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I WANT to SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 – July 25, 2010 (Deichtorhallen Hamburg)

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I WANT to SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 – July 25, 2010 (Deichtorhallen Hamburg) I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 – July 25, 2010 (Deichtorhallen Hamburg) The exhibition at the Hamburg’ Deichtorhallen will be the first extensive presentation of the JULIA STOSCHEK COLLECTION shown in the context of a museum worldwide. The exhibition, which will commence April 16, 2010, will feature 65 works by 54 artists from this very young private collection in a space extending of over 3,000 square meters. The main focus of the presentation will be on film and video works produced in the last 40 years, a time range which applies to the entire Julia Stoschek Collection. Classics of video art, such as Marina Abramović’s Art must be beautiful/ Artist must be beautiful dating from 1975-76, Vito Acconci’s Openings (1970) and Chris Burden’s Shoot (1971 are conjoined with more recent works of younger artists, giving viewers the opportunity to relate to the history of the still rather young genre of video art. The majority of the works were actually produced after 2000. They range from lyrical pieces such as Heike Baranowsky’s Mondfahrt and complex animation films such as Björk’s Wanderlust in 3D up to elaborate spatial installations by artists such as Monica Bonvicini, Anthony McCall, and Nathalie Djurberg. The video works are accompanied by sculptures (e.g., by Nandipha Mntambo), photographic works (e.g., by Thomas Demand, Taryn Simon, Thomas Ruff) and installations (e.g., by Jeppe Hein). The title of the exhibition I Want To See How You See was derived from the work in the show by Pipilotti Rist (2003) of the same name. Most of the presented works reflect the production process or question the validity of the image via the staged realites generated in the realms of film or video. A recurring subject is the image of women as conveyed by the mass media. The exhibition continues the Deichtorhallen tradition of presenting major private collections. In this case, the collection is one of the most important convolutes of media-influenced art in Germany, whose contemporaneity and acuteness aptly reflects the young age of the collector (34). At the same time, the show refers back to the Fire, Earth, Water, Air exhibition, presented at the Deichtorhallen in 1993 as part of the Mediale Festival featuring media-influenced art at the Deichtorhallen for the first time. The Julia Stoschek Collection is a private collection of contemporary art that focuses on media and video art, installations and photography. Julia Stoschek was born in 1975 and is a shareholder of the Brose Group and great-granddaughter of the founder of the company, which produces automotive components for the international market. She studied Business Administration and since her graduation in 2001 has devoted herself completely to the collection of art. Since 2004 she has been on the Board of Directors of the KW-Institute for Contemporary Art, Berlin. In 2007, she was appointed a voting member of the acquisitions commission of the Trustee Committee for Media and Performance Art at MoMA, Museum of Modern Art. I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION April 16 – July 25, 2010 (Deichtorhallen Hamburg) Selection of Artists for the Deichtorhallen Marina Abramović Jen DeNike Carsten Nicolai Vito Acconci Nathalie Djurberg Tony Oursler Pep Agut Claus Föttinger Paul Pfeiffer Peggy Ahwesh Douglas Gordon Rob Pruitt Doug Aitken Cao Guimarães Pipilotti Rist Eleanor Antin Andreas Gursky Aura Rosenberg Heike Baranowsky Jeppe Hein Martha Rosler Lynda Benglis Christian Jankowski Mika Rottenberg Walead Beshty Isaac Julien Thomas Ruff Björk (Encyclopedia Pictura) Terence Koh Christoph Schlingensief Monica Bonvicini Klara Liden Carolee Schneemann Robert Boyd Gordon Matta-Clark Taryn Simon Chris Burden Anthony McCall Wolfgang Tillmans Jeff Burton Adam McEwen Steina Vasulka Matt Calderwood Alex McQuilkin Clemens von Wedemeyer Paul Chan Nandipha Mntambo Franz West Patty Chang Lutz Mommartz Hannah Wilke Thomas Demand Bruce Nauman Aaron Young CATALOGUE „Julia Stoschek Collection – I Want To See How You See“, Snoeck Verlagsgesellschaft mbH, Ed. Dirk Luckow, with texts of Beate Söntgen, Dörte Zbikowski and an interview between Dirk Luckow and Julia Stoschek,. Format 17,5 x 24,5 cm, 148 pages, Hardcover, , ISBN 978-3-940953-51-3, in German language, price on request. PRESS CONFERENCE Thursday, April 15, 2010, 11 h Julia Stoschek and Dirk Luckow, Intendant of the Deichtorhallen, will be present PRESSMATERIAL Press photograph : „Presse“ at www.deichtorhallen.de OPENING HOURS NEW: TUESDAY, WEDNESDAY, THURSDAY 2 - 9 h und FRIDAY, SATURDAY, SUNDAY 11 - 6 h Pressefotos I WANT TO SEE HOW YOU SEE JULIA STOSCHEK COLLECTION 16. APRIL – 25. JULI 2010 GROSSE DEICHTORHALLE Die Pressefotos stehen zum Download in 300dpi im Bereich „Presse“ unter www.deichtorhallen.de zur Verfügung. Dort werden auch Installationsaufnahmen fortlaufend aktualisiert. Die Pressebilder sind nur frei zur aktuellen Berichterstattung über die o.g. Ausstellung in den Deichtorhallen Hamburg und bei Copyright-Nennung. Jede andere Nutzung ist nicht gestattet. ALLE RECHTE VORBEHALTEN. PRESS PRINT - IMPORTANT NOTE: These photographs have been copyright cleared for media reproduction in the context of a review or preview of the exhibition, ALL RIGHTS RESERVED. Information : [email protected]; Tel. +49-(0)40-32103250 Anthony McCall: Line Describing A Cone, 1973 16-mm-Filminstallation; 30min; unlimitiert Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies , Düsseldorf, Courtesy of Galerie Thomas Zander, Köln Björk (Encyclopedia Pictura) Wanderlust (3-D), 2008 Stereoskopische, digitale Videoinstallation. 7:27 min., Farbe, Ton, Edition 1/6 Courtesy of One Little Indian; London Terence Koh: The Camel was God, the Camel Was Shot, 2007, Abguss des Künstlerkörpers, Bronze, weiße Patina 18 x 46 x 166 cm Ed. 1/5 + 2 AP Courtesy of Peres Projects, Berlin/Los Angeles Foto: Hans-Georg Gaul . (Details auf Anfrage) Claus Föttinger: Hanoi/Saigon Leuchtobjekt Höhe circa 290 cm, Durchmesser circa 100 cm, Inkjetprints mit pigmentierter Tinte auf Baumwollpapier, beidseitig laminiert, auf Kupfergestell genäht, beleuchtet Unikat, 2007 Foto: Ivo Faber, Düsseldorf Paul Chan: Happiness (Finally) After 35,000 Years of Civilization (after Henry Darger and Charles Fourier), 2000-2003 Digital animiertes Video,17:20 Min.,Farbe, Ton, Ed. 3/6 Courtesy of Greene Naftali, New York,(weitere Motive auf Anfrage) Rob Pruitt: Esprit de Corps: Guitar Jam, 2006 Skulptur; Jeans, Beton, 38 x 74 x 59 cm Unikat; Courtesy of the artist and Gavin Brown’s enterprise, New York Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf Thomas Demand Zaun/Fence, 2004 C-Print/Diasec, 180 x 230 cm © Thomas Demand, VG Bild-Kunst, Bonn Issac Julien: True North Series, 2004. Digital print on Epson Premium Photo Glossy, 100 x 100 cm. (In der Ausstellung als 3-Kanal Film Installation) Courtesy of Isaac Julien and Victoria Miro Gallery, London Issac Julien: True North Series, 2004. Digital print on Epson Premium Photo Glossy, 100 x 100 cm. (In der Ausstellung als 3-Kanal-Videoinstallation) Courtesy of Isaac Julien and Victoria Miro Gallery, London Jeff Burton: untitled #151 (picket fence), 2001. Cibachrome print, 50,8 x 61 cm, Ed. 2/5 Courtesy of the artist and Casey Kaplan, New York Jeff Burton: untitled#176 (rods and clamps), 2003. Cibachrome print, 67,3 x 101,6 cm, gerahmt 71,1 x 105,4 cm Ed. 1/5, Courtesy of the artist and Casey Kaplan, New York Monica Bonvicini: „Destroy She Said“, 1998. 2-Kanal-Videoinstallation, 60 min. Courtesy of the artist and Galleria Emi Fontana, Mailand und VG Bild-Kunst, Bonn Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf links Taryn Simon, LARRY MAYES. Scene of arrest, The Royal Inn, Gary, Indiana Police found Mayes hiding beneath a mattress in this room, Served 18.5 years of an 80- year sentence for Rape, Robbery and Unlawful Deviate Conduct, 2002, C-Print, 121,9 x 157,5 cm, Ed. 5/5, © Taryn Simon, Courtesy of Gagosian Gallery, New York Rechts Thomas Demand, Zaun/Fence, 2004, C-Print/Diasec, 180 x 230 cm, © Thomas Demand, VG Bild-Kunst, Bonn Heike Baranowsky: „Mondfahrt“, 2001. Videoinstallation, 6:22 min., Farbe, kein Ton, Ed. 4/5 Courtesy of Galerie Barbara Weiss, Berlin und VG Bild-Kunst, Bonn Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies , Düsseldorf Robert Boyd: „Xanadu“, 2006, 4-Kanal-Videoinstallation, 22 min., Farbe, Ton, Ed. 2/2 + AP, Courtesy of the artist and Participant Inc., New York Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies, Düsseldorf Clemens von Wedemeyer, „The Big Business Project“, 2002 The Big Business Project, 2002, 2-Kanal-Videoinstallation, Farbe, Ton Big Business, 25 Min., The Making Of Big Business, 27 Min.,Ed. 6/10 Courtesy of the artist and Galerie Jocelyn Wolff, Paris Installationsansicht Julia Stoschek Collection, Düsseldorf, Foto: Achim Kukulies, Düsseldorf Jeppe Hein: „2-Dimensional-Mirror-Labyrinth“, 2006 Skulptur-Installation, polierter Edelstahl, 220 x 350 cm, Ed. 1/3 + 2 AP Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies , Düsseldorf, Courtesy of Galerie Johann König, Berlin Aaron Young : „High Performance“, 2000 Video, 3 min., Farbe, Ton, Ed. 1/5 + AP, Installationsansicht Julia Stoschek Collection, Düsseldorf Foto: Achim Kukulies , Düsseldorf Courtesy of the artist and Harris Lieberman Gallery, New York Matt Calderwood: Gloss, 2004, Video Farbe, kein Ton, 01:16 Min., Ed. 3/6,
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