Objects, Concepts, Unity1
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The Meaning and Significance of Dispute on Objectless Presentations
NeuroQuantology | December 2018 | Volume 16 | Issue 12 | Page 87-91| doi: 10.14704/nq.2018.16.12.1344 Seliverstov S., The Meaning and Significance of Dispute on Objectless Presentations The Meaning and Significance of Dispute on Objectless Presentations Vladimir Seliverstov* ABSTRACT This paper considers the evolution of understanding and the status of objectless presentations in the works of the three main authors of this tradition: “The Theory of Science” by B. Bolzano, “On Content and Object of Presentations” by K. Twardowski and “Intentional Objects” by E. Husserl. A critical analysis of these positions on objectless presentations is interesting, because here in one point, in one discussion, we have several very important philosophical theories that have had an impact on the philosophical debates in the twentieth century, particularly on the discussion Alexius Meinong and Bertrand Russell at the beginning of XX century. We want to show, how this Meinong’s conception has contemporary philosophy. Here author aims to show how theory of objects as such came into being and how its main ideasmade weresignificant discussed contribution and criticized into the in problemsubsequent of nonexistent philosophical objects thought. that Thisstill remainsdispute pushesone of theus tomost think debated that we in deal here with fundamental ideological differences between these conceptions. Therefore, it allowed to consider another important philosophical and methodological problem - the problem of incommunicability between logical and psychological conceptions. Key Words: Bolzano, Twardowski, Theory of Objects, Phenomenology, Objectless Presentations, Intentionality 87 DOI Number: 10.14704/nq.2018.16.12.1344 NeuroQuantology 2018; 16(12):87-91 The Problem he is often called a precursor of analytic philosophy. -
Either in Plain Text Format As Am Attached PDF) at the End of the Term
History of Analytic Philosophy410 — Syllabus Lecturer: SidneyFelder,e-mail: [email protected] Rutgers The State University of NewJersey, Spring 2021 “Office Hours” (i.e., individual discussions): By Appointment Formanyreasons, there is no uncontroversial general characterization of the range of work that tends to be classified under the heading “Analytic Philosophy”. For our purposes, an analytic philosopher is anyone whose work is conducted in awareness of the fundamental importance, for every variety of foundational and philosophical inquiry,ofobtaining a proper understanding of what properties of thought, perception, language, and the world, and what properties of their relationship, makepossible the meaningful ascription of truth, fal- sity,and referential significance of anykind to such things as thoughts, beliefs, sentences, propositions, and judgments. This course covers the early history of analytic philosophy, concentrating largely on writings of Gottlob Frege, Bertrand Russell, G.E. Moore, and Ludwig Wittgenstein, whose work secured recognition of the necessity as well as the great difficulty of this kind of inquiry. Weeks 1, 2, 3, 4 Transition from idealism, naturalism, and Kantianism Russell Our Knowledgeofthe External World (1914) Chapter I, Current Tendencies; Chapter II, Logic As the Essence of Philosophy Frege The Foundations of Arithmetic (1884) , Introduction and sections 1-28. Moore Principia Ethica (1903) , Chapters I, II, III (36-44) ,VI(110-121) Russell The Principles of Mathematics (1903) , Chapters I, III (Sections 37-38, 43-45) ,IV, V(56-60, 63-65) ,VI(66-74) , VIII (86-87, 93) ,IX, X, XVI, XXVI, XXVII (217-219) ,XLII, XLIII (337-341) ,LI Weeks 5, 6, 7, 8, 9, 10 Construction of a Language for Mathematics. -
Tractatus Logico-Philosophicus</Em>
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 8-6-2008 Three Wittgensteins: Interpreting the Tractatus Logico-Philosophicus Thomas J. Brommage Jr. University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Brommage, Thomas J. Jr., "Three Wittgensteins: Interpreting the Tractatus Logico-Philosophicus" (2008). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/149 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Three Wittgensteins: Interpreting the Tractatus Logico-Philosophicus by Thomas J. Brommage, Jr. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Co-Major Professor: Kwasi Wiredu, B.Phil. Co-Major Professor: Stephen P. Turner, Ph.D. Charles B. Guignon, Ph.D. Richard N. Manning, J. D., Ph.D. Joanne B. Waugh, Ph.D. Date of Approval: August 6, 2008 Keywords: Wittgenstein, Tractatus Logico-Philosophicus, logical empiricism, resolute reading, metaphysics © Copyright 2008 , Thomas J. Brommage, Jr. Acknowledgments There are many people whom have helped me along the way. My most prominent debts include Ray Langely, Billy Joe Lucas, and Mary T. Clark, who trained me in philosophy at Manhattanville College; and also to Joanne Waugh, Stephen Turner, Kwasi Wiredu and Cahrles Guignon, all of whom have nurtured my love for the philosophy of language. -
The Fact of Modern Mathematics: Geometry, Logic, and Concept Formation in Kant and Cassirer
THE FACT OF MODERN MATHEMATICS: GEOMETRY, LOGIC, AND CONCEPT FORMATION IN KANT AND CASSIRER by Jeremy Heis B.A., Michigan State University, 1999 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH COLLEGE OF ARTS AND SCIENCES This dissertation was presented by Jeremy Heis It was defended on September 5, 2007 and approved by Jeremy Avigad, Associate Professor, Philosophy, Carnegie Mellon University Stephen Engstrom, Associate Professor, Philosophy, University of Pittsburgh Anil Gupta, Distinguished Professor, Philosophy, University of Pittsburgh Kenneth Manders, Associate Professor, Philosophy, University of Pittsburgh Thomas Ricketts, Professor, Philosophy, University of Pittsburgh Dissertation Advisor: Mark Wilson, Professor, Philosophy, University of Pittsburgh ii Copyright © by Jeremy Heis 2007 iii THE FACT OF MODERN MATHEMATICS: GEOMETRY, LOGIC, AND CONCEPT FORMATION IN KANT AND CASSIRER Jeremy Heis, PhD University of Pittsburgh, 2007 It is now commonly accepted that any adequate history of late nineteenth and early twentieth century philosophy—and thus of the origins of analytic philosophy—must take seriously the role of Neo-Kantianism and Kant interpretation in the period. This dissertation is a contribution to our understanding of this interesting but poorly understood stage in the history of philosophy. Kant’s theory of the concepts, postulates, and proofs of geometry was informed by philosophical reflection on diagram-based geometry in the Greek synthetic tradition. However, even before the widespread acceptance of non-Euclidean geometry, the projective revolution in nineteenth century geometry eliminated diagrams from proofs and introduced “ideal” elements that could not be given a straightforward interpretation in empirical space. -
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Nordic Wittgenstein Review 1 (2012) INTERVIEW Analytical Philosophy and Its Forgetfulness of the Continent Gottfried Gabriel in conversation with Todor Polimenov POLIMENOV: In one of his essays, Michael Dummett defines analytic philosophy as post-Fregean philosophy (1977: 441). What he means by this is that for Frege, philosophy of language is the foundation of all philosophy. According to Frege (as is apparent especially in his way of approaching philosophy of mathematics), we can only properly analyze thoughts through the analysis of language. Elsewhere, Dummett states that Frege has been the first to rightly emphasize that we cannot have a thought without expressing it in language (1978: 116). Finally, in his book on the origins of analytic philosophy, he speaks of Frege’s legacy to analytic philosophy: the linguistic turn. This legacy, according to Dummett, consists not so much in the “details of Frege’s philosophy” (which have, among others, influenced Russell, Wittgenstein, and Carnap in many respects), but rather in a basic idea which Dummett summarizes as “the extrusion of thoughts from the mind” (1993: 22). Accordingly, already in his first book This conversation took place on May 14th, 2009 in Paris at the international conference “Carnap’s Ideal of Explication: Logic, Metalogic, and ‘Wissenschaftslogik’” (Université Paris 1 Panthéon-Sorbonne). It was first published as “Die analytische Philosophie und ihre Kontingentvergessenheit. Gottfried Gabriel im Gespräch mit Todor Polimenov” (in German, with a Bulgarian translation) in Critique & Humanism vol. 31, 1/2010, Special Issue: Analytic Philosophy. Guest editors: A. Beshkova, E. Latinov and T. Polimenov, pp. 8–35. 155 Gottfried Gabriel & Todor Polimenov BY-NC-SA on Frege, Dummett compared Frege’s place in the history of philosophy to the philosophical revolution that started with Descartes’ epistemological turn towards the subject (1973: 665 ff). -
Frege's Influence on Wittgenstein: Reversing Metaphysics Via the Context Principle*
Frege's Influence on Wittgenstein: Reversing Metaphysics via the Context Principle* Erich H. Reck Gottlob Frege and Ludwig Wittgenstein (the later Wittgenstein) are often seen as polar opposites with respect to their fundamental philosophical outlooks: Frege as a paradig- matic "realist", Wittgenstein as a paradigmatic "anti-realist". This opposition is supposed to find its clearest expression with respect to mathematics: Frege is seen as the "arch-pla- tonist", Wittgenstein as some sort of "radical anti-platonist". Furthermore, seeing them as such fits nicely with a widely shared view about their relation: the later Wittgenstein is supposed to have developed his ideas in direct opposition to Frege. The purpose of this paper is to challenge these standard assumptions. I will argue that Frege's and Wittgen- stein's basic outlooks have something crucial in common; and I will argue that this is the result of the positive influence Frege had on Wittgenstein. It would be absurd to claim that there are no important differences between Frege and Wittgenstein. Likewise, it would be absurd to claim that the later Wittgenstein was not critical of some of Frege's ideas. What, then, is the common element I see? My sugges- tion is that the two thinkers agree on what I call a reversal of metaphysics (relative to a standard kind of metaphysics attacked by both). This is not an agreement on one particu- lar thesis or on one argument. Rather, it has to do with what is prior and what is posterior when it comes to certain fundamental explanations in metaphysics (also, relatedly, in semantics and epistemology). -
The Theatre of Death: the Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, Must One Die to Be Dead
The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead. Twitchin, Mischa The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/8626 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead? Mischa Twitchin Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy. 1 The Theatre of Death: the Uncanny in Mimesis (Abstract) The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in mimesis” and of the “theatre of death” give content to each other – historically and theoretically – as distinct from the one providing either a description of, or even a metaphor for, the other? Thus, while the title for this concept of theatre derives from an eponymous manifesto of Tadeusz Kantor’s, the thesis does not aim to explain what the concept might mean in this historically specific instance only. Rather, it aims to develop a comparative analysis, through the question of mimesis, allowing for different theatre artists to be related within what will be proposed as a “minor” tradition of modernist art theatre (that “of death”). -
Concepts and Objects
5 Concepts and Objects Ray Brassier 1. The question ‘What is real?’ stands at the crossroads of metaphysics and epistemol- ogy. More exactly, it marks the juncture of metaphysics and epistemology with the seal of conceptual representation. 2. Metaphysics understood as the investigation into what there is intersects with epistemology understood as the enquiry into how we know what there is. This intersec- tion of knowing and being is articulated through a theory of conception that explains how thought gains traction on being. 3. That the articulation of thought and being is necessarily conceptual follows from the Critical injunction which rules out any recourse to the doctrine of a pre-es- tablished harmony between reality and ideality. Thought is not guaranteed access to being; being is not inherently thinkable. There is no cognitive ingress to the real save through the concept. Yet the real itself is not to be confused with the concepts through which we know it. The fundamental problem of philosophy is to understand how to reconcile these two claims. 4. We gain access to the structure of reality via a machinery of conception which extracts intelligible indices from a world that is not designed to be intelligible and is not originarily infused with meaning. Meaning is a function of conception and con- ception involves representation—though this is not to say that conceptual representa- tion can be construed in terms of word-world mappings. It falls to conceptual ratio- nality to forge the explanatory bridge from thought to being. 5. Thus the metaphysical exploration of the structure of being can only be carried out in tandem with an epistemological investigation into the nature of conception. -
An Introduction to Bolzano's Essay on Beauty Aesthetics
Zlom2_2015_Sestava 1 27.11.15 11:45 Stránka 203 AESTHETICS IN CENTRAL EUROPE ARTICLES AND ARCHIVE DOCUMENTS AN INTRODUCTION TO BOLZANO’S ESSAY ON BEAUTY PAISLEY LIVINGSTON A neglected gem in the history of aesthetics, Bolzano’s essay on beauty is best understood when read alongside his other writings and philosophical sources. 1 This introduction is designed to contribute to such a reading. In Part I, I identify and discuss three salient ways in which Bolzano’s account can be misunderstood. As a lack of familiarity with Bolzano’s background assumptions is one source of these misunderstandings, in Part II, I elucidate some of his ideas about the psychological processes involved in the contemplation and enjoyment of beauty. In Part III, I situate Bolzano’s discussion of beauty within the more general framework of his ideas about the nature of philosophy, the relation between philosophy and aesthetics, and the place of the concept of beauty within the latter. Part IV is devoted to Bolzano’s discussion of some of his philosophical antecedents, including Kant. In Part V, I raise some objections to Bolzano’s account and indicate how his advocates might respond to them. Many thanks to the editors of Estetika for inviting me to submit this introduction and for taking the initiative to commission and publish Adam Bresnahan’s translation of the first half of Bolzano’s essay. Special thanks are due to Tereza Hadravová and Jakub Stejskal for helpful comments on a draft of the introduction. The work for this essay was supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China (Project No. -
Business Ethics of Innovation
Ethics of Science and Technology Assessment Volume 31 Book Series of the Europäische Akademie zur Erforschung von Folgen wissenschaftlich-technischer Entwicklungen Bad Neuenahr-Ahrweiler GmbH edited by Carl Friedrich Gethmann G. Hanekamp (Ed.) Business Ethics of Innovation 123 Series Editor Professor Dr. Dr. h.c. Carl Friedrich Gethmann Europäische Akademie GmbH Wilhelmstr. 56, 53474 Bad Neuenahr-Ahrweiler, Germany Editor Dr. Gerd Hanekamp Wissenschaftsrat Brohler Str. 11, 50968 Köln, Germany Desk Editor Friederike Wütscher Europäische Akademie GmbH Wilhelmstr. 56, 53474 Bad Neuenahr-Ahrweiler, Germany ISSN 1860-4803 ISBN 978-3-540-72309-7 Springer Berlin Heidelberg New York This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broad- casting, reproduction on microfilm or in any other way, and storage in data banks. Duplication of this publication or parts thereof is permitted only under the provisions of the German Copyright Law ofSeptember9,1965,initscurrentversion,andpermissionforusemustalwaysbeobtainedfrom Springer. Violations are liable for prosecution under the German Copyright Law. Springer is a part of Springer Science+Business Media springer.com © Springer-Verlag Berlin Heidelberg 2007 The use of general descriptive names, registered names, trademarks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant -
The Theatre of Death: the Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, Must One Die to Be Dead?
The Theatre of Death: The Uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an Iconography of the Actor; Or, must one die to be dead? Mischa Twitchin Submitted in partial fulfilment of the requirements of the Degree of Doctor of Philosophy. 1 The Theatre of Death: the Uncanny in Mimesis (Abstract) The aim of this thesis is to explore an heuristic analogy as proposed in its very title: how does a concept of the “uncanny in mimesis” and of the “theatre of death” give content to each other – historically and theoretically – as distinct from the one providing either a description of, or even a metaphor for, the other? Thus, while the title for this concept of theatre derives from an eponymous manifesto of Tadeusz Kantor’s, the thesis does not aim to explain what the concept might mean in this historically specific instance only. Rather, it aims to develop a comparative analysis, through the question of mimesis, allowing for different theatre artists to be related within what will be proposed as a “minor” tradition of modernist art theatre (that “of death”). This comparative enquiry – into theatre practices conceived of in terms of the relation between abstraction and empathy, in which the “model” for the actor is seen in mannequins, puppets, or effigies – is developed through such questions as the following: What difference does it make to the concept of “theatre” when thought of in terms “of death”? What thought of mimesis do the dead admit of? How has this been figured, historically, in aesthetics? How does an art of theatre participate -
Beth and Scholz∗
Moral Integrity during a Difficult Period: Beth and Scholz∗ [Philosophia Scientiae (Nancy) 3 (4) (1998/1999), 151-173. Special issue: Un logicien consciencieux. La philosophie de Evert Willem Beth.] Volker Peckhaus Institut f¨urPhilosophie der Universit¨atErlangen-N¨urnberg Bismarckstr. 1, D{91054 Erlangen E-mail: [email protected] February 7, 2000 1 Introduction Willem Evert Beth started his academic career as a philosopher of mathe- matics in the mid 1930's, and it should be noted that his approach to this subject at the borderline between philosophy and mathematics was more philosophical than mathematical. It was an ambivalent time, but extremely exciting for scientists working in the area. In their recollections logicians of the time called it the \heroic era." The era lasted, as Georg Henrik von Wright was convinced (von Wright 1993, 21), from 1879 to 1934. This pe- riod was marked by Gottlob Frege's Begriffsschrift (Frege 1879) and the first volume of David Hilbert and Paul Bernays's Grundlagen der Mathematik (Hilbert and Bernays 1934). It was, according to von Wright, relieved by an epoch which began with two incidents being themselves of heroic greatness (26): Kurt G¨odel'sresults concerning the incompleteness of formalized lan- guages and Alfred Tarski's semantic theory of truth. Hans Hermes, on the ∗Lecture delivered on 22nd April, 1998 at the conference \Evert Willem Beth and His Philosophical Friends: From Bernays to Boche´nski"(22nd to 24th April, 1998) in M´er´eville,France. I would like to thank Henk Visser (Haarlem) for his invaluable help in providing documents from the Beth papers, Kai F.