The Association of Academic Museums and Galleries (AAMG) and the International Council of Museums’ Committee (ICOM) for University Museums and Collections (UMAC) 2018 Joint Conference Audacious Ideas: University Museums and Collections as Change-Agents for a Better World June 21-24, 2018 University of Miami

1 The Association of Academic Museums and Galleries (AAMG) and the International Council of Museums’ Committee (ICOM) for University Museums and Collections (UMAC) 2018 Joint Conference

Audacious Ideas: University Museums and Collections as Change-Agents for a Better World June 21-24, 2018, University of Miami

We live in a dangerous, often unstable, and environmentally compromised world. What can academic museums, galleries, and collections do to remedy this situation? If we are dedicated to teaching and training new generations of students and to serving increasingly diverse communities, how do we make a positive difference? And how do we assess the impact that we are making?

Audacious Ideas provides a lively platform for the sharing of exciting ideas about how museums, galleries, and collections can serve as change-agents. This year’s program addresses how constituents are adopting new roles and adapting old ones, welcoming new constituencies while keeping current visitors, and enhancing our value as critical partners in higher education while promoting a more just, peaceful, and healthy world.

Conference Program Co-Directors: Jill Hartz, Executive Director, Jordan Schnitzer Museum of Art, University of Oregon, and President Emerita, AAMG Barbara Rothermel, Director, Daura Gallery, Lynchburg College / Vice-Chair, UMAC

Conference Program Committee: Jill Deupi, Beaux Arts Director and Chief Curator, Lowe Art Museum, University of Miami Tracy Fitzpatrick, Director, Neuberger Museum of Art, Purchase College, State University of New York, AAMG Vice President, Programs Marta C. Lourenço, President, ICOM-UMAC, Deputy Director Museu Nacional de História Natural e da Ciência, Universidade de Lisboa Andrew Simpson, Honorary Fellow, Department of Ancient History, Macquarie University, Australia

2 Board of Directors

2018 AAMG 2018 UMAC Board of Directors Board of Directors John Versluis, President Marta C. Lourenco, Chair Jill Hartz, President Emerita and Co-director, Barbara Rothermel, Vice Chair AAMG-UMAC Conference Graciela Weisinger Cordero, Vice Chair Dr. Lana Burgess, At-Large, Professional Development Marcus Granato, Secretary Dr. Anja Chávez, Secretary Nathalie Nyst, Treasurer Pam Campanaro, At-Large, Conference Planning Marine Mkrtchyan, Web Editor Nicole Crawford, Mountain-Plains Regional Representative (Northern States) Andrew Simpson, UMACJ Editor Dr. Jill Deupi, VP, Affiliate Liaison and Co-Chair, Task Lyndel King, Newsletter Editor Force of the Protection of University Collections Fatemeh Ahmadi Angelica Docog, Mountain-Plains Regional Elena Corradini Representative (Southern States) Akiko Fukuno Kristina Durocher, New England Regional Maria Luisa Rico Mansard Representative and Nominating Chair Scott Harris, Southeast Regional Co-Representative Tracy Fitzpatrick, Vice President, Programs Craig Hadley, Vice President, Communications We are First-time Presenter Grants Dr. Joyce Ice, Southeast Regional Co-Representative deeply Mingqian Liu Judith Kirk, At-Large, Conference Sponsorship grateful to the Jessica Stepp Katie Lee Koven, Vice President, State & Regional Representatives Samuel H. Kress Student Travel Grants Noah Barth Conference Program Co-Directors: Dr. Natalie Marsh, Midwest Regional Representative Foundation for John Jay Boda Jill Hartz, Executive Director, Jordan Schnitzer Museum of Art, University of Oregon, and President Emerita, AAMG Joseph Mella, Treasurer Barbara Rothermel, Director, Daura Gallery, Lynchburg College / Vice-Chair, UMAC its support in Ashley Simmons Coffey Dr. Jordana Pomeroy, At-Large, Diversity Vanessa Forbes-Pateman Conference Program Committee: Anna-Maria Shannon, Vice President, Membership making possible Jean Graves Jill Deupi, Beaux Arts Director and Chief Curator, Lowe Art Museum, University of Miami Michelle Jones Jamaal Sheats, At-Large, Student Engagement the following Tracy Fitzpatrick, Director, Neuberger Museum of Art, Purchase College, State University of New York, AAMG Vice President, Programs Julia Kilgore Marta C. Lourenço, President, ICOM-UMAC, Deputy Director Museu Nacional de História Natural e da Ciência, Universidade de Lisboa Denise Stangl, Mid-Atlantic Regional Representative grants to AAMG Rachel McDermitt Andrew Simpson, Honorary Fellow, Department of Ancient History, Macquarie University, Australia John Wetenhall, Vice President, Strategic Planning Rebecca Prinster and Co-Chair, Task Force of the Protection of University members: Jessica Weller Collections

3 We Thank our Sponsors

Sterling Sponsorship John S. and James L. Knight Foundation

Premier Sponsorship Jordan Schnitzer Family Foundation

Lead Sponsorship Museum Travel Alliance

Track Sponsors Leadership & Advisory Boards WiFi Sponsor Gund Gallery Board of Directors Cultural Strategy Partners

Exhibitions & Collections Scholarships Gund Gallery Staff and Associates Samuel H. Kress Foundation

Fundraising & General Operations Friday Affinity Dinners: Kellogg School of Management Executive Education “Conservation and Preservation” Conservation Center for Art & Historic Audience Development & Engagement Artifacts DePauw University Peeler Art Center “Deaccessioning” Marketing & Technology Cowan’s Auctions Inc Four Colour Printing Group AAMG Networking Reception at AAM Access, Diversity & Inclusion Christie’s Artex Fine Art Services Supporter Session Sponsor Crystalizations Systems, Inc. Center for Visual Communication

4 Association of Academic Museums & Galleries

CENTER FOR VISUAL COMMUNICATION

e Samuel H. Kress Foundation

FOUR COLOUR PRINT GROUP

a project of CAA

5 Thursday, June 21, 2018 Pre-Conference Activities

9:00 a.m.–3 p.m. | Special Workshop: 1:00 p.m. Corporate Sponsors and Bootcamp for Academic Museums Poster Session set-up with Jill Hartz and Barbara Rothermel (3rd floor elevator, lobby Lowe Art Museum, University of Miami and corridor) 2:30 p.m. Registration Opens EXCURSIONS: Shalala Student Center (SC) (3rd floor, top of stairs) 3:30-4:30 p.m. Roundtables (Ballroom) 5:30-6:30 p.m. Throwdowns THE INSTITUTE OF CONTEMPORARY 6:30-8:30 p.m. Opening Night Reception ART, MIAMI icamiami.org

Roundtable Sponsorship VIZCAYA ICOM-US vizcaya.org

A to Z: Infusing the Encyclopedic FROST SCIENCE MUSEUM Collection with New Life (LAM) frostscience.org Facilitators: Jon Mogul, Associate Director, Curatorial and Education, The Wolfsonian–Florida International University; Jill Deupi, Director and Chief Curator, Lowe Art Museum, Room Assignment Key University of Miami; and William Eiland, Director, University of Georgia Art Museum BW = Ballroom West This Roundtable will focus on clearly articulating the challeng- BC = Ballroom Center es associated with presenting historic and/or encyclopedic collections, as well as sharing information about successful BE = Ballroom East strategies for display and engagement. Participants will be invited to brainstorm collectively and to think expansively IA = Iron Arrow about new ways for enlivening such holdings. S = Senate Categories: Audience Development & Engagement; Access, Diversity & Inclusion; and Exhibitions & Collections LAM = Lowe Art Museum

*All programs are at the UM Shalala Student Center (SC) unless otherwise noted

6 Thursday, June 21, 2018

Whose Academic Museum?: Transforming This Roundtable will discuss university museum collec- a Community Museum into an Academic tions from two angles: 1) how university museums might, in the future, provide a home for private collections of Museum for All (BC) non-AAMD-compliant antiquities (such as those lacking docu- Facilitator: H. Alexander Rich, Ph.D., Curator and Director of mentation back to 1970), where issues of provenance, cultural Galleries & Exhibitions, Polk Museum of Art, and Assistant property, forgery, etc., can be foregrounded in research, Professor of Art History, Florida Southern College teaching, and displays; and 2) how university museums This Roundtable will explore strategies for “academizing” a respond when objects already in the collection are discovered museum so that it caters effectively to both campus and com- to have been stolen or looted. The varied backgrounds of the munity audiences. Attendees will learn strategies for engag- participants, from the fields of law, museology and art history, ing all visitors academically and for presenting a museum’s will allow for a rich diversity of perspectives regarding how didactic mission as a key draw for students, professors, and museums can change their policies to better protect them- general audiences alike. selves and objects of cultural heritage, and how both sides can work together to create positive change in the role of Categories: Audience Development & Engagement; Access, Diversity & museum and their collections in society. Inclusion; and Exhibitions & Collections Categories: Access, Diversity & Inclusion and Exhibitions & Collections Meeting Them Where They Are: Engaging Students through Exhibitions and Crowd-Sourced Curating to Engage Programming in Communal Spaces (S) Current and New Audiences (BE) Facilitator: Jillian Nakornthap, Exhibitions and Public Programming Associate, Corcoran School of the Arts and Facilitator: Heather Gibson Moqtaderi, Assistant Director & Design, The George Washington University Associate Curator, Arthur Ross Gallery, University of Pennsylvania This Roundtable will explore new models for creating exhibi- tions and public programming in non-traditional locations. This Roundtable addresses ways that crowd-sourcing can be We’ll begin the conversation by discussing how the Corcoran implemented as an audience development strategy. In this School converted a large, open atrium into a communal, context, crowd-sourcing is defined as the process of generat- multi-disciplinary space where exhibitions, performances, and ing exhibition and programming content through audience meetings happen in tandem with one another. Museum pro- member feedback. Participants can expect to learn about how fessionals will be invited to share how their institutions have crowd-sourcing has been implemented by various art institu- moved beyond the “white cube” model and/or seek sugges- tions, along with recommendations for successfully using this Roundtable Sponsorship tions on ways to engage their academic community outside technique. ICOM-US of the gallery. Categories: Audience Development & Engagement and Exhibitions & Categories: Audience Development & Engagement and Exhibitions & Collections Collections Mission Change – Revisit Your Mission, Stealing Culture: The Intersection of Law Refine your Statement, Reaffirm Your and Museums (IA) Purpose (BW) Facilitator: Joseph S. Mella, Director, Vanderbilt University Facilitator: Douglas Perkins, Associate Director, Operations Fine Arts Gallery and Finance, Middlebury College Museum of Art With Nicole M. Crawford, Chief Curator, University of Wyoming In the current climate of constant social evaluation, friction, Art Museum and Associate Lecturer, Museum Studies, Wyo- and change, it’s crucial for a campus museum to ensure ming Institute for Humanities Research & Center for Global that its mission statement succinctly conveys that purpose and Area Studies, University of Wyoming; Elizabeth Marlowe, and articulates its relationship to social change. Taking the Associate Professor of Art & Art History, Program Director, recent process to revise Middlebury College Museum of Art’s Museum Studies, Colgate University; Leila Amineddoleh, mission statement as a point of departure, this Roundtable Founder and Managing Partner of Amineddoleh & Associates, will explore issues related to an academic museum’s mission LLP; Darrell D. Jackson, Ph.D., Director, Prosecution Assistance and purpose: when or whether to revise a mission statement; Program, Associate Professor, Law & Adjunct Faculty, African setting a reasonable project timeline; solidifying stakehold- American & Diaspora Studies; and Kayle R. Avery, CAM-ART er buy-in; getting meaningful feedback from reticent staff; Provenance Research Project and Exhibitions Coordinator, UW including student voices; the role of vision and value state- Art Museum ments; dovetailing with the mission of the larger parent institution; and using mission to drive branding. Categories: Leadership & Advisory Boards and Fundraising & General Operations

7 Thursday, June 21, 2018

Beyond Boundaries: Mixing Art and Throwdowns Science in University Museums 5:30-6:30 p.m. | Ballroom Blanca María Cárdenas Carrión, Doctoral Candidate, Art Has the Power to Confront, Challenge, Philosophy of Science and Science Communications, Uni- and Converse with the Political and Social versum, Museum of the Sciences, National Autonomous World around You—Voces de Resistencia University of Mexico By mixing art and science, beauty and truth, we can transform Madison Auten, Graduate Student, Museum Studies and university museums into facilities for curiosity, where collec- Anthropology, Union Art Gallery, University of Wiscon- tions and exhibitions can motivate creative and significant sin-Milwaukee learning among visitors. This presentation deals with disci- The Union Art Gallery at the University of Wisconsin-Milwau- plinary and epistemological dichotomies, trying to arrive at a kee, is making strides by using art as a vehicle for social and more fluid and dynamic way to think of university museums political change on our campus and in our local community. as agents of change to their communities. Like many other large universities across the nation, the university and city itself are challenged with issues surround- Categories: Audience Development & Engagement and Exhibitions & Collections ing race, nationality, and gender. University museums and galleries can be powerful players as agents of change, offering a safe, inclusive, and informative environment that can foster International Strategies: University meaningful dialogues on current topics that can affect us as Museums Facilitating Cultural Partnerships individuals, locally and globally. Wenjia Qiu, International Collaboration Coordinator, Qian Categories: Access, Diversity & Inclusion and Exhibitions & Collections Xuesen Library & Museum, Shanghai Jiaotong University This presentation introduces the ways in which partnerships No Rehearsal Required: Advancing between universities and their museums can serve interna- Reflective Judgment with Reader Theatre tional students. Colleagues from other academic museums are welcome to share similar programs after the presentation. John Jay Boda, Doctoral Candidate, Museum Education and Visitor-Centered Exhibitions, Department of Art Education, Categories: Access, Diversity & Inclusion Florida State University This emerging and innovative approach within museum ed- Zines for Progress ucation is being used widely in medical and nursing schools N’agelie Lazo, high school student, working with The to develop empathy and reflective judgment. This audacious, Wolfsonian, Florida International University insightful, and participatory approach has the potential to help prepare museum audiences – and staffs, guides, and vol- Zines for Progress, an educational initiative by The Wolfso- unteers – contend with diverse and/or contentious exhibition nian–FIU for Miami-Dade Public High Schools, is a program narratives, content, and/or themes. that connects students to art and social justice. Learn from one of their very own high-school zinesters how students can Categories: Audience Development & Engagement and Access, Diversity combine art-making and writing skills to create hand-made & Inclusion magaZINES addressing issues faced by their community. Categories: Audience Development & Engagement and Access, Diversity House Full of Hippos: Seizing an Unusual & Inclusion Opportunity to Create and Fund a Collections Management Learning Laboratory Rod Bengston, Director, John Young Museum of Art, The University of Hawaii at Manoa What would you do with a large collection of decorative and fine art objects based on hippos? This is the story of the cre- ation and funding of the M. J. Marks Collection management learning laboratories at the museum. Categories: Fundraising & General Operations and Exhibitions & Collections

8 Thursday, June 21, 2018

Introducing Art to STEM Students: Exhibitions and Education Programs at Welcome Reception Tsinghua University Art Museum 6:30-8:30 p.m. | Lowe Art Museum Mingqian Liu, Ph.D. student, Department of Architecture, Texas A&M University Through exhibitions and education programs that connect- ed art appreciation with scientific understanding, Tsinghua Welcome Reception Sponsors University Art Museum introduced various forms of visual and John S. and James L. Knight Foundation material arts to its overwhelmingly STEM student body. This presentation introduces some of the successful practices at Jordan Schnitzer Family Foundation this newly opened institution in China to university museum Museum Travel Alliance educators who have the similar kind of audience among their Bacardi students. AAMG Categories: Audience Development & Engagement and Access, Diversity UMAC & Inclusion

Puerto Rico: Sink or Swim? Lisa Ortega de Morrow, MFA, Educator, Museum of History, Anthropology and Art, University of Puerto Rico Life (before and) after Hurricane María. Just the mention of the year 2017 makes many at the University of Puerto Rico cringe. A student strike lasted 71 days. A semester that was barely starting was interrupted by a category 5 hurricane (Irma). As they tried to start off again, yet another interrup- tion: Hurricane María, another category 5. This time, every- thing changed. Categories: Audience Development & Engagement; Access, Diversity & Inclusion; Collections & Exhibitions; and Fundraising & General Opera- tions

From the Power of Science & Technology to the Power of Culture: The First Science and Technology Museum on Electronics in China was Successfully Established in a University Museum Ke Zhao, Director, Electronic Science and Technology Museum, University of Electronic Science and Technology of China, and Deli Chen, Counselor, Electronic Science and Technology Museum, University Science and Technology of China, Chengdu The first museum of science and technology in China was successfully established in a university, which indicates that university museums play vital roles as pioneers and explorers. The evolution of science and technology museums in devel- oping countries not only results in the promotion of educa- tion and science, but also leads to cultural dispersion and inheritance. Categories: Exhibitions & Collections and Access, Diversity & Inclusion

9 Franklin Kelly: The Work of Art in theAge of Malraux’s Museum

Franklin Kelly, Deputy Director and Chief Curator, National Gallery of Art, Washington, D.C., and a Distinguished Affiliate, Department of Art History and Archaeology, University of Maryland, College Park

In his The Work of Art in the Age of Mechan- ical Reproduction (1935), Walter Benjamin famously examined the impact of modern photographic techniques on the nature of art itself. For Benjamin, the aura of an object was devalued by mechanical re- production and the ubiquity it fostered. Half a generation later, André Malraux took a rather different stance: In “The Mu- seum Without Walls” (the first chapter of The Voices of Silence, which he published between 1947 and 1950), the art theorist argued that the wide availability of print- ed facsimiles facilitated a kind of ideal art history, in which collections far too vast to fit in any physical museum might be as- sembled for study. Thus was born the con- cept of the museum without walls, or, as it is often termed, the “imaginary museum.”

Neither Benjamin nor Malraux lived to see the digital age, but it is not hard to imagine that, if they had, they would consider their theories amplified exponentially by new technologies. Today, anyone with interest and an internet connection can access reproductions of objects that are of extremely high quality—indeed, in many cases, extraordinary fidelity stretches the bounds of credulity. Where, then, does that leave museums, which by their very nature are predicated upon the absolute primacy of original works of art and cultural artifacts, the intrinsic uniqueness of which can only be fully grasped through direct experience? Further, how should museums embrace the possibilities of modern reproductions and yet still confirm that they will always, in the end, be simulacra? What strategies might museums develop and employ that would expand the ways direct experience of works of art can inform teaching and learning? And how can we honor our missions while still staying abreast of technological advances and the ever-shifting needs and expectations of our diverse audiences?

Kelly is an art historian specializing in 18th, 19th, and early 20th century American and British paintings. He has written extensively on and organized exhibitions devoted to a wide range of artists, including Thomas Cole, Frederic Edwin Church, Sanford R. Gifford, John Constable, J.M.W. Turner, Winslow Homer, Thomas Eakins, George Bellows, Edward Hopper, and Jackson Pollock. Kelly has lectured extensively at museums and univer- sities in America and abroad and has also held curatorial appointments at the Virginia Museum of Fine Arts, the Sterling and Francine Clark Art Institute, the Minneapolis Institute of Arts, and the Corcoran Gallery of Art. He Friday Keynote Friday received his undergraduate training at the University of North Carolina, his M.A. from Williams College, and his Ph.D. from the University of Delaware.

10 Friday, June 22, 2018

8:00 a.m. Registration 8:30 a.m. Welcome John Versluis, President, AAMG Marta C. Lourenço, President ICOM-UMAC 8:45 a.m. Program Overview Jill Hartz and Barbara Rothermel 9:00 a.m. Keynote: Franklin Kelly, Deputy Director and Chief Curator, National Gallery of Art, Washington, D.C. 10:00 a.m. Break; Sponsor Tables; Poster Sessions 10:30 a.m. Plenary Session (Ballroom) 1:30-2:45 p.m. Session 2 3:15-4:30 p.m. Session 3

Morning Coffee Break Sponsor Texas Heritage Museum

Plenary Session Sponsor Collector Systems

10:30 a.m. | Plenary Session | Ballroom Panelists:

Why We Matter: Reflections on the William Eiland, Director, Georgia Museum of Art Importance of Academic Museums Lyndel King, Director and Chief Curator, Weisman Art Museum University of Minnesota Representing over a century of leading college and university museums, the presenters will reflect upon the fundamental Andrew Simpson, Honorary Fellow, Department of Ancient ideals of academic museums and their essential importance in History, Macquarie University, Australia providing perspective, understanding, values and wisdom to John Wetenhall, Director, George Washington University students, faculty and a general public buffeted by the competing Museum concerns of an increasingly fragmented and combative global Moderator: John Wetenhall society.

11 12:30-1:30 p.m. | Lunch: Please visit our Sponsor Tables and Poster Sessions (3rd floor elevator lobby and corridor) Enjoy a Lunchtime Conversation: Bring your lunch to one of our conference rooms and participate in one of these discussions: International Accreditation with Julie Hart, Senior Director, Museum Standards & Excellence Did you know that museums outside the U.S. can go through the AAM accreditation process? Learn more about the process and best practices. Share your experiences with accreditation. (IA) Advisory Boards, including Building a Successful Board Chair-Director Relationship and Representing Demographics in Your Community with Mary Baily Wieler, President, Museum Trustee Association, and Eva Kirsch, director, RAFFMA, Cal State, San Bernardino; also participating are Steven High, director, Ringling Museum; William Eiland, director, Georgia Museum of Art; and Brenda Thompson, board chair, Georgia Museum of Art. (BW)

Decolonizing Learning and the Campus Museum with Celka Straughn, Andrew W. Mellon Director of Academic Pro- grams, Spencer Museum of Art, University of Kansas (BC + BE) How can the campus museum serve as a space for developing decolonized modes of learning and deepen student engagement? Additionally, how might facilitating such strategies contribute to new forms of museum practice? This lunchtime conversation invites an exchange of approaches, activities, ideas, and questions. Beyond Novelty: Technology for Audience Engagement with Chris Barr, Director of Art & Technology, Knight Foundation Let’s talk about how audience and institutional goals can drive your institution’s decisions about using technology. How do you develop innovation as a core capacity within your museum? What culture change needs to happen for organizations to keep pace with digital change? What assets can campus museums take advantage of to innovate with tech? (S)

Luncheon Sponsorship Tru Vue Inc

12 Friday, June 22, 2018 1:30 p.m.-2:45 p.m. | Session 2

Engaging Progress: Responsive Programs difficult issues such as AIDS/HIV, censorship, stereotypes, and at University Museums (BC + BE) how best to create the opportunity for broad community en- gagement and further dialogue using historical and creative material. Sponsored by BNIM Panelists: Lizz Biswell, Manager of Outreach & Engagement, Halsey Insti- As museums continue to evolve as discursive, participatory tute of Contemporary Art, College of Charleston spaces, university museum programs increasingly direct the Karen Howard, Director, Winthrop University Galleries, public reception of art history, facilitate dialogue across disci- Director, Arts Administration Programs, College of Visual and plines, and foster relevant responses to contemporary ideas Performing Arts, Winthrop University of art and culture. Long identified as the primary “public” for campus museums, students increasingly join faculty, staff, and William David Hiott, Sr., Executive Director & Chief Curator, De- community members to bring fresh perspectives as advisors, partment of Historic Properties, Adjunct Instructor of History, makers, curators, and participants in museum programs. This Clemson University panel will explore the role of public programs as a conduit between our diverse publics and as a site to grapple with rel- Les Reker, Director, The Rural Heritage Museum, Mars Hill evant local and global issues, and demonstrate ways in which University the university and the surrounding communities can become Gretchen Warner, Graphic Designer, Sr., Campus and Commu- reciprocal resources to make change through rigorous, experi- nity Relations, Robert Woodruff Library, Emory University mental, and engaging programs. Moderator: Caitlin Margaret Kelly, Director, Power Plant Introductions: Carey Nagle, BNIM Gallery, Duke University Panelists: Categories: Audience Development & Engagement; Exhibitions & Collec- tions; and Leadership & Advisory Boards Claudia Bestor, Director, Public Programs, Hammer Museum Sonnet Coggins, Interim Deputy Director and Associate Di- rector of Academic and Public Engagement, Williams College Art Benefits Healthcare (S) Museum of Art Panelists will discuss ways that academic art museums can Erik L. Peterson, Manager of Family Programs and Student use educational practices to support medical training with the Engagement, Smart Museum of Art aim of building observational and communication skills that strengthen empathy and teamwork and aid in diagnoses. Molleen Theodore, Associate Curator of Programs, Yale Univer- sity Art Gallery Panelists: Moderator: Emily Arensman, Programs Fellow, Yale University Hope Torrents, School Programs Coordinator, Lowe Art Muse- Art Gallery um, University of Miami

Category: Audience Development & Engagement Lenore D. Miller, Director, University Art Galleries and Chief Curator, Luther W. Brady Art Gallery, The George Washington University Counter-Programming for the New South Jill S. Sanko, PhD, MS, ARNP, CHSE-A, FSSH, Assistant Professor, (IA) University of Miami School of Nursing and Health Studies This panel features case studies from five institutions pro- Gauri Agarwal, M.D., F.A.C.P., Associate Regional Dean for Med- ducing, presenting, and programming alternative-narratives ical Curriculum, University of Miami Miller School of Medicine across university museums, galleries, historical spaces, and libraries, highlighting the ever-shifting landscape as the Natalie Wilner, 3rd year medical student, The George Washing- American South continues to redefine its identity. Learn how ton University School of Medicine & Health Sciences and why these institutions are confronting and responding to Moderator: Hope Torrents Category: Audience Development & Engagement

13 Friday, June 22, 2018

Illuminating Dark Data to Engage Panelists: Audiences: Integrating Digital Images into Jessica Hunter-Larsen, Director of Academic Engagement, Academic and Avocational Knowledge Colorado Springs Fine Arts Center at Colorado College Creation (BW) Ashley Rye-Kopec, Curator of Education and Outreach, Special Creating and collecting digital assets by academic museums Collections and Museums, University of Delaware has become a commonplace activity. But beyond using the images for object documentation, how can digitized col- Elizabeth Dysart, Director of Education and Engagement, lections serve the educational mission of your institution? Hofstra University Museum Attendees will come away with a range of pedagogical ap- Moderator: Patricia Briggs, Director and Curator, Art Galleries plications for digital object-based learning for academic and at Jamestown Community College avocational researchers. Categories: Audience Development & Engagement and Collections & Panelists: Exhibitions Lana Burgess, Ph.D., Director, Museum Management Program, McKissick Museum, University of South Carolina Inspiring Partners (BW) This panel explores the profound effect of storytelling in ur- Christian Cicimurri, Curator of Natural Science, McKissick ban and rural communities across the globe. With the support Museum, University of South Carolina of the Grandmother Project in West Africa, Oglethorpe Uni- Moderator: Lana Burgess versity Museum of Art in Atlanta, Georgia, and the Jule Collins Smith Museum in Auburn, Alabama, Inspiring Partners brings Categories: Access, Diversity & Inclusion; Audience Development & En- oral histories to life and demonstrates the modern need to gagement; Exhibitions & Collections; and Marketing & Technology use storytelling as a universal form of human connection and a catalyst for change in community. 2:45-3:15 p.m. | Break: Please visit our Panelists: Sponsor Tables and Poster Sessions Scott Bishop, Curator of Adult Education, Jule Collins Smith Museum of Fine Art, Auburn University Elijah Gaddis, Ph.D., Assistant Professor of History, Auburn Afternoon Coffee Break Sponsor University CAA Anne Gahongayire, External Relations & Partnership Develop- ment Officer, Grandmother Project Taylor Roberts ‘21, intended major Business and Museum Studies, Oglethorpe University 3:15 p.m.-4:30 p.m. | Session 3 Dr. Hyojung Cho, Associate Professor, Texas Tech University Museum Addressing Student Learning Objectives across the Curriculum (BC + BE) Moderator: Taylor Roberts How are exhibitions and collections used to achieve student Categories: Audience Development and Engagement; Access, Diversity learning outcomes across disciplines and how are they used and Inclusion; and Collections and Exhibitions to support the teaching of fundamental research skills, such as observation, analysis, hypothesis, testing of evidence, and revision? Campus museum professionals share their suc- cessful collaborations with faculty to integrate museum and gallery experiences into courses in a range of fields.

14 Friday, June 22, 2018

Medicine and the Academic Museum (IA) Laura McDowell Hopper, Curator, Pick Museum of Anthropolo- gy, Northern Illinois University: Quilts and Human Rights and As medical disciplines themselves and their relation to society Storytelling: Hmong American Voices Exhibitions develop, the role of medical collections, often present in universities, changes as well. In this panel, a few examples of Lori Kartchner, Programs Associate, Museum Collections, The this change are highlighted and discussed with a view to both Textile Museum, George Washington University: Stories of Mi- museum and medical ethics. gration: Contemporary Artists Interpret Diaspora Exhibition Panelists: Laura Scheper, Manager of Public Programs, Eskenazi Muse- um of Art, Indiana University: “Home Mask Relations” Artist Ondrej Dostal, Director, Mendel Museum, Masaryk University: Project and Public Program (Un)Safe Genetics Moderator: Erik Peterson, Manager of Family Programs and Steph Schotten, Director, Hunterian Art Gallery and Museum, Student Engagement, Smart Museum of Art, University of University of Glasgow: Museums vs. Medical: How to Marry Chicago Two Ethical Frameworks Categories: Audience Development & Engagement; Access, Diversity & Magdalene Grassmann, Director, Museum of the History of Inclusion; and Exhibitions & Collections Medicine and Pharmacy, Medical University of Bialystok, Po- land: The University Museum as a Medical and Cultural Link Evening (times vary): in an Unstable World Affinity-themed dinners (pre-registration Moderator: Steph Schotten required) Categories: Audience Development & Engagement; Access, Diversity & Inclusion; and Exhibitions & Collections

Social Fabrics: Radical Textile Projects on Campus (S) This panel discusses five radical textile projects—avant-garde exhibitions and programs featuring fibers and fashion—that impart the urgency of the times we live in, while also empha- sizing fun, practical, and innovative practices for visitors to use in their everyday lives. We’ll end with a short workshop and discussion (including hands-on knitting and crocheting), addressing the questions: How can campus galleries, often with limited resources, engage and grow audiences while also addressing pressing social and environmental issues? How can we impart the urgency of the times we live in, while also emphasizing fun, practical, and innovative practices for visi- tors to use in their everyday lives? How can museums harness a connection with our audiences and contemporary artists and professors to build spaces that radically knit together our communities? Panelists: Art can be minimal. April Beiswenger, Associate Professor of Theatre; Shan Bryan-Hanson, Director and Curator of Art Galleries and Col- Its protection shouldn’t be. lections, St. Norbert College: “Fashion This” Exhibitions and Programs John Harness, Program Coordinator, Smart Museum of Art,

University of Chicago: Welcome Blanket Exhibition and travelers.com © 2017 The Travelers Indemnity Company. All rights reserved. Travelers and the Travelers Umbrella logo are registered Sewing & Citizenship Family Day trademarks of The Travelers Indemnity Company in the U.S. and other countries. BIMAD.0002-2 New 5-17

15 Paula Gangopadhyay: The Power of Asking...What If?

Paula Gangopadhyay is a respected thought-leader on innovation in education and is the recipient of several state and national awards and recognitions. She was appointed Deputy Director, Office of Museum Services, at the Institute of Museum and Library Services (IMLS), in January 2016. In her current role, she collaborates with IMLS’s senior leadership on agency priorities, policies, and partnerships, and provides leadership and direction for the museum grants and special initiatives.

Over her professional career of more than twenty years, Ms. Gangopadyay has worked in small, medium, and large museums and cultural organizations, as well as government, business, and education sectors, where she led systemic change and positive community impact at local, state, and national levels. She was appointed by President Barack Obama to the National Museum and Library Services Board in 2012 and served in that capacity for three years. She received her B.A. and M.A. in history from Indore University, India; her post-graduate certifi- cation in archival, museum, and editing studies from Duquesne University, Pittsburg, PA; and an education policy

Saturday Keynote Saturday fellowship from the Institute for Educational Leadership.

16 Saturday, June 23, 2018

Keynote Sponsorship 8:00 a.m. Registration Opens Travelers Inland Marine 8:30 a.m. Annual Meetings (UMAC/ICOM) Morning Coffee Break Sponsorship 9:15 a.m. Keynote: Paula Gangopadhyay, Collector Systems Deputy Director, Office of Museum Services, IMLS (Ballroom) 10:45 a.m.-12:00 p.m. | Session 1 10:15 a.m. Break: Please visit our Sponsor Tables and Poster Sessions Charged Spaces: Facilitating Difficult Conversations in the 10:45 a.m.-12:00 p.m. Session 1 University Art Museum (BC + BE) 1:30-2:45 p.m. Session 2 This panel explores the ways in which academic museums foster politically charged conversations 3:15-4:30 p.m. Session 3 on campus, specifically addressing public programs, curatorial strategies, and administrative brokering. Panelists will discuss the complexities of collabo- ration and academic freedom when tackling such sensitive topics, and discuss lessons learned through successes and failures. Panelists: Alexandra Chamberlain, Assistant Curator of Exhibi- tions and Education, Galleries & Collections, DePauw University Craig Hadley, Director and Curator of Exhibitions and Collections with Rank of Assistant Professor, Galleries & Collections, DePauw University Dr. Annette Loeseke, Lecturer in Museum Studies, New York University, Berlin Campus Elizabeth H. Manekin, Head of University Programs and Academic Projects, Ackland Art Museum, Univer- sity of North Carolina at Chapel Hill Alana Ryder, Manager, Public and University Pro- grams, Wexner for the Center for the Arts, The Ohio State University Moderator: Craig Hadley Categories: Audience Development & Engagement; Access, Diversity & Inclusion; and Exhibitions & Collections

17 Saturday, June 23, 2018

With Our Powers Combined: Museums and Questions: A Case Study in Student-Driven Exhibitions and Libraries Teaming Up to Teach, Engage, Ethical Curation at Winterthur and Serve New Constituencies (BW) Leah Sweet, Lynch Curatorial Coordinator of Academic This panel focuses on ways museums and libraries can foster Programs, Herbert F. Johnson Museum of Art, Cornell Univer- beneficial partnerships on campus and off to create collabo- sity: Temporary or Permanent? Leveraging University Class rative teaching that is more critical, joint programming that Sessions to Revamp Collection Displays and Interpretive is more sustainable, and interconnected presences that are Resources more visible. Attendees will learn which museum-library part- Moderator: Leah Sweet nerships make the most sense, how to identify and begin new joint programs, and how these collaborations can strengthen Categories: Access, Diversity & Inclusion and Exhibitions & Collections all organizations involved. Panelists: First Listen: Advocating for Equity and Jennie Davy, Exhibits Manager, William & Mary Libraries Inclusion (IA) Kyle McQuillan, Mosaic Fellow, William & Mary Libraries The panel will discuss strategies, techniques, and resources used by their own institutions to address diversity issues as a Alexander Watkins, Assistant Professor, Art & Architecture catalyst for change in academic museums. Learning outcomes Librarian, University of Colorado Libraries will include methods of reaching new and culturally aware audiences through education and research initiatives. Moderator: Hope Saska, Curator of Collections and Exhibi- tions, University of Colorado Art Museum Panelists: Categories: Audience Development & Engagement and Collections & Paige Willis, Education Program Assistant, Harn Museum of Exhibitions Art, University of Florida Scott Bishop, Curator of Adult Education, Jule Collins Smith Decolonizing Museum Collections and Museum of Fine Arts, Auburn University Practices in the Context of University Liam Sweeney, Analyst at Ithaka S+R (Andrew W. Mellon Foun- Learning (S) dation case study of Spelman College Museum of Fine Art) Through a series of case studies, this panel explores decolo- Makeba Dixon-Hill, Curator of Education, Spelman College nization of university-related museums as a key component Museum of Fine Art of serving as more inclusive and equitable change-agents on campus and beyond. Topics include honoring indigenous Moderator: Paige Willis knowledges and object histories, fostering collaborative Categories: Leadership & Advisory Boards; Collections & Exhibitions; partnerships, acknowledging the impact of colonialism on Access, Diversity & Inclusion; and Audience Development & Engagement specific peoples and broader institutional, intellectual, and educational practices, exhibiting museum collections derived from colonial trade, shifting interpretation from owner-centric object stories to more comprehensive narratives, and nego- tiating potential tensions between academic and general public audiences. Panelists: Juliette Bianco, Deputy Director, and Jami Powell, Associate Curator of Native American Art, Hood Museum of Art, Dart- mouth College: Practicing Positionality: Opening Spaces for Dialogue in a Teaching Museum Catharine Dann Roeber, Brock W. Jobe Assistant Professor, Decorative Arts and Material Culture, and Josh Lane, Cura- tor of Furniture, Winterthur Museum: One Cabinet, Many

18 Saturday, June 23, 2018

12:30-1:30 p.m. | Lunch Lunchtime Conversations: Building an Art Collection with Little Money with Kathleen Farrell, Monroe Community College (IA)

Understanding the Code of Best Practices in Fair Use (BC + BE) Facilitators: Hunter O’Hanian, CAA Executive Director, and Aakash Suchak, Grants and Special Programs Manager The College Art Association (CAA) created the Code of Best Practices in Fair Use with and for the visual arts community, particularly those involved in art writing, art practice, museum work, teaching about art, and putting images online. The Code describes common situations in which materials under copyright can be used in these professional areas. Bring your lunch and learn more about the basic tenets of the code and its application. This will be of particular interest to art and architectural historians, artists, designers, curators, museum directors, educators, rights and reproduction officers, and editors at scholarly publishers and journals.

AAMG Regional and State Representatives Meeting with Katie Lee Koven, AAMG VP, Regional Programs (S)

Luncheon Sponsor UTSA Institute of Texan Cultures

1:30-2:45 p.m. | Session 2 Building Diversity & Inclusion (BW) This panel explores ways museums can build diversity and The GLAMorous Life: Maximizing the inclusion. The University of Richmond Museums examine stu- Potentialities and the Potency of Gallery- dent engagement with Spanish-speaking communities, which Library-Archive-Museum Collaborations includes addressing social inequality awareness, fortified citizenry, and mutual appreciation. The “Encountering Fife” across our Campuses (BC + BE) project in Scotland seeks to give refugees the opportunity This panel brings together five leaders in the field of academic to share experiences of their new lives on the east coast of art museum and library collaboration and resource-sharing, Scotland by creating a photographic exhibition in partner- each of whom will briefly discuss the successes and challeng- ship with local secondary school pupils. Those attending the es they have faced in their work in the GLAM sector. They will session will consider the practical ways in which university equally speak to what they perceive to be key opportunities in museums can support the integration and personal devel- this arena. opment of immigrants and what challenges and pitfalls they might encounter while doing so. Panelists: Panelists: Lisa Corrin Graziose, The Ellen Philips Katz Director, Block Mu- seum of Art, Northwestern University Martha Wright, Coordinator of Visitor and Tour Services, Uni- versity of Richmond Museums: It’s All about the Experience: Andria Derstine, John G. W. Cowles Director, Allen Memorial Inclusion through Collaboration between Spanish in the Art Museum, Oberlin College Community class and UR Museums Jill Deupi, Beaux Arts Director & Chief Curator, Lowe Art Matthew Sheard, Learning & Access Curator, Museum of the Museum, University of Miami University of St. Andrews, Scotland: Encountering Scotland: Jill Hartz, Executive Director, Jordan Schnitzer Museum of Art, Championing Inclusion among Refugee Communities at the University of Oregon Museum of the University of St. Andrews Saralyn Reece Hardy, Marilyn Stokstad Director, Spencer Art Moderator: Martha Wright Museum, University of Kansas Categories: Access, Diversity & Inclusion and Audience Development & Moderator: Jill Deupi Engagement Categories: Audience Development & Engagement and Exhibitions & Collections

19 Saturday, June 23, 2018

Addressing the Academic Museum’s Social Panelists: Origins, University History, and Indigenous Laila Zwisler, MSC, Division Head of History of Technology, Communities (S) Technical University of Denmark Sponsored by Pilar Irala-Hortal, Ph.D. Professor of Communication and Social Mathers Museum of World Cultures Science, San Jorge University Vanessa Rousseau, Ph.D., Adjunct Curator and Antiquities Con- This panel approaches the value of academic museums from sultant, Weisman Art Museum, University of Minnesota a range of perspectives: the important role of collectors in the development of knowledge and research; the use of diverse Scott Legge, Ph.D., Associate Professor and Chair, Department collections to build inclusive experiences among specialists of Anthropology, Macalester College and the broader community; and how to create meaningful Rebecca Wingo, Ph.D., Postdoctoral Fellow in Digital Liberal and socially inclusive displays using contemporary museo- Arts, Macalester College logical methodologies, emphasizing the cooperation with different target groups and stakeholders of the museum and Nicole Willard, M.A., C.A., Director Archives and Special Collec- offering a curator tool kit. tions, Library Development, University of Central Oklahoma Introductions: Judith Kirk, Mathers Museum of World Cultures Shikoh Shiraiwa, M.A., M.Ed., Library Archives Specialist, Uni- versity of Central Oklahoma Panelists: Moderator: Shikoh Shiraiwa María Molina Leon, Director, Museo Universidad Panamer- icana: The Social Origin of University Museums as Agents Categories: Audience Development & Engagement; Access, Diversity & of Change: Knowledge and Development of Generations Inclusion; Exhibitions & Collections; and Marketing & Technology through Donations of Heritage

Karin G. Weil, Director, Dirección Museológica, Universidad 2:45-3:15 p.m. | Break: Please visit our Austral de Chile: The Documentation of University Collec- tions: An Exercise in Inclusion and Equity within and Beyond Sponsor Tables and Poster Sessions the Campus 3:15-4:30 p.m. | Session 3 Mariann Raisma, Director, University of Tartu Museum: Touch of the University Spirit: How to Create an Inclusive and Strategies for Successfully Engaging and Meaningful Exhibition about University History Empowering Students through Docent Programs, Collection Development, and Luisa Fernanda Rico Mansard, Coordinator, University Seminar of Museums and Museographic Facilities, Universum, Museum Research (BC + BE) of the Sciences, National Autonomous University of Mexico: Panelists explore best practices for engaging students—in Knowledge to Come and Go in University Museums courses or as interns, work-study employees, and volunteers —in researching collections, proposing acquisitions, and Moderator: Karin G. Weil guiding visitors. Attendees will leave with tools and tested Categories: Audience Development & Engagement; Access, Diversity & methods of working with students that are scalable to the size Inclusion; and Collections & Exhibitions and goals of their institution. Panelists: Advancing University Collections Without Amber Geary, Museum Educator and Docent Program Super- a Museum (IA) visor, Wellin Museum of Art, Hamilton College This international panel will discuss how collections can be inte- Gina Hall, Associate Educator for School and Family Programs, grated into the academic and public education of the university Smith College Museum of Art community despite the lack of a bricks-and-mortar museum or gallery space. Considering the limitation of space, this session Leah Niederstadt, Assistant Professor of Museum Studies & will focus on how each institution maximizes the potential use Curator of the Permanent Collection, Department of Art/Art of university collections through unique physical and digital History, Wheaton College exhibits, making cultural and social impacts in the community. Rebecca Summerhays, Preceptor in Expository Writing, Har- vard University Moderator: Amber Geary Categories: Audience Development & Engagement; Access, Diversity & Inclusion; and Exhibitions & Collections

20 Sensory Learning in Academic Museums (S) Art in Public Spaces: Controversies over Touch and sound offer innovative opportunities for learning Representations (BW) in academic museums. This panel explores ways that such At a time when social justice movements have highlighted the sensory learning practices can enhance student engagement inequity between whose history is publicly visible and whose and interdisciplinary dialogue and make content accessible to history is invisible, what is the role of the campus art museum those with different historical and cultural knowledge as well in shaping the contested meaning of public art? This panel pro- as physical and cognitive differences. vides attendees with an expanded meaning of public art that includes not only site-specific installations, but also portraits of Elena Corradini, Director, Polo Museale University of Modena university leaders and art circulating in campus loan programs; and Reggio Emilia, and Coordinator of the University Mu- strategies for managing the competing interests of stakehold- seums Italian Network: Interactive Learning within Italian ers; and suggestions for avoiding pitfalls and building alliances. University Museums Panelists: Ayumi Terada, Affiliate Associate Professor, University Muse- Meghan C. Doherty, Ph.D., Director, Doris Ulmann Galleries um, University of Tokyo: The Sound Layers Project: Exploring Curator, College Art Collections Assistant Professor, Art Histo- a New Auditory Experience in a Museum ry, Berea College Grant Hamming, Inga Maren Otto Curatorial Fellow, Harvard Daniel Feinberg, Assistant Professor of Design and Sculpture, Art Museums: Haptic Learning at the Harvard Art Museums Berea College Moderator: Grant Hamming Saralyn Reece Hardy, Marilyn Stokstad Director, Spencer Mu- seum of Art, The University of Kansas Categories: Audience Development & Engagement; Access, Diversity & Inclusion; and Marketing & Technology Jane Becker Nelson, Director & Curator, Flaten Art Museum, St. Olaf College Moderator & Panelist: Jennifer Reynolds-Kaye, Ph.D., Curator of Education and Academic Outreach, Yale Center for British Art, Yale University Categories: Access, Diversity & Inclusion and Exhibitions & Collections

We invite you to join ICOM-US and the worldwide members of ICOM (International Council of Museums) in Kyoto, Japan September 1-7, 2019 for the 25th ICOM General Conference. ICOM-US, based in Washington, DC, is the National Committee of ICOM for the United States. ICOM-US will be offering a limited number of travel grants to US members who will be participating in the conference. We also recommend joining an international committee (ex- UMAC) and submitting a paper to present in Kyoto. The international committees also offer travel grants for participants to attend. We hope to see you there!

ICOM Kyoto 2019 General Conference: http://icom-kyoto-2019.org/

Join ICOM-US: http://www.icomus.org/join-us

ICOM International Committees: http://icom.museum/the-committees/international-committees/

25TH ICOM TRIENNIAL GENERAL CONFERENCE

KYOTO, JAPAN- SEPTEMBER 1–7, 2019

Museums as Cultural Hubs: The Future of Tradition

21 Friday & Saturday Poster Sessions All posters will be on view in the 3rd floor corridor throughout the conference.

Techniques Used and their Improvements This poster explores the birth and long life of the Katyn lie and to Preserve the Germplasm of Plants for the slow investigation into the truth about the crime. Visitors will learn about the Katyn massacre, the Polish Army, and Museum Collections; Sri Lanka Scenario, cultural memory. especially in Educational Purposes Categories: Access, Diversity & Inclusion; Exhibitions & Collections Professor A.A.Y. Amarasinghe, Faculty of Agricultural Sci- ences, Sabaragamuwa University of Sri Lanka, with Dr. D.M. Suratissa, Department of Zoology, University of Colombo The Role of Outdoor Museum Techniques This poster presents the best techniques for conserving and in Zoological Education Programs: the Sri preserving ex-situ and in-situ plant germplasm, based on practical classes with university students. Lankan Experience while Teaching Wildlife Biology at the Undergraduate Level Categories: Exhibitions & Collections Dr. D.M. Suratissa, Department of Zoology, University of Colombo, with Professor A.A.Y. Amarasinghe, Faculty of Ag- Volunteer Management in University ricultural Sciences, Sabaragamuwa University of Sri Lanka Museums Because the preparation of museum specimens and main- taining voucher specimen collections for exhibition purposes Silvana Arago Telona, Assistant in the Department of are no longer encouraged by the Fauna and Flora Protection Museological Studies, Museum of the Sciences, National Ordinance and regulations imposed by ethical committees, Autonomous University of Mexico teaching zoology-related subjects has become more diffi- This poster deals with the advantages and impact of a vol- cult. This study suggests that the proper use of museum unteer program at university museums. By recognizing the techniques can be effectively utilized to address this situation voluntary work as a topic of our interest, we can identify the while supporting quality teaching. different departments where volunteer effort is needed, as Categories: Exhibitions and Collections well as its value for the university. Our aim is to highlight how volunteers can increase our sense of belonging and identifica- tion to a specific community. A Minimally Expensive Exhibition Sharing Categories: Access, Diversity & Inclusion Program for the University Museum Network and Transnational Collaboration The Cultural Memory of the Extermination of University Museums of Polish Officers Murdered in Katyn in Jeng-Horng Chen, Director, NCKU Museum, and Associate the Narrative and Educational Activity of Professor, Department of Systems & Naval Mechatronic Engineering, National Cheng Kung University, Taiwan the Polish Army Museum – Martyrological For university museums that barely manage to maintain daily Department of the Katyn Museum operations and fundamental duties, the possibility of par- Adam Bulawa, Director, Polish Army Museum in Warsaw, ticipating in traveling exhibitions seems unrealistic because and Anna Popielarczyk-Palega, Main Specialist, Polish Army of the cost involved. This poster proposes a solution to this Museum, Kazimierz Wielki University challenge by having network members share the cost of man- ufacturing an exhibition. Categories: Fundraising & General Operations; Exhibitions & Collections

22 Friday & Saturday Poster Sessions Friday & Saturday Poster Sessions All posters will be on view in the 3rd floor corridor throughout the conference. All posters will be on view in the 3rd floor corridor throughout the conference.

Museum Commons: Connecting Diversities The Value and Strategies of a New of Collections, People and Places Interdisciplinary Course Yu Homma, Research Fellow, Keio University Art Center, W. Mei-Fang Kuo, Associate Curator, National Cheng Kung Tokyo University Museum, Tainan, Taiwan This presentation introduces the concept of “Museum University museums have a diversity of collections, both Commons,” which considers a university museum as a new tangible and intangible. This poster invites students to visit connecting hub for collections, people, and places in and a campus historical site to learn more about the university’s outside the university. The poster shares and discusses the heritage and stimulate their interest and connection to the challenges of surveying ”invisible” collections in the university, university. communicating with people from various sectors, and open- Categories: Audience Development & Engagement; Access, Diversity and ing research activities to broader contexts. Inclusion; Exhibitions & Collections Categories: Access, Diversity & Inclusion; Exhibitions & Collections

Expanding the Network: Science and Arts Museums as Change-Agents: Increased Communication Training in a University Inclusive Capacity Building at a Small Art Museum Museum through Incorporating 3D Olivia Miller, Curator of Exhibitions and Education, The Uni- Technologies into Exhibit and Educational versity of Arizona Museum of Art Programs Working with the Pacific Science Center and Conner Prairie Dr. Eileen Johnson, Director of Academic and Curatori- Living History Museum, The University of Arizona Museum of al Programs, and Chair, Heritage and Museum Sciences, Art has recently expanded its educational offerings by inte- Horn Professor of Museum Science, Museum of Texas Tech grating a Science and Arts Communication Fellowship, which University; Dr. Stance Hurst, Field Manager, Lubbock Lake trains scientists and artists to facilitate interactive experiences Landmark, and Graduate Faculty, Heritage & Museum Sci- with the public that encourage wonder, curiosity, and discov- ences, Texas Tech University; and Jessica Stepp, Administra- ery. Attendees at this poster session will leave with concrete tive Intern, Museum of Texas Tech University examples of communication activities, ways to adapt the framework to fit the needs of museum staff and fellows, and 3D technologies provide for experiential interaction oppor- ideas to sustain the program moving forward. tunities in museum exhibits and sharing collections but each museum must weigh the costs and benefits for themselves. Categories: Audience Development & Engagement; Access, Diversity & Outcomes from incorporating 3D modeling and 3D printing Inclusion into an exhibit at the Lubbock Lake Landmark suggest the learning curve to provide an informative visitor experience is steep, but the low costs of these rapidly evolving technologies provide an accessible and exciting set of tools in which to engage visitors more fully with both tangible and intangible heritage. Categories: Access, Diversity & Inclusion; Exhibitions & Collections

23 Friday & Saturday Poster Sessions All posters will be on view in the 3rd floor corridor throughout the conference.

International Education and the University Rhythmic Light: Contemporary Cuban Museum Photography by Arien Chang Castán and Ashley Simmons Coffey, Graduate Student, University of Leysis Quesada Vera. Kentucky Art Museum Roberto Vasquez, Undergraduate Student, Gund Gallery, This poster will discuss ways museums and galleries can en- Kenyon College gage in campus internationalization through the curriculum Guided by museum staff at the Gund Gallery, a student team and co-curricular programming. It will present how to orga- participated in all aspects of the curatorial process, from nize internationally themed programming, recruit students research to final exhibition design. The exhibition brought to- and staff to participate, and how such programs will benefit gether the work of two contemporary Cuban photographers – both the university museum and gallery and the university’s Arien Chang Castán and Leysis Quesada Vera – who intimately international education office. portray everyday life in Cuba. The poster will present the Categories: Access, Diversity & Inclusion; Exhibitions & Collections curatorial process, its challenges, and outcomes. Attendees will come to value our attempts to engage the larger cam- pus community through multiple interdisciplinary lectures, 11 Teaching Innovation Programs in a New literary and audiovisual supplements for the exhibition, and –hopefully– a publication. University Museum in Spain. The Case of Learning Palliative Care in Categories: Access, Diversity & Inclusion; Exhibitions & Collections Medicine Contemplating Rothko Elisa Montserrat Rull, Director of Communication and Cor- The Ghent University Museum: From porate Development, University of Navarra Museum Hidden Collections to Full-blown Museum The museum at the University of Navarra in Spain serves as Dominick Verschelde, Mcs., Collection Manager, Zoology an international center in which the arts are used for research Collection, Ghent University Museum, Belgium and teaching with an interdisciplinary perspective. Its innova- tive programs, which cover such subjects as law, communica- Ghent University decided to combine its collections, botani- tions, science, medicine, education, and psychology, encour- cal garden, and archive into one Academic Heritage unit for age faculty and students to think and learn in expansive ways. which the collections, in their turn, are to be combined into one grand museum, which will be open to the general public. Categories: Collections & Exhibitions In cooperation with an external company of scenographers, the different curators and collection managers are now work- ing on the story, object choice, and layout of the permanent Intercultural Competence at the Teaching exhibition, while the building for the future museum is being Museum renovated and adapted. Different museum tasks and respon- Anne Tiballi, Director of Academic Engagement, Penn Muse- sibilities are being redirected to the curators and collections um, University of Pennsylvania managers and their job descriptions altered accordingly. This poster presents the story, scenography, layout and selected This poster provides an overview of the ways in which educa- chosen objects, as well as the new roles of our curators and tors and museums can create programs that achieve intercul- collections and managers. tural competence goals within the higher education curricu- lum using object-based learning. Drawing from collaborations Categories: Exhibitions and Collections; Audience Development and between the Penn Museum and University language pro- Engagement grams, medical residents, and K-12 education in the Philadel- phia area, the poster presents strategies for selecting artifacts, developing classroom activities, and creating assessment tools to test specific elements of intercultural competence. Categories: Access, Diversity & Inclusion; Collections & Exhibitions

24 Friday & Saturday Poster Sessions All posters will be on view in the 3rd floor corridor throughout the conference.

“For me, waking up each day without art around me would be like waking up without the sun. When you live with art around you, your mind and soul are filled with the beauty of life and the creativity of the human spirit.” — JORDAN D. SCHNITZER A PASSION FOR SHARING ART

Established in 1997, the Jordan Schnitzer Family Foundation has organized over 100 exhibitions and has exhibited art in over 150 museums of post-WWII prints and multiples by American artists from Jordan D. Schnitzer and His Family Foundation. The Foundation also provides programming for students, seniors, artists in residencies and lecture series. The collection is made available at no charge to museums.

Exhibition Inquiries: Jordan D. Schnitzer Catherine Malone [email protected] [email protected]

25 Sunday, June 24, 2018 All workshops will be held at Florida International University’s Frost Art Museum 10975 SW 17th Street Miami, FL 33199; 305.348-2890

Workshops (Pre-conference registration required) Secrets to Reaccreditation Success for Academic Museums With Julie Hart, Senior Director, Museum Standards & Excellence 8:30 a.m.–12:30 p.m. Current Legal and Ethical Issues for Museum Professionals With Dr. Jill Deupi, Director and Chief Curator, Lowe Art Museum, University of Miami; Barbara Chamberlain, Director Art Col- lection Management, AIG; and Diego Figueroa-Rodriguez, Of Counsel, DLA Piper; Emily McDonald-Korth, President and Chief Analyst at Longevity Art Preservation, LLC 9 am–12 p.m. Let’s Go Digital! Photogrammetry and 3D Modeling With Jessica Stepp, Administration Intern, Museum of Texas Tech University, and graduate student; and Dr. Stance Hurst, Field Manager, Lubbock Lake Landmark, and graduate faculty, Texas Tech University Heritage & Museum 8:30 a.m.–12:30 p.m. Build Your Own Beacon-Enabled App With Douglas Perkins, Associate Director, Operations and Finance, Middlebury College Museum of Art 8:30 a.m.–12:30 p.m.

Trusted by Academic Institutions Across the Country Deaccessions | Appraisals | Private Treaty Sales | Collection Review | Museum Events

Cowan’s Auctions 6270 Este Avenue, Cincinnati, Ohio 45232 513.871.1670 [email protected] cowans.com

26 Sunday, June 24, 2018 All workshops will be held at Florida International University’s Frost Art Museum 10975 SW 17th Street Miami, FL 33199; 305.348-2890

27 Prof. A.A.Y. Amarasinghe Susan Bandes Scott Bishop Sabaragamuwa University Professor Curator of Education [email protected] Michigan State University Auburn University Presenter Museum Studies Progam Jule Collins Smith Museum [email protected] [email protected] Presenter

Anne Amati Noah Barth Lizz Biswell Registrar/NAGPRA Coordinator Archives Research Assistant Manager of Outreach & Engagement University of Denver University of Minnesota College of Charleston University of Denver Museum of Anthropology Andersen Library/University Archives Halsey Institute of Contemporary Art [email protected] [email protected] [email protected] Kress Scholarship Recipient Presenter

Christie Anderson Carey Beam Brent Bjorkman Registrar Director, Wylie House Museum Director DePauw University Indiana University Western Kentucky University Richard E. Peeler Art Center Wylie House Museum Kentucky Museum [email protected] [email protected] [email protected]

Clover Archer Mora Beauchamp-Byrd Christine Blackhurst Director Faculty Curator Art Gallery Director Washington and Lee University Oklahoma State University Texas A&M University Commerce Staniar Gallery OSU Museum of Art The University Gallery [email protected] [email protected] [email protected]

Emily Arensman Jane Becker Nelson Bartholomew Bland Senior Programs Fellow Director Executive Director Yale University St. Olaf College Lehman College/The City University of New York Yale University Art Gallery Flaten Art Museum The Lehman College Art Gallery [email protected] [email protected] [email protected] Presenter Presenter

Zaira Arredondo Alyssa Becker-Burns Frannie Blondheim Registrar Assistant Director - Collections Management Associate Director Utah State University University of Alberta University of Alberta Nora Eccles Harrison Museum of Art Museums and Collections Services University of Alberta Museums [email protected] [email protected] [email protected]

Madison Auten April Beiswenger John Jay Boda Gallery Manager Associate Professor of Theatre Studies Doctoral candidate University of Wisconsin-Milwaukee St. Norbert College Florida State University UWM-Union Art Gallery Godschalx Gallery/Baer Gallery Museum Education and Visitor-Centered Programs [email protected] [email protected] [email protected] Presenter Presenter Kress Scholarship Recipient, Presenter

Kayle Avery Heather Ann Bennett Jocelyn Boigenzahn Assistant Curator Collections Manager Gallery Director University of Wyoming Texas A&M University of Tampa UW Art Museum Forsyth Galleries Scarfone/Hartley Gallery [email protected] [email protected] [email protected] Presenter

Mary Baily Wieler Victoria Berry William Bomar President Director Executive Director Museum Trustee Association Oklahoma State University The University of Alabama [email protected] OSU Museum of Art University of Alabama Museums [email protected] [email protected] AAMG State Rep

Paul Baker Juliette Bianco Mary Ann Bonet Director, Office of the QEP Deputy Director Manager of Community Engagement Faculty in Museum Studies Dartmouth College Marquette University North Carolina Central University Hood Museum of Art Haggerty Museum of Art NCCU University Art Museum [email protected] [email protected] [email protected] Presenter

Yina Balarezo Lucineia Bicalho David Brinker Event Planner Student Researcher Assistant Director University of Miami Federal University of Minas Gerais-UFMG Saint Louis University Lowe Art Museum Centro de MemÃ_ria da Farmácia Museum of Contemporary Religious Art (MOCRA) [email protected] [email protected] [email protected] Conference Volunteer

28 Shan Bryan-Hanson Martin Casuso Tonya Curran Director and Curator, Art Galleries and Collection Building Facility Coordinator Director St. Norbert College University of Miami Stetson University Bush Art Center Lowe Art Museum Hand Art Center [email protected] [email protected] [email protected] Presenter Conference Volunteer

James Buchanan Alexandra Chamberlain Rachel Dallman Gallery Manager Assistant Curator of Exhibitions and Education Contract Specialist Wake Forest University DePauw University Cowan’s Auctions START Gallery Richard E. Peeler Art Center [email protected] [email protected] [email protected] Sponsor Conference Volunteer, Presenter

Lana Burgess Chiong-Yiao Chen Jennie Davy Faculty Curator Department Chair Exhibits Manager University of South Carolina University of North Alabama College of William & Mary McKissick Museum University Art Gallery Special Collections Research Center [email protected] [email protected] [email protected] AAMG Board, AAMG State Rep, Presenter Presenter

Erin Burke Laura Child Andrea DeHaan Student Director of Development Adminstrative & Events Coordinator Colgate University Washington State University Utah State University The Picker Art Gallery Jordan Schnitzer Museum of Art Nora Eccles Harrison Museum of Art [email protected] [email protected] [email protected]

Sarah Burns Christian Cicimurri Dina Deitsch Head Registrar Curator of Collections Director and Chief Curator Collector Systems University of South Carolina Tufts University [email protected] McKissick Museum Tufts University Art Galleries Sponsor [email protected] [email protected] Presenter

Amy Butler Lynn Clouser Sally Delgado Director Director Curator of Education American University Drexel University Ohio University AU Museum The Drexel Collection Kennedy Museum of Art [email protected] [email protected] [email protected]

Heather Campbel Erin Coe Andria Derstine Curator of Museum Programs Director Director University of Richmond The Pennsylvania State University Oberlin College University of Richmond Museums Palmer Museum of Art The Allen Memorial Art Museum [email protected] [email protected] [email protected] Presenter

Elizabeth Canter Sonnet Coggins Alasia Destine-DeFreece Academic Programs Coordinator Interim Deputy Director Student Associate Tufts University Williams College Kenyon College Tufts University Art Galleries Williams College Museum of Art Gund Gallery [email protected] [email protected] [email protected] Presenter

Andrew Cappetta Mary Compton Jill Deupi Assistant Curator of Academic Programs Program Coordinator Director/Chief Curator University of Rochester Texas A&M University University of Miami Memorial Art Gallery Reynolds Gallery Lowe Art Museum [email protected] [email protected] [email protected] AAMG Board, Presenter, Sponsor

Blanca Maria Cardenas Carrion Nicole Crawford Julie Dickover Auxiliar Chief Curator Director Universidad Nacional Autonoma de Mexico University of Wyoming Flagler College Universum, Museo de las Ciencias UW Art Museum Crisp-Ellert Art Museum [email protected] [email protected] [email protected] Presenter AAMG Board, AAMG State Rep, Presenter

Rochelle Caruthers William Crow Michelle DiMarzo, Ph.D. University Academic Programs Coordinator Director and Professor of Practice Curator of Education and Academic Engagement Washington University Lehigh University Fairfield University Mildred Lane Kemper Art Museum Lehigh University Art Galleries Fairfield University Art Museum [email protected] [email protected] [email protected]

29 Dr. Suratissa Dissanayake David Ellis Anne Gahongayire Mudiyanselage Museum Curator Director of Museums Presenter / Community Partner University of Colombo and Sabaragamuwa Sri Lanka University of Sydney Oglethorpe University NHM University of Colombo, Sri Lanka Nicholson Museum, Macleay Museum, Oglethorpe University Museum of Art [email protected] University Art Gallery [email protected] Presenter [email protected] Presenter

Makeba Dixon-Hill Kristen Evangelista Elizabeth Gallerani Curator of Education Gallery Director Curator of Mellon Academic Programs Spelman College William Paterson University Williams College Spelman College Museum of Fine Art University Galleries Williams College Museum of Art [email protected] [email protected] [email protected] Presenter

Angelica Docog Lauren Fairman Paula Gangopadhyay Executive Director Student Deputy Director University of Texas at San Antonio Colgate University Institute of Museum and Library Services Institute of Texan Cultures The Picker Art Gallery [email protected] [email protected] [email protected] Presenter AAMG Board, Sponsor

Caitlin Doherty Kathleen Farrell Amber Geary Director Director Museum Educator and Docent Program Supervisor University of North Florida Monroe Community College Hamilton College MOCA Jacksonville Mercer Gallery Wellin Museum of Art [email protected] [email protected] [email protected] Presenter Presenter

Meghan Doherty Tracy Fitzpatrick Connie Gibbons Director/Curator/Assistant Professor Director Director Berea College SUNY Purchase Washburn University Doris Ulmann Galleries Neuberger Museum of Art Mulvane Art Museum [email protected] [email protected] [email protected] Presenter AAMG Board

Lynn Dolby Heather Flaherty Marcus Granato Collections Manager Curator of Education Researcher University of Pennsylvania Dickinson College Museu de Astronomia e Ciencias Afins Office of the Curator The Trout Gallery [email protected] [email protected] [email protected] UMAC Board

Ondrej Dostal Erin Fletcher Magdalena Grassmann Director/Associate Visiting Research Fellow Director Director Masaryk University - CZ/ Ohio Wesleyan Medical University of Bialystok National Cheng Kung University -TW Richard M. Ross Art Museum [email protected] Mendel Museum /NCKU Museum [email protected] Presenter [email protected]

Hugues Dreysse Vanessa Forbes-Pateman Jean Graves Director Student PhD student Jardin des Sciences Western Illinois University Indiana University School of Education [email protected] Western Illinois University Art Gallery Museum Matrix Gallery UMAC Board [email protected] [email protected] Kress Scholarship Recipient Kress Scholarship Recipient

Elizabeth Dysart Greg Fraher LouAnne Greenwald Director of Education and Engagement Director of Membership Director Hofstra University Museum Travel Alliance University of Louisiana at Lafayette Hofstra University Museum [email protected] Paul & Lulu Hilliard University Art Museum [email protected] Sponsor [email protected] Presenter AAMG State Rep

Phillip Earenfight Scott Fralin Abby Groth Director Exhibit Program Manager and Assistant Curator of Public Programs Dickinson College Learning Environments Librarian Univeristy of Nebraska The Trout Gallery Virginia Tech Sheldon Museum of Art [email protected] Virginia Tech Libraries [email protected] [email protected]

William Eiland Akiko Fukuno Elaine Gustafson Director Acting Director, Curator Curator of Collections University of Georgia International Christian University University of North Carolina, Greensboro Georgia Museum of Art International Christian University Weatherspoon Art Museum [email protected] Hachiro Yuasa Memorial Museum [email protected] AAMG State Rep, Presenter, ICOM-US [email protected] UMAC Board

30 Susanne Haase Rachel Heisler Stance Hurst Communications Specialist Assistant Curator of Education, Graduate Faculty University of Miami Academic Programs Texas Tech University Lowe Art Museum University of Notre Dame Museum of Texas Tech University [email protected] Snite Museum of Art [email protected] Conference Volunteer [email protected] Presenter

Craig Hadley Felicia Herzog Faviola Hurtado Director/Curator with rank of Assistant Professor Museum Collections Manager Administrative Assistant DePauw University SUNY Plattsburgh University of Miami Galleries & Collections Plattsburgh State Art Museum Lowe Art Museum [email protected] [email protected] [email protected] AAMG Board, Presenter, Sponsor Conference Volunteer

Gina Hall Steven High Amy Husten Associate Educator for School and Family Programs Executive Director Managing Director Smith College Florida State University Bard College Smith College Museum of Art The John and Mable Ringling Museum of Art Montgomery Place [email protected] [email protected] [email protected] Presenter Presenter

Grant Hamming William Hiott Eugenia Incer Inga Maren Otto Curatorial Fellow Executive Director & Chief Curator Asst. Director, Collection & Exhibition Services Harvard University Clemson University University of Miami Harvard Art Museums Historic Properties (Fort Hill & Hanover House) Lowe Art Museum [email protected] [email protected] [email protected] Presenter Presenter Conference Volunteer

Lisa Hanover Jeffrey Hirsch Darrell Jackson Retired Director-CEO/Consultant Principal Architect Associate Professor of Law James A. Michener Art Museum EwingCole University of Wyoming College of Law [email protected] [email protected] UW Art Museum [email protected] Presenter

John Harness Patricia Hobbs Darryl James Programs Coordinator Associate Director/Curator Director of Business Development University of Chicago Washington and Lee University SmithGroupJJR Smart Museum University Collections of Art & History [email protected] [email protected] [email protected] Presenter AAMG State Rep

Kayla Harriel Yu Homma Katelyn Jean Art Collections Registrar Curator Gallery Coordinator Chapman University Keio University College of Central Florida Escalette Art Collections Art Center Webber Gallery [email protected] [email protected] [email protected] Presenter

Gabriel Harrison Laura Hortz Stanton Dr. Eileen Johnson Exhibitions Manager Executive Director Director, Lubbock Lake Landmark Stanford University Conservation Center for Art & Historic Artifacts Texas Tech University Department of Art & Art History [email protected] Museum of Texas Tech University [email protected] Sponsor [email protected] Presenter

Julie Hart Karen Howard Chani Jones Senior Director, Standards & Excellence Gallery Director Collections Manager American Alliance of Museums Winthrop University Baylor University [email protected] Winthrop University Galleries Martin Museum of Art Affiliate, Presenter [email protected] [email protected] Presenter

Jill Hartz Blair Huff Derek Jones Executive Director Curatorial Assistant Principal University of Oregon Colorado College Perkins+Will Jordan Schnitzer Museum of Art Fine Arts Center [email protected] [email protected] [email protected] AAMG Board, Presenter

Sarah Hatcher Jessica Hunter-Larsen Michelle Jones Head of Programs and Education Director of Academic Engagement MA Student - Museum Studies Indiana University Colorado College San Francisco State University Mathers Museum of World Cultures Colorado Springs Fine Arts Center at Colorado College Global Museum [email protected] [email protected] [email protected] Presenter Kress Scholarship Recipient

31 Eric Kahan Eva Kirsch Katie Lee-Koven President Director/Curator Executive Director Collector Systems California State University, San Bernardino Utah State University [email protected] Robert & Frances Fullerton Museum of Art (RAFFMA) Nora Eccles Harrison Museum of Art Sponsor [email protected] [email protected] Presenter AAMG Board

Emily Kahn Martha Kjeseth-Johnson Scott Legge Student Curatorial Assistant Director Associate Professor and Chair, Department of Anthropology Colgate University Randolph College Macalester College Longyear Museum of Anthropology Maier Museum of Art Anthropology [email protected] [email protected] [email protected] Presenter

Jamie Kaplowitz Arlette Klaric Laura Libert Manager of Curriculum Initiatives Assoc. Chief Curator and Curator of Collections Curatorial Assistant Phillips Academy Oklahoma State University Cornell University Addison Gallery of American Art Oklahoma State University Museum of Art Herbert F. Johnson Museum of Art [email protected] [email protected] [email protected]

Lori Kartchner Jodi Kovach Kristen Lindberg Programs Associate, Museum Collections Curator of Academic Programs Associate Curator of Education, Academic Programs The George Washington University Kenyon College SUNY Purchase The George Washington University Museum and Gund Gallery Neuberger Museum of Art The Textile Museum [email protected] [email protected] [email protected] Presenter Yuji Kurihara Mingqian Liu Franklin Kelly Vice-Director Graduate Student Deputy Director and Chief Curator Kyoto National Museum Texas A&M University National Gallery of Art [email protected] [email protected] [email protected] Kress Scholarship Recipient, Presenter Presenter

Caitlin Margaret Kelly Jutta Lafley Annette Loeseke Director, Power Plant Gallery Advisor, Museums and Private Collections Adjunct Faculty Museum Studies Duke University Cowan’s Auctions New York University Berlin Power Plant Gallery [email protected] [email protected] [email protected] Sponsor Presenter Presenter

Arif Khan Jeff Lambson Julie Lohnes Director Director Curator of Art Collections and Exhibitions University of New Mexico University of Colorado Denver Union College University of New Mexico Art Museum Emmanuel Art Gallery Mandeville Gallery [email protected] [email protected] [email protected]

Julia Kilgore Todd Lamkin Marta C. Lourenco Student Director of Collections Services/Chief Registrar Deputy Director Indiana University - Bloomington Emory University University of Lisbon [email protected] Michael C. Carlos Museum MUHNAC Kress Scholarship Recipient [email protected] [email protected] UMAC Board

Carrie Kim Yadin Larochette Kenneth Luker Curator of Education and Public Programming Museum and Conservation Liaison Principal Oklahoma State University Tru Vue, Inc. Perkins+Will Oklahoma State University Museum of Art [email protected] [email protected] [email protected] Sponsor

Lyndel King Christina Larson Penny Lutz Director and Chief Curator Andrew W. Mellon Fellow inAcademic Engagement Director University of Minnesota University of Miami Pennsylvania College of Technology Weisman Art Museum Lowe Art Museum The Gallery at Penn College [email protected] [email protected] [email protected] Presenter, UMAC Board Conference Volunteer

Judith Kirk Ann Layton Jacky MacBeath Assistant Director Fine Art Segment Lead, National Director- Professional Head of Museums Indiana University Development University of Edinburgh Mathers Museum of World Cultures Travelers Inland Marine St Cecilia’s Hall Concert Room & Music Museum [email protected] Inland Marine [email protected] AAMG Board, AAMG State Rep, Sponsor [email protected] Sponsor

32 Stephanie MacLean Joseph Mella Carey Nagle Marketing & Engagement Coordinator Director Principal California State San Bernardino Vanderbilt University BNIM Robert and Frances Fullerton Museum of Art (RAFFMA) Vanderbilt University Fine Arts Gallery [email protected] [email protected] [email protected] Sponsor AAMG Board, Presenter Elizabeth Manekin Head of University Programs and Dino Milisse Jillian Nakornthap Academic Projects Director Exhibitions and Public Programming Associate University of North Carolina- Chapel Hill National Museum of Geology The George Washington University Ackland Art Museum National Museum of Geology Corcoran School of the Arts and Design [email protected] [email protected] [email protected] Presenter

Elizabeth Marlowe Lenore Miller Keidra Navaroli Associate Professor Director, University Art Galleries & Chief Curator Assistant Director and Curator Colgate University George Washington University Florida Institute of Technology Picker Art Gallery Luther W. Brady Art Gallery Ruth Funk Center for Textile Arts [email protected] [email protected] [email protected] Presenter Presenter

Max Marmor Olivia Miller Rene Nedelkoff President Curator of Exhibitions/Ph.D. Student Mid-Atlantic Territory Manager Kress Foundation The University of Arizona Four Colour Print Group [email protected] The University of Arizona Museum of Art [email protected] Sponsor [email protected] Sponsor Presenter

Lynn Marsden-Atlass Dan Mills Lin Nelson-Mayson Executive Director / University Curator Director Director University of Pennsylvania Bates College University of Minnesota Arthur Ross Gallery Bates College Museum of Art Goldstein Museum of Design [email protected] [email protected] [email protected] AAMG State Rep

Natalie Marsh Al Miner Lia Newman Director Director/Chief Curator Director/Curator Kenyon College Georgetown University Davidson College Gund Gallery Maria & Alberto de la Cruz Art Gallery and Van Every/Smith Galleries [email protected] Lucille M. & Richard F. X. Spagnuolo Art Gallery [email protected] AAMG Board, Sponsor [email protected]

Jay Martin Jon Mogul Lauren Nichols Director Associate Director Development Program Manager Central Michigan University Florida International University University of Oregon Museum of Cultural and Natural History Wolfsonian-FIU Jordan Schnitzer Museum of Art [email protected] [email protected] [email protected] Presenter Conference Volunteer

Diamond Mason Christa Molinaro Leah Niederstadt Curatorial Assistant Exhibitions and Publications Manager Assistant Professor of Museum Studies Clark Atlanta University Ringling College of Art + Design Wheaton College Clark Atlanta University Art Museum Sarasota Museum of Art Permanent Collection; Beard [email protected] [email protected] [email protected] Presenter

Sarah McCullough Elisa Montserrat Erin Northington Cultural Heritage Coordinator Director of Communication and Manager of Student Engagement Programs Mississippi State University Corporate Development Harvard University Libraries University of Navarra Harvard Art Museums [email protected] University of Navarra Museum [email protected] [email protected]

Rachel McDermitt Amy Moorefield Julia Nucci Kelly Student Director, Phillips Museum of Art Communications & Marketing University of Illinois at Chicago Franklin & Marshall College University of Illinois at Urbana-Champaign [email protected] The Phillips Museum of Art Krannert Art Museum Kress Scholarship Recipient [email protected] [email protected]

Kyle McQuillan Heather Moqtaderi Nathalie Nyst Mosaic Fellow Assistant Director / Asscociate Curator Coordinator College of William & Mary University of Pennsylvania Universite Libre de Bruxelles Special Collections Research Center Arthur Ross Gallery ULB Museums Network [email protected] [email protected] [email protected] Presenter Presenter UMAC Board

33 Hunter O’Hanian Erik Peterson Les Reker Executive Director Manager of Family Programs and Director CAA Student Engagement Mars Hill University [email protected] University of Chicago Rural Heritage Museum Affiliate, Presenter, Sponsor Smart Museum of Art [email protected] [email protected] Presenter Presenter Lauren O’Neal Rachel Reynolds Judith Pineiro Director and Curator Exhibitions Coordinator Phillips Exeter Academy Executive Director University of North Carolina - Chapel Hill Lamont Gallery AAMC & AAMC Foundation Wilson Special Collections Library [email protected] [email protected] [email protected] Affiliate

Morna O’Neill Rebecca Prinster Jennifer Reynolds-Kaye Associate Professor Student Curator of Education and Academic Outreach Wake Forest University University of New Mexico Yale University [email protected] Maxwell Museum of Anthropology Yale Center for British Art [email protected] [email protected] Kress Scholarship Recipient Presenter

Michiko Okaya Wenjia Qiu H. Alexander Rich Director of Lafayette Art Galleries International Collaboration Coordinator Curator and Director of Galleries & Exhibitions Lafayette College Shanghai Jiao Tong University Florida Southern College Lafayette Art Galleries Qian Xuesen Library & Museum Polk Museum of Art at Florida Southern College [email protected] [email protected] [email protected] Conference Volunteer Presenter Presenter

Lisa Quinn Luisa Fernanda Rico Mansard Claudia Ordoñez Education Coordinator Coordinadora del SUMyEM Universidad Austral de Chile Ohio University UNAM [email protected] Kennedy Museum of Art Universum, Museo de las Ciencias [email protected] [email protected] Presenter, UMAC Board Lisa Ortega Museum Educator Traci Quinn Katie Ries University of Puerto Rico Curator of Education & Public Programs Assistant Professor of Art Museo de Historia, Antropología y Arte University of New Mexico St. Norbert College [email protected] University of New Mexico Art Museum Baer Gallery Presenter [email protected] [email protected] Presenter

Claire Pandaleon Ellen Raimond Levi Robb Student Assistant Curator, Academic Initiatives Project Manager Colgate University Duke University BNIM Picker Art Gallery Nasher Museum of Art [email protected] [email protected] [email protected] Sponsor

Douglas Perkins Mariann Raisma Taylor Roberts Operations Manager Director Museum Studies Student / Gallery Assistant Middlebury College University of Tartu Oglethorpe University Middlebury College Museum of Art University of Tartu Museum Oglethorpe University Museum of Art [email protected] [email protected] [email protected] Presenter Presenter Presenter Catharine Roeber Catherine Person Rae Ramos Assistant Professor of Decorative Arts and Educational and Academic Outreach Coordinator Programming and External Relations Material Culture University of Michigan Ringling College of Art + Design University of Delaware Kelsey Museum of Archaeology Sarasota Museum of Art The Winterthur Museum [email protected] [email protected] [email protected] Presenter Meredith Peruzzi Karen Rapp Essi Ronkko Manager and Curator Director and Curator Assistant Curator Gallaudet University Loyola Marymount University Northwestern University Gallaudet University Museum Laband Art Gallery Mary and Leigh Block Museum of Art [email protected] [email protected] [email protected] Stefanie Rookis Elizabeth Peterson Jack Rasmussen Museum Director Curator Director University of Alabama at Birmingham Oglethorpe University American University Alabama Museum of Health Sciences Oglethorpe University Museum of Art (OUMA) American University Museum [email protected] [email protected] [email protected] Presenter

34 Anna-Maria Shannon Vivian Spencer Karla Rosales Sol Associate Director Director Program Manager Washington State University Pensacola State College Universidad de Navarra Jordan Schnitzer Museum of Art Anna Lamar Switzer Gallery, Charles W. Lamar Studio Museo Universidad de Navarra [email protected] [email protected] [email protected] AAMG Board, AAMG State Rep

Tom Shapiro Christy Spurlock Barbara Rothermel Partner Associate Professor/Education Curator Director Cultural Strategy Partners Western Kentucky University University of Lynchburg [email protected] Kentucky Museum Daura Gallery Sponsor [email protected] [email protected] Presenter, UMAC Board Aimee Shapiro Zoe Starling Vanessa Rousseau Director of Programming and Engagement Curator of Education Adjunct Curator Stanford University North Carolina State University University of Minnesota Anderson Collection at Stanford University Gregg Museum of Art & Design Weisman Art Museum [email protected] [email protected] [email protected] Presenter Matthew Sheard Mary Statzer Alana Ryder Learning & Access Curator Curator of Prints & Photographs Manager, Public and University Programs University of St Andrews University of New Mexico The Ohio State University Museum of the University of St Andrews University of New Mexico Art Museum Wexner Center for the Arts [email protected] [email protected] [email protected] Presenter Presenter Carla Shelton Jessica Stepp Ashley Rye-Kopec Associate Director, Museum Collection & Chief Administration Intern Curator of Education and Outreach Registrar Texas Tech University University of Delaware Museum of Texas Tech University Oklahoma State University Special Collections and Museums [email protected] Oklahoma State University Museum of Art [email protected] Kress Scholarship Recipient, Presenter [email protected] Presenter Shikoh Shiraiwa Robert Saarnio Sara Stewart Library Technician III Assistant Director of Development and Marketing Director University of Central Oklahoma University of Pennsylvania University of Mississippi Max Chambers Library Arthur Ross Gallery University of Mississippi Museum [email protected] [email protected] [email protected] AAMG State Rep, Presenter, UMAC Board AAMG State Rep Lynne Shumow Steph Scholten Celka Straughn Curator for Academic Engagement Andrew W. Mellon Director of Public Practice, Director Marquette University University of Glasgow Haggerty Museum of Art Education and Research The Hunterian [email protected] University of Kansas [email protected] Spencer Museum of Art Presenter [email protected] Presenter Ann Sievers Nancy Scott Director and Curator Aakash Suchak Professor of Fine Arts University of Saint Joseph Brandeis University Grants and Special Programs Manager Art Museum, University of Saint Joseph CAA Rose Art Museum [email protected] [email protected] [email protected] AAMG State Rep Affiliate, Presenter, Sponsor Ashley Simmons-Coffey Nathalie Séjalon-Delmas Rebecca Summerhays PhD Higher Education Student Assistant Professor, Curator of Preceptor University of Kentucky Harvard University Scientific Collections UK Art Museum Harvard Art Museums University Toulouse III-Paul Sabatier [email protected] [email protected] University Collections Kress Scholarship Recipient, Presenter [email protected]

Grace Serra Andrew Simpson Danielle Susi Art Curator/Coordinator Honorary Fellow Art Gallery & Event Specialist Macquarie University Salt Lake Community College Wayne State University Museum of Ancient Cultures George S. & Dolores Doré Eccles Gallery University Art Collection [email protected] [email protected] [email protected] Presenter, UMAC Board Liam Sweeney Donna Sewell Grace Song Graduate Student Manager, Visitor Services Director of Membership Florida Institute of Technology CUNY Graduate Center Museum Travel Alliance James Gallery Ruth Funk Center for Textile Arts [email protected] [email protected] [email protected] Sponsor Presenter

35

Leah Sweet Meredith Vey Nicole Wholean Academic Programs Development Director, Major Gifts Curator of Campus Collections Cornell University University of Miami Brown University Herbert F. Johnson Museum of Art Lowe Art Museum David Winton Bell Gallery [email protected] [email protected] [email protected] Presenter Conference Volunteer Nicole Willard Jodi Sypher Ricardo Viera Director Archives & Special Collections Curator of Education Director/Chief Curator University of Central Oklahoma University of Miami Lehigh University Chambers Library Lowe Art Museum Art Galleries Teaching Museum [email protected] [email protected] [email protected] Presenter Conference Volunteer Amy Vigilante Paige Willis Molleen Theodore Director/Chief Curator Education Program Assistant Associate Curator of Programs University of Florida University of Florida Yale University University Galleries Harn Museum of Art Yale University Art Gallery [email protected] [email protected] [email protected] Presenter Presenter Kirsten Vincenz Director Natalie Wilner Anne Tiballi Technische Universität Dresden GWU Medical Student Director of Academic Engagement Office for academic heritage, scientific and art collections The George Washington University School of Medicine and University of Pennsylvania [email protected] Health Sciences Penn Museum [email protected] [email protected] Margaret Walker Presenter Assistant Curator Vanderbilt University Rebecca Wingo Allison Tolbert Vanderbilt Fine Arts Gallery Postdoctoral Fellow in Digital Liberal Arts Macalester College Assistant Curator [email protected] AAMG State Rep Department of History Davidson College [email protected] Van Every/Smith Galleries Marianne Wardle Presenter [email protected] Director Hope Torrents University of Wyoming Deb Wold University of Wyoming Art Museum School Programs Coordinator Collections Registrar [email protected] University of Miami Principia College Lowe Art Museum Gretchen Warner Principia Collections [email protected] [email protected] Conference Volunteer, Presenter Graphic Designer, Sr. Emory University Geert Vanpaemel Schatten Gallery Martha Wright [email protected] Professor Coordinator of Visitor and Tour Services Presenter KU Leuven University of Richmond [email protected] UR Museums Alexander Watkins [email protected] Emily Valdes Art & Architecture Librarian Presenter Membership Coordinator University of Colorado Boulder University Libraries University of Miami [email protected] Caitlin Wunderlich Lowe Art Museum Presenter Editor-in-Chief [email protected] The Museum Scholar Conference Volunteer Zoe Welch [email protected] Museum Educator Ximena Varela Florida International University Director The Wolfsonian-FIU Christopher Yates American University [email protected] AU Museum Assistant Director [email protected] Kenyon College Jessica Weller Gund Gallery Roberto Vasquez Student [email protected] Student Associate University of Illinois at Chicago Jane Addams Hull-House Museum Kenyon College [email protected] Gund Gallery Ke Zhao Kress Scholarship Recipient [email protected] Director Presenter University of Electronic Science and Technology of China John Wetenhall Electronic Science and Technology Museum Dominick Verschelde Director [email protected] Curator - Collection Manager George Washington University Presenter Ghent University George Washington University Museum and The Textile Museum Ghent University Museum, Zoology Collection [email protected] Beth Zinsli AAMG Board, Presenter [email protected] Director and Curator Presenter Lawrence University Ben Whine Wriston Art Galleries John Versluis Vice President, Development Director [email protected] Dean Christie’s Hill College [email protected] Texas Heritage Museum Sponsor Laila Zwisler [email protected] Head of Division AAMG Board, Sponsor Susanna White Technical University Denmark Collections Manager Historical Collection of DTU Amanda Zehnder [email protected] Chief Curator Colgate University Picker Art Gallery and Longyear Museum of Anthropology Presenter University of Delaware [email protected] Museums [email protected]

36 MUSEUM TRAVEL ALLIANCE

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MUSEUM TRAVEL ALLIANCE 1040 Avenue of the Americas, 23rd Floor, New York, NY 10018-3721 212-302-3251 or 855-533-0033 • Fax 212-344-7493 • [email protected] • www.MuseumTravelAlliance.com

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37 38 39 Academic and Administrative ABCD EFGH IJKLMNOPQRST Deans’ Offices: Architecture: 1223 Dickinson Drive, Building 48 – E ...... K-7

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AN M DICKINSO Episcopal Center ...... O-9 SA S Park Flips e (Hille l)

Buildi ng ST Wesley Foundation (United Methodist) ...... O-8 Build ing

0 Residential Colleges and Student Housing PONCE DE LEON BOUL EVARD RON FR ASERLakeview WAY LoungeLE PONCE DE LEON BOUL EVARD PONCE DE LEON BOUL EVARD 10 10 Eaton Residential College ...... L-7 CIRC Hecht Residential College ...... J-6 0 0 0

Mahoney Residential College ...... P-9 A

BR Metror ail/ Pearson Residential College ...... P-9 Universi ty Station

Stanford Residential College ...... J-5 ALHAM

University Village Apartments, Buildings 1 – 7 ...... D-6 US-1 ( SOU TH DIXIE HIGH WAY) US-1 (SOUTH DIXI E HIGH WAY) US-1 (S OUTH DIXI E HIGH WAY) S. Visito r Retail, Dining Halls, and Restaurants 11 Ent ranc e 11

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ET L Gables One Tower Bridge Village Market Place: University Village ...... E-6 UR B

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A ATM’s (Bank of America and University Credit Union) ...... N-6 L IN L

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B ET Outtakes Convenience Store ...... N-6 TU ET Conference Contacts andA C ARIP U .S . Post Office (Bookstore) ...... N-6 STRE M STRE A University of Miami Bookstore ...... N-6 O Dining Halls: 12 WiFi Log in: YNAD 12

GUST Hecht-Stanford Dining Hall ...... I-6 General Information MA Mahoney-Pearson Dining Hall ...... P-8 AU Cafes and Restaurants: HA AAMG 2018; password:MADR UGA AV ENUE UMAC2018 Courtside Eatery: Herbert Wellness Center ...... I-6 RD Copyright ©2018, Please see the Registration Desk at the EESC Einstein Bros . Bagels: Law School ...... M-4 RO Faculty Club: Whitten University Center ...... N-6 University of Miami. AD MADR UGA AV ENUE GOT Spot featuring Rose’s Café: Gables One Tower ...... I-11 (Shalala Student Center) for any questions or requests. Half Moon Empanadas at Jenkins: School of Business Administration . . O-6 ABCD EFGH IJKLMNOPQRST Hurricane Food Court: Whitten University Center ...... N-6 Jamba Juice: Shalala Student Center ...... M-5 Lime: Whitten University Center ...... N-6 SC front desk: 305. 284.4351 M2O, Made to Order Deli: Shalala Student Center ...... M-5 Rathskeller: Shalala Student Center ...... M-5 Sebastian’s Café: Newman Alumni Center ...... D-8 Buildings E L Percussion Building ...... K-4 W, X, Y, Z Starbucks: Richter Library ...... O-4 Lowe Art Museum front desk: 305.284.3603 Perez Architecture Center, Jorge M ...... K-7 Starbucks: Shalala Student Center ...... M-5 1300 Campo Sano ...... Q-1 Eaton Residential College, Julian S ...... L-7 LaGorce House ...... K-7 Walsh Tower, Judge William E . (Stanford Residential College) ...... J-5 1535 Levante Avenue ...... B-8 Episcopal Center ...... O-9 Lambda Chi Alpha ...... E-7 Pi Kappa Phi ...... E-6 Watsco Center ...... I-8 1551 Brescia Avenue ...... C-7 Epstein/Kosar Faculty Building, David and Bernie ...... O-7 Lau Founders Hall, Marion and Ed . . . .Lowe ...... Art. . . . . Museum C-8 ConferencePick Hall, Albert . . . . . Staff:...... C-7 Weeks Center for Recording and Performance, L . Austin ...... L-5 Student Life and Activities 1552 Brescia Avenue ...... C-8Tech support: Alex Valcarcel, 305.613.7780 Law Classroom Building (E, F) ...... M-4 Plumer Building ...... B-9 Weeks Music Library and Technology Center, Marta and Austin ...... L-5 Student Center Complex 6230 SW 57th Avenue ...... D-5 F Learning Center, Whitten (LC) ...... Q-5 Ponce de Leon Garage ...... F-9 Wesley Foundation (United Methodist) ...... O-8 (Shalala Student Center, Whitten University Center) ...... M-5 Ferre Building, Antonio ...... P-5 The Lennar Foundation Medical Center (UHealthYina at Coral Balarezo, Gables) . . . . Events H-9 PlannerR – Event Supervisor West Laboratory School ...... R-7 ARC – Camner Center for Academic Resources A Fieldhouse ...... K-8 Lowe Art Museum, Joe and Emily ...... O-7 Whitten Learning Center, George E . (LC) ...... Q-5 Butler Center for Service and Leadership Allen Hall, Dean Robert ...... R-4After-hoursFlipse Building, questions: Fred C . and Helen Donn Contact...... Jill . . . Deupi,. G-9 Beaux Arts Rainbow Building ...... C-9 Whitten University Center, Norman A . (UC) ...... N-6 Information Desk Alpha Epsilon Pi ...... E-7 Foster Music Practice Building, Bertha M ...... K-4 M Rehearsal Center ...... K-5 Wolfson Building, Frances L ...... R-5 LGBTQ Student Center Architecture (48) ...... K-7DirectorFraser and Baseball ChiefBuilding, Ron Curator, ...... Lowe ...... Art . . Museum: E-9 Mahoney Residential College, Daniel J . . Emily...... Valdes, ...... Membership P-9 Richter Library,Coordinator Otto G ...... – . .Event ...... Supervisor . . . . . O-4 Zeta Beta Tau ...... D-7 Orientation and Commuter Student Involvement Architecture (49) ...... L-7 Frost Music Studios, Patricia L . – South and North ...... J-4, L-4 Mahoney-Pearson Commons ...... P-9 Rodriguez Park, Alex ...... D-9 Student Activities & Student Organizations Aresty Building, Gerald and Josephine ...... P-6 Mahoney-Pearson Dining Hall ...... P-8 Rosborough Tower, Melanie R . (Stanford Residential College) ...... J-6 [email protected];G 305.284.5414 Student Media: Miami Hurricane Newspaper, Distraction Magazine, Ashe Administration Building, Bowman Foster ...... P-4 Mahoney-Pearson Garage ...... Q-9 S Ibis Yearbook, & WVUM-FM Gables One Tower ...... I-11 McArthur Addition, J . Neville ...... Jodi . . . . .Sypher, ...... Curator P-2 of Education – Event Supervisor B Gate House/Information McArthur Engineering Building, J . Neville ...... P-3 St . Augustine Catholic Church/Student Center ...... J-3 Student Services Baptist Campus Ministry ...... O-9Campus Memorial map: Drive https://welcome.miami.edu/_assets/pdf/...... M-3 McDonald Tower, Ruth B . (Hecht Residential College) ...... K-6 Schiff Tennis Center, Neil ...... H-6 Behavioral Medicine Building ...... Q-7 Schiff Tennis House ...... G-6 Admission: Whitten University Center ...... N-6 Stanford Drive ...... O-9 McKnight Building, Evelyn F . and William LAngeles ...... Cardenas, . . . . D-9 Receptionist – Registration Beta Theta Pi ...... G-6 Gusman Concert Hall, Maurice ...... M-4 Memorial Classroom Building, Oscar E . Dooly ...... Q-3 Schwartz Center for Athletic Excellence, ARC – Camner Center for Academic Resources: 2400 Whitten University Center N-6 Braman Miller Center for Jewish Student Life (Hillel) ...... O-9about-um/maps/Gables-Campus-Map-FINAL.pdf Theodore G . Schwartz and Todd G ...... H-7 Dean of Students Office: 2250 Whitten University Center ...... N-6 Merrick Building, Solomon G ...... P-6 H Merrick Garage ...... M-8 Schwartz Center for Nursing and Health Studies, M . Christine ...... Q-4 Dining Services: 1600 Whitten University Center ...... N-6 C Hecht Athletic Center ...... G-6 Sigma Alpha Epsilon ...... E-7 Disability Services: 2400 Whitten University Center ...... N-6 Merritt Panhellenic Building, Mary B . . . . . Marie ...... Milhomme,...... R-6 Chief Security Officer – Opening Night Canterbury House ...... O-9For taxi,Hecht Uber,Residential College or Lyft – Commons, drop-off Florence Ruth . . and. . . . . pick-up:. . J-6 Messinger Music Executive Building ...... K-4 Sigma Chi ...... D-8 English Composition Center: Ferre Building ...... P-5 Casa Bacardi ICCAS ...... D-7 Hecht-Stanford Dining Hall ...... I-6 Simulation Hospital ...... Q-4 Financial Assistance Services: 2275 Whitten University Center ...... N-6 Metrorail/University Station ...... Party...... Security . . . . . Supervisor K-10 Download UM’s Mobile App Centrex Building ...... R-5 Herbert Wellness Center, Patti and Allan ...... I-6 Meyer Law Administration (A, C) ...... N-4 Stanford Residential College – Commons, Henry King ...... J-5 Housing & Residential Life Office: Eaton Residential College, Room 153 . . . L-7 Christian Science House ...... O-9 Herman Ring Theatre, Jerry ...... M-4 Stubblefield Classroom Building, Elsa and William ...... P-6 Scan the QR code above with your smartphone to download International Student & Scholar Services: 2275 Whitten University Center . . N-6 Meyer Law Library (D, G) ...... M-3 Cobb Stadium ...... F-7 ShalalaHillel (Braman Student Miller Center for JewishCenter, Student Life) 1330 . . . .Miller . . . . . Drive, O-9 Miller BuildLab ...... K-8 Shalala Student Center, Donna E ...... M-5 UMiamiMobile. You’ll have instant access to campus maps, Multicultural Student Affairs: 2300 Whitten University Center ...... N-6 Communication International Building ...... Q-4 Studio Arts Building ...... B-8 Student Accounts Services: 158 Ashe Building ...... P-4 I, J, K Modular Buildings A and B ...... Susanne...... Haase,. . CommunicationsP-7 Specialist – Signage and parking, shuttle schedules, news and events, and much more. Counseling Center ...... N-8 Coral Gables, FL 33146 Music Administration Building ...... K-5 Student Employment: 2275 Whitten University Center ...... N-6 Cox Annex, James M . Jr ...... O-3 Intramural Building ...... H-6 T, U, V Student Technology Help Desk: Richter Library ...... O-4 Cox Science Building, James M . Jr ...... O-2 Jenkins Building, George W ...... O-6 N, O, P Printed Materials Toppel Career Planning and Placement Center, Patricia and Harold . . . . N-9 Toppel Career Center ...... N-9 University Center, Whitten (UC) ...... N-6 Credit Union ...... C-6 Kearns Sports Hall of Fame, Thomas N ...... G-7 Newman Alumni Center, Robert and Judi Prokop ...... D-8 UM Police 305-284-6666 Universtiy Registrar: Modular Building A ...... P-7 LoweKnight Physics Art Building, Museum, James L . . . 1301...... Stanford...... Drive, P-2 Ungar Building, Arthur A ...... N-3 Writing Center: Richter Library ...... O-4 D Orovitz Building, Max ...... C-8 University Village, Buildings 1-7 ...... D-6 Parking and Transportation 305-284-3096 Knight Sports Complex, James L ...... G-7 Pavia Garage ...... N-8 Daner Law Library Wing, Reba Engler (B) ...... N-3 Lorrie Stassun, OfficeUniversity Manager Village Albenga – Finances Garage ...... E-6 University of Miami Main Number 305-284-2211 Coral Gables, Florida 33124 Pearson Residential College ...... P-9 University Village Scodella Garage ...... C-7 Doctor’s Hospital/Baptist Health South Florida ...... T-4 Pentland House ...... J-7 Dooly Memorial Classroom Building, Oscar E ...... Q-3 University Village Townhouses, Building A – C ...... F-5 Pentland Tower, Colonel Robert Jr . (Hecht ResidentialFaviola College) Hurtado, ...... J-7AdministrativeVolpe Classroom Building, Assistant Arnold . . . –. . Registration...... L-5 www.miami.edu Frost Art Museum,10975 SW 17th Street, Miami, FL 33199; 305.348.2890

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