, Das Institut, text by Tobia Bezzola Bettina Korek Heike Munder, Pipilotti Rist Commissioned by the DESTE edited by Tobia Bezzola, Markus Bosshard, edited by Doug Aitken, David Jacob Kramer, edited by Ruedi Bechtler Jürg Trösch Kristine McKenna Foundation, a member of the FACE Middling English Activity Association (Foundation of Arts Caroline Bergvall for a Contemporary Europe), the Play, coincidence, wonder, vital ‘I come from painting.’ It is not texts by Cecilia Alemani, Fia Backström, Sunsets over the Pacific… Surfers… Pedro Barateiro, Ricardo Basbaum, Liam force, decay, and waste are all surprising that Valérie Belin should texts by Caroline Bergvall, Vincent Broqua, Greek author Aristide Antonas drew Gillick, International Pastimes, Raimundas Movie stars… Coyotes in the street… Imogen Stidworthy, DvsN his inspiration from Franz Kafka’s essential topics of Ruedi Bechtler’s describe her work as coming from Malasauskas, Oda Projesi, Uqbar Foundation, Sex. Doug Aitken’s The Idea of short story Investigations of a Dog work. Graduating as a mechanical painting, for it would be curious Ricardo Valentim the West presents the collective (1922) to write The Two Rooms. engineer, Bechtler developed his indeed to call her a photographer. Middling English explores some edited by Pedro Barateiro, Christoph Keller, response of 1,000 people on the Ricardo Valentim This new short story also echoes the affinity with natural science and Although she uses a photographer’s of the pleasures and complexities street who were asked ‘What is artworks – reproduced in the book technology as an artistic practice. equipment, her masterful control of language use, in and through your idea of the West?’ to create – by the 36 international artists of And the artist, as an intermediary of the technique enables her to writing. The project brought together Mediated by Pedro Barateiro and a manifesto from the quotes and the touring exhibition Investigations between science and philosophy, transcend the imprint of reality and multi-sensory elements – spoken Ricardo Valentim, Activity is a comments of random individuals. of a Dog organized by FACE in might have found, if not more preclude reference to the world. pieces, audiophonic compositions, collaboratively created artists’ book Through an amazing assortment 2009 – 2011. Four other short answers, at least better questions Belin tells us nothing about the printed broadsides and the strange authored by multiple individuals. of over 200 colour and black-and- stories – especially written for the than many scientists. circumstances out there; she offers memory world of pop lyrics – all The artists engaged in ongoing white images juxtaposed with project by Jonas Hassen Khemiri, no evidence; she advances no presented through a stunning discussions around the issues of responses to this question, this JRP|Ringier £29.00 Rui Cardoso Martins, Emmanuelle arguments and makes no comments. architectural installation. Produced collaboration, accountability, and book takes the reader on a high- ISBN 978-3-03764-179-8 Pagano, and Tiziano Scarpa – and She takes the world and makes as a small edition of 500, this book is democracy for over three years. speed journey across space and hardback 156 pages an exhibition catalogue are published 460 colour, 8 b&w illustrations pictures out of it. Her latest moves – stunningly illustrated with installation The format of an artist’s book was time to trace the mythology of the simultaneously. Aristide Antonas is 330 x 220 mm colour and montage – are therefore photography, associated imagery and chosen as the vehicle for mapping New West. The book also features English and German text a Greek architect and writer with perfectly logical. Thanks to digital special double gatefolds featuring their activity. Because the impetus conversational fragments by a host of a PhD in philosophy. In 1986 he technology, she can now also impose broadsides within the exhibition, for the project was based so much creators based in the Pacific region, started publishing his literary texts in her will on the pictures she creates in alongside texts by the artist, a in conversations, they decided including Devendra Banhart, Charles the Greek magazine Black Museum colour. Never has photography been commissioned essay by writer to employ ‘the dialogue’ itself as Burnett, Fallen Fruit, Simone Forti, using different pseudonyms. He so far removed from naive naturalism and collaborator Vincent Broqua, the ‘medium’, transforming this Fritz Haeg, Miranda July, No Age, has published the prose writings and normality. Published with Codax development notes with architectural project from a mere publication Raymond Pettibon, and Rodarte. The Episcope, The Three-Headed, Publishers, . collaborators DvsN, and an extensive into something more. Barateiro A hybrid artist’s book that brings The Four Gardens, and The Two interview between Caroline Bergvall and Valentim’s withdrawal from together elements from classic 1970s JRP|Ringier £42.00 Halves, as well as the novels The and artist Imogen Stidworthy. Also their position as the book’s authors photobooks, agit-prop paperbacks, ISBN 978-3-03764-184-2 Handler, Numbers, and The Singer included is a CD containing three text enabled the shared authorship and music ‘zines, co-published with hardback 156 pages and the Couch. Published with 98 colour illustrations and sound pieces from the exhibition. of all the participants. Unlike the The Museum of Contemporary Art, FACE (Foundation of Arts for a 345 x 245 mm typical artist’s book, which usually , and D.A.P., New York. English, French and Italian text John Hansard Gallery £14.95 functions as an extension of an Contemporary Europe). ISBN 978-085432-911-3 individual artist’s practice, Activity JRP|Ringier £37.00 hardback 72 pages JRP|Ringier £7.00 ISBN 978-3-03764-180-4 14 colour, 10 b&w illustrations instead represents a collective artistic ISBN 978-3-03764-174-3 hardback 160 pages 260 x 174 mm experience, effectively rethinking the softback 64 pages 126 colour, 69 b&w illustrations 39 colour illustrations artist’s book today. 218 x 280 mm 165 x 105 mm Greek text JRP|Ringier £23.00 tbc ISBN 978-3-03764-161-3 softback 420 pages 248 b&w illustrations 246 x 160 mm April 2011 12 13 SPRING 2011

Walead Beshty Olaf Breuning Marie de Brugerolle Guy de Cointet Displaced Fractures FACE: Investigations Natural Histories Queen Mary II Premières critiques text by Marie de Brugerolle artists: Phyllida Barlow, Tacita Dean, Emilie of a Dog Ding, Klara Liden, Ulrich Rückriem, Kilian texts by Nicolas Bourriaud, Suzanne Hudson, edited by Olaf Breuning text by Marie de Brugerolle Rüthemann, Oscar Tuazon, Klaus Winichner Works from Five European Bob Nickas edited by Xavier Douroux Guy de Cointet was fascinated texts by Holger Birkholz, Karsten Harries, Art Foundations edited by Walead Beshty Brigitte Huck, Heike Munder, Thomas D. On a journey from England to New with language, which he explored texts by Aristide Antonas, Jonas Hassen Trummer, Octavio Zaya York on board the cruiser Queen Through a selection of texts primarily through performance Khemiri, Rui Cardoso Martins, Emmanuelle This reference monograph realized Mary, Olaf Breuning created a series (sometimes unpublished) and and drawing. His practice involved edited by Heike Munder, Thomas D. Trummer Pagano, Tiziano Scarpa in close collaboration with the of drawings, which were made into interviews with Christian Boltanski, collecting random phrases, words, artist, presents a 10-year overview the book Queen Mary in 2006. This Michelangelo Pistoletto, Paul and even single letters from popular Art has always been the sensorium FACE (Foundation of Arts for a of Walead Beshty’s approach new volume gathers more than 70 McCarthy, Douglas Gordon, Glenn culture, and literary sources and of the all that is fragile, brittle, and Contemporary Europe) is a European to photographic and sculptural recent drawings, which combine Ligon, and Pipilotti Rist, the author working these elements into non- porous in the human. In this book, interest group for the arts formed representation. Included are new memory and daydream, humour proposes several clues to better linear narratives, which were based on an eponymous exhibition, in 2008 and established by five commissioned essays by Suzanne and subversion. The references to understand and (re)discover the presented as plays to his audience. however, human break lines are private non-profit art foundations Hudson, Nicolas Bourriaud, as media, popular culture and consumer artists who have reinvested in the Paintings and works on paper would not treated directly in terms of the in five different countries: DESTE well as a conversation between dreams that we find in his multimedia notion of modernity at the end then figure prominently within these human body, but instead through the Foundation, Athens (Greece); Bob Nickas and Walead Beshty. installations, photographs and videos of the 20th century, and whose performances. In his play At Sunrise surrogate of architecture. For at the Ellipse Foundation, Cascais Published with Malmö Konsthall, are taken up in the drawings in research enlightens the beginning . . . A Cry Was Heard (1976), a large fractures and interfaces of buildings, (Portugal); Fondazione Sandretto Sweden, on the occasion of the concentrated form. of the 21st. Over five chapters painting depicting letters bisected the cracks and fissures of human Re Rebaudengo, Turin (Italy); La artist’s first institutional solo show which elaborate texts around the by a white sash served as a main existence are registered analogously. Maison rouge – Fondation Antoine de in Europe (February – May 2011), JRP|Ringier £16.00 problematics of images and history, subject and prop, with the lead The notion in the title, Displaced Galbert, (France); and Magasin ISBN 978-3-03764-160-6 and at Centro de Arte Dos de Mayo, the body and language, the object actress continuously referring to Fractures, is taken from the medical 3 Stockholm Konsthall (Sweden). Madrid (June – October, 2011). softback 152 pages 75 b&w illustrations and performance, the reader will it and reading its jumble of letters world. It describes how bone fracture Its first initiative is Investigations 279 x 216 mm encounter the now famous work of as if it were an ordinary script. De sites reveal themselves elsewhere of a Dog, an exhibition that draws JRP|Ringier £25.00 Cointet is recognized as one of the than at the major stress site. The its title from a short story by Franz ISBN 978-3-03764-188-0 artists such as Mike Kelley, John softback 160 pages Baldessari, and Bruce Nauman, as major figures in the Conceptual publication discusses installations, Kafka (1922) and successively 128 colour, 97 b&w illustrations well as the elliptical paths of Guy art movement that emerged in Los spatial interventions, and sculptures presents 40 artworks from the 286 x 237 mm de Cointet or Larry Bell, that the Angeles in the 1970s, having strongly working with the displacement partner foundations’ collections. standards, dogma, and convention influenced a number of prominent of symptoms. The exhibition and To accompany the exhibition, each of the market have rendered invisible. artists working in southern California the publication are a collaboration foundation commissioned an author This book is part of the Documents today, including Paul McCarthy and between the Migros Museum für to write a short story inspired by series, co-published with Les presses Mike Kelley. This book, published Gegenwartskunst, Zurich, and Kafka’s story and the artworks of du réel and dedicated to with the Estate of Guy de Cointet, is Siemens Stiftung. the exhibition. The stories are also critical writings. the first to offer an overview of this available in their original language enigmatic and influential oeuvre. JRP|Ringier £24.00 tbc in five separate books as part of JRP|Ringier £11.00 ISBN 978-3-03764-177-4 hardback 160 pages the Hapax series. Published with ISBN 978-3-03764-149-1 JRP|Ringier £26.00 tbc 80 colour illustrations FACE to accompany the exhibition softback 288 pages ISBN 978-3-03764-069-2 English edition 291 x 215 mm 46 b&w illustrations ISBN 978-3-03764-068-5 French edition at Magasin 3 Stockholm Konsthall, English and German text 210 x 150 mm hardback 160 pages February – May, 2011 and DESTE French text 100 colour illustration Foundation, Athens, June – October, 240 x 170 mm 2011. April 2011

JRP|Ringier £7.00 ISBN 978-3-03764-171-2 softback 160 pages 45 colour illustrations 165 x 105 mm 14 15 SPRING 2011

Fanfare General Idea Loris Gréaud Wade Guyton Thomas Hirschhorn Jonas Hassen Khemiri texts by Paul Ardenne, Christoph Doswald, A Retrospective (1969 – 1994) Cellar Door Paintings Establishing a Critical Corpus Så som du hade berättat det Bernadette Fülscher, Brigitte Ulmer texts by Jean-Christophe Ammann, Frédéric text by Pascal Rousseau text by John Kelsey texts by Claire Bishop, Sebastian Egenhofer, för mig edited by Christoph Doswald Bonnet, AA Bronson, Elisabeth Lebovici, edited by Loris Gréaud edited by Wade Guyton Hal Foster, Manuel Joseph, Yasmil Raymond, David Moos Marcus Steinweg edited by Frédéric Bonnet edited by Thomas Bizzarri, Thomas Commissioned by Magasin 3 Can a sculpture be dislocated? Cellar Door is a series of projects For this volume, Wade Guyton first Hirschhorn Stockholm Konsthall, a member of What is the role of the work’s (installations, opera, book, etc.) had the book designed, and then the FACE Association (Foundation This volume presents an overview spatial context? What is society’s which draws on Loris Gréaud’s printed it on the same ink-jet printers of Arts for a Contemporary Europe), of the Canadian collective’s oeuvre. Published on the occasion of his responsibility toward art in public? interweaving interests in art, he used for his large-format serial the Swedish author Jonas Hassen Founded in Toronto in 1969 by exhibition at the Swiss Pavilion of the And how great is the loss of identity architecture, and music. His modus prints on canvas. These pages were Khemiri drew his inspiration Felix Partz, Jorge Zontal, who both 2011 , Establishing a at its removal? These and other operandi is in fact comparable to that then scanned and printed by offset. from Franz Kafka’s short story died in 1994, and AA Bronson, the Critical Corpus is the first theoretical relevant topics were studied by of cinematic production (involving In a sense, this artist’s book is a work Investigations of a Dog (1922) to trio adopted a generic identity that book to extensively examine the Zurich’s KiöR (Art in Public Space) collaboration and co-authorship), on the questions of reproduction, write As you would have told it to ‘freed it from the tyranny of individual work of Thomas Hirschhorn, one think tank when the square in and he often works with experts original, source, and re-formation at me (sort of) if we had known each genius’. Their complex intermingling of today’s leading international front of the Kunsthaus Zürich was from diverse disciplines (including the heart of Guyton’s practice. If one other before you died. This new of reality and fiction took the form of a Swiss artists. Hirschhorn is the redesigned, and the existence of architects and scientists). Gréaud’s can say that Guyton’s Minimalistic short story also echoes the artworks transgressive and often parodic take author of a large body of work, the sculpture installed there was work is orientated to ideas and ‘paintings’, which connect directly – reproduced in the book – by the on art and society. Treating the image immediately recognizable for its fundamentally questioned. After processes rather than finished form, to abstraction’s history, conjure 36 international artists of the touring as a virus infiltrating every aspect political conscience and its formal much debate, the monumental and his projects are liable to manifest a re-structuring of Modernist art exhibition Investigations of a Dog of the real world, General Idea set vocabulary. Six authors from different concrete oeuvre of the Swiss sculptor themselves in different ways over and decor, this book offers a mise organized by FACE in 2009 – 2011. out to colonize it, modify its content. fields and backgrounds were invited Robert Müller, Fanfare, was finally time, and to move between rumour en abyme of these procedures. Four other short stories – especially Including newly commissioned to contribute to the publication: Claire removed in the summer of 2010 and fact. Cellar Door is an ambitious Published with Portikus, Frankfurt, written for the project by Aristide essays and republished texts, this Bishop, Professor of Art History at and re-installed in Langenthal. This artistic experiment that has a range and with the support of Galerie Antonas, Rui Cardoso Martins, title is illustrated with documents and CUNY Graduate Center; Sebastian publication puts the example of the of manifestations. One was Gréaud’s Chantal Crousel, Paris, and Petzel Emmanuelle Pagano, and Tiziano reproductions of the most important Egenhofer, Professor of Art History dislocation of Fanfare in a broader exhibition at the Palais de Tokyo; a Gallery, New York. Scarpa – and an exhibition catalogue projects realized by General Idea at the University of Basel; Hal context by highlighting the historical, second was an installation at the ICA are published simultaneously. Jonas from 1969 to 1994. Published to Foster, Professor of Art History and aesthetic, social, and cultural in London; a third is an opera staged JRP|Ringier £48.00 tbc Hassen Khemiri is one of the last accompany the exhibition at Musée ISBN 978-3-03764-166-8 Archaeology at Princeton University; conditions of the displacement of at the Paris Opera; and a fourth is a decade’s most acclaimed Swedish artworks. Historical examples and d’art moderne, Paris, February – softback 800 pages Manuel Joseph, a poet based in studio space that Gréaud is building 800 b&w illustrations writers and his work has been statements by experts, as well as a April, 2011; Art Gallery of Ontario, Paris; Yasmil Raymond, Curator at for himself on the outskirts of Paris. 304 x 230 mm translated into numerous languages. Toronto, autumn 2011. Dia Art Foundation, New York; and photographic essay, reflect on the The last one is the current exhibition English, French and German text Published with FACE (Foundation of April 2011 Marcus Steinweg, a philosopher relationship between site and art, as of the artist at Kunsthalle Wien, Arts for a Contemporary Europe). well as on the changes in the context JRP|Ringier £26.00 based in Berlin. Published with the ISBN 978-3-03764-162-0 , April – May 2011. of art production. Published for the Swiss Federal Office of Culture hardback 224 pages on the occasion of the Swiss JRP|Ringier £7.00 City of Zurich’s Arbeitsgruppe Kunst 151 colour, 81 b&w illustrations JRP|Ringier £48.00 tbc ISBN 978-3-03764-176-7 participation at the 54th Venice im öffentlichen Raum (AG KiöR) 238 x 174 mm ISBN 978-3-03764-167-5 softback 64 pages series. hardback 240 pages Biennale, June – November, 2011. 28 colour illustrations 120 colour illustrations 165 x 105 mm 330 x 230 mm JRP|Ringier £23.00 tbc Swedish text JRP|Ringier £24.00 tbc English and French text ISBN 978-3-03764-185-9 ISBN 978-3-03764-182-8 July 2011 hardback 320 pages softback 96 pages 180 colour illustrations 20 colour, 20 b&w illustrations 260 x 180 mm 240 x 170 mm June 2011 German text April 2011

16 17 SPRING 2011

Jakob Kolding Mischa Kuball Philipp Lachenmann Sean Landers Rui Cardoso Martins Stefan Marx Shifting Realities New Pott Some Scenic Views 1990 – 1995, Improbable Estômago Animal I guess I shouldn’t be

texts by Lars Bang Larsen, Jacob Proctor text by Harald Welzer text by Russell Ferguson History telling you edited by Jacob Proctor edited by Mischa Kuball, Harald Welzer edited by Christoph Keller edited by Paul Ha Commissioned by the Ellipse edited by Florian Waldvogel Foundation, a member of the FACE This monograph, the first on Jakob One hundred families from 100 Some Scenic Views – the title Since the early 1990s, Sean Association (Foundation of Arts Stefan Marx is an actor of the Kolding’s work since 2004, brings different nations give an account of Philipp Lachenmann’s first Landers’ work has been one of the for a Contemporary Europe), the skateboard scene, whose drawings together pieces produced during the of their lives in the Ruhr region monograph – reflects his work’s most fascinating and repeatedly Portuguese author Rui Cardoso usually adorn productions of his last four years including collages, (Ruhrpott) of Germany, outlining camouflage strategy. Presenting irritating projects in contemporary Martins drew his inspiration label The Lousy Livincompany. An drawings, and posters as well as their perspectives for a new era. The 80 photographs of unspectacular art. The polar opposites of tormented from Franz Kafka’s short story expression of everyday’s experience the recent sculptural works. The personal experiences and stories views, the book reveals the process self-doubt and endless self- Investigations of a Dog (1922) to with a critical distance, his black and works examine different concepts of of these immigrants offer us a new of hiding complex meaning behind aggrandizement run like a thread write Animal Stomach. This new white drawings, overpainted flyers space. Starting from an early interest perception of the area and its cultural a surface of normalcy. With a series through the artist’s practice along short story also echoes the artworks, and enigmatic slogans are anchored in modernist planning and the use and industrial transformations. The of short texts, Russell Fergusson with a number of masks of failure which are reproduced in the book, in street culture but address our of urban and suburban space, his intimate insights into different lives, brings to the fore those hidden facts used by the subject as a strategy by the 36 international artists of the cultural awareness. After a number of focus developed into a more general individual living conditions, and the of historical, political, natural, or to preserve himself from impending touring exhibition Investigations ‘zines and independent publications, interest in the complex socio- manifold motivations to live in a city scientific nature. He thus reveals loser status. With text and video of a Dog organized by FACE in this book offers a first overview of his economic and political conditions in this region help draw a new map Lachenmann’s photographs for what works that appear disguised as 2009 – 2011. Four other short practice. The publication is part of the of city life, extending during the last of western Germany, the New Pott, they truly are: conceptual artworks. conceptual art, he introduces into stories – especially written for the series of artists’ projects edited by few years to more abstract notions which has become a new home This book inscribes itself in the this genre the taboo of the artist project by Aristide Antonas, Jonas Christoph Keller. of space including mental and for millions of people. Düsseldorf German artist’s body of works as a as subject, as well as the artist’s Hassen Khemiri, Emmanuelle psychological spaces. Throughout his artist Mischa Kuball interviewed 100 kind of picture novel rather than a emotions. He has become known Pagano, and Tiziano Scarpa – and JRP|Ringier £23.00 oeuvre it has been crucial for Kolding immigrants from different generations monograph. The publication is part as the artist who presents himself an exhibition catalogue are published ISBN 978-3-03764-132-3 hardback 96 pages to never consider these different over more than a year. The intensity of the series of artists’ projects edited as a failure in his art, his life and his simultaneously. Rui Cardoso Martins 77 b&w illustrations spheres as entirely separate, but, of these encounters is reflected by Christoph Keller. relationships. This comprehensive is a Portuguese writer, and a reporter 305 x 215 mm on the contrary, to see space as in the publication’s collection of monograph includes almost all of for the daily newspaper Público, a process of interrelations. The interviews, portraits, and private JRP|Ringier £24.00 Landers’ early oeuvre, from 1990 as well as a screenplay writer for works thus bring together a broad snapshots of the interlocutors. The ISBN 978-3-03764-131-6 film and television. He recently won hardback 160 pages to 1995. Published here for the first variety of subjects such as literature, analytical comments by cultural 95 colour illustrations time, it offers an overview on the the Grand Prize of Romance and urban planning, football, movies, scientist Harald Welzer address 302 x 215 mm text and cartoon works on paper, Novel awarded by the Portuguese architecture, art, skateboarding, the social and political questions of English and German text the first paintings and sculptures, as Association of Writers. Published comics, computer games, and music, social integration and the future of a well as the video and audio works of with FACE (Foundation of Arts for a and from weaving them together new multinational population in Germany. his beginnings. Published with the Contemporary Europe). possible spaces and narratives arise. The publication is part of the series Contemporary Art Museum St. Louis. The publication is part of the series of artists’ projects edited by JRP|Ringier £7.00 ISBN 978-3-03764-173-6 JRP|Ringier £48.00 tbc of artists’ projects edited by Christoph Keller. softback 64 pages ISBN 978-3-03764-178-1 Christoph Keller. 27 colour illustrations hardback 280 pages JRP|Ringier £37.00 tbc 165 x 105 mm 330 colour illustrations ISBN 978-3-03764-138-5 Portuguese text JRP|Ringier £15.00 330 x 252 mm hardback 596 pages ISBN 978-3-03764-168-2 June 2011 softback 96 pages 240 colour illustrations 52 colour illustrations 240 x 170 mm 254 x 190 mm English and German text May 2011

18 19 SPRING 2011

Rita McBride Emmanuelle Pagano Richard Prince Rive gauche / Ed Ruscha Hinrich Sachs: Lost Westways La Décommande T-Shirt Paintings Rive droite Huit textes: Vingt-trois Once More entretiens 1965 – 2009 text by Matthew Licht text by Jeanne Greenberg texts by Yves Aupetitallot, Lionel Bovier, Five Stories edited by Rita McBride edited by Fabienne Stephan Alexis Jakubowicz, Marc Jancou Commissioned by La Maison text by Ed Ruscha texts by Ruth Buchanan, Hans-Christian Dany, rouge – Fondation Antoine de edited by Marc Jancou edited by Jean-Pierre Criqui Birgit Kempker, Burkhard Strassmann, Mark Rita McBride is a prominent Galbert, a member of the FACE American artist Richard Prince von Schlegell edited by Christoph Keller American artist based in Düsseldorf, Association (Foundation of Arts for a recycles found materials from Imagine the meeting between a Since the mid-1960s, Ed Ruscha whose sculptures and installations Contemporary Europe), the French American popular culture, most often modified telephone pole and a table has developed an iconic body of deal with fiction and public space and author Emmanuelle Pagano drew images from advertisement and lamp with a face instead of a bulb, works, simultaneously as a painter, Lost Once More combines five short often provide a set for performances her inspiration from Franz Kafka’s magazine photography which he re- an improbable expressionist object a photographer (with such historic stories with cars, caravans, and and lectures. She has edited a series short story Investigations of a Dog photographs, silkscreens, overpaints, in ceramic, ink drawings, an ink books as Twenty-Six Gasoline other vehicles as supporting actors – of books for which she invited other (1922) to write The Cancellation, or frames, enlarges, or arranges rendering of the Superman myth, Stations, 1963), a film-maker, and stories dealing with motion, weekend artists and writers to write short the unlikely encounter of two people in collages, playing with their ‘dreamcatchers’, and oil paintings: an acute commentator of American forays, pilgrimage, and time travel. stories involving constraints and a who are worlds apart. This new short somehow empty meaning. Citation, this is what this book – published in culture. Born in 1937 and based in Five sculptures by Hinrich Sachs – relationship to the art world. Each story also echoes the artworks – détournement, appropriation: any parallel with an eponymous exhibition Los Angeles, he is a key figure of the replicated models of found vehicles – of the books corresponds to a sub reproduced in the book – by the 36 possible treatment of these clichés is drifting around the two banks of last few decades and one of the first were the starting point for the stories literary genre (crime novels, Sci-Fi, international artists of the touring explored and played with. Conceived the Seine river – presents. The artists to have introduced a critique of commissioned by the artist from the soft-eroticism, etc). Westways is exhibition Investigations of a Dog by the artist, this book gathers publication, edited by Marc Jancou popular culture and an examination authors Ruth Buchanan, Mark von the fifth in Rita McBride’s continuing organized by FACE in 2009 – 2011. unpublished images and well-known (exhibition curator and New York of language into the visual arts. This Schlegell, Birgit Kempker, Burkhard ‘Ways’ series of collaborative novels, Four other short stories – especially works using T-Shirts as a medium. gallerist), includes the work of 27 anthology of writings and interviews, Strassmann, and Hans-Christian this time with writer and climber written for the project by Aristide Brilliantly laid-out and composed, international artists, such as Michael edited by Jean-Pierre Criqui (editor- Dany for this publication. Hinrich Matthew Licht. We follow Mae West Antonas, Jonas Hassen Khemiri, the book is full of wit, humor, and Bauer, Michael Cline, Andreas in-chief of the Cahiers du Musée d’art Sachs’ work reflects the global as from her childhood in 19th century Rui Cardoso Martins, and Tiziano surprising encounters. Published on Hofer, Christian Holstad, Dorota moderne), offers a first opportunity to well as the regional conditions of through her adventures with Scarpa – and an exhibition catalogue the occasion of Prince’s exhibition at Jurczak, David Noonan, Sterling French readers to discover Ruscha’s the production of meaning. A central W.C. Fields at the 1931 Oktoberfest are published simultaneously. The Salon 94, New York. Ruby, Jim Shaw, and Lucy Stein, and comments on his own work, his artistic principle of his oeuvre is the to a Sapphic encounter with Leni French writer Emmanuelle Pagano brings together their responses to a beginnings, his evolution, the artistic investigation of the incidental in Riefenstahl on safari in the 1970s, graduated in Fine Arts and focused JRP|Ringier £14.00 tbc questionnaire, numerous illustrations, developments of the period, and the the relation between object, space, picking up a fighter pilot, Salvador on the field of cinema aesthetics. ISBN 978-3-03764-213-9 graphic quality, and context. softback 72 pages and essays by Yves Aupetitallot and relationship between art and society. Dalí, and Billy Wilder for the ride. She has written seven books since 64 colour illustrations Alexis Jakubowicz. Gathering together texts from 1974 to The publication is part of the series Published to coincide with the 2002 and especially favours the 280 x 195 mm 2009, this book is a unique occasion of artists’ projects edited by completion of McBride’s 52-metre- short story format. She has won JRP|Ringier £7.00 to approach Ruscha’s work and life Christoph Keller. high Mae West public commission at several literary prizes and her novels ISBN 978-3-03764-154-5 English edition ISBN 978-3-03764-155-2 French edition from the inside. Published with Les ’s Effnerplatz. The publication have been translated into German, Amis de la Maison Rouge, Paris. JRP|Ringier £13.00 softback 160 pages ISBN 978-3-03764-133-0 is part of the series of artists’ projects Italian and Spanish. Published with 54 colour illustrations softback 160 pages edited by Christoph Keller. FACE (Foundation of Arts for a 165 x 105 mm JRP|Ringier £15.00 14 b&w illustrations Contemporary Europe). ISBN 978-3-03764-089-0 190 x 120 mm softback 240 pages JRP|Ringier £10.00 English and German text 42 b&w illustrations ISBN 978-3-03764-135-4 JRP|Ringier £7.00 225 x 145 mm softback 94 pages ISBN 978-3-03764-172-9 French text 1 b&w illustration softback 64 pages 178 x 115 mm 31 colour illustrations 165 x 105 mm French text

20 21 SPRING 2011

Tiziano Scarpa Sgrafo vs. Fat Lava Jim Shaw Slavs and Tatars Switzerlarch: Bank and Switzerlart: A Nuove indagini di un formicaio texts by Ronan Bouroullec, Horst Makus, My Mirage Presents Molla Bastion Collection of Swiss Art Nicolas Trembley text by Fabrice Stroun text by Roman Hollenstein edited by Nicolas Trembley Nasreddin in Five Chapters Commissioned by the Fondazione edited by Lionel Bovier, Fabrice Stroun edited by Raffele Züger texts and edited by Slavs and Tatars text by Kathleen Bühler Sandretto Re Rebaudengo, a edited by Raffaele Züger member of the FACE Association Whether it is a question of Sgrafo My Mirage (1986 – 1991) is the first vases, of Raymond Loewy‘s Form Slavs and Tatars Presents Molla This book represents an architectural (Foundation of Arts for a major body of work by Jim Shaw, manual and a survey of Mario Botta’s Contemporary Europe), the Italian 2000 for Rosenthal (1954), or of the an artist from Los Angeles who Nasreddin: The Magazine That This book is built upon the BSI improbable Fat Lava glacis of the Would’ve, Could’ve, Should’ve. It career and provides a fascinating collection of almost 1,000 works author Tiziano Scarpa, drew his started exhibiting in the late 1970s. read that will enlighten both inspiration from Franz Kafka’s short 1970s, postwar German ceramics Composed of nearly 170 pieces features a selection of the most which focuses on Swiss artists. attest to a surprising stylistic iconic covers, illustrations and professionals and those less well It demonstrates the diversity and story Investigations of a Dog (1922) – each one drawn, silk-screened, versed in architecture appreciation. to write New Investigations of an inventiveness and diversity. Through photographed, sculpted, filmed or caricatures from the legendary Azeri inventiveness of artists of their these creations, both well-known and progressive political satire of the When the Palazzo Botta opened region. The book is published by BSI Ant Nest. This new short story also painted in a different style – My in Lugano in November 1988, it echoes the artworks – reproduced anonymous designers knew how to Mirage recounts the wandering of early 20th century, Molla Nasreddin. (Banca della Svizzera Italiana), as capture the impulses of a society The most important Muslim was greeted with enthusiasm by part of the BSI Art Collection series. in the book – by the 36 international Billy, a white, middle-class American the Swiss and international media artists of the touring exhibition in the middle of reconstruction and sucked into the whirlwind of the publication of the 20th century, Molla alike. To this day, it still counts as JRP|Ringier £16.00 Investigations of a Dog organized desirous of looking to the future. sixties and seventies, and provides Nasreddin was read from Morocco Mixing references to Op art, the to Iran, addressing issues whose a rare icon of contemporary bank ISBN 978-3-03764-164-4 by FACE in 2009 – 2011. Four other a social and cultural image of an hardback 380 pages geometry of a Verner Panton, relevance has not abated, such as architecture. The book is published short stories – especially written individual in this era. Created in close by BSI (Banca della Svizzera 91 colour illustrations for the project by Aristide Antonas, or the vegetal style of the hippie collaboration with Jim Shaw, the book women’s rights, the Latinisation 185 x 140 mm wave, these objects follow a path of the alphabet, Western imperial Italiana), as part of the BSI Art English, German and Italian text Jonas Hassen Khemiri, Rui Cardoso presents itself as the culmination of Collection series. Martins, and Emmanuelle Pagano of exaggerated shape unique in the the artist’s original project. My Mirage powers, creeping socialism from history of forms. It is the crossing Russia in the north, and growing – and an exhibition catalogue are – The Book will allow Jim Shaw’s JRP|Ringier £16.00 published simultaneously. Tiziano of intentions and this body of ever-growing audience to look at the Islamism from Iran in the south. Molla ISBN 978-3-03764-165-1 Scarpa is a multi-faceted and original supposedly ordinary objects that this whole of Billy’s story for the first time. Nasreddin not only contributed to hardback 220 pages 53 colour, 55 b&w illustrations Italian writer. He is a novelist, poet, publication explores, with a text by Furthermore, its format and content a crucial understanding of national the specialist Horst Markus, and an identity in the case study of the 185 x 140 mm essayist, and dramatist and in 2009 should appeal to a wide readership, English, German and Italian text he won the prestigious Strega interview with the designer Ronan beyond contemporary art, including complexity called the Caucasus, but Prize for the novel Stabat mater, Bouroullec. Published with the anyone interested in the history of offered a momentous example of the a narrative with a profound poetic support of Galerie Andrea Caratsch, the counter-culture of the 1960s and powers of the press both then and influence. Scarpa’s books have Zurich; CEC, Centre d’édition 1970s, American graphic design and today. This publication is part of the been translated worldwide and he contemporaine, Geneva; and FRAC popular illustration. series of artists’ projects edited by is a co-founder of and contributor to Champagne-Ardenne, Reims. Christoph Keller. the online magazine Il primo amore. JRP|Ringier £32.00 tbc JRP|Ringier £7.00 JRP|Ringier £20.00 tbc Published with FACE (Foundation of ISBN 978-3-03764-187-3 ISBN 978-3-03764-163-7 softback 240 pages ISBN 978-3-03764-212-2 Arts for a Contemporary Europe). softback 64 pages 150 colour illustrations hardback 208 pages 22 colour illustrations 260 x 210 mm 100 colour illustrations JRP|Ringier £7.00 165 x 105 mm July 2011 270 x 210 mm ISBN 978-3-03764-175-0 French text April 2011 softback 64 pages 31 colour illustration 165 x 105 mm Italian text

22 23 SPRING 2011

Tris Vonna-Michell Bruno Aveillan Mary Bauermeister The Ear of Giacometti just like a painting / Kerber Verlag MNEMO # LUX Worlds in a Box (Post-)Surrealist Art from text by Tris Vonna-Michell distributed by Cornerhouse in the UK, wie gemalt edited by Eva Birkenstock, Rahel Blättler, Scandinavia and Eastern Europe texts by Zoé Balthus, Jan Ole Eggert artists: Mary Bauermeister, Joseph Cornell, Meret Oppenheim to Mariella Creators in the 21st century Hannes Loichinger, Beatrix Ruf edited by Bruno Aveillan Joseph Beuys, Marcel Duchamp, Hans Mosler Haacke, Heinz Mack, Louise Nevelson, Ben artists: Stefan Fahrnländer, Christel Fetzer, Vautier, Wolf Vostell, Andy Warhol artists include: Horst Antes, Arman, Hans Susanne Kutter, Gerhard Mantz, Laura Arp, Hans Bellmer, Joseph Beuys, Peter Padgett, Christina Paetsch, Wolfgang Rüppel The British artist Tris Vonna-Michell Bruno Aveillan can visually secure texts by Alexander Eiling, Wulf Herzogenrath, 100+ Drawings by Blake, Louise Bourgeois, Victor Brauner, is a memory traveller who runs Katrin Kolk, Kerstin Skrobanek texts by Susanne Burmester, Gabriele scarcely audible notes of everyday Thorsten Brinkmann, James Brown, Michael Detterer, Ralf Hanselle, Peter Lang, Kai Uwe through the past and present. In his Mel Ramos edited by Reinhard Spieler, Kerstin Skrobanek, life with the utmost sensitivity and Buthe, Joseph Cornell, Salvador Dalí, Oscar Schierz, Thomas Wulffen, Hans Zitko works, images, sound, light, and text by Klaus Schröder Wilhelm-Hack-Museum Dominguez, Marcel Duchamp, Max Ernst, Jan certainty. He constantly celebrates preface by Burkhard Leismann the most ordinary objects become edited by Thomas Levy preface by Reinhard Spieler Fabre, Lucio Fontana, Alberto Giacometti, the elevation of a motif from Thomas Grünfeld, José de Guimarães, edited by Kai Uwe Schierz, Kunsthalle Erfurt the material of a totally individual everyday life to the fine line between Damien Hirst, Rebecca Horn, Johannes Hüppi, experience where reality and fiction Women, pleasure, sex and figurative representation and The Cologne artist Mary Wulf Kirschner, René Magritte, Man Ray, André Masson, Friedrich Meckseper, Joan Modern-day technology offers a wide merge, and journey, memories, entertainment – Mel Ramos’ images abstraction, form and deconstruction, Bauermeister made her mark on the Miro, Sabine Mohr, Mariella Mosler, Meret range of opportunities for reproducing and invention coexist. The stories present the viewer with a dazzling, existence and transience, art and life. New York art market in the middle Oppenheim, Francis Picabia, Pablo Picasso, or transforming images, including the and the visual material assembled provocative, alluring and sometimes MNEMO # LUX reveals Aveillan’s of the 1960s. Her ‘lens boxes’ – Jaume Plensa, Susanne Sander, Carolein Smit, Daniel Spoerri, Annette Streyl, Yves computer-aided creation of images in in this book originated and began raunchy visual language. The artist departure from a realistic mode of wooden boxes, open at the front, Tanguy, Jean Tinguely virtual spaces. If traditional painting their evolution in 2003. Since 2008, drapes his pin-up girls over painted representation in favour of a form of containing several visual layers text by Belinda Grace Gardner techniques have been developed, they have been gradually modified commercial products in risqué, expression that is impressionistic, made of glass, with lenses and edited by Levy Galerie refined and modified over centuries, and further expanded in a series of dynamic poses. Ramos became fragmentary and poetic: it changes prisms arranged on top – fascinated the rapidly developing world of projects. Taking these projects as famous for these commercial pin- the familiar to the point of abstraction curators and collectors. Every major The subversive visual programme image-generating technologies that a starting point, Tris Vonna-Michell ups, as they are known, at the and at the same time is a mental New York museum purchased of the Surrealists was expressed in we live with today gives us new conceived this artist’s book as a end of the 1960s and has since panorama which inspires the viewer’s her work. For the first time, in this the interplay of contradictions, with insights into the ways images can further elaboration of his artistic evolved into one of the art world’s powers of imagination and opens up catalogue, Bauermeister’s poetic, the goal of radically dismantling be created. This applies also to one practice, interweaving multiple most challenging contemporary the possibility of making the moment enigmatic and intriguing works are the expectations of the hitherto specific aspect of the artistic image: narrative threads. Behind an identical artists. This catalogue is the first his or her own. With his intuitive presented against the background experienced. Today, in a time ‘painterliness’. Long a domain only cover, the seemingly ‘same’ is of its kind to focus exclusively on travel diary of the senses, Aveillan of the experimental art of the 1960s, shaped by increasingly impenetrable of painting and drawing, there are presented in variations that were Mel Ramos’ drawings. It includes takes the viewer with him on a very illustrating formal and content-related and contradictory fragments of now a number of different ways of developed through performative the artist’s sketches and drawings personal, intimate and mysterious connections to contemporary groups information, a new generation engaging artistically with the painterly improvisations over the first version from the 1960s to the present day, journey around the globe. Published like ZERO, Fluxus and Nouveau of artists is rediscovering the aspect of a work. The artists and of the text, initially the placing of demonstrating his inimitable style, on the occasion of the exhibition Réalisme. Published on the occasion multifarious poetic stylistic devices works in this catalogue embody the images and positioning of the which addresses everyday myths and MNEMO # LUX, Epicentro Art, Berlin, of the exhibition Mary Bauermeister: of Surrealism. Published on the and illustrate, from a variety of inserts. Published with Fondazione the synthetic dreams of the media October to November 2010. Worlds in the Box, Wilhelm-Hack- occasion of the exhibition at the Levy perspectives, the painterly aspects in Galleria Civica Centro di Ricerca and the advertising world. Museum, Ludwigshafen am Rhein, current art, some of which have been sulla Contemporaneità di Trento, Kerber Verlag £38.00 October 2010 – January 2011. Gallerie, , November 2010 – GAMeC Galleria d’Arte Moderna Kerber Verlag £27.50 ISBN 978-3-86678-463-5 February 2011. completely transformed. e Contemporanea di Bergamo, ISBN 978-3-86678-444-4 hardback 88 pages Kerber Verlag £36.50 43 colour illustrations Halle für Kunst Lüneburg eV, and hardback 128 pages ISBN 978-3-86678-449-9 Kerber Verlag £27.50 Kerber Verlag £37.50 113 colour, 30 b&w illustrations 300 x 245 mm hardback 176 pages ISBN 978-3-86678-478-9 ISBN 978-3-86678-467-3 Kunsthalle Zürich. 240 x 170 mm English, German and French text 72 colour, 30 b&w illustrations hardback 224 pages hardback 160 pages English and German text 250 x 250 mm 168 colour, 8 b&w illustrations 113 colour, 21 b&w illustrations JRP|Ringier £23.00 tbc English and German text 210 x 150 mm 300 x 240 mm ISBN 978-3-03764-170-5 English and German text English and German text softback 80 pages 15 colour, 19 b&w illustrations 260 x 210 mm May 2011

24 25 SPRING 2011

William Lamson Klara Liden The Luminous West NOT IN FASHION Series of Portraits Daniel Spoerri ON EARTH artists: Bernd and Hilla Becher, Anna and Photography and Fashion A century of photographs Black on Wise Bernhard Johannes Blume, Tony Cragg, Isa text and an artist’s interview by Silke Opitz in the 90s artists: Diane Arbus, Rineke Dijkstra, Patrick texts by Henning Christoph, Jutta Mattern, Klara Liden’s works defy Genzken, Andreas Gursky, Georg Herold, Faigenbaum, Hans-Peter Feldmann, Lee Barbara Räderscheidt, Daniel Spoerri edited by Silke Opitz Jürgen Klauke, Marcel Odenbach, Albert artists: Vanessa Beecroft, Walter van classification: performance, Friedlander, Nan Goldin, David Octavius Hill, Oehlen, Ulrich Rückriem, Thomas Schütte, Beirendonck, Bernadette Corporation, Ayzit preface by Oliver Kornhoff installation, sound and video blend Robert Adamson, Roni Horn, Theodor and Katharina Sieverding, Rosemarie Trockel, Bostan, BLESS, Mark Borthwick, Susan Oscar Hofmeister, Peter Keetman, Helmar interview by Michael Kerbler with William Lamson’s photographs into multimedia installations. The Timm Ulrichs, Thomas Arnolds, Martina Cianciolo, Maria Cornejo, Corinne Day, Anders Lerski, Annie Leibovitz, Michael Najjar, Daniel Spoerri artist occupies public spaces or Debus, Simon Denny, Chris Durham, Claudia Edström, Jason Evans, Helmut Lang, Martin and videos contain powerful visual Nicholas Nixon, Heinrich Riebesehl, Judith edited by Oliver Kornhoff, Arp Museum Fährenkemper, Natascha Sadr Haghighian, Margiela, M/M (Paris), Cris Moor, Kostas makes the private public in an almost Joy Ross, Thomas Ruff, August Sander, Cindy Bahnhof Rolandseck imagery. These aesthetic-painterly David Hahlbrock, Benjamin Houlihan, Bernd Murkudis, Collier Schorr, Nigel Shafran, Sherman, Andy Warhol compositions are equally linked to painful way, breaks with social Kastner, Christian Keinstar, Erinna König, Jürgen Teller, Wolfgang Tillmans texts by Gabriele Betancourt Nuñez, Artist cinema and always present the conventions and aesthetic ways of Gereon Krebber, Ursula Neugebauer, Michail edited by Susanne Gaensheimer, Ulrike Schneider Daniel Spoerri made his name as a seeing. The publication for the 2010 Pirgelis Sophie von Olfers results of actions, performances and visual artist with his ‘snare pictures’ blauorange Art Prize illustrates, edited by Gabriele Betancourt Nuñez installations carried out by the artists, and as a pioneer of Eat Art. In his among other things, a range of black The Luminous West brings together which take place in the rural/urban How does fashion change our 80th year, Spoerri pays homage and white slide projections showing 33 artists from two generations The portrait is one of art’s traditional space or in the studio/exhibition view of the world? How does to Hans Arp, after whom the Arp simple actions in blurred, slowed to provide an overview of the art motifs and was a strong motivational space. The duality of nature and photography change our view of Museum is named, with his work frame sequences. The work is a landscape of the Rhineland and force for the invention of photography culture and aspects like time, fashion? In the 1990s, the fashion entitled Weißt Du, schwarzt Du? poignant and humorous revelation North Rhine-Westphalia. Departing in the 19th century. The human space and the localisation of the scene fundamentally reinvented (Black on Wise), which is also the of the relationship between public from a historical core, embodied by image has undergone permanent individual in the ‘big picture’ all create itself, mainly through the medium title of one of Arp’s poems. The and private space and between Joseph Beuys, Imi Knoebel, Blinky change. The project, A century of the broad contextual framework. of photography. The lifestyle of that exhibition in the Arp Museum and this the general rules of conduct and Palermo, Sigmar Polke and Gerhard photographs, takes us on a trip Equally Lamson refers to the now decade’s 20- and 30-somethings catalogue feature 130 distinguished personal freedom. Published on the Richter, The Luminous West first through time: from photography’s ‘classical’ Concept Art and Land Art was shaped by music, subculture, works dating from the 1960s right occasion of the blauorange Art Prize introduces the major artists of the beginnings with the daguerreotype of the 1960s/1970s. This catalogue intimacy and fashion. The numerous up to Spoerri’s most recent works. 2010 of the Deutschen Volksbanken older generation, with their respective and the talbotype to the digital is published on the occasion of photographs, campaigns and key Included in the exhibition are the und Raiffeisenbanken. new works. These artists have present and the issue of the end of the exhibition William Lamson picture series from magazines of large-scale Prillwitz Idols bronzes suggested 14 younger artists, who, the classic portrait. A selection of at Kunsthalle Erfurt, November that decade featured in this multi- together with a variety of wooden 2010 – January 2011, and presents Kerber Verlag £29.50 in their opinion, have the potential to works from 40 international artists is ISBN 978-3-86678-510-6 layered publication shows how and bronze sculptures, fascinating further develop anew, the impressive presented; these works relate to each his works and the artist’s creative hardback 200 pages radical and innovative this generation picture series, the famous ‘snare artistic legacy of the Rhineland in a other and, thanks to their reception process in breathtaking videos 11 colour, 89 b&w illustrations was and how it remains influential pictures’, and for the first time 250 x 170 mm way that is productive for the future. today, are being re-interpreted within and images. in fashion, photography and art to surprising objects from Spoerri’s English and German text Published on the occasion of the new contexts. this day. Published on the occasion private collections. Published on the Kerber Verlag £29.50 exhibition The Luminous West at of the exhibition, Not in Fashion: occasion of the exhibition Daniel ISBN 978-3-86678-481-9 Kunstmuseum Bonn, July – Kerber Verlag £35.00 tbc softback 128 pages Photography and Fashion in the 90s ISBN 978-3-86678-498-7 Spoerri. Weißt Du, Schwarzt Du?, at October 2010. 151 colour, 4 b&w illustrations at MMK Museum für Moderne Kunst, hardback 240 pages tbc Arp Museum Bahnhof Rolandseck, 300 x 240 mm Frankfurt am Main, September 2010 illustrated in colour and b&w Kerber Verlag £49.50 Remagen, August 2010 – January English and German text – January 2011. 280 x 210 mm tbc ISBN 978-3-86678-432-1 April 2011 2011. hardback 416 pages 224 colour, 83 b&w illustrations Kerber Verlag £39.50 Michael Najjar, dana_2.0 1999, 2000 digital colour Kerber Verlag £27.50 290 x 230 mm ISBN 978-3-86678-452-9 print from the series nexus project part I ISBN 978-3-86678-447-5 English and German text softback 320 pages hardback 160 pages 217 colour, 94 b&w illustrations 149 colour, 10 b&w illustrations 297 x 240 mm 280 x 160 mm English and German text English and German text

26 27 SPRING 2011

Verlag der Buchhandlung Kai Althoff & Nick Z Bernadette John Bock Monica Bonvicini Candice Breitz Dream Cereal FischGrätenMelkStand / Both Ends The Scripted Life Walther König Corporation distributed by Cornerhouse in the UK The Complete Poem Herringbone Milking Parlour texts by Rein Wolfs, Ursula Maria Probst, texts by Beatrice von Bismarck, Colin Vanessa Joan Müller Richards, Okwui Enwezor, Edgar Schmitz text by Andreas Schlaegel Featuring 60 drawings, this book texts and edited by Bernadette Corporation edited by Yilmaz Dziewior, Kunsthaus Bregenz was conceived as a continuation of edited by Angela Rosenberg, John Bock the artistic collaboration between Kai ‘I decided to try art because it was Absalon The idea of the book is to present Althoff and artist Nick Z, which was the only way to be a worker and Identity formation and media life – texts by Absalon, Bernard Marcadé, Nina these two elements – poem and For many, this exhibition, curated Möntmann, Moshe Ninio, Beate Söntgen, first established in their 2007 joint an intellectual at the same time.’ two dominant and recurring themes fashion shoot – in a single package, and installed by John Bock, was the Philip Ursprung, Hortensia Völckers exhibition at Gladstone Gallery, We (Monica Bonvicini) in the work of Candice Breitz – form as one complex object. This most radical and interesting art event foreword by Hortensia Völckers Are Better Friends For It. Entitled, In her art, Monica Bonvicini raises the leitmotif of the artist’s solo combination of original literature and in Berlin in 2010. With numerous edited by Susanne Pfeffer Dream Cereal, this book further issues regarding gender and exhibition The Scripted Life at the commissioned fashion photography installation and detail photographs, explores the underlying themes of power relationships in all kinds of Kunsthaus Bregenz (February – April undermines the traditional autonomy this catalogue gives the reader a very their exhibition and collaboration, contexts. At the centre of her work 2010), where major existing works The Israeli artist Absalon was of literary and visual genres. The visual impression of the 11 metre- borrowing from moments of history, are architecture and public spaces, were shown alongside more recent fascinated by spaces, which book itself is a conceptual gesture: high, walk through, labyrinthian steel religious iconography, and counter- the world of labour, sexuality, as installations. Throughout her early he reworked in systematic and the display of a mediation, or the construction. Within the four floors cultural movements to create well as politics and representation, work in photography and collage, successive ways with questions presentation of a redistribution. of the structure, both functional and evocative contexts that are propped whose close connections she and continuing to her sophisticated around essential human activities Bernadette Corporation was formed grotesque, the artwork of 60 different upon narratives simultaneously reveals. Conceptual pieces as well video installations, the Berlin-based and basic geometric forms (the in a Manhattan nightclub in 1994, and artists fuses with the space around arcane yet familiar, at once deeply as sculptural works and spatial South African artist has consistently rectangular, the square, the began organizing DIY social events it. Published to accompany the triangle and the circle) being his personal yet universal. exhibition at Temporäre Kunsthalle, installations are presented in this examined and dissected mass that evolved into unauthorized art monograph. Monica Bonvicini’s media and popular culture, role points of departure. It was in 1987 carnivals in SoHo parking lots. From Berlin, July – August, 2010. that he started to empty out the Verlag der Buchhandlung Walther König £29.50 diversity of form and continuity of play and gender construction, ISBN 978-3-86560-951-9 1995 to 1997, the group worked Verlag der Buchhandlung Walther König £28.00 content becomes clear through language and fragmentation, spaces he found before eventually hardback 60 pages under the guise of an underground ISBN 978-3-86560-872-7 this overview. Her oeuvre reflects reforming and appropriating them restructuring and refilling them illustrated in colour and b&w fashion label. In 1999 it self- hardback 144 pages 305 x 229 mm a firm political stance, which, to shape her artistic vocabulary. with the help of simple forms. 111 colour illustrations published a magazine, Made in USA, however, never stops at the mere Essays by Beatrice von Bismarck, These test assemblies – further and began producing videos. 210 x 290 mm developed later on by means of English and German text communication of her position by Colin Richards and Okwui Enwezor artistic means. Instead, Bonvicini address various aspects of Breitz’ objects, drawings, photographs and Verlag der Buchhandlung Walther König £27.00 films – came full circle in Absalon’s ISBN 978-3-86560-870-3 continuously seeks confrontation oeuvre to form the scholarly Cellules: individualized, ascetic and softback 180 pages at an artistic level: through breaks backbone of this catalogue raisonné 40 colour illustrations with routine of representation and of the artist’s film and video works. contemplative living units. This new 280 x 215 mm publication on the occasion of the traditional viewing habits. Published Each work is introduced individually extensive retrospective at the KW alongside the exhibition at Kunsthalle with a text by Edgar Schmitz, making Institute of Contemporary Art qualifies Fridericianum, Kassel, August – this catalogue together with a both as a catalogue raisonné and a November 2010. carefully compiled appendix the most monograph. The catalogue is the first comprehensive publication on the Verlag der Buchhandlung Walther König £32.00 work of Candice Breitz yet. ever to offer illustrations and theory ISBN 978-3-86560-873-4 covering Absalon’s entire oeuvre. softback 168 pages Verlag der Buchhandlung Walther König £49.50 150 colour illustrations ISBN 978-3-86560-782-9 Verlag der Buchhandlung Walther König £49.00 310 x 210 mm hardback 232 pages ISBN 978-3-86560-952-6 English and German text 90 colour illustrations hardback 352 pages 230 x 180 mm 189 b&w illustrations English and German text 300 x 225 mm English and German text

28 29 SPRING 2011

Jonas Burgert Nina Canell Nigel Cooke Nathan Cash Davidson Marcel van Eeden Every Artist is a Lebendversuch To Let Stay Projecting as a text by Michael Bracewell Burlesque in which we’ve Schritte ins Reich der Kunst Human Being / Jeder texts by Karin Pernegger, Daniel J. Schreiber, Bit of Branch on a Log by Not edited by Stuart Shave / Modern Art thrown it on its head texts by Katja Blomberg, Konrad Bitterli Hans-Peter Wipplinger Künstler ist ein Chopping It Off texts by Ziba Ardalan, Nathan Cash Davidson edited by Daniel J. Schreiber, texts by Dieter Roelstrate, Karl Lydén edited by Ziba Ardalan, Parasol unit / Koenig Mensch Hans Peter Wipplinger Nigel Cooke’s paintings construct Since the mid 1990s, the Dutch a dark and melancholic world; a Books, London artist Marcel van Eeden has tackled texts by Daniele Gregori, Doris Krystof, Veit Loers, David Riedel The work of Swedish artist Nina deeply psychologised landscape the idea of non-being. He connects To conduct an ‘Experiment in Vivo’ edited and foreword by Karola Kraus filled with an atmosphere that Nathan Cash Davidson makes this thought with memories of (Lebendversuch), is to consider Canell connects things found articulates the trauma of creative paintings featuring such diverse times before he was born. In the something under real-life conditions. in nature with the most varied dereliction. At its core, Cooke’s figures as King Henry VIII, Mr. medium of drawing he explores a This volume shows that the self- The title refers to a core notion in of everyday objects, materials work is an allegorical conception of Punch, George Bush and Ali G. world which, for him, represents a portrait lost none of its topicality in Jonas Burgert’s work. The painter’s and appliances: electrical waste, creativity and production, played out Historical and popular cultural terrain he has not experienced but the second half of the 20th century. visual narratives appear strange cables and fluorescent lights fuse in a world populated by artists and characters and the artist’s own family which is nevertheless a safe place. The steadily growing importance and enigmatic, but their emotional in a sculptural, temporary, almost philosophers. This is a place haunted members meet animated gargoyles Van Eeden brings to life a world of photography and film has not subtext is conveyed to the viewer performative manner with natural by vagrant and degenerate martyrs and mournful mythological creatures beyond his existence on the basis threatened the existence of this directly. Burgert is able to condense materials such as water, wood, and who have caved in to a parody in otherworldly forests, cathedrals, of print media published exclusively genre, rather it has widened the the marks of painting, often on very stones. The results are visual and of existentialism and committed desert islands and council estates; before the year 1965. He examines range of media in which artistic large canvases, to human figures audial ‘experimental arrangements’, themselves to experience over boldly rendered in vital, swirling jewel the phenomenon of chronological self-reflection is now carried out. of great urgency that are physically the processes of change making abstractions of thought. These colours. Burlesque in which we’ve reversal. His works interweave real Beginning with the work of Andy experienced. Peculiar characters them poetic metaphors for life. This characters abandon reason, willfully thrown it on its head is an encounter biographies of celebrities with fiction, Warhol, Bruce Nauman and Joseph such as warriors, beggars, shamans publication is an artists’ book that, and foolishly throwing themselves with Cash Davidson’s prodigious while not always relating image and Beuys, conceptual and abstract or harlequins inhabit his stage-like like previous projects Arpeggio Book headlong into the unseen and talent for figuration and architectural text to one another and in doing so, ideas, and also forms of self-portrait pictorial spaces. Occasionally visitors and Evaporation Essays, has been unknown. Included is a conversation detail, and his wry and irreverent wit. they establish several narrative levels that consciously adhere to the in everyday dress have sneaked designed by Nina Canell herself in between Nigel Cooke and These accomplished and confident which occasionally incur an absurd traditional medium of painting, are in, struggling to understand what is collaboration with fellow artist Martin Herbert. works evoke a rich interior landscape tension. On the basis of antiquarian introduced and positioned within a going on. Huge existential questions Robin Watkins. whilst also offering an often bleak books, magazines, catalogues and larger art historical context in four on the meaning of suffering, death, Verlag der Buchhandlung Walther König £19.00 Verlag der Buchhandlung Walther König £42.00 and discomfiting perspective of the newspapers, the artist reworks a time essays. The selected positions life, love, violence, and power are ISBN 978-3-86560-911-3 ISBN 978-3-86560-939-7 contemporary metropolis. Published which has taken place without him demonstrate to what extent touched on, but find no answer or softback 120 pages hardback 112 pages on the occasion of the exhibition at – just as the time after his death will critical questions of authorship, appeasement. The visual narrative 37 colour, 9 b&w illustrations 50 colour illustrations 306 x 303 mm Parasol unit, London, December take place without him. the individual, gender and genius is ultimately based on precise and 185 x 120 mm English and German text 2010 – February 2011. are discussed and simultaneously detailed composition, executed with Verlag der Buchhandlung Walther König £17.00 how the self-consciousness, pride, great craftsmanship. Verlag der Buchhandlung Walther König £21.00 ISBN 978-3-86560-931-1 weakness, vulnerability and softback 104 pages ISBN 978-3-86560-942-7 failure of the artist is handled in Verlag der Buchhandlung Walther König £24.00 softback 72 pages 76 colour illustrations ISBN 978-3-86560-940-3 24 colour illustrations 220 x 170 mm ever-new forms. hardback 112 pages 230 x 160 mm English and German text 168 colour illustrations Verlag der Buchhandlung Walther König £36.00 320 x 217 mm ISBN 978-3-86560-884-0 English and German text hardback 256 pages 107 colour illustrations 270 x 215 mm English and German text

30 31 SPRING 2011

Exhibiting the New Art VALIE EXPORT Rainer Fetting Figura Cuncta Gilbert & George Antony Gormley ‘Op Losse Schroeven’ and Time and Countertime Manscapes Videntis: The All- Art Titles 1969 – 2010 Horizon Field ‘When Attitudes Become Form’ texts by Agnes Husslein-Arco, Stella Rollig, texts by Thomas Wagner, Travis Jeppesen, texts by Hans Ulrich Obrist, Inigo Philbrick texts by Eckhard Schneider, Martin Seel, 1969 Angelika Nollert, Sabeth Buchmann, Yilmaz Daniel J. Schreiber Seeing Eye Beat Wyss Dziewior, Elke Krasny, Hanne Loreck, Maren edited by Daniel J. Schreiber Homage to Christoph edited by Kunsthaus Bregenz texts by Christian Rattemeyer, Wim Beeren, Lübbke-Tidow, Letizia Ragaglia, Brigitte Schlingensief This artists’ book has been designed Charles Harrison, Harald Szeemann, Tommaso Reutner, Johanna Schwanberg, Berta Sichel by Gilbert & George and presents Trini, Claudia Di Lecce, Steven ten Thije, In addition to sensual appetency, edited by Thyssen-Bornemisza Art Horizon Field is made up of 100 life- Teresa Gleadowe a complete catalogue of their Rainer Fetting’s paintings of Contemporary, Wien size, solid cast-iron figures of the edited by Afterall Books in association with In over four decades of artistic evocative titles in the format of a the Academy of Fine Arts Vienna and Van practice, VALIE EXPORT, one of the men testify to a high degree of poetic index. Spanning more than human body, spread over an area Abbemuseum, Eindhoven most important avant-garde video compositional reflection. The works, Figura cuncta videntis presents 40 years of exhibitions, pictures, of 150 square kilometres in Austria. artists, has realised a large oeuvre produced between 1974 and 2010, a selection of 11 performative sculptures, books, and other formats The figures represent a place where The ‘new art’ of the late 1960s was including performance, photography, encompass different facets of male installations, documentations of the text, printed both alphabetically a person once was or could be. shown in two landmark exhibitions film, and media installations. Now, eroticism and identity: the classic past projects, and video-based and chronologically, composes an Horizon Field sets up a relationship in 1969: Op Losse Schroeven and after numerous catalogues and nude, the bathing boy, or the man installations that are informed by accidental epic verse, between the palpable, the When Attitudes Become Form. This academic examinations, comes this in drag. With essays by Travis the aesthetics of the performative, simultaneously automatic and perceivable and the imaginable and book reveals how each brought classic monograph, which is sure Jeppesen and Thomas Wagner as well as some new commissions representative of their focus on questions where the human project together Arte Povera, Anti-Form, to be the standard work for several as well as 65 colour illustrations, created or re-created for this worldly and spiritual matters. fits within the evolution of life on this Conceptual and Land art, whilst years to come. This publication this volume pays tribute not only to show. The exhibition seeks to planet and addresses the cultural, challenging such categories and presents EXPORT’s newer and the subject of male images, but to underline the processual, durational, Verlag der Buchhandlung Walther König £12.00 natural, and historical background of introducing innovative curatorial newest works, complemented by a Fetting’s extensive oeuvre. Published ephemeral, and dynamic nature ISBN 978-3-86560-880-2 a landscape. The work will be subject to accompany the exhibition at of aesthetic production as well as softback 180 pages to the forces of nature, various approaches. Christian Rattemeyer concentrated selection of earlier work 210 x 150 mm offers a rich comparative analysis to enable a comprehensive analysis Kunsthalle Tübingen, October – the transformative quality (in the lighting conditions and the changing of the two exhibitions, exploring the of the artist’s oeuvre. Through her December 2010. process of rapid development from seasons, continuously enabling related but differing approaches work, EXPORT searches for identity, articulation to de-articulation) of the new perceptions and impressions. of the two curators – Wim Beeren for the relationship between body Verlag der Buchhandlung Walther König £24.00 residual or aesthetic production that Lavishly presented photography ISBN 978-3-86560-894-9 possesses a performative disposition. of the landscape installation and a and Harald Szeemann – in two and psyche, the threat to humankind hardback 112 pages As its centerpiece, the exhibition distinct institutional settings: the and its character and not least for the 64 colour illustrations documentation of its planning are Stedelijk Museum in Amsterdam process of seeing itself. Rigorous and 280 x 190 mm showcases Animatograph (Iceland accompanied by essays on the work. and the Kunsthalle Bern. Numerous engaged, the artist tackles existential English and German text Edition) by Christoph Schlingensief, Published on the occasion of the installation photographs enable questions on social and political the German film-maker, artist, and project Horizon Field, August 2010 – a virtual ‘walk through’ of each themes. EXPORT is both celebrated theatre director who died in August April 2012, a landscape installation in exhibition, while meticulous and vehemently criticised, particularly 2010. The Animatograph is a many- the High Alps of Vorarlberg, Austria. chronologies detail the negotiations for her feminist orientation and her faceted installation that refigures the that shaped them. Crucial texts from tireless struggle for equal rights and gaze as the all-seeing eye, providing Verlag der Buchhandlung Walther König £45.00 both a metaphor for a universal ur- ISBN 978-3-86560-890-1 the time are complemented by new the gender-neutral evaluation of hardback 176 pages narration and an apparatus for its research and fascinating recent media themes. 60 colour iIlustrations interviews with participating artists. navigation. Published alongside an 300 x 225 mm Included are interviews with Marinus Verlag der Buchhandlung Walther König £38.00 exhibition at Thyssen-Bornemisza Art English and German text Boezem, Jan Dibbets, Ger van Elk, ISBN 978-3-86560-874-1 Contemporary, Vienna, November hardback 304 pages 2010 – April 2011. Piero Gilardi and Richard Serra. 278 colour illustrations 320 x 240 mm Verlag der Buchhandlung Walther König £19.00 Verlag der Buchhandlung Walther König £14.95 English and German text ISBN 978-3-86560-938-0 ISBN 978-3-86560-859-8 softback 184 pages softback 280 pages 150 colour illustrations 15 colour, 106 b&w illustrations 225 x 170 mm 215 x 156 mm English and German text 32 33 SPRING 2011

Brian Griffiths Hyper Real I Know Something Barbara Kruger Klara Liden Crummy Love The Passion of the Real in Super 8 About Love Circus texts by John Kelsey, Karl Holmqvist, Painting and Photography Sophie O’Brien, John Peter Nilsson texts by Martin Clark, Nicholas Stewart texts by Julia Stoschek, Jon Savage, Simon texts by Eva Illouz, Ziba Ardalan, Eva Illouz texts by Max Hollein, Anette Urban Field, Philipp Fürnkäs, Michael O’Pray edited by Sophie O’Brien, Teresa Hahr, edited by Sally O’Reilly artists include: Richard Artschwager, Peter edited by Ingrid Pfeiffer, Max Hollein edited by Ziba Ardalan Melissa Larner Blake, Chuck Close, Thomas Demand, edited by Julia Stoschek Foundation William Eggleston, Eric Fischl, Andreas This is the first fully illustrated Gursky, Richard Hamilton, Duane Hanson, This multimedia group exhibition at ‘I work with pictures and words Klara Liden’s subversive responses David Hockney, Candida Höfer, Jasper The British painter, film-maker, set monograph of the British sculptor’s Parasol unit, London features works because they have the ability to Johns, Alex Katz, Jeff Koons, Louise Lawler, designer and author Derek Jarman to our social spaces and conventions extensive and ambitious practice. It Roy Lichtenstein, Malcolm Morley, Tom by Shirin Neshat, Christodoulos determine who we are and who we is well-known to a wide audience, raise the question of how we might includes large-scale exhibitions and Phillips, Sigmar Polke, Mel Ramos, Gerhard Panayiotou, Yinka Shonibare aren’t,’ says the American conceptual re-appropriate privatised, urban Richter, James Rosenquist, Thomas Ruff, Ed particularly as the director of commissioned projects in diverse and Yang Fudong. Each of these artist Barbara Kruger, who made a Ruscha, Markus Schinwald, Cindy Sherman, distinctive films and music videos. space, and recall a long history of contexts since the late 1990s to the Thomas Struth, Jeff Wall, Andy Warhol, Tom artists explores the theme of love name for herself internationally in Less widely known, yet a decisive performative and conceptual work. present day. The illustrated works Wesselmann in different times and cultures the 1980s. Frequently conceived part of his oeuvre, are the Super Through a simultaneous process track the consistent and innovative edited by Brigitte Franzen, through the spectrum of their for public space, her works are of building and un-building, re- Susanne Neuburger 8 films that Jarman made in the use of everyday objects and familiar personal experience, observation comments on the individual and 1970s and 80s. Recorded from the cycling and improvising, Liden’s visual languages to set up theatrical and commentary. The exhibition society, on war and culture, but also subjective-personal perspective of psychologically laden films, actions sculptural encounters that use At the end of the 1960s in the USA a title takes its cue from a 1960s song on advertising and commercialism. his handheld camera, the staged and structures reveal the hidden humour and pathos. This monograph, group of painters stepped out of the written by Bert Berns and performed The use of large, ostentatious compositions convey Jarman’s aggression and potential rebellion the first comprehensive overview of shadows of Abstract Expressionism by The Exciters, in which there is lettering turns characters into images, artistic position, in which life and art that rests under the surface of our the artist’s entire practice, reveals and turned towards the tradition of the recurring lyric, ‘I know something makes language and meaning constantly, and naturally, connect cities. Published to accompany new interpretations, themes and painterly realism. These painters about Love’. The catalogue features perceivable in a spatial manner. with one another. The stills from the exhibition at Moderna Museet, ongoing artistic investigations of one often used the photographic image insightful essays on the subject Kruger once called those places Derek Jarman’s Super 8 films are Stockholm and Serpentine Gallery, of Britain’s most prolific sculptors. as a verbatim model but could of Love by Parasol unit’s Director/ that are covered all over with writing published here as a series for the London in 2010. Contains an informal conversation ‘correct’ the photographs as Chuck Curator Ziba Ardalan and Eva Illouz, ‘walk-in spaces of thinking.’ In her first time. ‘I believe that we need a with artist David Thorpe, and Close did in his portraits by placing Professor at Hebrew University of installation Circus developed for the Verlag der Buchhandlung Walther König £24.00 cinema that includes more of what essays by Martin Clark and different photos next to each other Jerusalem. The publication also Rotunda of the Schirn in 2010, black ISBN 978-3-86560-915-1 is called ‘self indulgent’ and less of softback 106 pages Nicholas Stewart. in order to give each segment of includes a selection of internationally and white words and sentences theory. We would have a much more cover all its walls, its floor, and its 60 colour illustrations the picture its own focal point and, acclaimed love poems, written over 255 x 220 mm Verlag der Buchhandlung Walther König £35.00 vibrant cinema if people actually in a complex work process, turning ceiling, creating an overwhelming English and Swedish text ISBN 978-3-86560-957-1 the centuries by various poets. photography into painting. Published explored who they were.’ impression for the viewer. Published hardback 208 pages (Derek Jarman) 114 colour, 36 b&w illustrations on the occasion of the exhibition Verlag der Buchhandlung Walther König £28.00 on the occasion of an exhibition dimensions tbc Hyper Real: The Passion of the ISBN 978-3-86560-980-9 at Schirn Kunsthalle, Frankfurt, Verlag der Buchhandlung Walther König £28.00 Real in Painting and Photography at hardback 96 pages December 2010 – January 2011. ISBN 978-3-86560-875-8 24 colour, 4 b&w illustrations MUMOK, Vienna, October 2010 – hardback 124 pages 230 x 168 mm February 2011. 65 colour iIlustrations Verlag der Buchhandlung Walther König £17.00 210 x 165 mm ISBN 978-3-86560-945-8 English and German text softback 64 pages Verlag der Buchhandlung Walther König £38.00 50 colour illustrations ISBN 978-3-86560-929-8 270 x 210 mm hardback 400 pages English and German text 284 colour illustrations 325 x 245 mm English and German text

34 35 SPRING 2011

Michaela Meise My Work and Me Frank Nitsche Philippe Parreno A.R. Penck Raising Frankenstein Ding und Körper artists include: John Baldessari, Robert Barry, Cocktailhybridconcept Films 1987 – 2010 Filzarbeiten und Zeichnungen Curatorial Education and Its Monica Bonvicini, Keren Cytter, Thomas texts by Anja Casser, Manfred Hermes, texts by Katja Blomberg, Filip Luyckx texts by Hans Ulrich Obrist, Julia Peyton- 1972 – 1995 Discontents Demand, Hans-Peter Feldmann, Peter Fischli Annette Maechtel Jones, Nicolas Bourriaud, Dorothea von & David Weiss, Isa Genzken, Douglas Gordon, edited by Haus am Waldsee, Berlin text by Èric Darragon texts by Barbara Fischer, Teresa Gleadowe, Hantelmann, Michael Fried edited by Anja Casser Rachel Harrison, Alfredo Jaar, Roman Ondák, Francesco Manacorda, Cuauhtémoc Medina, Dan Perjovschi, Gregor Schneider, Santiago edited by Karen Marta, Kathryn Rattee, Lourdes Morales Sierra, Wolfgang Tillmans, Rosemarie Trockel, Frank Nitsche’s abstract paintings Zoe Stillpass With 16 felt sculptures from between Michaela Meise works with Andro Wekua are hybrid still lifes, full of complex 1972 and 1995, this publication the formats of video, drawing, Raising Frankenstein presents afterword by Brigitte Oetker references to as yet unknown The Serpentine Gallery, London, introduces a largely unknown part performance and sculpture. She compelling new writing that explores edited by Susanne Pfeffer connections and classification presented Philippe Parreno’s first of A.R. Penck’s sculptural work. examines the principles of sculptural the education and formation of systems. Cocktailhybridconcept solo exhibition in the UK (November Complimented by around 30 and architectural ordering, both from curators. This book offers an While wandering through a museum presents Nitsche’s paintings in 2010 – February 2011). Parreno drawings (1986 – 1995) and four the perspective of their creative overview of recent thinking on of old masters, one stops time dialogue with the video artist rose to prominence in the 1990s, paintings (Standard-Pre-Standard I execution as well as in relation to curatorial pedagogy, designed and again and observes: ‘This is Yves Netzhammer. Published earning critical acclaim for his work, – IV, 1995), the volume impressively their political and social context. This to elucidate, define and build on Rembrandt, that’s a Rubens, a to accompany the exhibition at which employs a diversity of media documents a little known aspect of publication focuses on two groups of current debates surrounding this Vermeer perhaps?’ The work, always Waldsee, Berlin, September – including film, sculpture, performance the artist’s work. The term ‘Standart’ work: while one of them is concerned subject. The questions posed here identified by the name of the artist, November 2010. and text. The exhibition at the was established by the artist himself, with the inanimate object, the other are timely and provocative. The is put in direct connection with them Serpentine Gallery was conceived ‘in order to attain a new description is dedicated to the human body. Verlag der Buchhandlung Walther König £16.00 five essays provide a set of cogent and seems to be perceived as a for operations with visual information’ ISBN 978-3-86560-864-2 as a scripted space in which a series inquiries and analyses for all those Meise’s sculptures are components (A.R. Penck: Was ist Standart, part of the artist themselves. This softback 72 pages of events unfolded. The visitor was who concern themselves today with of an everyday world of objects, 1970). Penck thus gathered his relationship between an artist and 49 colour illustrations guided through the galleries by the the presentation and theorisation of which she sees as a storehouse 296 x 240 mm abstract drawing elements together their work is possibly one of the most orchestration of sound and image, contemporary art. At its heart lies of cultural and social information. English and German text under one label. The colourful difficult, existential, but also fantastic which heightened their sensory the single question, ‘Where does the Through her sketch-like execution, felt sculptures are intended to be issues which an artist must tackle experience. Published to accompany curatorial profession reside?’ Raising the marks of their rendering often science-fiction machines. Their every day: ‘my work and me’. More Parreno’s exhibition, this catalogue Frankenstein was developed from the left, the objects seem like rough, technologically suggestive titles, such than 30 artists have been invited functions as a retrospective study conference Trade Secrets: Education incomplete memories. as Transformer, Navigator, Replikator to address this question and their of the artist’s films. The Serpentine / Collection / History, organised by answers have included contributions or Eliminator are a stark contrast to Verlag der Buchhandlung Walther König £34.00 Gallery presented the UK premiere the Banff International Curatorial their rounded forms and the softness ISBN 978-3-86560-775-1 from all genres of art. The diversity of Parreno’s latest film, Invisibleboy Institute in collaboration with Teresa of the felt. The book contains softback 176 pages of this work reflects various current (2010). Also included are the films Gleadowe, and held at The Banff 47 colour, 100 b&w illustrations numerous full-page and double-sided positions, giving rise to an exciting June 8, 1968 (2009), and The Boy Centre, 12 – 14 November, 2008. 270 x 210 mm plates, including many installation English and German text and highly unusual book – a cross- from Mars (2003). section of young art. photographs from the Museum Verlag der Buchhandlung Walther König £14.50 Verlag der Buchhandlung Walther König £45.00 Ludwig Köln exhibition. ISBN 978-3-86560-918-2 Verlag der Buchhandlung Walther König £29.00 ISBN 978-3-86560-943-4 softback 112 pages ISBN 978-3-86560-905-2 hardback 200 pages Verlag der Buchhandlung Walther König £30.00 2 colour, 20 b&w illustrations softback 144 pages illustrated in colour ISBN 978-3-86560-928-1 185 x 120 mm 120 colour illustrations 220 x 255 mm hardback 104 pages 240 x 170 mm illustrated in colour and b&w English and German text 300 x 260 mm English, German and French text

36 37 SPRING 2011

Red Summer in Denys Riout Eva Rothschild Dana Schutz Dierk Schmidt Thomas Scheibitz Kensington Gardens Yves Klein: Expressing text by Michael Archer The Last Thing You See The Division of the Earth A Disordered Space / Der the Immaterial conversation between Eva Rothschild and text by Tom McGrath texts by Lotte Arndt, Clemens Krümmel, ungefegte Raum by Jean Nouvel Laura Hoptman Dierk Schmidt, Hemma Schmutz, edited by Grégoire Robinne, Marie-Clémentine edited by Contemporary Fine Arts, Berlin text by Beate Ermacora Diethelm Stoller, Ulf Wuggenig texts by Paul Virilio, Samantha Hardingham, Pierre, Editions Dilecta, Paris edited by Stuart Shave / Modern Art Julia Peyton-Jones, Hans Ulrich Obrist Since the day Dana Schutz edited by Kathryn Rattee In 1884 – 85, the European powers Thomas Scheibitz is not only a In April 1958, Yves Klein presented Over the past decade Eva Rothschild received her first oil paints at age and the USA met in Berlin to prepare painter and sculptor, but also a an exhibition in which no painting, has earned a reputation as one 15, the exuberant imagination This unique publication accompanies the division of the entire African passionate bookmaker. In this artists’ no sculpture, no object was visible. of Britain’s leading sculptors. Her of the New York artist has been the Serpentine Gallery Pavilion continent through an ‘international’ book, he presents new, mostly Thanks to this ‘immaterialization of compelling sculptures invoke a limitless. Her oeuvre is abundant in 2010 designed by renowned French act of law. The series of pictures unpublished works. With the title the painting’ he hoped to ‘create an complex relationship between whimsical themes and unique visual architect Jean Nouvel and the by Dierk Schmidt that was shown Der ungefegte Raum (The Unswept ambience, a pictorial climate that abstract form, and the conceit that inventions, which demonstrate her architect’s first completed building at Documenta XII serves as a Room) Scheibitz refers to the antique is invisible but present’, capable an object can bear a dimension abysmal humour. Again and again in the UK. Nouvel’s design is a starting point in exploring the urgent tradition of trompe l’oeil painting and of expressing the essence of beyond its mere empirical properties. she questions painting’s ability to contrast of lightweight materials question: Is it possible to respond the Greek mosaic designer Sosos of painting: the ‘immaterial pictorial Her work references and rephrases represent the impossible. The Last and dramatic metal cantilevered to the brutality, with which colonial Pergamon (2nd century BC), whose sensibility’. Klein also thought of the vocabularies of progressive Thing You See gives an overview structures rendered in a vivid red borders were forced upon existing invention of ornamenting mosaic using the bodies of young women art movements of the 1960s about Dana Schutz’s recent new that, in a play of opposites, contrasts societies, with a representation that floors with food, as if it were left- as ‘living paintbrushes’. Leaving and 1970s, such as , paintings that can be divided into with the green of its park setting. makes legal abstractions tangible overs from a lavish meal, goes under the impression of their bodies on while also suggesting aspects of two groups: in Tourette Paintings Featuring essays by Paul Virilio and as a historic product of political and the motto The Unswept Floor. This supports provided for that purpose, both conventional and alternative with shocking motifs in a seemingly Samantha Hardingham, as well as an aesthetic in Europe? mosaic forms the leitmotif base of they produced visible paintings, spirituality and faith. There is a sense joyously-naïvely pictorial approach interview with Nouvel by Serpentine The Division of the Earth is based this artists’ book. the Anthropometries. These two that her recurrent materials, metal, (for instance a girl peeling her eyes) Gallery Director Julia Peyton-Jones on years of research and tackles, modes of existence of his oeuvre wood, ceramic, leather and Perspex, and in illustrations of the last thing Verlag der Buchhandlung Walther König £28.00 and Co-Director Hans Ulrich Obrist, both visually and textually, the are based on the heart of religion, become imbued in her sculptures you see before you die. Published ISBN 978-3-86560-896-3 this catalogue is sumptuously aesthetic-political, art historical hardback 128 pages the Incarnation. That is the intuition with an apparent ability to transcend on the occasion of the exhibition produced and lavishly illustrated. their innate physical limitations. and current legal facets of the 43 colour, 36 b&w illustrations developed in this book by art at Contemporary Fine Arts, Berlin, 275 x 200 mm This publication is conceived and growing international, post-colonial historian Denys Riout, which locates, Rothschild’s work examines how we November – December 2010. English and German text designed by Nouvel, and provides beyond the disparity of the creations, perceive objects, and the layers of discussion. a unique insight into his working the profound unity of the artist’s meaning that we invest into them. Verlag der Buchhandlung Walther König £10.00 Verlag der Buchhandlung Walther König £36.00 process. Nouvel has also contributed ISBN 978-3-931355-64-7 preoccupations. ISBN 978-3-86560-802-4 two texts, which illuminate his overall Verlag der Buchhandlung Walther König £47.00 softback 20 pages hardback 312 pages ISBN 978-3-86560-910-6 12 colour illustrations practice as well as the inspiration Verlag der Buchhandlung Walther König £24.00 110 colour, 140 b&w illustrations hardback 164 pages 320 x 235 mm behind his design for 2010’s ISBN 978-2-916275-74-1 375 x 240 mm 112 colour illustrations English and German text hardback 208 pages Serpentine Gallery Pavilion. 286 x 305 mm 70 b&w iIlustrations 220 x 160 mm Verlag der Buchhandlung Walther König £26.00 ISBN 978-3-86560-860-4 softback 44 pages illustrated in colour with 8 foldout posters 255 x 220 mm

38 39 SPRING 2011

Tatiana Trouvé Vorspannkino Emmett Williams Manchester Metropolitan text by Heike Munder, Migros Museum für 47 Titles of an Exhibition Sweethearts Len Grant Photography Manchester Art Gallery Gegenwartskunst, Zürich distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide University texts by Susanne Pfeffer, distributed by Cornerhouse world-wide Daniel Kothenschulte, Alexander Zons ‘Emmett Williams’ Sweethearts is edited by Susanne Pfeffer The artist Tatiana Trouvé works a breakthrough. It is to concrete with staged rooms, architectonic poetry as Wuthering Heights is to The Reclaim Book Recorders Accumulation interventions and snake-like metal Vertigo, The Pink Panther, James the English novel; as Guernica is Len Grant Rafael Lozano-Hemmer Experiencing the City sculptural objects, which seem to Bond – are only three examples to modern art. Sweethearts is the author and photographer: Len Grant texts by Beryl Graham, Timothy Druckrey, text by Steven Gartside be in motion but at the same time of a great number of movies with first large scale lyric masterpiece foreword by Eric Allison Cecelia Fajardo-Hill strangely frozen. Her staged rooms outstanding title sequences that among the concrete texts, compelling often use the parameters of interior form part of our collective memory. The notion of what constitutes the city in its emotional scope, readable, This catalogue documents and and exterior, working with the The challenge of combining words, In 2007, the first Reclaim project is something of a complex thing. The a sweetly heartfelt, jokey, crying, discusses a specific body of principle of inversion. Psychic spaces image, and sound to introduce a brought forty-five 12 and 13-year-old exhibition (and this accompanying laughing, tender expression of love. eight works including three new are externalised, becoming concrete, theme without giving too much away boys from Manchester’s Moss Side book) considers ways in which our It moves. Miraculously, the formal commissions made between 2000 sinister ‘interior’ rooms. Trouvé’s has defined the style of a whole district onto a six-month mentoring idea of the urban is made up of an limitations of Sweethearts enabled and 2010 by renowned electronic pieces become visualisations of genre. Until today, the range of and confidence-building programme accumulation of experiences which Emmett to prove that, with both artist, Rafael Lozano-Hemmer where ‘unconscious’ conditions that are opening sequences extends from with impressive results. Akeim, now shape the way we respond, as well hands tied behind his back, gagged, the content is determined by inter- continuously affected by uncertainty purely graphic-based solutions to 17, says ‘Reclaim changed me. If as the experiences we form, of our just nudging letters out of a regular reaction with the audience. Using – while her module-like ‘mental independent film sequences with I wasn’t on the project I’d probably everyday environment. It consists grid with his nose (look, no mirrors), sophisticated surveillance technology landscapes’ circle around issues self-contained plots. The introduction be in a gang now. Instead I do of two essays and a section on a real artist can write the Book of Life the works record the visitors’ images, such as living space, memory, into the film has a large impact on community work.’ A year later, the archive film and was written as all over again.’ (Richard Hamilton) voices, personal belongings and architecture and the construction of how it is perceived by the viewer. project’s director won a regional a complement to the exhibition their very pulses in ways that subvert reality. This publication is the first Still, only few title designers, among Verlag der Buchhandlung Walther König £18.00 peace activist award for her team’s Accumulation: experiencing the city the use of these technologies in devoted exclusively to Trouvé’s them Saul Bass, are known to the ISBN 978-3-86560-810-9 work in supporting young people from held at the Museum of Science and softback 226 pages the broader society. ‘In Recorders drawings, which at first look like public. Included is an interview with deprived communities. During 2010 Industry in Manchester, October 160 x 120 mm artworks hear, see or feel the classical architectural sketches, Saul Bass by Gerhard Midding and photographer and writer Len Grant 2010 – January 2011. This book public; they exhibit awareness and yet, on closer inspection, they Lars-Olav Beier. followed the Gorton Girls’ Reclaim uses the idea of accumulation to breakdown time and again in the project, documenting the girls’ record and replay memories entirely immerse the reader into a range of definition of vanishing lines and their Verlag der Buchhandlung Walther König £29.00 sometimes faltering but nevertheless obtained during the show. The pieces perspectives on seeing and being in interior architecture often remains ISBN 978-3-86560-876-5 steady progress until their ‘graduation either depend on participation to the city. It is designed as a pocket softback 328 pages ambiguous. Published on the day’ when they celebrated their exist or predatorily gather information guide to experiencing the city. It 168 colour illustrations on the public through surveillance occasion of the exhibition Tatiana 230 x 178 mm achievement in front of friends and is illustrated with commissioned Trouvé: A Stay Between Enclosure English and German text family. In The Reclaim Book Grant and biometric technologies. Frank photographs as well archive film stills and Space, at Migros Museum für also includes interviews with the girls’ Stella’s minimalist quip ‘what you from the last 100 years. Published by Gegenwartskunst, Zürich, November parents and carers that reveal much see is what you get’ becomes ‘what Manchester Metropolitan University 2009 – February 2010. about the pressures faced by young you give is what you get.’ (Rafael and Manchester Museum of Science people in our inner cities. Lozano-Hemmer). Published to and Industry. Verlag der Buchhandlung Walther König £48.00 accompany the exhibition Recorders ISBN 978-3-86560-858-1 Len Grant Photography £12.00 at Manchester Art Gallery, September MMU / Manchester Museum of Science and Industry £5.99 hardback 228 pages ISBN 978-0-9526720-8-1 2010 – January 2011. ISBN 978-1-905476-51-0 188 colour illustrations softback 136 pages softback 64 pages 290 x 215 mm 60 colour photographs plus 18 page cartoon strip 17 b&w illustrations Manchester Art Gallery £9.95 230 x 170 mm 160 x 100 mm ISBN 978-0-901673-78-7 softback 64 pages 45 colour illustrations 270 x 220 mm

40 41 SPRING 2011

Jon Lockhart Verlag für moderne Kunst Bruce Conner Mead Gallery Milton Keynes Gallery Modern Art Oxford Manual Labour: Engaging with The 70s distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Nürnberg Contemporary Art Through distributed by Cornerhouse in the UK texts by Ursula Blickle, Gerald Matt, Thomas Collaborative Activity Mießgang, Michelle Silva, Barbara Steffen, Malcolm Turvey texts by Nicolas de Oliveira, Nicola Oxley, edited by Gerald Matt, Barbara Steffen Sylvia, Fiona Heathcote, Jon Lockhart, Hannah Starkey Andrew Lord David Austen Sarah Mossop, Michael Stanley Mihály Biró Twenty Nine Pictures End of Love Pathos in Rot text by Dawn Ades edited by Erica Burton, Sarah Mossop Few artists have contributed seminal interview with James Rondeau text by Nigel Prince texts by Michael Diers, Sebastian works to as many genres as Bruce edited by Emma Dean, Anthony Spira edited by David Austen, Michael Stanley Hackenschmidt, Peter Klinger, Peter Noever, This publication accompanies Manual Labour is a remarkable Kathrin Pokorny-Nagel Conner (1933 – 2008), and his Hannah Starkey’s first solo record of a shared exploration into edited by Peter Noever experimental films are regarded as museum exhibition for 10 years Since his earliest exhibitions in This book focuses on David Austen’s contemporary art production led by forerunners of the MTV video clip and marks the transfer of her the late 1970s, the British artist, film End of Love, starring Vicky today. Yet the avant-gardist has Jon Lockhart. Since 2006 Lockhart This book focuses on posters which image making from film to digital Andrew Lord has experimented McClure, Elliot Cowan and Joseph not only shown new ways of film has been artist in residence at Rose document the events in Austrian photography. It examines the with clay, plaster, beeswax, bronze, Mawle. Set on the stage of an empty making, but repeatedly reinvented Hill and Littlemore Children’s Centre, and Hungarian politics during the development of a remarkable body drawing, printmaking and video. This London theatre, the film follows the himself as an artist in his works in Oxford as part of Modern Art Oxford’s pre-war and interwar periods, as of work by an artist who invites publication provides the first overview moving and vulnerable performances various media. Conner’s drawings Art in Rose Hill programme. During well as utilitarian graphic works us to acknowledge the alienation of the artist’s career, charting the of 12 broken, love-torn, and marginal and paintings symbolise the this time he has developed his own and advertising posters, postcards, and the redemption present in development of his practice from characters. The work is a poetic metaphysical and transcendental. practice in parallel to collaborative photographs and a series of contemporary life. In her catalogue the observation of nature and expression of love’s elusiveness, His many-faceted oeuvre combines making with participants at the lithographs, the so-called Horthy essay, Margaret Iversen notes, ‘The quotation of modern art to body the non-linearity of time, and a passion for music from Soul to Saturdads sessions at the Centre. Portfolio. Budapest native Mihály cinematic mode of contemporary casts and evocations of childhood fleeting facets of personal memory. Punk with an abstract formal beauty Manual Labour inspires creative Biró (1886 – 1948) joined the Social photography comprises a diverse memories. This publication is an Austen’s practice encompasses based on contrasts of light and dark collaborations between artists, Democratic cause early in life. He range of practices and Starkey’s expanded version of two consecutive painting, drawing, sculpture and and a critical view of art, society parents and their children. spent the period between 1910 and near-narrative photography is one exhibitions at Santa Monica Museum more recently film, and shows an and the American way of life. This 1914 designing striking and widely particular type that needs to be of Art and Milton Keynes Gallery unceasing fascination with people Modern Art Oxford £12.95 survey with its special focus on the noted posters and illustrations for the differentiated from Cindy Sherman’s in 2010. through myriad observations of ISBN 978-1-901352-47-4 1970s examines the formal parallels softback 64 pages SZDP (Hungarian Social Democratic between Conner’s works as an mimicry of film production stills thoughts, actions, relationships and illustrated in colour and b&w Milton Keynes Gallery / Santa Monica Museum of Art Party). Following the First World War, or Gregory Crewdson’s elaborate performances, reaching from the 230 x 160 mm artist and film-maker, and looks at £30.00 Biró became the graphic mouthpiece staging of cinematic scenarios. tender to the absurd. End of Love is drawings, oil and acrylic paintings, ISBN 978-0-9557610-8-9 of the new Hungarian Red Army of What all of these artists’ work has in Austen’s latest film. This book is fully- lithographs, prints, photograms hardback 288 pages the Hungarian Soviet Republic. The common, however, is the evocation 236 colour, 30 b&w illustrations illustrated and contains an essay by and photographs alongside three advent of the right-wing dictatorship of the quintessentially cinematic 305 x 240 mm Nigel Prince, Curator, Ikon Gallery. of Conner’s best-known films: not available to customers in USA of Miklós Horthy soon forced him, emotions of desire, doubt or anxiety. Breakaway (1966), Marilyn Times however, to flee to Vienna, where he This strand of photographic art Modern Art Oxford £10.00 Five (1968 – 1973), and created the Horthy Portfolio (1920), is defined as much by a certain ISBN 978-1-901352-49-8 Crossroads (1976). softback 120 pages consisting of colour lithographs cinematic sensibility, as by the 20 colour, 26 b&w illustrations documenting the atrocities of the strategy of staging scenarios for 240 x 170 mm Verlag für moderne Kunst Nürnberg £32.00 Horthy regime. ISBN 978-3-86984-160-1 the camera.’ hardback 220 pages Verlag für moderne Kunst Nürnberg £17.00 illustrated in colour and b&w Mead Gallery £16.00 ISBN 978-3-86984-157-1 240 x 190 mm ISBN 978-0-902683-99-0 softback 144 pages hardback 88 pages 70 colour illustrations 40 colour illustrations 240 x 125 mm 270 x 225 mm English and German text

Hannah Starkey, Untitled June 2007 42 43 SPRING 2011

Jeremy Deller Natalie Djurberg & The Lucid Evidence and McDermott & McGough Outer Space Social Surrealism Hans Berg Photography from the No 26 Sandymount Avenue Art and a Dream Snakes Knows it’s Yoga collection of the MMK Genealogies of Pain edited by Gerald Matt artists include: Angela Bulloch, William Kentridge, Mariko Mori, Gianni Motti, Simon artists include: Nobuyoshi Araki, Heiner Blum, In 2004 Jeremy Deller was awarded texts by Hans Berg, Pernille Fonnesbech, texts by David Galloway, Cathérine Hug, Patterson, Robert Rauschenberg, Pipilotti Larry Clark, Stefan Exler, Peter Fischli/David Florian Heesch, Kathrin Meyer, Adrian Notz, Brigitte Schenk Rist, Thomas Ruff, Michael Snow, Keith Tyson, the Turner Prize for his multimedia Weiss, Günther Förg, Noritoshi Hirakawa, ‘I‘ve seen the future and I’m not Kristin Schrader Andy Warhol, Jane & Louise Wilson, Carey installation Memory Bucket. His Barbara Klemm, /Larry Sultan, going’ has been an appropriate Young signature work The Battle of Ryuji Miyamoto, Anja Niedringhaus, Dino Marilyn Manson is known primarily motto for the duo David McDermott In 2009 Nathalie Djurberg won Pedriali, Bettina Rheims, Thomas Ruff, Taryn texts by Cathérine Hug, Walter Famler, Justin Orgreave (2001) focuses on a Simon, Jock Sturges, Beat Streuli, Oliviero for his rock music, and as a figure and Peter McGough’s work and Hoffmann, Sigmund Jähn, Christian Köber, critical moment of the trade union the Silver Lion of the 53rd Venice Toscani, Abisag Tüllmann, Miroslav Tichy, of scandal. Only a few people are lifestyle. The two artists have made Michail Ryklin movement, inviting us to a subtly Biennale as a promising young Jeff Wall, Tobias Zielony aware that he has been involved it their purpose in life to escape the texts by Susanne Gaensheimer, Mario Kramer differentiated examination of history. artist. This book accompanying the with painting for many years. To dullness of today’s everyday world July 20, 2009 celebrated the 40th It forms only one part of a growing solo show in the kestnergesellschaft mark the exhibition at Kunsthalle with their dandyish attitude. The anniversary of Neil Armstrong’s first catalogue of projects that can be Hannover impresses with its The Museum für Moderne Kunst Wien, this catalogue is published, spirit of past centuries wafts through step on the Moon, and April 12, 2011 read as an ongoing processional spectacular exhibition views. Forty- (MMK) in Frankfurt possesses containing many watercolours that their aesthetic constructions: rural will be the 50th anniversary of Juri body of work which examines, two figures or groups of figures, for one of the largest collections formally are very emotional and idyll instead of concrete, silent films Gagarin’s travel into space. Space reflects upon and influences our the most part under Plexiglas covers, of international contemporary soft in appearance. However the instead of high-definition TV, a photo and outer space have always carried society. Since his Manchester on 42 dark wooden pedestals make photography worldwide. The Lucid medium stands in stark contrast camera from the 1910s instead of a fascination for people, which has Procession, Deller uses the term a strongly sculptural installation Evidence is a major exhibition drawn to the subject matter of Manson’s a digicam. The two time-travellers’ been reflected in a great variety ‘Social Surrealism’ to describe his ensemble. With the remarkable from the MMK’s collection and pictures: primeval human fears, loss, art unfolds as a meditation on of forms throughout art history. In practice: going back to the original soundtracks by the composer features series and groups of works despair, self alienation, deformed the transitory character of things spring/summer 2011 Kunsthalle idea of carnival and procession, Hans Berg, these ‘cute little puppet from artists whose works cover the embryos and defiled corpses. The and the illusionary nature of each Wien takes the opportunity offered which is about inverting reality and theatres’ perform scenes full of various genres of photography from model and inspiration for Manson is here and now. This book focuses by the celebrations to present a changing reality if only for a day or a brutality, the same applies to her the 1950s to the present, including the film director David Lynch, who on McDermott and McGough’s kaleidoscopic group exhibition of week, and changing how we look at animated films. Djurberg also irritates press photos, portraits, landscapes, was represented in the exhibition most recent photographic works important works of art of the past the world. with the text that is overlayed on her still lifes and interiors. The great with four short films from the years produced after a historical printing three decades that explore the theme films, because she doesn‘t bother technical range within the collection 1967 to 1973: the film titles hint at the process (cyanotype) and titled after of Outer Space: subjects ranging Verlag für moderne Kunst Nürnberg £19.00 with correct spelling. The same goes ranges from vintage prints on baryta points of reference: Six Men Getting their former home in Ireland (26 from meteorites, big bang theories, ISBN 978-3-86984-052-9 for the title of the book: Snakes audio CD 48 minutes paper, via monumental Cibachrome, Sick (1967), The Alphabet (1968), Sandymount Avenue). The series is the moon landing, Science-Fiction 185 x 140 mm Knows it’s Yoga. Pain, death and down to the series of original The Grandmother (1970) and The a picturesque portrait of their house, and the fear of aliens to the political enlightenment are central themes posters by Oliviero Toscani from Amputee (1973). Like Manson, Lynch a veritable gesamtkunstwerk, which impact of space exploration during for Djurberg, as are suffering, fear of his legendary Benetton advertising is interested in the reflection on and transfers Edgar Allan Poe’s The Fall the Cold War and after 1989. death, obsession, desire, power, the . Published to accompany the aesthetics of pain, as well as the of the House of Usher into the obscene, the grotesque and the exhibition The Lucid Evidence at deformation and perishability of the 21st century. Verlag für moderne Kunst Nürnberg £32.00 the exotic. MMK Frankfurt, September 2010 – human body. ISBN 978-3-86984-175-5 softback 260 pages April 2011. Verlag für moderne Kunst Nürnberg £25.00 ISBN 978-3-86984-153-3 illustrated in colour Verlag für moderne Kunst Nürnberg £27.00 Verlag für moderne Kunst Nürnberg £28.00 ISBN 978-3-86984-152-6 hardback 72 pages 250 x 200 mm Verlag für moderne Kunst Nürnberg £58.00 ISBN 978-3-86984-129-8 hardback 152 pages 48 colour illustrations English and German text ISBN 978-3-86984-147-2 hardback 176 pages illustrated in colour 320 x 245 mm hardback 500 pages 76 colour, 13 b&w illustrations 270 x 205 mm English and German text 460 colour and b&w illustrations 270 x 195 mm English and German text 300 x 250 mm English and German text English and German text

44 45 SPRING 2011

Eva Schlegel Olaf Unverzart Research Group for Fluviatile In Between don’t fade to grey Rakennustieto Publishing artists: Lindsey Adams, Michelene Wandor Richter Verlag distributed by Cornerhouse in the UK Artists Publications distributed by Cornerhouse in the UK texts by Jacqueline Burckhardt, Bettina M. text by Tobias Haberl distributed by Cornerhouse world-wide poetry by Michelene Wandor Busse, Thomas Macho, Peter Noever, edited by Annette Oechsner text by Rebecca Fortnum August Ruhs, Ingo Taubhorn edited by Peter Noever Unverzart creates pictures that Private Houses in Anthony Earnshaw Fluviatile is the culmination of a 10 Pia Fries ask questions that are both subtle The Imp of Surrealism year visual journey; the artist Lindsey Krapprhizom Luisenkupfer In Between presents Eva Schlegel’s Finland and sometimes melancholy. His Adams’ concentrated relationship works created for the eponymous text by Harri Hautajärvi texts by Michel Remy, Dawn Ades, Gail texts by Oskar Bätschmann, Regine Heß, Pia coarse-grained black-and-white Earnshaw, Michael Richardson, George with a small insignificant Derbyshire Müller-Tamm, Astrid Reuter, Dorit Schäfer exhibition at MAK, Vienna and also photographs, taken with analogue Hardie, Paul Hammond, Roger Sabin, James brook, has revealed aspects of this documents her broad spectrum of Heartfield, Patrick Hughes, Chris Vine cameras, evoke associations on This book presents 34 uniquely watercourse which are unseeable work, from pornographic varnish edited by Les Coleman The autonomy of colour stands at the the one hand of a transience, but at designed single family houses from with the naked eye. The surface, paintings to exhibition installations centre of the work of Pia Fries. Over the same time of an openness that the beginning of 2000s. The selection and multiple layers of underwater and spatial interventions through the past 20 years, the internationally involves narration, his motifs suggest of buildings in the book has been The maverick artist and writer currents are photographed with to current works in lead as well as renowned artist has taken the things, but they avoid a presentation made by architect Harri Hautajärvi. Anthony Earnshaw (1924 – 2001) an intense scrutiny and painterly the artist’s spatial works. A pivotal process of painting to a new that is overtly explanatory. Influenced In his accompanying article he was an original and witty thinker in sensibility. Michelene Wandor point in Schlegel’s artistic oeuvre is experimental level and developed by great names of photographic discusses the history of Finnish the latter half of the 20th century, has written Ophelia: the poem, in the opposition between the material an independent pictorial form. history, such as Robert Frank and single family house architecture and and his northern working-class roots response to the sequence of images. and ephemeral. Her experimentation Colour appears – saturated, moist Garry Winogrand, Unverzart wanders the related way of life. were turned on their head by his Rebecca Fortnum writes ‘At the with contradictory states (presence/ and glossy – in different clustered leisurely through the world with his discovery of surrealism and jazz in heart of Fluviatile is a paradox that is absence, focus/blurriness, exterior/ stages, is applied like impasto dough camera, always using the medium as Rakennustieto Publishing £49.00 tbc post-war 1940s England. Although both compelling and frustrating; the interior, stasis/motion) serves to ISBN 978-951-682-947-3 or thin washes, by flinging lumps of a mirror to himself as well. Don’t fade he was self-taught, it would be representation of something in flux by make aware of the fact hardback 240 pages tbc paint or slamming the entire picture to grey certainly doesn’t get stuck in 300 illustrations tbc inaccurate to describe Earnshaw as means of a ‘still’. On the face of it, the that they are engaged in observation. plane. The cross-section of her works 240 x 210 mm an ‘outsider artist’, more an armchair the grey, but with its black and white decision to photograph flowing water shown in this book goes back to two This catalogue focuses on the May 2011 anarchist whose sympathies lay with tones points out the two extremes seems oddly perverse; a doomed series that the artist did in a direct new series of lead pictures on the the underdog. His diverse output of life, which influence every attempt to capture a living event in reference to works in the print room subject of flying and also shows a includes drawings, paintings, poetry, moment. His way of reading traces an arrested moment. Yet on studying of the Karlsruher Kunsthalle. The spectacular installation consisting of writing, comic strips and illustrated emphasises this banal realisation these quietly beautiful images one poetically enigmatic title Krapprhizom airplane propellers and projections novels, letterforms, and boxed again and again. In combination realises that this thwarted desire for Luisenkupfer refers to the for which Eva Schlegel has been assemblages. Includes essays, with award winning book designer movement possesses something Marchioness Karoline Luise (1723 filming people in a 15 metre high air commentaries, and anecdotes Andreas Töpfer, Unverzart sees quite mesmeric. Adams’ garden – 1783), who not only contributed column. For a long time Schlegel from the artist’s friends, critics, and this publication as a statement that stream is ripe for literary allusions, substantially to the inventory of has been fascinated by the subject professional associates, and provides archives his works in combination and Michelene Wandor’s wonderful the Kunsthalle, but also had red of ‘flying and falling’ on the border the first opportunity to examine with the book form, at the same time accompanying poem has explored colouring made that was extracted between success and failure and by the complexity of Earnshaw’s keeping them alive. this. But as the structural toughness from the madder root (Krapp plant). conquering gravity. contribution to art and literature, and of Wandor’s writing demonstrates The dense structures and branchings Verlag für moderne Kunst Nürnberg £31.00 so position his work within a broader there is an equally strong Verlag für moderne Kunst Nürnberg £33.00 of her paintings is what Fries calls ISBN 978-3-86984-190-8 intellectual and social context. conceptual rigour.’ ISBN 978-3-86984-174-8 hardback 104 pages ‘rhizomatic’, i.e. multi-rooted. softback 200 pages 56 b&w illustrations tbc 100 colour illustrations RGAP £19.95 tbc RGAP £18.00 280 x 220 mm Richter Verlag £39.00 320 x 240 mm ISBN 978-0-9558273-8-9 ISBN 978-0-9558273-9-6 English and German text ISBN 978-3-941263-29-1 English and German text hardback 192 pages hardback 144 pages hardback 208 pages illustrated in colour illustrated in colour 165 colour illustrations 246 x 189 mm 152 x 210 mm 293 x 221 mm

image by Lindsey Adams

46 47 SPRING 2011

Paco Knöller Mark Lammert David Rabinowitch Ad Reinhardt Charles Harrison Ridinghouse text by Erich Franz Malerei 1997 – 2010 Birth of Romanticism Last Paintings distributed by Cornerhouse in the UK Looking Back text by Bruno Duarte Drawings text by Heinz Liesbrock and Europe introduction by Jo Melvin The abstract pictures of Paco Knöller interview by Matthias Flügge text by Erich Franz unfold in colourful richness. The The paintings of the American artist, Looking Back is a collection of auto- colours mainly range between tones The non-figurative pictures by Mark All of the sculptor David Ad Reinhardt, were from the start The Collected Writings biographical interviews conducted of turquoise, greenish-yellow, lilac Lammert reject anything narrative. Rabinowitch’s work, i.e. the flat floor defined by their clear geometrical of Jon Thompson with the art historian, curator, critic and violet; via interplay, they mutually Very early he gave up the stretcher sculptures he has done since the forms. Reinhardt, who before his and professor Charles Harrison in edited by Jeremy Akerman, Eileen Daly reinforce and influence each other. frame but without foreswearing the 1960s and his extensive group of training as a painter had received the years before his death in August His new work group of smaller and canvas; he works in series and since drawings, is based on the concept a degree in art history, rejected 2009. The publication developed from colour-dense wood panels, which has 1998 increasingly in small formats. of vision. The perception of the work any kind of fusion between art and This volume brings together the transcripts of interviews conducted by come about since 2005, goes back His coal and graphite drawings ensues via the interconnection of life or any mystification of painting. collected writings of British artist, researchers, students and journalists to the oil crayon works on paper with – in part shot through with colour the viewer’s different standpoints Around 1953 he did his first black writer and professor Jon Thompson. seeking information about Harrison’s their more monochrome priming in oil and always on heavy handmade with the work’s formal structure paintings in which every tendency As a teacher of artists, Thompson is experience of significant art historical crayon and pigment and the large- paper – are mostly anatomically and its many manifestations. The to colour seemed to fade. From credited as one of the most influential events, institutions and artists. He scale bright ‘cuts’ that he did between motivated studies that tend towards recipient apprehends, discovers and 1960 his paintings were all only of his generation. He began writing also documented his experiences in 2001 and 2005. The printing blocks landscape and can be read as combines its formal, material and black, which he himself described as in the late 1970s, and unlike much the art world, amassing a large slide have carried over the intense colour ciphers for nature. The picture three-dimensional identities. The the ‘last paintings that anyone can of the previous critical writing on collection of images of exhibitions zones and layers, printed freehand groups reproduced in this book artist divests his artworks of any paint.’ The encounter between Ad academic art history, Thompson’s he visited, art works he championed on gigantic paper sheets permeated – Manöver, Sammlung and Nach otherness, of anything that points Reinhardt and Josef Albers in 1952 careful research, depth of historical and artists’ and critics’ studios and with gouged-out progressions. Marey, etc. – are figure fragments beyond them, particularly subjective – 1953 and their ensuing dialogues knowledge and insight into an artist’s homes. These non-professional In the new wood panels, colours of compact colour concentrations interiority. This makes it all the more on the meaning of colour within the work and approach was quickly photographs represent Harrison’s and gougings come together in that are interpretable as condensed surprising that Rabinowitch, in the painting process were for the young recognised as authoritative, fresh eye and are reproduced in this book. bundled energy and appear to have drawings. Lammert operates with years 2008 – 2010, has once again Reinhardt an important impulse on and exciting. Thompson taught Widely acknowledged as a leading internalized wide-awake varying colour palettes, switching, for turned to painting, which he had his path towards his black paintings. at Goldsmiths College, London, figure in British art history, Harrison experiences of nature, of human life, example from a colour climate of old- given up in 1962 and which, instead Presented in this book is his oeuvre Middlesex University and Jan Van took part in and witnessed a period and of poetry. masterly pieces to the more garish of the known geometric elements, from the end of the 1930s to the late Eyck Academie, The Netherlands, of crucial development of the arts in hues of modern ones. The paint now bursts with vivacious drawing, works; their special relevance can be and he wrote influential essays about Britain. Here, Harrison is interviewed Richter Verlag £15.00 layers that emerge point to the act of rapid traces of chalk and pencil recognized in juxtaposition with the a wide range of artists including his by Jo Melvin, Teresa Gleadowe ISBN 978-3-941263-31-4 former students Richard Deacon, hardback 56 pages painting itself and prompt the viewer and a restlessly scoured surface; works of Josef Albers. and Pablo Lafuente, Juliette Rizzi, 26 colour illustrations to explore what lies underneath. yet the linear and planar processes Steve McQueen and Mark Wallinger. Sophie Richard, Elena Crippa and 275 x 225 mm remain clear-cut, straightforward and Richter Verlag £39.00 He also wrote extensively about Christopher Heuer, and Matthew English and German text Richter Verlag £29.00 ISBN 978-3-941263-23-9 trends in sculpture, art education and Jesse Jackson. real. The built-up tension between hardback 184 pages ISBN 978-3-941263-26-0 changes in art in general. His texts hardback 156 pages rapidly moving fabrication and visual 69 colour, 58 b&w illustrations Ridinghouse £20.00 92 colour illustrations apprehension is resolved in the 290 x 230 mm have been published in exhibition ISBN 978-1-905464-29-6 280 x 225 mm catalogues for the Hayward Gallery, amalgamating intensity of the whole. softback 272 pages English and German text Ikon Gallery and Serpentine Gallery; 65 illustrations Richter Verlag £28.00 in Phaidon, Thames & Hudson and 210 x 153 mm ISBN 978-3-941263-25-3 Blackwell books; as well as a variety hardback 80 pages of art magazines and journals. 55 colour, 2 b&w illustrations 280 x 220 mm English and German text Ridinghouse £20.00 tbc ISBN 978-1-905464-37-1 softback 288 pages tbc illustrations tbc 130 x 200 mm April 2011 48 49 SPRING 2011

Robert Holyhead John Stezaker Fred Wilson Saatchi Gallery Sainsbury Centre for artist’s interview by Anthony Spira Silkscreens A Critical Reader Shisha Publications Visual Arts distributed by Cornerhouse world-wide text by Caoimhín Mac Giolla Léith introduction by Lowery Stokes Sims distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Robert Holyhead’s precise edited by Doro Globus application and removal of paint, Although best known for his small- his colourful abstract form and scale intimate collages of film An anthology of critical texts and The Shape of Things Basketry Between Kismet and his complex composition are stills, postcards and other found interviews with the American artist to Come Making Human Nature Karma celebrated in this catalogue. Full imagery, John Stezaker’s silkscreens Fred Wilson, this publication focuses New Sculpture Part 1 texts by Joshua A. Bell, Mary Butcher, South Asian Women Artists page illustrations of each of the eight executed between 1977 and 1994, on the artist’s pivotal exhibitions and Joanne Clarke, Sandy Heslop, Steven Hooper, Respond to Conflict paintings from 2010 are accompanied reveal another side of the artist. The projects, and includes a wide range text by Lupe Núñez-Fernández John Mack, Victoria Mitchell, Aristóteles Barcelos Neto by detailed photographs of the comprehensive group of these mid to of significant texts that mark the artists: Tayeba Begum Lipi, Shilpa Gupta, Lin edge of the paintings and places edited by Sandy Heslop Holland, Yasmine Kabir, Naiza H. Khan, Anoli large-scale silkscreens are brought critical reception of Wilson’s work What are the parameters of Perera, Sadia Salim, Priya Sen, Sabiha Sumar, where the paint has been wiped together here for the first time. over the last two decades. Brought contemporary sculpture? This Paromita Vohra, Sujeewa Kumari Weerasinghe away. Holyhead ‘looks for a type They include manipulated imagery together for the first time here, these book surveys international trends The exhibition Basketry: Making of familiarity, to create a presence Human Nature is, above all else, of kissing couples, disembodied reviews, interviews and essays are over the last 10 years – a return to Between Kismet and Karma was that allows itself to be exposed a celebration of human ingenuity. men and women, floating baby- from sources that are largely out of figuration, exploration of scale, the conceived by Shisha in curatorial on the surface.’ In his interview The overall aim is a wide-ranging heads and even film stills. While print. The texts are accompanied dissolution of the very boundaries partnership with the University of with Anthony Spira, director of the exploration of the place of basketry at first this body of works seems to by a large section of full colour of traditional sculpture – in work by Leeds. This full-colour publication Milton Keynes Gallery, Holyhead in culture, involving artists and stand in contrast to the collages, illustrations that show the artist’s 20 artists including the well-known explores the project’s complex explains that he is ‘pursuing this idea makers, curators, art historians, the silkscreens employ many of work from the early 1990s to present Rebecca Warren, Roger Hiorns, creative web of programmes, of navigating something spatially archaeologists and anthropologists. the same techniques, cutting out, day. Concentrating on some of the John Baldessari and Berlinde de including the central exhibition, as within the painting.’ Throughout the Basketry has been and is cropping, slicing and over-laying that most significant moments of Wilson’s Bruckyere, as well as rising stars, well as the affiliated symposium, conversation, the artist discusses fundamental to the success of our are seen throughout Stezaker’s work. career, the book focuses on essays Kris Martin, Matthew Monahan, Beyond Borders, artist residencies, his struggle to find a new way of species in colonising and thriving in Over 65 images are accompanied from exhibition catalogues such as Oscar Tuazon, Folkert de Jong, and film programme and various painting, his process and how he a wide range of environments and by Caoimhín Mac Giolla Léith’s Mining the Museum and Speak of Me Joanna Malinowska. Published to interventions. It also includes became a painter. in structuring our thought process. essay, the first text on Stezaker’s as I Am – Wilson’s installation in the accompany the exhibition at Saatchi evaluative feedback from the project It has helped to establish the ways silkscreens as whole. American Pavilion at the 50th Venice Gallery, London, 27 May – 16 as a whole. The book delivers an Ridinghouse £14.95 biennale exhibition – and interviews October 2011. in which we live in the world and ISBN 978-1-905464-35-7 engaging and enlightening view of Ridinghouse £32.00 contributed to our sense of order softback 48 pages with the artist himself. ISBN 978-1-905464-34-0 the featured artists, artwork and 16 colour illustrations Saatchi Gallery Publications £15.00 and relationships. In other words, hardback 143 pages audiences, and addresses the 260 x 210 mm Ridinghouse £22.00 ISBN 978-0-9538587-9-8 35 colour, 50 b&w illustrations basketry has played a critical role in ISBN 978-1-905464-36-4 softback 116 pages curatorial themes of gender, home, 286 x 231 mm making human nature. The exhibition softback 510 pages 95 colour illustrations body, environment and nation. In and the essays in this catalogue 70 colour illustrations 297 x 210 mm addition it provides a platform for April 2011 exemplify some of the many ways 210 x 153 mm artists, curators, academics and of thinking about the subject. The audiences to revisit, question and project has been an interdisciplinary reflect on this multifaceted and collaboration between the units unique programme, which was and institutes within the Sainsbury organised in collaboration with a Institute for Art (SIFA). myriad of partnerships.

SCVA £15.00 Shisha £18.00 ISBN 978-0-946009-60-2 ISBN 978-0-9567755-0-4 softback 68 pages softback with DVD 156 pages 69 colour, 3 b&w images illustrated in colour 275 x 200 mm 240 x 210 mm April 2011 50 51 SPRING 2011 INDEX TO NEW AND FORTHCOMING TITLES

The 80s Revisited: From the Bischofberger Collection 4 Figura Cuncta Videntis: The All-Seeing Eye – Homage to Emil Nolde and Emil Schumacher: Kindred Spirits 6 Christoph Schlingensief 33 100+ Drawings by Mel Ramos 24 NOT IN FASHION: Photography and Fashion in the 90s 27 Fluviatile 47 Absalon 28 NOTES on a return 2 Pia Fries: Krapprhizom Luisenkupfer 47 Accumulation: Experiencing the City 41 ONE DAY: Susanne Kriemann 52 General Idea: A Retrospective (1969 – 1994) 16 Activity 12 Outer Space: Art and a Dream 45 Gilbert & George: Art Titles 1969 – 2010 33 Doug Aitken: The Idea of the West 12 Emmanuelle Pagano: La Décommande 20 Antony Gormley: Horizon Field 33 Kai Althoff & Nick Z: Dream Cereal 28 Philippe Parreno: Films 1987 – 2010 37 Loris Gréaud: Cellar Door 16 Aristide Antonas: Ta dyo dwmatia 13 A.R. Penck: Filzarbeiten und Zeichnungen 1972 – 1995 37 Brian Griffiths: Crummy Love 34 David Austen: End of Love 42 Phantasieblume: Nick Fox 1 Wade Guyton: Paintings 17 Bruno Aveillan: MNEMO # LUX 24 Power Up: Female Pop Art 6 Charles Harrison: Looking Back 49 Basketry: Making Human Nature 51 Richard Prince: T-Shirt Paintings 20 Jonas Hassen Khemiri: Så som du hade berättat det för mig 17 Mary Bauermeister: Worlds in a Box 25 Private Houses in Finland 46 He: David Chandler and John Kippin 1 ONE DAY Ruedi Bechtler: Flip Flop 13 David Rabinowitch: Birth of Romanticism Drawings 48 University of Hertfordshire Thomas Hirschhorn: Establishing a Critical Corpus 17 Witte de With Susanne Kriemann Valérie Belin: Black Eyed Susan 13 Arnulf Rainer: Visages 6 Galleries distributed by Cornerhouse in the UK Damien Hirst / Michael Joo: Have You Ever Really Looked Nelleke Beltjens: Immense 8 Raising Frankenstein: Curatorial Education and Its Discontents 37 distributed by Cornerhouse world-wide edited by Nicolaus Schafhausen, at the Sun? 9 Monika Szewczyk Bernadette Corporation: The Complete Poem 28 The Reclaim Book: Len Grant 41 Robert Holyhead 50 Walead Beshty: Natural Histories 14 Reconstruction: Cultural Heritage and the Making of Hyper Real: The Passion of the Real in Painting Contemporary Fashion 2 You, Me & It Edith Dekyndt ONE DAY is the third book in a Between Kismet and Karma: South Asian Women Artists and Photography 34 Respond to Conflict 51 Recorders: Rafael Lozano-Hemmer 41 Marty St James Source Book 8 series of portraits, in book form, of I Know Something About Love 35 the City of Rotterdam, that Witte de Mihály Biró: Pathos in Rot 43 Red Summer in Kensington Gardens by Jean Nouvel 38 texts by Nina Colosi, Matthew Shaul texts by Edith Dekyndt, Amira Gad, Juan Derek Jarman: Super 8 34 With, Center for Contemporary Art John Bock: FischGrätenMelkStand / Herringbone Milking Ad Reinhardt: Last Paintings 49 interview by Julie Lawson A. Gaitan, Renske Janssen, Norman Mailer, Parlour 29 just like a painting / wie gemalt: Creators in the 21st century 25 Monika Szewczyk, Nicolaus Schafhausen has been producing in collaboration Denys Riout: Yves Klein – Expressing the Immaterial 38 edited by Nicola Freeman Monica Bonvicini: Both Ends 29 Minjung Kim 8 with artists who are particularly Pipilotti Rist 10 concerned with the photographic BORN AFTER 1924 3 Paco Knöller 48 Edith Dekyndt is an artist who Rive gauche / Rive droite 21 This publication accompanies a medium. Kriemann is an artist Candice Breitz: The Scripted Life 29 Jakob Kolding: Shifting Realities 18 draws inspiration from natural Eva Rothschild 38 major mid-career retrospective by KRIWET: Yester ‘n’ Today 5 phenomena and, what may be whose work explores how images Olaf Breuning: Queen Mary II 14 prominent British performance video Ed Ruscha: Huit textes – Vingt-trois entretiens 1965 – 2009 21 called, ‘the psychology of machines’. circulate and how displacement is Marie de Brugerolle: Premières critiques 14 Barbara Kruger: Circus 35 artist Marty St James. The catalogue Hinrich Sachs: Lost Once More – Five Stories 21 Presented as minimal, highly precise represented in photography. For this Jonas Burgert: Lebendversuch 30 Mischa Kuball: New Pott 18 examines the development of video project Kriemann collected a long Savage Messiah: A Biography of the Sculptor Henry installations, her works tread a fine Nina Canell: To Let Stay Projecting as a Bit of Branch on a Philipp Lachenmann: Some Scenic Views 18 Gaudier-Brzeska 11 portraiture since the mid 1970s list of books about Rotterdam, all of Log by Not Chopping It Off 30 line between the down-to-earth Mark Lammert: Malerei 1997 – 2010 48 and has an introductory essay by Tiziano Scarpa: Nuove indagini di un formicaio 22 and the other-worldly, activating which have been published since its Rui Cardoso Martins: Estômago Animal 19 Nina Colosi, (Streaming Museum, William Lamson: ON EARTH 26 Thomas Scheibitz: A Disordered Space / Der ungefegte Raum 39 the cognitive boundaries of those devastating bombing by the Luftwaffe Guy de Cointet 15 New York), a contextual essay by in May 1940. The second largest city Sean Landers: 1990 – 1995, Improbable History 19 Eva Schlegel: In Between 46 who come in their midst. Witte de The Collected Writings of Jon Thompson 49 Matthew Shaul (UH Galleries) and a in The Netherlands, Rotterdam is Delaine Le Bas: Witch Hunt 2 Dierk Schmidt: The Division of the Earth 39 With’s 8th Source Book – which George Condo: Mental States 10 transcribed interview with Marty St Klara Liden 26 generously documents the works in unique in that its rebuilding did not Dana Schutz: The Last Thing You See 39 James conducted by Julie Lawson Bruce Conner: The 70s 43 the exhibition – also offers access to focus on restoring the pre-war urban Klara Liden 35 Series of Portraits: A century of photographs 27 (Scottish National Portrait Gallery). Nigel Cooke 30 Edith Dekyndt’s personal inspirations fabric, but instead became a multi- Jon Lockhart: Manual Labour – Engaging with Contemporary Sgrafo vs. Fat Lava 22 The publication includes extensive faceted experiment in architecture Cosmo.Sys: Hedwig Brouckaert 9 Art Through Collaborative Activity 43 in literature, film and music. For The Shape of Things to Come: New Sculpture Part 1 51 illustrations of St James’ past and urban planning. From the books Nathan Cash Davidson: Burlesque in which we’ve thrown Andrew Lord 42 this book, Dekyndt prepared her Jim Shaw: My Mirage 22 projects and new installations at UH it on its head 31 own texts and lists of favourites, she collected, which document LOUD FLASH: British Punk on Paper 9 Galleries, Hatfield. Edith Dekyndt: Source Book 8 52 Katharina Sieverding: Testcuts. Projected Data Images 7 as well as a recommendation: Rotterdam’s evolution, Kriemann The Lucid Evidence: Photography from the collection of selected 115 images. The flow of Jeremy Deller: Social Surrealism 44 the MMK 44 Slavs and Tatars Presents Molla Nasreddin 23 University of Hertfordshire Galleries / Cornerhouse £10.95 Norman Mailer’s Of a Fire on the images in her book condense the Displaced Fractures 15 The Luminous West 26 Daniel Spoerri: Black on Wise 27 ISBN 978-0-9550478-8-6 Moon (1971). A significant excerpt Hannah Starkey: Twenty Nine Pictures 42 softback 56 pages of this account of the Apollo 11 experience of time by subtly tracing Natalie Djurberg & Hans Berg: Snakes Knows it’s Yoga 44 Len Lye: The Body Electric 11 the course of one day, from dawn John Stezaker: Silkscreens 50 32 colour, 16 b&w illustrations mission (from a chapter entitled The The Ear of Giacometti: (Post-)Surrealist Art from Meret Heinz Mack: Life and Work 1931 – 2011: A Book from the 260 x 210 mm Oppenheim to Mariella Mosler 25 Psychology of Machines) is thus until dusk. Includes a discussion Artist about the Artist 5 Switzerlarch: Bank and Bastion 23 Anthony Earnshaw: The Imp of Surrealism 47 reproduced and offers a precise between Susanne Kriemann and Marilyn Manson and David Lynch: Genealogies of Pain 45 Switzerlart: A Collection of Swiss Art in Five Chapters 23 critic/curator Christopher Eamon. Marcel van Eeden: Schritte ins Reich der Kunst 31 poetic key for the artist’s blend of Stefan Marx: I guess I shouldn’t be telling you 19 Tatiana Trouvé 40 Aleana Egan: At intervals, while turning 4 scientific enquiry and subjective Rita McBride: Westways 20 Undone: Making and Unmaking in Contemporary Sculpture 11 Witte de With Publishers £22.00 Tracey Emin: Love Is What You Want 10 reverie. Her selections are further ISBN 978-90-73362-95-6 McDermott & McGough: No 26 Sandymount Avenue 45 UnSpooling: Artists and Cinema 3 hardback 142 pages engage 26: Marketing and Gallery Education 7 illuminated in an interview with Michaela Meise: Ding und Körper 36 Olaf Unverzart: don’t fade to grey 46 illustrated in colour and b&w Amira Gad (assistant curator at Every Artist is a Human Being / Jeder Künstler ist ein Mensch 31 230 x 165 mm Middling English: Caroline Bergvall 12 Villa Frankenstein Volume 2: La Laguna di Venezia 3 Witte de With). Exhibiting the New Art: ‘Op Losse Schroeven’ and ‘When Alexander Mihaylovich 5 Visual Pleasure: Dawn Woolley 7 Attitudes Become Form’ 1969 32 Mirror: Elaine Wilson 1 Tris Vonna-Michell 24 Witte de With Publishers £9.00 VALIE EXPORT: Time and Countertime 32 ISBN 978-90-73362-90-1 A moving plan B – Chapter ONE: Selected by Thomas Scheibitz 4 Vorspannkino: 47 Titles of an Exhibition 40 softback 112 pages FACE: Investigations of a Dog – Works from Five European Art Foundations 15 My Work and Me 36 16 colour illustrations Emmett Williams: Sweethearts 40 200 x 125 mm Fanfare 16 Frank Nitsche: Cocktailhybridconcept 36 Fred Wilson: A Critical Reader 50 52 Rainer Fetting: Manscapes 32 No Place Like Home: Faye Chamberlain / Chris Young 8 You, Me & It: Marty St James 52 Cornerhouse Publications 70 Oxford Street Manchester M1 5NH England tel +44 (0)161 200 1503 fax +44 (0)161 200 1504 [email protected] www.cornerhouse.org/books

Contemporary Visual Arts and Photography

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