Reading Two Middle Eastern Women Writers As Nonviolent Peace Activism Charlyn Marie Ingwerson University of Arkansas, Fayetteville

Total Page:16

File Type:pdf, Size:1020Kb

Reading Two Middle Eastern Women Writers As Nonviolent Peace Activism Charlyn Marie Ingwerson University of Arkansas, Fayetteville University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2019 Maternal Criticism: Reading Two Middle Eastern Women Writers as Nonviolent Peace Activism Charlyn Marie Ingwerson University of Arkansas, Fayetteville Follow this and additional works at: https://scholarworks.uark.edu/etd Part of the Literature in English, North America, Ethnic and Cultural Minority Commons, Near and Middle Eastern Studies Commons, and the Women's Studies Commons Recommended Citation Ingwerson, Charlyn Marie, "Maternal Criticism: Reading Two Middle Eastern Women Writers as Nonviolent Peace Activism" (2019). Theses and Dissertations. 3155. https://scholarworks.uark.edu/etd/3155 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Maternal Criticism: Reading Two Middle Eastern Women Writers as Nonviolent Peace Activism A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Charlyn Marie Ingwerson Missouri State University Bachelor of Arts in Philosophy, 2000 Missouri State University Master of Arts in English, 2002 Assemblies of God Theological Seminary Master of Arts in Theological Studies, 2007 May 2019 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. ____________________________ Jennifer Hoyer, Ph.D. Dissertation Director _____________________________ ____________________________ Stephanie Schulte, PhD. Mohja Kahf, PhD. Committee Member Committee Member ABSTRACT This dissertation advocates for reading the literatures of two Middle Eastern women writers through a Maternal Critical lens that recognizes the demands of universal vulnerability in characters who resist violence, and responds in Maternal communities of Readers that connect readers to characters, readers to writers, and readers to other readers, carrying the struggle for equity forward. My unfolding argument, centered on Maternal Critical activity in the novels of Palestinian writer Sahar Khalifeh and Israeli writer Ronit Matalon, demonstrates how literature by these Middle Eastern women is part of a narrative context of women’s peacemaking and resistance to violence, a part that has been largely overlooked until now. I argue these literatures are nonviolent resistance and that reading these works through a Maternal Critical lens constitutes a participatory response in the demands for equity from which the literatures emerge. Maternal Criticism draws on philosopher Sara Ruddick’s work, Maternal Thinking: Toward a Politics of Peace for its primary vocabulary that frames the work of mothering as responding to the demands of vulnerability for preservation, nurture, and social acceptance. This dissertation, Maternal Criticism, contributes to existing literary and critical readings of literature by Khalifeh and Matalon, and is the first writing to consider them in juxtaposition. The analysis advanced from these Maternal Critical readings of texts recognizes mothering practices that underpin mothers’ nonviolent resistance, activism that has shifted both practices of mothering and perceptions of mother-work in the societies from which the texts have emerged, suggesting a premise upon which to construct inclusive discourses that build peaceful communities. TABLE OF CONTENTS Introduction 1 I: Maternal Criticism 4 Stanley Fish and Patrocinio Schweickart: Reader-response and Feminist criticism 5 This is Maternal Criticism 8 Why ‘Maternal’ Criticism? 15 II: A Literature Review 21 Maternal Discourses 21 Sara Ruddick, Maternal Thinking 21 Critiques of Ruddick in the context of Maternal Criticism 28 Julie Stephens, Confronting Postmaternal Thinking 36 A Philosophy of Literature and Criticism 38 Martha Nussbaum: Vulnerability in Literature 38 Iris Murdoch and Gayatri Spivak: Love and the Secret Encounter 42 III: Narrative Framework of Women’s Non-violent Peace Activism 48 Women’s peacemaking is narrative-based discourse 48 Narrative discourses: Invitational Rhetoric 52 The gendered experience of violence in texts 55 Receiving the story of women’s non-violent resistance 58 From the maternal private to the maternal public 60 IV: Models of Maternal Critical Activity in novels by Middle Eastern Women 64 Palestinian writer, Sahar Khalifeh 67 Wild Thorns 70 The Inheritance 79 The End of Spring 90 Israeli writer, Ronit Matalon 101 The One Facing Us 109 Bliss 120 The Sound of Our Steps 132 V: Peace Activism and the Perception of Mother-work in Popular Culture 141 Four Mothers 142 Palestinian women’s organizations and the Intifada 147 Conclusion 150 Works Cited 155 1 Introduction An exchange on Facebook between former students caught my attention; here’s an excerpt: JF (male): “I find this issue impossible to tackle from a legislative standpoint . Mass shootings are a cultural problem that I think stems from the extreme patriarchy . [in] the US.” CJW (female): “here’s my proposal: a complete cultural transition to a matriarchy where people of all genders are free to exist without being harassed, express emotion in a healthy way, and live in a far more safe society.” [. ] JF (male): “It seems to me . the way ahead is probably going to be a seismic cultural shift for a society that is fractured by fragile masculinity and patriarchal norms.” (20 May 2018) This conversation reflects the tone of others in my classes recently; young people know the violence they’re witnessing points to deeply embedded systems of exclusion. My students and I are not the first to suggest we live in political cultures that do not meet our basic needs. This dissertation enters these conversations to suggest an alternative way of reading and acting in the communities in which we live. I suggest we adopt a Maternal Critical lens, a lens through which we can see how violence results from exclusion, and how exclusion defines the system referred to as ‘patriarchy.’ Patriarchy means authoritarian systems that depend upon exclusion in order to construct vertical hierarchies. 1 Both women and men may subscribe to patriarchal systems. Patriarchy constructs fear-based systems, and what it fears is vulnerability, falsely conflating victimization with vulnerability—a fallacy that has important implications: philosopher Martha Nussbaum identifies the recognition of universal human vulnerability as the connective strand between a person and his or her world; and, a recognition of one’s own vulnerability as 1 Many students express discomfort with the term ‘patriarchy,’ and indeed, the term ‘authoritarianism’ might be substituted; still, we must confront the fact that, throughout history, most political authoritarians have been men. These students have also spoken frankly about their discomfort with the term ‘feminist ,’ asserting it is not relevant to them. I have suggested the term ‘equalist’ might be substituted, though here, too, integrity requires confronting the fact that in all cultural contexts, most women have struggled for basic equality. 2 necessary for seeing others as they really exist. Authoritarian power obscures the reality of universal vulnerability by substituting a narrative of victims and perpetrators, a narrative that underwrites a demand for a ‘strong-man.’ By Nussbaum’s reckoning, a system that denies or rejects vulnerability denies the world in which we live, a world of flesh-and-blood people. We need a framework for creating communities that both recognize universal vulnerability and respond to the struggle of vulnerability, demands for preservation, nurture, and social acceptance. I, too, advocate for ‘a seismic cultural shift’—a shift toward maternal communities; and, since critical activity in literature has always been vital to effecting revolutionary shifts in cultural perspective, such a movement must be accompanied by literature and criticism. In this dissertation, I advocate for Maternal Criticism, critical activity in literature through which readers recognize the fallacy of systems that associate vulnerability with shame and valorize a wish for power. A Maternal Critical approach reveals maternal characters who recognize vulnerability and respond: preserving, nurturing, and respecting conscience—terms articulated by philosopher Sara Ruddick to denote practices of maternal authority that resist violence. Maternal Criticism offers readers a framework for practicing responses that preserve the ‘connective strand’ between vulnerable readers and characters and the communities from which both have emerged, inclusion that resists violence and premises peacemaking. In the first section of this dissertation, I discuss the significance the term, ‘maternal,’ though here, I want to suggest a repulsion to the term derives, in no small part, from the way patriarchy has twisted the image of maternal authority—stripping the term of its authority and discounting the thinking that derives from its practices. Why would patriarchal systems do this? Because authoritarianism , the assumption/perpetuation of power by force, is opposed to authority , which is earned through its attention to vulnerability. A further contrast will be 3 helpful: authoritarianism seeks to control others, denying others their own agency, while also denying personal responsibility for others. Authority accepts personal responsibility for oneself and for others in community, acknowledging and
Recommended publications
  • In Another Country
    Presents IN ANOTHER COUNTRY A Kino Lorber Release 333 West 39 Street, Suite 503 New York, NY 10018 (212) 629-6880 www.kinolorber.com Press Contacts: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SYNOPSIS A young film student and her mother run away to the seaside town of Mohang to escape their mounting debt. The young woman begins writing a script for a short film in order to calm her nerves. Three women named Anne appear, and each woman consecutively visits the seaside town of Mohang. The first Anne is a successful film director. The second Anne is a married woman secretly in an affair with a Korean man. The third Anne is a divorcee whose husband left her for a Korean woman. A young woman tends to the small hotel by the Mohang foreshore owned by her parents. A certain lifeguard can always be seen wandering up and down the beach that lies nearby. Each Anne stays at this small hotel, receives some assistance from the owner’s daughter, and ventures onto the beach where they meet the lifeguard. Technical Information: Country: South Korea Language: English and Korean w/English subtitles Format: 35mm Aspect Ratio: 1.85:1 Sound Dolby: SRD Running Time: 89 min CREW Written and Directed By Hong Sang-soo Producer ― Kim Kyounghee Cinematography ― Park Hongyeol, Jee Yunejeong Lighting ― Yi Yuiheang Recording ― Yoon Jongmin Editor ― Hahm Sungwon Music ― Jeong Yongjin Sound ― Kim Mir CAST Anne ― Isabelle Huppert Lifeguard ― Yu Junsang Womu ― Jung Yumi Park Sook ― Youn Yuhjang Jongsoo ― Kwon Hyehyo Kumhee ― Moon Sori A Kino Lorber Release HONG SANG-SOO Biography Hong Sang-soo made his astounding debut with his first feature film The Day a Pig Fell Into a Well in 1996.
    [Show full text]
  • The Stony Brook Press
    I Volume 52, Issue 21 Thursday, November 20, 2008 www.sbstatesman.or, Arts & Entertainment: 7 Sports: 11 Arts & Entertainment: 7 Sports: 12 Music for Grown-Ups: Cross Country Stumbles, Women 'Twilight' Score Shoots to No. 1 When Will Athletes Ever Figure it Yes, We Can! Land in NCAA Championships Out? FEATURES MRSA Students Celebrate Roth's Opening Outbreak on Students have been pour- ing into Roth Food Court Campus since the cafeteria opened By CHER ARMSTRONG its doors on Oct. 27. To of- Contributing Writer ficially commemorate the opening of the cafeteria, last At least three Stony Brook Tuesday Campus Dining held Univeristy residents contracted a grand opening celebration. infections of Methicillin-Re- The celebration had an arts sistant Staphylococcus aureus and crafts table, a caricature (MRSA) bacteria, university artist, personalized graffiti officials confirmed Wednes- t-shirts and a live band. day during an afternoon press conference. MRSA is a particular strain >> page 3 of staphylococcus aureus -- Joe Trollo /SB Statesman commonly referred to as staph At least 3 residents have contracted MRSA. -- that is more resistant to OPINI( DN anti-biotics such as methicillin, penicillin, and amoxicillin. "Raw" Deal at Jasmine for Students and Faculty Around 30 percent of the The GOP Neeids a population naturally has staph Facelift By CAITLIN STEIGER food from the Wang Center. I This was the first and last time bacteria on their skin or in Contributing Writer would also worry about the yo- she ate at the Wang Center. nasal passages where it doesn't I thought it was a hit nrema- gurt-based sauces with Indian Although these minor com- cause any problems, simply ture to already be picking the Jasmine Food Court and food.
    [Show full text]
  • Bilbreyh2017.Pdf
    The Crown of Madness Prologue Standing silent, the large crowd stared toward the castle door. Each held a red thorny rose, gripping it tightly and drawing blood. They stood there for nearly an hour—no one said a word and no one faltered. At last, the giant entryway opened. A procession of darkly dressed soldiers filed out in a close, uniform line, followed by the king, dressed in all white except for the dark iron crown on his head. Their leader looked tired but proud, defeated yet strong. Each step the king took was methodical. His face unchanging, he stared forward toward the platform in the center of the crowd. The tired man stopped at the edge of the path created through the audience. All but two of the knights continued on to the platform. They knelt down toward the king upon arrival at their destination. A deep, mournful horn sounded from one of the castle towers. It bellowed seven times. Roses were passed and thrown into the opening made for the king. The ground became completely obscured by the bloody flowers and the king began walking. Again, he walked slowly and deliberately, showing only strength though in great anguish. Finally, he arrived at the platform and climbed the short flight of stairs. One knight knelt at the top of the stairs, facing away from the king, and those around the platform stood to turn toward him. One by one, the warriors knelt, shortly followed by the crowd around them. All were on their knees except the king and his appointed executioner.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • Golden Receiver: Summer Fashion Five Minutes with Goes to School Mohamed Massaquoi
    the athens Still kickin' & still free INSIDE: THREE SIX MAFIA • HORROR POPS • THE WATSON TWINS • G.G. ELVIS AND THE TCP BAND • FIVE FINGER DEATH PUNCH BLUR • JOHNATHAN RICE • BUMBLEFOOT • KEN AUGUST 2008, VOL 1, ISSUE 2 MAGAZine WILL MORTON • KENI THOMAS & MORE!!!! gas guzzlers Are pump prices draining sec downtown commerce? preview 2008 KATY PERRY KISSED A GIRL (AND SHE LIKED IT) GOLDEN RECEIVER: summer fashion FIVE MINUTES WITH goes to school MOHAMED MASSAQUOI the legend of tilly &the wall>> INTRODUCING THE NEW FLY 150 Performance and style on two wheels. 150cc, single cylinder, four-stroke engine, automatic transmission, 12” wheels, underseat storage for full size helmet. TOP GEAR MOTORSPORTS 4215 Atlanta Hwy, Bogart, GA 30622 Phone: 706-548-9445 www.topgearmotorsports.com © PIAGGIO GROUP AMERICAS 2008. PIAGGIO® AND VESPA® ARE WORLDWIDE REGISTERED TRADEMARKS OF THE PIAGGIO GROUP OF COMPANIES. OBEY LOCAL TRAFFIC SAFETY LAWS AND ALWAYS WEAR A HELMET, APPROPRIATE EYEWEAR AND PROPER APPAREL. WELCOME BACK STUDENTS! CHECK OUT OUR NEW FALL SPECIALS! FRIDAY and SATURDAY HAPPY HOUR UNTIL 11 749 W. BROAD ST. 706.543.7701 • DANIELSVILLE 706.795.5400 KROGER SHOPPING CENTER, COLLEGE STATION RD. 706.549.6900 HOMEWOOD HILLS SHOPPING CENTER, PRINCE AVE. 706.227.2299 WATKINSVILLE 706.7669.0778 BLUR CONTENTS BLUR CONTENTS FEATURES DEPARTMENTS KATY PERRY MUSIC KISSED SPOTLIGHTS: GENRE COVERAGE FROM METAL TO COUNTRY 9 THE BUZZ: THE LATEST IN NEWS AND RUMORS 28 A GIRL EAR CANDY: ALBUM REVIEWS 30 20 EDITOR’S PLAYLIST:10 TUNES WE CAN’T STOP LISTENING TO
    [Show full text]
  • Women's and Gender Studies Film Collection (Updated 6/9/2015)
    Women's and Gender Studies Film Collection (updated 6/9/2015) TITLE FORMAT DURATION DESCRIPTION YEAR CATEGORIES This 1989 video reviews the need for safe, legal, and accessible abortion Abortion/Reproductive Abortion for Survival VHS 40 minutes worldwide, highlighting the lack of access to affordable contraception and 1989 Rights/Childbirth women's desire to limit their family size. An open-minded personal approach to the controversy over breast implant safety. Ultimately, Absolutely Safe is the story of everyday women who find themselves Health Absolutely Safe DVD 83 minutes 2009 and their breasts in the tangled and confusing intersection of health, money, Beauty/Body Images science and beauty. This video describes the war on AIDS in Africa. It explores how the disease cuts across the entire population, affecting men and women of reproductive age and HIV/AIDS AIDS in Africa VHS 52 minutes 1990 their children, striking a continent already wracked by underdevelopment, civil Africa strife and corruption. Amelia Earhart: Queen of A&E biography highlighting the life experiences of Amelia Earhart, who was the Biography VHS 50 minutes 1998 the Air first woman to fly alone across the Atlantic Ocean. Feminist History A film inspired by one of Maya Angelou‘s poems, showing how African-American And Still I Rise VHS 30 minutes women deal with myths of their sexuality and how they suffer historical and 1993 African American contemporary stereotypes by the media. This films reconstructs the arsenic murders in the Hungarian countryside, after the First World War. Over 140 bodies were discovered. The victims, all men, were Domestic Violence Angel Makers DVD 34 minutes 2005 apparently killed by their wives.
    [Show full text]
  • Drama Movies
    Libraries DRAMA MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 42 DVD-5254 12 DVD-1200 70's DVD-0418 12 Angry Men DVD-0850 8 1/2 DVD-3832 12 Years a Slave DVD-7691 8 1/2 c.2 DVD-3832 c.2 127 Hours DVD-8008 8 Mile DVD-1639 1776 DVD-0397 9th Company DVD-1383 1900 DVD-4443 About Schmidt DVD-9630 2 Autumns, 3 Summers DVD-7930 Abraham (Bible Collection) DVD-0602 2 or 3 Things I Know About Her DVD-6091 Absence of Malice DVD-8243 24 Hour Party People DVD-8359 Accused DVD-6182 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Ace in the Hole DVD-9473 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Across the Universe DVD-5997 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Adam Bede DVD-7149 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Adjustment Bureau DVD-9591 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Admiral DVD-7558 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 Adventures of Don Juan DVD-2916 25th Hour DVD-2291 Adventures of Priscilla Queen of the Desert DVD-4365 25th Hour c.2 DVD-2291 c.2 Advise and Consent DVD-1514 25th Hour c.3 DVD-2291 c.3 Affair to Remember DVD-1201 3 Women DVD-4850 After Hours DVD-3053 35 Shots of Rum c.2 DVD-4729 c.2 Against All Odds DVD-8241 400 Blows DVD-0336 Age of Consent (Michael Powell) DVD-4779 DVD-8362 Age of Innocence DVD-6179 8/30/2019 Age of Innocence c.2 DVD-6179 c.2 All the King's Men DVD-3291 Agony and the Ecstasy DVD-3308 DVD-9634 Aguirre: The Wrath of God DVD-4816 All the Mornings of the World DVD-1274 Aladin (Bollywood) DVD-6178 All the President's Men DVD-8371 Alexander Nevsky DVD-4983 Amadeus DVD-0099 Alfie DVD-9492 Amar Akbar Anthony DVD-5078 Ali: Fear Eats the Soul DVD-4725 Amarcord DVD-4426 Ali: Fear Eats the Soul c.2 DVD-4725 c.2 Amazing Dr.
    [Show full text]
  • Join Us. 100% Sirena Quality Taste 100% Pole & Line
    melbourne february 8–22 march 1–15 playing with cinémathèque marcello contradiction: the indomitable MELBOURNE CINÉMATHÈQUE 2017 SCREENINGS mastroianni, isabelle huppert Wednesdays from 7pm at ACMI Federation Square, Melbourne screenings 20th-century February 8 February 15 February 22 March 1 March 8 March 15 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm 7:00pm Presented by the Melbourne Cinémathèque man WHITE NIGHTS DIVORCE ITALIAN STYLE A SPECIAL DAY LOULOU THE LACEMAKER EVERY MAN FOR HIMSELF and the Australian Centre for the Moving Image. Luchino Visconti (1957) Pietro Germi (1961) Ettore Scola (1977) Maurice Pialat (1980) Claude Goretta (1977) Jean-Luc Godard (1980) Curated by the Melbourne Cinémathèque. 97 mins Unclassified 15+ 105 mins Unclassified 15+* 106 mins M 101 mins M 107 mins M 87 mins Unclassified 18+ Supported by Screen Australia and Film Victoria. Across a five-decade career, Marcello Visconti’s neo-realist influences are The New York Times hailed Germi Scola’s sepia-toned masterwork “For an actress there is no greater gift This work of fearless, self-exculpating Ostensibly a love story, but also a Hailed as his “second first film” after MINI MEMBERSHIP Mastroianni (1924–1996) maintained combined with a dreamlike visual as a master of farce for this tale remains one of the few Italian films than having a camera in front of you.” semi-autobiography is one of Pialat’s character study focusing on behaviour a series of collaborative video works Admission to 3 consecutive nights: a position as one of European cinema’s poetry in this poignant tale of longing of an elegant Sicilian nobleman to truly reckon with pre-World War Isabelle Huppert (1953–) is one of the most painful and revealing films.
    [Show full text]
  • African Women's Empowerment: a Study in Amma Darko's Selected
    African women’s empowerment : a study in Amma Darko’s selected novels Koumagnon Alfred Djossou Agboadannon To cite this version: Koumagnon Alfred Djossou Agboadannon. African women’s empowerment : a study in Amma Darko’s selected novels. Linguistics. Université du Maine; Université d’Abomey-Calavi (Bénin), 2018. English. NNT : 2018LEMA3008. tel-02049712 HAL Id: tel-02049712 https://tel.archives-ouvertes.fr/tel-02049712 Submitted on 26 Feb 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THESE DE DOCTORAT DE LE MANS UNIVERSITE ET DE L’UNIVERSITE D’ABOMEY-CALAVI COMUE UNIVERSITE BRETAGNE LOIRE ÉCOLE DOCTORALE N° 595 ÉCOLE DOCTORALE PLURIDISCIPLINAIRE Arts, Lettres, Langues «Espaces, Cultures et Développement» Spécialité : Littérature africaine anglophone Par Koumagnon Alfred DJOSSOU AGBOADANNON AFRICAN WOMEN’S EMPOWERMENT: A STUDY IN AMMA DARKO’S SELECTED NOVELS Thèse présentée et soutenue à l’Université d’Abomey-Calavi, le 17 décembre 2018 Unités de recherche : 3 LAM Le Mans Université et GRAD Université d’Abomey-Calavi Thèse N° : 2018LEMA3008 Rapporteurs avant soutenance : Komla Messan NUBUKPO, Professeur Titulaire / Université de Lomé / TOGO Philip WHYTE, Professeur Titulaire / Université François Rabelais de Tours / FRANCE Laure Clémence CAPO-CHICHI ZANOU, Professeur Titulaire / Université d’Abomey-Calavi/BENIN Composition du Jury : Présidente : Laure Clémence CAPO-CHICHI ZANOU, Professeur Titulaire / Université d’Abomey-Calavi/BENIN Examinateurs : Augustin Y.
    [Show full text]
  • Cultural Frontiers: Women Directors in Post-Revolutionary New Wave Iranian Cinema
    CULTURAL FRONTIERS: WOMEN DIRECTORS IN POST-REVOLUTIONARY NEW WAVE IRANIAN CINEMA by Amanda Chan B-Phil International and Area Studies, University of Pittsburgh, 2016 Submitted to the Faculty of The University Honors College in partial fulfillment of the requirements for the degree of Bachelors of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Amanda Chan It was defended on April 8th, 2016 and approved by Dr. Alison Patterson, Lecturer, Department of English and Film Studies Dr. Ellen Bishop, Lecturer, Department of English and Film Studies Dr. Sarah MacMillen, Associate Professor, Departmental of Sociology Thesis Advisor: Dr. Frayda Cohen, Senior Lecturer, Department of Gender, Sexuality, and Women’s Studies ii CULTURAL FRONTIERS: WOMEN DIRECTORS IN POST-REVOLUTIONARY NEW WAVE IRANIAN CINEMA Amanda Chan University of Pittsburgh, 2016 Copyright © by Amanda Chan 2016 iii CULTURAL FRONTIERS: WOMEN DIRECTORS IN POST-REVOLUTIONARY NEW WAVE IRANIAN CINEMA Amanda Chan University of Pittsburgh, 2016 Iranian New Wave Cinema (1969 to present) has risen to international fame, especially in post-revolutionary years, for its social realist themes and contribution to national identity. This film movement boasts a number of successful women directors, whose films have impressed audiences and film festivals worldwide. This study examines the works of three Iranian women directors, Rakhshan Bani-Etemad, Tamineh Milani, and Samira Makhmalbaf, for their films’ social, political, and cultural themes and commentary while also investigating the directors’ techniques in managing censorship codes that regulate their production and content. Importantly, these women directors must also navigate the Islamic Republic’s Ministry of Culture and Islamic Guidance’s censorship laws, which dictate that challenging the government’s law or Islamic law is illegal and punishable.
    [Show full text]
  • Barcode Title Language Category Allafri001 Tweetalige Skool
    Barcode Title Language Category ALLAfri001 Tweetalige Skool-Woordeboek Afrikaans Text ALLAfri002 Teach Yourself Afrikaans Afrikaans Text ALLAfri003 Teach Yourself Afrikaans Disc 1 Afrikaans Audio CD ALLAfri004 Teach Yourself Afrikaans Disc 2 Afrikaans Audio CD ALLAfri005 Colloquial Afrikaans Afrikaans Text ALLAfri006 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri007 Colloquial Afrikaans Disc 2 Afrikaans Audio CD ALLAfri008 Colloquial Afrikaans Afrikaans Text ALLAfri009 Colloquial Afrikaans Disc 1 Afrikaans Audio CD ALLAfri010 Colloquial Afrikaans Disc 2 Afrikaans Audio CD a0001 Le Destin (Destiny) Arabic VHS a0003 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0004 Alif Baa: Introduction to Arabic Letters and Sounds Disc 1 Arabic DVD a0005 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0006 Alif Baa: Introduction to Arabic Letters and Sounds Disc 2 Arabic DVD a0007 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 1 Arabic DVD a0009 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 2 Arabic DVD a0011 Al-Kitaab: A Textbook for Beginning Arabic 2e, Part 1 Disc 3 Arabic DVD a0013 The Yacoubian Building Arabic DVD a0014 Ali Zaoua, Prince of the Streets Arabic DVD a0018 Le Destin (Destiny) Arabic DVD ALLArab001 The Qur'an Arabic Text ALLArab002 Arabic-English Dictionary Arabic Text ALLArab003 Let's Read and Write Arabic, Vol. 1 Arabic Text ALLArab004 Alif Baa with DVDs Arabic Text ALLArab005 Alif Baa with DVDs Disc 1 Arabic DVD ALLArab006 Alif Baa with DVDs Disc 2 Arabic
    [Show full text]
  • Women in the Wesleyan and United Methodist Traditions: a Bibliography
    1 Women in the Wesleyan and United Methodist Traditions: A Bibliography Edited by Susan E. Warrick The General Commission on Archives and History The United Methodist Church P.O. Box 127, 36 Madison Ave. Madison, New Jersey 1991, 2003 INTRODUCTION The history of women in the Wesleyan and United Methodist tradition is one of almost ceaseless activity. From faithful attendance in worship to service as missionaries, teachers, pastors' wives, preachers, organizers, and reformers, women stepped from their homes into a needy world. In the fruitful collaboration of women and the church is written much of the history of the Wesleyan movement. Women's church work is also the foundation of their involvement in social and political reform. This bibliography reflects the rich variety of women's work in the church; however, one of the lessons learned early in the process was that scholars have only begun to recover and interpret the history of that work. We hope that this bibliography will spur examination of some long-neglected areas. This effort is indebted to Kenneth E. Rowe's pioneering contribution, Methodist women: a guide to the literature (1980), the first comprehensive bibliography of titles related to women in the Wesleyan tradition. For several years thereafter, Carolyn DeSwarte Gifford and Karen Heetderks Strong, then of the General Commission staff, collected information on additional sources, keeping pace with a growing body of scholarship. The first edition of this bibliography incorporated their work with my own, and was completed in 1991. The current edition includes titles published up through December 2001. This bibliography is extensive, but it cannot claim to be exhaustive.
    [Show full text]