NMF 2008 Program
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Beethoven to Drake Featuring Daniel Bernard Roumain, Composer & Violinist
125 YEARS Beethoven to Drake Featuring Daniel Bernard Roumain, composer & violinist TEACHER RESOURCE GUIDE 87TH Annual Young People’s Concert William Boughton, Music Director Thank you for taking the NHSO’s musical journey: Beethoven to Drake Dear teachers, Many of us were so lucky to have such dedicated and passionate music teachers growing up that we decided to “take the plunge” ourselves and go into the field. In a time when we must prove how essential the arts are to a child’s growth, the NHSO is committed to supporting the dedication, passion, and excitement that you give to your students on a daily basis. We look forward to traveling down these roads this season with you and your students, and are excited to present the amazing Daniel Bernard Roumain. As a gifted composer and performer who crosses multiple musical genres, DBR inspires audience members with his unique take on Hip Hop, traditional Haitian music, and Classical music. This concert will take you and your students through the history of music - from the masters of several centuries ago up through today’s popular artists. This resource guide is meant to be a starting point for creation of your own lesson plans that you can tailor directly to the needs of your individual classrooms. The information included in each unit is organized in list form to quickly enable you to pick and choose facts and activities that will benefit your students. Each activity supports one or more of the Core Arts standards and each of the writing activities support at least one of the CCSS E/LA anchor standards for writing. -
Mark Small at Acoustic Guitar
Ageless Ardor Guitarist/composer/teacher Benjamin Verdery has taken the eclectic road BY MARK SMALL enjamin Verdery inhabits his own festivals throughout the U.S., Canada, (Wisconsin State University), Kim Perlak exclusive territory in the classical guitar Europe, the Caribbean, South America, and (Berklee College of Music), Michael Nicolella B world. Among the virtuosi of the Baby Asia. In addition to his prodigious work as a (Cornish College of the Arts), Matthew Rohde Boomer generation, it’s not hard to make a case solo recitalist, a partial list of his collabora- (Kithara Project), Scott Borg (Montgomery that Verdery has explored the most diverse tors includes guitar titan John Williams and College), and more. musical terrain. The repertoire on the 15 albums classical flutist Rie Schmidt (Verdery’s wife), The week before the COVID-19-mandated in his catalog ranges from works by masters such 12-string expert Leo Kottke, former Police social distancing, the ever upbeat and gregari- as Bach, Strauss, Mozart, and others, to the most guitarist Andy Summers, Celtic guitarist ous Verdery couldn’t mask his enthusiasm for adventurous composers of contemporary classi- William Coulter, new age composer/key- Scenes from Ellis Island, his latest album of cal landscape. He has also made five albums boardist Craig Peyton, mixed vocal artist original music, during a wide-ranging conversa- featuring his own works and his arrangements of Mark Martin, and hip-hop singer Billy Dean tion in his teaching studio at Yale’s Leigh Hall. songs by Prince, Jimi Hendrix, traditional folk Thomas. Classical guitarists such as Williams, tunes and hymns, musical settings for Buddhist David Russell, the Assad Brothers, and the RAIN, ELLIS ISLAND, AND ARISTOTLE texts, and more. -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
1998 Jan-Feb
Boston Classical Guitar Society Volume 5, Number 3 newsletterJanuary/February ‘98 Letter to Members Upcoming BCGS-Sponsored Events Greetings, Concerts I hope everyone’s holi- Sunday, March 8, 3:00 p.m. days were full of good Recital by winners of the 6th Annual Guitar Competition cheer, and each of you at the Brookline Music School. found at least one new guitar in your stocking. Sunday, April 5, 3:00 p.m. The Virtual Consort at the First Church, Unitarian It was most gratifying to Universalist, Jamaica Plain. note the level of musi- cianship exhibited at the Performance Parties New England Guitar Saturday, January 24, 2:00 p.m., 271 School St., Acton. Competition which was Saturday, Feb. 28, 2:00 p.m. 196 Broadway, Wakefield. held again at The Boston Conservatory in **BCGS is seeking space to meet for performance parties! November. The BCGS If you have room for a group of 6-12 individuals and are inter- congratulates Jeremy ested in hosting the occasional gathering, call Gloria Vachino Bass and Socrates at (781) 224-4203. Leptos, the high school and college first prize winners. We will And remember....performance parties are for everyone, from be presenting the two winners in concert soon and I hope many beginners on upward. Come play your favorite piece, perform a of you will be able to come to see these promising young duet with another guitarist, or come just to listen!** artists. See the Calendar for full details on the above events. Plans are already underway for the next BCGS Guitar Mini- Fest and many exciting ideas have been discussed. -
Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 Y H P a R G O T O H P
Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 y h p a r g o t o h P L e t a K : o t o h P Paula Robison Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 e n i D t t a M Playing : o t to Pan o F Interview with at the age of sixteen ̈ PAULA ROBISON for FLÖTE AKTUELL (Claudia Wälder-Jene) 1. FA (Floete Aktuell): Dear Ms. Robison, evolved human being emerges with the abili- Foto: Boswil the flute and you - a love at first sight?? ty to pass on the deepest meaning and the ̆ Moyse,- Debost,-Strum,- deepest beauty of music to others. When Paula PR (Paula Robison): Indeed it was love at Marcel Moyse called me his “best student” he As a young flutist first sight, and first sound. It was almost did not mean that I was the best flutist who playing Mozart ̈ magical. I had studied the piano, but its had studied with him but rather that I sheer size and mass intimidated me a bit, amidst all of them had truly heard and „The Complete especially since my formidable grandmother under stood him. I heard the beauty, yes, but Sequenzas“ at was my teacher. I just couldn’t sit still to was also acutely aware of his struggles as an Luciano Berio’s 70th practice. I would feel as though my nose artist, of his desire to bring to life the Birthday Celebration ̄ itched, and then my knee, then my ear, I enormous expressive power of the flute. -
Guitar and Lute Music
SOLITARY REFINEMENT Music for Lute, Vihuela and Guitar Welcome to the intimate, colourful and versatile world of music for lute and guitar, instruments with an ancestry tracing back thousands of years and a fascinating repertoire reflecting the physical and social development of the instrument over the past five centuries. The music represented in the following pages traces the instrument’s journey from the refinements of the early sixteenth century to the more cutting-edge characteristics it has inspired from 20th-century composers. Collectors wishing to assemble recordings by composer will find noted representatives of successive historical periods, including the English Renaissance composer John Dowland, German baroque master Silvius Leopold Weiss, the Italian classical style of Mauro Giuliani, 19th-century Spanish greats Fernando Sor and Francisco Tárrega, plus a modern international spread of names including Joaquín Rodrigo and Leo Brouwer. There are also regional collections representative of guitar music not only from the instrument’s native Spain, but also from South American countries closely associated with the development of the instrument’s profile in the 20th century – Brazil, Argentina and Chile, for example – plus gems from Australia and Britain. Alternatively, the instrument’s range of technical and expressive capabilities can be sampled by choosing from an extensive set of solo recitals by an international roster of distinguished performers, not least in our highly successful and ever-expanding Guitar Laureate Series. Complementing the instrument’s image as a solitary instrument are recordings of ensemble works for two and three guitars, for guitar and piano, and Boccherini’s quintets for guitar and string quartet. -
Libretto 2005-06
Società dei Concerti di Brescia dal 1868 Itinerari nella Musica 137ª Stagione Concertistica Autunno 2005 - Primavera 2006 SOCIETÀ DEI CONCERTI DI BRESCIA DAL 1868 Brescia - via Paganora 19/A - Tel. e Fax 0365 21131 CONSIGLIO DIRETTIVO Elena Franchi, Presidente Flaviano Capretti, Vicepresidente Francesco Berlucchi Giovanni Comboni Agostino Orizio Ottavio de Carli Enio Esti Maria Luisa Dominese Sforzini Giovanni Nulli REVISORI DEI CONTI Emilio Baresani Varini, Paolo Pasotti, Alessandro Piergentili DIRETTORE ARTISTICO Nella ricorrenza del duecentocinquantenario dalla nascita di Mozart che cadrà Marco De Santi nel 2006, spiccano nel cartellone per l’originalità della proposta Don Giovanni all’opera dei Pupi con la compagnia Figli d’Arte Cuticchio e Il flauto magico realizzato AMMINISTRAZIONE dall’Amsterdam Marionetten Teather. Cristina Minoni Due eventi che è gioia ospitare nella nostra Città e nei quali rivivono antiche tra- dizioni e antichi mestieri per dare vita ad un teatro – quello dei pupi e delle marionette - SOCI ONORARI oggi desueto e certamente umile. Enzo Cibaldi, Ottavio de Carli, Enio Esti, Agostino Orizio, Stretti come tutti siamo nella morsa della modernità, assediati dall’avanzare della Elena Taini Cibaldi, Giulio Bruno Togni tecnologia, confusi dal quaquaraquà generalizzato e superficiale, saremo tutti invitati ad un benefico sospiro di sollievo. SOCI ORDINARI Certo il mondo cambia, avanza e progredisce, ciò nondimeno cessa di interrogar- Antonia Abba Legnazzi Claudia Carosone Balis Crema Gustavo Marfurt si, di riproporsi, -
BLAIR CONCERT SERIES Fall 2009
BLAIR CONCERT SERIES fall 2009 Blair School of Music Vanderbilt University a season of uncommon delights WELCOME! to the fall 2009 concert series at the Blair School of Music! This year promises to be one of our most exciting ever, as Blair continues to mature as a center for musical exploration and performance with a growing national reputation for excellence. Our concert performance season expands with new offerings in the Music on Film Series, now in its second year, curated and introduced this fall by celebrat - ed Blair String Quartet violist John Kochanowski. We will take up further experi - mentations in the popular Nightcap Series, a unique opportunity for our faculty performers and scholars to explore new musical frontiers before audiences of music students and general music lovers alike. Our students, ever more talent - ed and astute as musicians, will be featured in more concerts than ever before, in performances such as the fall 2009 Vanderbilt Opera Theatre production of Mozart’s The Marriage of Figaro —fully staged and costumed, with the Vanderbilt University Orchestra. Spring 2010 brings an even more exciting schedule with the highly anticipated premiere of a work by composer and soprano Susan Botti, who will perform with the Blakemore Trio in premieres in Nashville and at Merkin Hall in New York. Blair will also serve as proud host to several guest artist residencies, including a rare series of visits throughout the year by the innovative composer, performer, violinist, and band leader Daniel Bernard Roumain and by the dean of American pianists, Leon Fleisher, in the spring. -
The Transcribers Art5.Indd
Sonata, K. 322 Domenico Scarlatti Diffi cult do you call it, Sir? I wish it were impossible! —Samuel Johnson he transcriber looking through keyboard is played on the instrument for which it was Tmusic for suitable material must constantly originally written. It is particularly a problem ask herself a simple question: Is it even possible with music written between 1600 and 1817. Be- to play this on the guitar? Th ere can be a wide fore this span there was a theoretically reliable range of transcribers’ willingness to modify the correlation between time signature and tempo. original music, but all too often we are simply All tempos were numerically related to a basic, confronted with the limitations of the guitar presumably universal, beat—the tactus—which as compared with a keyboard instrument. An was about 60 to 70 beats per minute. Th is men- objective assessment of these limitations, while sural notation allows us to establish the tempos dismaying, is also necessary in producing use- of modern performances with a high degree of ful musical transcriptions. So how does the gui- confi dence. tar measure up as a solo instrument? Well, its In 1817 Beethoven was the fi rst well-known pitch range is rather narrow. Its dynamic range composer to use a recent invention, the metro- is weak. It can only produce four notes simulta- nome, to establish tempos for his music. From neously and has relatively modest contrapuntal this time on, a composer’s intentions about agility. Th ere are innumerable combinations of tempo could be accurately communicated to the notes that cannot be played because they are ei- performer. -
Songs Without Words Troy1510
ELIOT FISK GUITAR | YEHUDA HANANI CELLO SONGSfrom BACH WITHOUT to BACHIANAS WORDS WWW.ALBANYRECORDS.COM TROY1510 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2014 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. THIS CD IS ABOUT SONG — a cornucopia of exquisite jewels from a multitude of cultures: Spanish, music in those heady early years. Little did I dream that half a lifetime later a series of coincidences Italian, German, Brazilian, Cuban, Jewish, Russian, Romanian-Gypsy, and the American heartland. would bring Yehuda and me together in music and in the brotherly affection reflected in the Like the miniaturized trees of bonsai, it is a universe in a nutshell, reduction to the very essentials. contents of this CD. The cello is a newcomer to the string family. It appeared on the musical scene in the early Over an arc that stretches from Bach-Guonod to Villa-Lobos’s famous Bachianas No. 5 1500’s. The guitar, however, is ancient. It is an incarnation of the kithara, the most popular (originally scored for the unthinkable combination of eight cellos and soprano!) we offer four gems instrument of classical Greece. Apollo played it and passed it on to Orpheus, the patron saint by Cui, Fauré, Lecuona and Monti; Bloch’s moving Prayer, then a set of eight Schubert songs, of all musicians. four of Robert Beaser’s Mountain Songs (originally for flute and guitar), and a two-movement Since this blending of sustained and plucked sounds makes for ideal pairing, it is surprising that Boccherini Sonata. -
Dimitri Illarionov Al Mercatali Il “Mercatali” Di Gorizia a Cormons
Copia Omaggio Art. 2 Comma 20/b 662/96 / Gorizia Spedizione in abb. postale 45% Anno XIII / numero 15 XIII Mercatali International Guitar Competition [ maggio 2016 ] 15 2016 ClassicaChitarra Il virtuoso Dimitri Illarionov al Mercatali Il “Mercatali” di Gorizia a Cormons 2nd Festival “Bale-Valle Live Guitar” luglio 2016 Al messicano Arody Garcia il “Mercatali 2015” Chitarra 1 © Wilhelm Buck © Wilhelm Classica Provincia Comune Comune di Gorizia di Gorizia di Cormons Festival Internazionale di Chitarra Classica “Enrico Mercatali” Gorizia 6 > 15 maggio 2016 Palazzo De Grazia, via Oberdan 15 - Gorizia Chiesetta di Sant’Apollonia, Borgo di Santa Maria - Cormons (GO) Ingresso libero per tutti gli eventi XIII International Guitar Competition Direttore Artistico Tutte le categorie solisti - musica da camera con chitarra M° Claudio Pio Liviero Venerdì 13 Maggio 2016 Gorizia, Palazzo De Grazia Ore 9.00 Inizio audizioni Concorso Ore 18.00 Conferenza del liutaio Stefano Robol “Dall’albero alla chitarra” Ore 19.00 - Concerto dei chitarristi: Dario Markulinčić (Croazia) Venerdì 6 Maggio 2016 Martedì 10 Maggio 2016 1° premio “Bale-Valle” (Croazia) 2015 - cat. Junior Cormons, Chiesa di Sant’Apollonia - Ore 20.30 Visita guidata a Palazzo De Grazia. Josuè Arody Garcia Garcia (Messico) Gorizia Guitar Orchestra Riservata scuole di Gorizia - Ore 11.00 1° premio “Mercatali 2015” (Italia) e Direttore Claudio Pio Liviero Sala Concerti Palazzo De Grazia - Ore 20.30 “Bale-Valle 2015” (Croazia) - cat. concertisti Solista Pier Luigi Corona Giovani talenti della chitarra Premiazioni e concerto I giornata di concorso dei Conservatori della Regione FVG Elena Pozzobon, Pavel Cyargeenka (Conservatorio Sabato 7 Maggio 2016 “Tartini” di Trieste, classe M°. -
Concorso Internazionale Di Chitarra Classica
membro di WFIMC/WFCIM 24-29 settembre 2018 CONCORSO INTERNAZIONALE DI CHITARRA CLASSICA Michele Pittaluga Premio Città di Alessandria FINALE: 29 settembre ore 20,30 Teatro Comunale - Sala grande CONCORSO INTERNAZIONALE PER GIOVANI TALENTI 4 pittaluga Jun28 isettoemrbre 2018 www.pittaluga.org edizioni del concorso al 2018 the competition editions 1968 Finale con brani di Johann S.Bach e Manuel M. Ponce 1993 Omaggio a Andrès Segovia 1969 Finale con brani di Johann S.Bach, Orchestra filarmonica italiana- dir. Marcello Rota Andrès Segovia e Manuel M. Ponce 1994 Omaggio a Luigi Boccherini 1970 Finale con brani di Manuel de Falla Quartetto d’archi “Nova Musica” e Alexandre Tansman 1995 Omaggio a Ruggero Chiesa 1971 Finale con brani di Johann S.Bach Quartetto d’archi “Nova Musica” e Mario Castelnuovo Tedesco 1996 Omaggio alla Forma Sonata 1972 Finale con brani di Luìs Milàn, Joaquìn Turina 1997 Omaggio al Concerto per chitarra e orchestra e Manuel M. Ponce Orchestra Filarmonica di Torino- dir. Paolo Ferrara 1973 Finale con brani di Fernando Sor, Frank Martin 1998 Omaggio a Narciso Yepes e Goffredo Petrassi Orchestra Filarmonica di Torino - dir. Ignacio Yepes 1974 Finale con brani di Felice Quaranta e Joaquìn Rodrigo 1999 Omaggio a Ida Presti Orchestra Sinfonica di Torino - dir. Franco Mariatti Orchestra Filarmonica di Torino - dir. Paolo Ferrara 1975 Finale con brani di Johann S.Bach e Ennio Porrino 2000 Omaggio agli autori per chitarra del novecento Orchestra Città di Alessandria - dir. Franco Mariatti Finale con Orchestra OFT 1976 Finale con brani di Federico Moreno Torroba, Carlo Cam - 2001 “100 anni con Joaquin Rodrigo” marota e Mauro Giuliani - Orchestra “Angelicum di Mi - Finale con Orchestra OFT lano”- dir.