00007-2010 ( Pdf )

Total Page:16

File Type:pdf, Size:1020Kb

00007-2010 ( Pdf ) NEW THIS ISSUE Dining Guide p. 59 6 New Local Restaurants 233 Total! Serving communities along the Biscayne Corridor: Arch Creek East, Aventura, Bay Point, Bayside, Biscayne Park, Belle Meade, Buena Vista, Design District, Downtown, Eastern Shores, Edgewater, El Portal, Hibiscus Island, Keystone Point, Miami Shores, Morningside, North Bay Island, North Miami, North Miami Beach, Oakland Grove, Palm Grove, Palm Island, Sans Souci, Shorecrest, Star Island, Wynwood, and Venetian Islands www.BiscayneTimes.com July 2010 Volume 8, Issue 5 Things FISHING Has Taught Me About Life Lessons learned from decades of dropping hook and By Arnold Markowitz 5line into Biscayne Bay — and fi ve places to do just that Photos by Silvia Ros o long ago that Google never heard cargo warehouses still stood, totter- it had a welcoming manner and let me wasn’t unusual to meet people who spoke of him, a man named Charlie ing, between the bait store and Miami hang out with it whenever I had time. the Y’all dialect. SPujols had a bait store at the north Bayfront Park. That’s where I met a new I went to Charlie’s late at night, At 1:00 a.m. we could walk across end of the Port of Miami, which was friend, Biscayne Bay. The bay didn’t after work at a place a lot of local people the street from the Herald to Charlie’s, being moved from the mainland to speak aloud — though I thought I heard still called the Miama Hurled. The city where Bicentennial Park is now, and Dodge Island. A few of the old port’s it whisper, “Shut up and fi sh” — but was changing fast in the late 1960s but it Continued on page 14 CALL 305-756-6200 FOR INFORMATION ABOUT THIS ADVERTISING SPACE OurUnique Collection of Properties... One of a kind residence in Sans Souci Estates, indoor Charming Art Deco hm in Bay Harbor, eat-in kit., Cuban tile courtyard gardens, 5000+sf, 5/4.5, great floor plan, & wood flrs, great architectural details, pool, Jacuzzi & Chikki pool, dock. REDUCED! $1,149,000 Hut outside. Dock your boat no bridges to bay. $1,485,000 Bay Harbor Island Contemporary style 4/3 in pristine condition, Brazilian cherry wood floors, huge Master Suite, exquisite open kitchen. $995,000 Hamptons South, New building Aventura, 3000sf, designer Keystone Point waterfront on quiet cul-de-sac, finished & highly upgraded 2+bd, media room, direct ocean, Intracoastal & golf course views. $874,985 4bd/3ba, pool, A+schools. WOW! $849,000 NEW Key West style waterfront home in gated Keystone Point. Huge dock with ocean access & no bridges to the bay. 5/5.5, 5000+ sf, pool & garage $1,795,000 Deco style home on tranquil North side of Bay harbor 2-story twnhse on the water, priv. backyard & deeded boat Islands. 4bd +den, entertainment / media room, pool. dock, 2/2.5, 1400sf, not a Foreclosure or Short Sale! $254,900 Great Family Home. JUST REDUCED $995,000 Jockey Club III Penthouse, SE corner, dramatic floor to ceiling panoramic views, $200K in upgrades, Dog lovers...large dogs, no problem! Spectacular Tri level townhouse in Bay Harbor Islands, floor to 4560sf plus 700sf terrace. $975,000 Penthouse, 4,700+/- sf, 4/5.5, overlooking ceiling windows, large bdrms, pool, pet friendly, 2 car Yacht Harbour. $1,495,000 garage. $469,000 or lease for $2800/mo FOR MORE INFORMATION PLEASE VISIT OUR WEBSITE WWW.OPENDOORMIAMI.COM The Open Door Miami Team Bonnie Brooks - 305.206.4186 INTERNATIONAL REALTY Ilene Tessler - 305.458.1200 1021 Kane Concourse, Bay Harbor Island, FL 2 Biscayne Times • www.BiscayneTimes.com July 2010 JulyColorENGBiscayneTimes.qxd:print 6/22/10 2:57 PM Page 1 KJULYKNIGHT CONCERT HALL C CARNIVAL STUDIO THEATERZ ZIFF BALLET OPERA HOUSE P PARKER AND VANN THOMSON PLAZA SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Tap Dogs Tap Dogs Tap Dogs 1 7:30PM Z 2 8PM Z 3 2PM & 8PM Z Tap Dogs have taken “Exciting, athletically “Spectacular! the world by storm feisty, fun-loving, and Triumphant! An Amazing with a fast and hilarious!” fabulous theater- Achievement!” Signature Shorts The Chicago Tribune The Los Angeles Times dance spectacle! Tap Dogs Tap Dogs Tap Dogs Tap Dogs Tap Dogs 6 7:30PM Z 7 7:30PM Z 8 7:30PM Z 9 7:30PM & 10PM Z 10 2PM & 8PM Z “A sexy, fast, and International Babalu “Tap dancing will Babalu fabulous hit!” Hispanic Theatre 7:30PM K never be the same!" 2PM & 8PM K San Francisco Chronicle Festival (IHTF) - Lucie Arnaz The London Times Straight from a Amarillo celebrates the music Babalu sold out New York 8:30PM C of her father, 8PM K engagement! Desi Arnaz! A play that explores IHTF - Amarillo IHTF - Divinas C the concept of IHTF - Amarillo 8:30PM C Palabras national identity. 8:30PM 8:30PM C IHTF - Divinas IHTF - Os Sonhos IHTF - Os Sonhos IHTF - Os Sonhos IHTF - Flores 11 Palabras 12 13 14 De Segismundo 15 De Segismundo 16 De Segismundo 17 Arrancadas 5PM C 8:30PM C 8:30PM C 8:30PM C A La Niebla Babalu Six characters set IHTF celebrates its “The quality attests to 8:30PM C 7:30PM K out on a mythical 25th anniversary the vibrancy and Two women fleeing talent of theatre the aftermath of an “Raúl Esparza infuses journey into their season by presenting unspecified war. the songs with a fiery dreams! the best in being produced in theatrical intensity the Spanish-speaking and nostril-flaring Hispanic theater world!" passion!” companies! The New York Times The New York Times 18 IHTF - Flores IHTF - Gatomaquia IHTF - Gatomaquia IHTF - Gatomaquia IHTF - Pedro De Arrancadas 21 8:30PM C 22 8:30PM C 23 8:30PM C 24 Valdivia A La Niebla “IHTF is considered “This is a festival that “It is a reminder of 8:30PM C 5PM C one of South should return every the deep traditions Three actor-musicians International Hispanic Florida's best-kept year and stay and long history of retell the story of the Theater Festival is the conquest of Chile! only festival of its cultural secrets!” longer!" Latin American kind! Miami New Times The New York Times drama." The New York Times IHTF - Pedro De IHTF - Por Las IHTF - Por Las IHTF - Por Las IHTF - Por Las 25 Valdivia 28 Tierras De Colon 29 Tierras De Colon 30 Tierras De Colon 31 Tierras De Colon 5PM C 8:30PM C 8:30PM C 8:30PM C 8:30PM C Through a lively “Latin-American Recipient of the “IHTF continues to This award-winning combination of music theater constructs its University of Miami’s offer thought-pro- festival raises the and humor, the work “EXCITING, ATHLETICALLY FEISTY, FUN-LOVING, AND HILARIOUS!” symbolism from 1987 Golden Letters voking, aesthetically curtain on Hispanic prompts serious The Chi cago Tribune movement, physicality, Award. diverse, first-rate culture! reflection on Spain’s colonization of the and gesture.” theater from around Americas. JUNE 30-JULY10 The New York Times the world.” The Miami Herald “SIMPLY SMASHING!” - The Miami Herald MIAMI’S NEWEST Convenient parking is plentiful! TICKETS! DINING HOT SPOT! Info: arshtcenter.org/parking 305.949.6722 • arshtcenter.org July 2010 Biscayne Times • www.BiscayneTimes.com 3 Contents COVER STORY 1 Five Things Fishing Has Taught Me About Life COMMENTARY 6 Feedback: Letters 12 Jack King: The Assault on Obama & Company OUR SPONSORS 30 10 BizBuzz NEIGHBORHOOD CORRESPONDENTS 28 Jen Karetnick: No Español and No Beach PO Box 370566, Miami, FL 33137 www.biscaynetimes.com 30 Frank Rollason: Big Guys and Little Government 36 PUBLISHER & EDITOR ACCOUNT EXECUTIVES 32 Gaspar González: On the Clock Jim Mullin Marc Ruehle 34 Wendy Doscher-Smith: A Sign From Below [email protected] [email protected] Nancy Newhart COMMUNITY NEWS INTERN 36 [email protected] The Life and Times of Roberta Sherwood Mandy Baca 36 A New Leaf BUSINESS MANAGER [email protected] Ileana Cohen 37 Take This Park, Please! CONTRIBUTORS [email protected] POLICE REPORTS Victor Barrenchea, Erik Bojnansky, ART DIRECTOR 42 Biscayne Crime Beat Pamela Robin Brandt, Terence Marcy Mock ART & CULTURE Cantarella, Bill Citara, Karen-Janine [email protected] 44 Anne Tschida: What We Talk About When… Cohen, Wendy Doscher-Smith, Kathy ADVERTISING DESIGN 46 Art Listings DP Designs Glasgow, Gaspar Gonzaléz, Margaret [email protected] 49 Events Calendar Griffis, Jim W. Harper, Lisa Hartman, CIRCULATION PARK PATROL Jen Karetnick, Jack King, Cathi Marro, South Florida Distributors 50 North Miami’s Out-of-Sight Delight 52 Derek McCann, Jenni Person, PRINTING COLUMNISTS Frank Rollason, Silvia Ros, Jeff Stuart Web, Inc. 52 Kids and the City: On the Road Again Shimonski, Anne Tschida www.stuartweb.com 53 Your Garden: The Deadliest Cut 54 Vino: Our Summertime Fire Up the Grill Drill F OR ADVERTISING INFORMATION CALL 305-756-6200 56 Pawsitively Pets: Problem Pooper? Put His Nose in It! All articles, photos, and artwork in the Biscayne Times 58 Word on the Street: Which Hurricane Was Your Worst? are copyrighted by Biscayne Media, LLC. Any duplication or Member of the reprinting without authorized written consent from the publisher Florida Press Association DINING GUIDE is prohibited. 59 Restaurant Listings: 233 Biscayne Corridor Restaurants! 4 Biscayne Times • www.BiscayneTimes.com July 2010 July 2010 Biscayne Times • www.BiscayneTimes.com 5 Commentary: FeedbaCk Letters to the Editor How About It, Kids? Let’s Driving Aimlessly, Letters Make a Garden! in Hand Erik Bojnansky’s story about World Like Gaspar González, I’m very an- Gardens at Midtown Miami (“How noyed at the lack of postal boxes where I Does Your Garden Grow?” June 2010) live, in North Miami (“Return to Sender,” highlights a commendable concept June 2010).
Recommended publications
  • FRÉ ILGEN MA BIOGRAPHY March 2017
    painter, sculptor, theorist, curator FRÉ ILGEN MA BIOGRAPHY March 2017 Born in Winterswijk, the Netherlands; lives and works in Berlin, Germany; EDUCATION 1968-1974 Atheneum A, lyceum, the Netherlands; 1974-1975 studies psychology at the Royal University Leiden, Leiden, Netherlands; 1975-1978 studies teaching painting/sculpture at the NLO ZWN, Delft, Netherlands; 1978-1981 studies fine art at the Academy for Fine Arts Rotterdam (BA); 1988 MA painting/sculpture at the AIVE Art Department, the Netherlands; EMS (Engineering Modeling System) certificate, AIVE Eindhoven, the Netherlands; 1981 - .. self-study in art history, art theory, various fields of science, psychology, philosophy (both Occidental and Oriental philosophy); ACTIVITIES 1985-1987 member of the board of several associations of artists, co-organizer of several exhibitions on sculpture; representative of these associations in several governmental art committees in The Hague and Utrecht; member of selection-committee for art in public spaces in Hazerswoude, Alphen a/d Rijn, Cromstrijen; from 1986 founder and president of the international active PRO Foundation; organizer of some 40 international exhibitions, symposia and multi-disciplinary conferences in various countries in Europe and the US; publisher of the PRO Magazine 1987-1991, and various catalogues; Coordinator Studium Generale, Academy for Industrial Design Eindhoven, the Netherlands; 1992-1994 Manager Communications European Design Centre Ltd, Eindhoven, the Netherlands; founding member of the Vilém Flusser Network
    [Show full text]
  • Museo De La Solidaridad Salvador Allende in Berlin 1974 1982 2020
    Museo de la Solidaridad Salvador Allende in Berlin 1974 1982 2020 daadgalerie EN Fragments of the different lives that came together in what is today Can a museum be a weapon? The Museo de la Solidaridad [Muse- Museo de la known as the Museo de la Solidaridad Salvador Allende (MSSA) um of Solidarity] (1971–73) has its origins in a small-scale counter- Solidaridad [Museum of Solidarity Salvador Allende (MSSA)] have passed information campaign called Operación verdad [Operation Truth], Salvador Allende through the city of Berlin on at least three separate occasions. which was devised to defend Salvador Allende’s presidency and (MSSA) These include the artists who made the folder of prints El pueblo “revolution without arms” from a CIA-sponsored international smear tiene arte con Allende [The People Have Art with Allende] that cir- campaign. As an act of political solidarity with the struggle of the culated in Berlin after being reprinted by Fabrik K14 (Oberhausen) Chilean people, artists from around the world were asked to donate in 1974 and the works by Latin American artists exhibited in Küns- works toward the creation of an anti-imperialist experimental art in- tler aus Lateinamerika [Artists from Latin America] at daadgalerie stitution for the “underprivileged of the Third World.” The artworks in 1982. Now material from both instances come together with se- collected would form the basis for the Museo de la Solidaridad, con- lected works from the collection of the MSSA to form part of the taining “the cultural and artistic contradictions of the century” and presentation of the Museo de la Solidaridad Salvador Allende at the founded on the principle that art and politics are inseparable.
    [Show full text]
  • Collections Plan Abridged for Potential Donors
    Revised: Jan, 2014 COLLECTIONS PLAN ABRIDGED FOR POTENTIAL DONORS INDEX I. INTRODUCTION A. Purpose of the Collections Plan B. Museum Mission and Vision Statements C. Statement of Curatorial and Ethical Standards D. Collections Planning and Strategic Planning II. COLLECTION A. Intellectual Framework for the Collection B. History of the Museum and Collection C. Description of the Collection D. Analysis of Collection Strengths and Weaknesses III. VISION FOR THE COLLECTION I. INTRODUCTION A. PURPOSE OF THE COLLECTIONS PLAN The Collections Plan of the Leepa-Rattner Museum of Art, Inc. (LRMA) is designed to serve as a guide for building a permanent collection that supports the mission of the Museum. It embraces the best practices for acquisition, de-accession, loans, care and usage of the collection, as outlined in the LRMA Collections Management document, while advising on the development of a comprehensive collection that balances physical and fiscal constraints with the mission and vision of the Museum. B. MUSEUM MISSION AND VISION STATEMENTS The mission of the Leepa-Rattner Museum of Art is to collect, conserve, exhibit and protect the works of art entrusted to its care and stewardship. Through its exhibitions, programs, and expanding collection of 20th and 21st century art, the Museum strives to engage and inspire our diverse community by providing opportunities for education, enlightenment, interpretation, and research to students, scholars, and visitors. Amended and approved by the Leepa‐Rattner Museum of Art Board of Directors on August 3, 2011 The vision for the Leepa-Rattner Museum of Art as a collecting institution is to be in support of the Museum’s Mission.
    [Show full text]
  • Volf Roitman:From MADI to the Ludic Revolution
    Florida International University FIU Digital Commons Frost Art Museum Catalogs Frost Art Museum 5-26-2010 Volf Roitman:From MADI to The udicL Revolution The aP tricia and Phillip Frost Art Museum The Patricia and Phillip Frost Art Museum Follow this and additional works at: https://digitalcommons.fiu.edu/frostcatalogs Recommended Citation Frost Art Museum, The aP tricia and Phillip, "Volf Roitman:From MADI to The udL ic Revolution" (2010). Frost Art Museum Catalogs. 2. https://digitalcommons.fiu.edu/frostcatalogs/2 This work is brought to you for free and open access by the Frost Art Museum at FIU Digital Commons. It has been accepted for inclusion in Frost Art Museum Catalogs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. VOLF ROITMAN: FROM MADI TO THE LUDIC REVOLUTION The Patricia & Phillip Frost Art Museum May 26 through August 29, 2010 VolfRoitmansCatk.indd 1 5/6/10 10:59:19 AM ACKNOWLEDGEMENTS The Patricia and Phillip Frost Art Museum wishes to acknowledge the assistance of the many artists, galleries, and museums in Taiwan and New York that have supported this project with such great enthusiasm. We would especially like to thank the Consul General of Taiwan in Miami and his staff, and Dr. Jane Hsaio for her vision and commit- Copyright © 2010 The Frost Art Museum ment to introduce the art and culture of Taiwan to ISBN # XXXXXXXXXXXXXX the South Florida and university community. VolfRoitmansCatk.indd 2 5/6/10 10:59:20 AM VOLF ROITMAN FROM MADI TO THE LUDIC REVOLUTION The Patricia
    [Show full text]
  • University Museums Graduate Catalog 2017-2018 Visitors To, South Florida
    20 University Museums Graduate Catalog 2017-2018 visitors to, South Florida. More than 12,000 students from UNIVERSITY MUSEUMS Miami-Dade County Public Schools participate in tours and hands-on activities at the Museum annually. The THE PATRICIA AND PHILLIP FROST ART Museum also offers guided tours of the current exhibition MUSEUM and the Sculpture Park. Another aspect of the Museum’s education programs is the Graduate Certificate in Museum The Patricia & Phillip Frost Art Museum on the Modesto A. Studies, offered in conjunction with the Department of Art Maidique Campus has served as an arts resource for the & Art History. This program prepares individuals for university and surrounding communities in South Florida employment in museums, historic preservation, and for over 35 years. The Frost Art Museum enriches and collection management. Students in the program curate an educates diverse audiences through the language of art exhibit every spring from the Museum’s permanent with its collections of a broad range of over 6,000 works of collection. art from around the world and exhibitions and public Please visit the Museum’s website at programs which enhance the collections. The collection http://thefrost.fiu.edu or call (305) 348-2890. includes a strong representation of paintings by important American artists including Hans Hofmann, William Merritt THE WOLFSONIAN–FIU Chase and Roy Lichtenstein; American printmaking from the 1960s and 70s; a growing number of artworks by Located in the heart of Miami Beach's Art Deco District, contemporary Caribbean and Latin American artists. The The Wolfsonian–FIU is a museum and research center non-Western collections include Pre-Columbian objects, that uses objects to illustrate the persuasive power of art Japanese netsukes and prints, and Benin bronzes and and design, to explore what it means to be modern, and to other African pieces.
    [Show full text]
  • Juan Carlos Maldonado Art Collection JCMAC
    Alexander Calder. Fourteen Black Leaves, 1961. Painted sheet metal and wire. 3 3 1 11 /4 x 41 /4 x 20 /2 in. (29.8 x 106 x 52 cm). Courtesy: Sotheby’s. Art Collection Juan Carlos Maldonado FRANCINE BIRBRAGHER- nization of the first exhibition presented was sponsored by Art & Art in its English ROZENCWAIG in the United States dedicated to the version. historical development of the Venezuelan At the beginning, the collection fo- he Miami Design District has estab- geometric abstract movement. Embracing cused on the development of geometric Tlished itself as a center for the visual Modernity: Venezuelan Geometric Abstrac- abstraction in Latin America (1940-1970). arts through the presence of the Institute tion, presented at The Patricia and Phillip As it grew, the need to open its own of Contemporary Art, the De la Cruz Collec- Frost Art Museum, Florida International headquarters to share with the public tion, the Craig Robins Art Collection and University, brought together for the first the vision of its creator became obvious. the Juan Carlos Maldonado Art Collection. time iconic works by twenty-six artists In November 2016, the collection opened The first three focus on contemporary art, who distanced themselves from tradi- its own space in an iconic building in the while the third one is dedicated to high- tional styles and adopted abstraction in Miami Design District with the exhibi- lighting the contributions of geometric the search for new alternatives towards tion The Unbounded Line: A selection of abstraction in the twentieth century. With experimentation and freedom of expres- the Collection, which explored how Latin the opening of the exhibition Constructing sion.
    [Show full text]
  • At the Corner Of
    NEW THIS MONTH 228 Restaurants p. 61 21 New Advertisers p.8 76 Pages -- Biggest Ever! Serving communities along the Biscayne Corridor: Arch Creek East, Aventura, Bay Point, Bayside, Biscayne Park, Belle Meade, Buena Vista, Design District, Downtown, Eastern Shores, Edgewater, El Portal, Hibiscus Island, Keystone Point, Miami Shores, Morningside, North Bay Island, North Miami, North Miami Beach, Oakland Grove, Palm Grove, Palm Island, Sans Souci, Shorecrest, Star Island, Wynwood, and Venetian Islands www.BiscayneTimes.com June 2010 Volume 8, Issue 4 At the Corner of YesterdayThe historic intersection of Biscayne& Tomorrow Boulevard and 79th Street is up for grabs By Karen-Janine Cohen Photos by Silvia Ros tephen Bittel, head of Terranova manages the aging Biscayne Plaza shop- reported $400 million, mixed-use devel- retail on the corner, with a series of high- Corp., knows what the future likely ping center, will not say precisely which opment featuring at least one tower up to rise buildings behind it,” he says during Sholds for a very large piece of land at retailers may want to lease space there. 52 stories high, is off the table — at least an interview at the Miami Beach head- Biscayne Boulevard and 79th Street. But He will say that the ambitious plan for the moment. quarters of Terranova, the commercial he won’t tell. He will hint, maybe drop a of fi ve years ago to demolish the oddly “There was a time we thought it tantalizing clue. But Bittel, whose fi rm shaped center and replace it with a would be a very interesting location for Continued on page 14 CONSIDERING BUYING or SELLING? Call NOW for all Your Real Estate Needs! MIAMI BEACH DECO DORAL SHOPPING PLAZA 4445 N ADAMS AV $1.387M $15.7M BOBBY CONSOLO REALTOR-ASSOCIATE® 305.799.5053 RESIDENTIAL • COMMERCIAL [email protected] STARBUCKS, CHICKEN GRILL, SUBWAY CALL 305-756-6200 FOR INFORMATION ABOUT THIS ADVERTISING SPACE OurUnique Collection of Properties..
    [Show full text]
  • Embracing Modernity: Venezuelan Geometric Abstraction the Ap Tricia & Phillip Frost Art Museum Frost Art Museum the Patricia and Phillip Frost Art Museum
    Florida International University FIU Digital Commons Frost Art Museum Catalogs Frost Art Museum 10-13-2010 Embracing Modernity: Venezuelan Geometric Abstraction The aP tricia & Phillip Frost Art Museum Frost Art Museum The Patricia and Phillip Frost Art Museum Follow this and additional works at: https://digitalcommons.fiu.edu/frostcatalogs Part of the Fine Arts Commons, and the Interdisciplinary Arts and Media Commons Recommended Citation Frost Art Museum, The aP tricia & Phillip Frost Art Museum, "Embracing Modernity: Venezuelan Geometric Abstraction" (2010). Frost Art Museum Catalogs. 45. https://digitalcommons.fiu.edu/frostcatalogs/45 This work is brought to you for free and open access by the Frost Art Museum at FIU Digital Commons. It has been accepted for inclusion in Frost Art Museum Catalogs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. EMBRACING MODERNITY Venezuelan Geometric Abstraction Front Cover: Mateo Manaure, Untitled, 1977, Acrylic on wood, 56½ × 21½ x 1 1/8 inches, Art&Art, LLC Collection Alejandro Otero, Model- Project for Park Avenue, New York, 1982, Mixed media, 46 ½ x 15 x 15 inches Ella Fontanals-Cisneros Collection, Miami Contents Acknowledgements 6 Introduction 7 Director's Foreword 8 Dr. Carol Damian Embracing Modernity: Origins of Geometric Abstraction in Venezuela 9 Francine Birbragher-Rozencwaig Embracing Diversity: Venezuelan Geometric Abstraction in the Sixities and Seventies 15 Maria Carlota Perez Exhibited Artists Miguel Arroyo 22 Armando Barrios
    [Show full text]
  • Fré Ilgen(Ma)
    painter, sculptor, theorist, curator, author FRÉ ILGEN (MA) 1 BIOGRAPHY June 2019 Activities in various countries in Europe (West, Central, East), USA, Canada, South America, Middle East, various countries in Asia, Australia; 47 solo exhibitions, 130 group exhibitions, 19 museum group exhibitions, 53 international art fairs, 4 biennials (incl 56th Biennale Venice 2015 with the Tagore Foundation), 79 private, corporate and public commissioned art works, 20 catalogues, 4 books, 88 papers-texts-talks. 20 pages Fré Ilgen – extended biography 1956 Born in Winterswijk, the Netherlands; lives and works in Berlin, Germany; EDUCATION 1968-1974 Atheneum A, lyceum, the Netherlands; 1974-1975 studies psychology at the Royal University Leiden, Leiden, Netherlands; 1975-1978 studies teaching painting/sculpture at the NLO ZWN, Delft, Netherlands; 1978-1981 studies fine art at the Academy for Fine Arts Rotterdam (BA); 1988 MA painting/sculpture at the AIVE Art Department, the Netherlands; EMS (Engineering Modeling System) certificate, AIVE Eindhoven, the Netherlands; 1981 - .. self-study in art history, art theory, various fields of science, psychology, philosophy (both Occidental and Oriental philosophy), geopolitics, economy; ACTIVITIES 1978 meeting Jacqueline van Rooijen, ever since co-organizer of all events, co-editor of all papers and talks, director of the office, handling communication, shipments, accounting; 1983 marriage with Jacqueline van Rooijen; 1985-87 member of the board of several associations of artists, co-organizer of several exhibitions on sculpture; representative of these associations in several governmental art committees in The Hague and Utrecht; member of selection-committee for art in public spaces in Hazerswoude, Alphen a/d Rijn, Cromstrijen; Coordinator Studium Generale, Academy for Industrial Design Eindhoven, the Netherlands; In this capacity: concept, organization and moderation of symposia “Ethics in Industrial Design” (including speakers Prof.
    [Show full text]
  • Experimentos Poéticos Entre Buenos Aires Y París: Las Tácticas Móviles De Carmelo Arden Quin De Madí a Robho
    Revista de Estudios Globales y Arte Contemporáneo| Vol. 5 | Núm. 1| 2017-18 | 201-235 Ornela Barisone Universidad Católica de Santa Fe, EXPERIMENTOS POÉTICOS Universidad Autónoma ENTRE BUENOS AIRES Y PARÍS: de Entre Ríos LAS TÁCTICAS MÓVILES DE CARMELO ARDEN QUIN DE MADÍ A ROBHO Este texto es el resultado de la recopilación de archivos hallados en forma dispersa y da cuenta de instancias de producción y circulación artística (revistas, exposiciones, catálogos) en los que Carmelo Arden Quin (nacido en Uruguay en 1913, residente en Buenos Aires durante varios años y radicado posteriormente en París) y Julien Blaine (nacido en Rognac, Francia, en 1942) tejieron redes cosmopolitas de intercambios culturales en París. Estos intercambios me permiten afirmar que Arden Quin potenció el aparato conceptual de la Asociación Arte Concreto-Invención1 y del arte Madí argentinos en el encuentro 1 Sobre este tema ver García, María Amalia (2011). El arte abstracto. Intercambios culturales entre Argentina y Brasil. Buenos Aires: Siglo XXI y Barisone, Ornela (2017). Experimentos poéticos opacos. Biopsias malditas: del invencionismo argentino a la poesía visual 1944-1969. Buenos Aires: Corregidor. Revista de Estudios Globales y Arte Contemporáneo ISSN: 2013-8652 online http://revistes.ub.edu/index.php/REGAC/index http://creativecommons.org/licenses/by/3.0/es/ con Blaine proponiendo experimentos poéticos que trascendieron la linealidad discursiva2 y que revitalizaron la función tradicional del libro para presentarlo como objeto artístico integral. Es sabido que París configuró desde fines del siglo XIX y principios del XX una cosmópolis de referencia ineludible y, en particular, para los integrantes Madí el manejo del idioma francés o los contactos con la embajada de Francia en Argentina (Gyula Kosice solía recordar a Weibel Richard3) habían tenido un rol fundamental.
    [Show full text]
  • Generic Objects Less Helix of Constant Activity
    TABLOID No. 10 / Miami Art Museum August 2010 2 Gean Moreno - Ernesto Oroza centages, ownership markings) dissolve. It’s as if they are moving under such pressure that they’re rendered liquid-like and incorporated into a seam- generic objects less helix of constant activity. 6. Two modes of time are at play here: our 1. from the idealized space of the sales catalogue segmented, finite and familiar one and that of By generic objects we don’t mean objects that page and the corporate website, is inseparable the flow. (Generic objects accommodate to the affect a kind of generic quality--objects that are from the systems of distribution, transportation temporal modes in the situations in which they brilliantly commonsensical and ordinary but and storage that it was undoubtedly designed find themselves.) These two modes of time, in still come from the rarefied space of the de- and manufactured for (even if other uses for it are turn, make visible two scales of perception. signer’s studio, and draw value from this fact. possible). One conceives the container, within the Generic objects integrated into the cycles of the We mean generic generic--milk crates, plastic stacks in ports and storage yards and on ships, flow move toward invisibility; the articulation of buckets, shipping containers, wooden palettes, as a small but essential and interconnected part their qualities remains hostage to and stalled by traffic barricades, decorative concrete blocks, in an intricate web of lines bustling with activity- a movement that exceeds that of everyday life in urban rubbish bins and dumpsters, rubber tires, -lines that mark not only the routes of global/ scale, duration, and inflexibility.
    [Show full text]
  • Fré Ilgen(Ma)
    painter, sculptor, theorist, curator, author FRÉ ILGEN (MA) 1 BIOGRAPHY June 2019 Activities in various countries in Europe (West, Central, East), USA, Canada, South America, Middle East, various countries in Asia, Australia; 47 solo exhibitions, 130 group exhibitions, 19 museum group exhibitions, 53 international art fairs, 4 biennials (incl 56th Biennale Venice 2015 with the Tagore Foundation), 79 private, corporate and public commissioned art works, 20 catalogues, 4 books, 88 papers-texts-talks. 20 pages Fré Ilgen – extended biography 1956 Born in Winterswijk, the Netherlands; lives and works in Berlin, Germany; EDUCATION 1968-1974 Atheneum A, lyceum, the Netherlands; 1974-1975 studies psychology at the Royal University Leiden, Leiden, Netherlands; 1975-1978 studies teaching painting/sculpture at the NLO ZWN, Delft, Netherlands; 1978-1981 studies fine art at the Academy for Fine Arts Rotterdam (BA); 1988 MA painting/sculpture at the AIVE Art Department, the Netherlands; EMS (Engineering Modeling System) certificate, AIVE Eindhoven, the Netherlands; 1981 - .. self-study in art history, art theory, various fields of science, psychology, philosophy (both Occidental and Oriental philosophy), geopolitics, economy; ACTIVITIES 1978 meeting Jacqueline van Rooijen, ever since co-organizer of all events, co-editor of all papers and talks, director of the office, handling communication, shipments, accounting; 1983 marriage with Jacqueline van Rooijen; 1985-87 member of the board of several associations of artists, co-organizer of several exhibitions on sculpture; representative of these associations in several governmental art committees in The Hague and Utrecht; member of selection-committee for art in public spaces in Hazerswoude, Alphen a/d Rijn, Cromstrijen; Coordinator Studium Generale, Academy for Industrial Design Eindhoven, the Netherlands; In this capacity: concept, organization and moderation of symposia “Ethics in Industrial Design” (including speakers Prof.
    [Show full text]