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Pencapaian Filem Cereka Tempatan Di Peringkat Antarabangsa (1950-2017)] Finas Malaysia
[INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017)] FINAS MALAYSIA INISIATIF PEMBANGUNAN DATA INDUSTRI FILEM: PENCAPAIAN FILEM CEREKA TEMPATAN DI PERINGKAT ANTARABANGSA (1950-2017) 1 KAJIAN & PENGUMPULAN DATA OLEH : Ahmad Syazli Muhd Khiar ([email protected]) Pengarah Dasar & Penyelidikan FINAS TARIKH KEMASKINI : 31 Disember 2017 (Tertakluk kepada kemaskini data dan maklumat dari masa ke semasa) Bil Judul Filem [INISIATIFPengarah PEMBANGUNANama N DATA INDUSTRINama Festival FILE M: PENCAPAIANTahun Tempat FILEM CEREKAPenerima TEMPATAN Status Pencapaian Produksi/Tahun DI PERINGKATPenyertaan ANTARABANGSA (1950-2017)] FINAS MALAYSIA Tayangan 1 Nasib B.S Rajhans Malay Film BFI Festival of 1950 London, UK Malay Film Tayangan Official Selection Productions/1949 Commonwealth Films Productions 2 Iman K.R.S Sastry Malay Film 1st Asia Pacific Film 1954 Tokyo, Malay Film Penyertaan Official Submission Productions/1954 Festival Jepun Productions 3 Hang Tuah Phani Majumdar Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions Tan Sri P. Ramlee Menang Penggubah Muzik Terbaik 7th Berlin International 1956 Berlin, Malay Film Pencalonan Filem Terbaik (Golden Bear) Film Festival Germany Production (In Competition) 4 Semerah Padi Tan Sri P. Ramlee Malay Film 3rd Asia Pacific Film 1956 Hong Kong Malay Film Penyertaan Official Submission Productions/1956 Festival Productions 5 Anakku Sazali Phani Majumdar Malay Film 4th Asia -
A Review of the Malaysian Film Industry: Towards Better Film Workflow
A REVIEW OF THE MALAYSIAN FILM INDUSTRY: TOWARDS BETTER FILM WORKFLOW ABDUL RIEZAL DIM A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education University of the West of England, Bristol September 2016 ABSTRACT This thesis investigates the existing film workflow processes in Malaysia and aims to explore, review and reflect on the expectations, experiences, preferences and problems experienced by practitioners. In-depth examination of real practices of colour film workflow, investigating the common myth among Malaysian filmmakers that environmental colour temperature affects the image quality of Malaysian films. Analysis of this myth may help to establish why many Malaysian films have been processed through foreign laboratory. Evidences from film industry were recorded through qualitative video documentation, alongside quantitative data from filmstrip test. This mixed action research method forms the main approach collectively with participatory action research as a tool to narrate the development of the research. In justifying the data, an explanatory mixed method design has been applied. The cooperation with expert witnesses in finding a solution to the research problem brought to the circle of practice-based research processes that validated the research. This validation becoming a central of investigation about the Malaysian film workflow complication. The initial technique (pursing the myth of colour temperature variation) proved inadequate, and, consequently, a broader action research methodology was adopted. As such, the filmstrip test data were used more as a tool to enhance the contributions of the expert witnesses, thereby shifting the direction and strengthening the research findings. -
1 Cicakman: a Study on Glocalization in Malaysian Superhero Movie Genre
CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE FOO MEI LEE CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2017 1 CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE FOO MEI LEE DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF VISUAL ARTS CULTURAL CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2017 2 CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE CICAKMAN: A STUDY ON GLOCALIZATION IN MALAYSIAN SUPERHERO MOVIE GENRE ABSTRACT The numbers of superhero films growing since we have approached the new millennium. A superhero film is a film that is focused on the actions of one or more individuals who usually possess superhuman abilities and are dedicated to protecting the public from super villain or rival with bad intentions. These films usually feature action, fantasy or science fiction elements, which also include the origin of their special powers. The superhero film have performed relatively well in the box office. This prompts a new phenomenon, producing sequel. Dietz, J. (2011) found that sequels also performed well in box office. Malaysia renowned filmmaker in KRU Studio also jumps on to the bandwagon by producing Malaysia first superhero movie Cicakman (Feature Film, n.d.). The Cicakman film made history, breaking the opening-day record by grossing RM350, 000 on its first day of release (“8 Malaysian-Made Films,”n.d.). This film had 2 more sequels following to the huge success. -
Development Issues for the Creative Economy in Malaysia
Development Issues for the Creative Economy in Malaysia PhD Thesis Siti Suriawati Isa n6181228 Creative Industries Faculty Queensland University of Technology Submitted in full requirements for the degree of Doctor of Philosophy 2012 Page | i Keywords Animation, museums, creative economy, experience industries, creative industries Malaysia. Page | ii Abstract Cultural tourism and creative industries have intersecting policy agendas and economic interdependencies. Most studies of the creative industries have focused on western countries. Cultural tourism is rarely included. However the arrival of the creative economy and its movement through developing countries has changed the relationship. Supporters of the creative economy now see fit to include tourism. This thesis addresses the development of the creative economy in Malaysia. The thesis conducted case studies on animation and museum sectors in Malaysia. These two case studies provide information on the development of creative economy in Malaysia. The study found that a top-down cultural management approach is being practised but that Malaysia is now influenced by new ideas concerning innovation and technical creativity. The study examined whether or not technical innovation by itself is enough. The reference points here are the Multimedia Super Corridor in Cyberjaya and other similar projects in the region. The museum case study was situated in Malacca. It showed that museums needed to adapt new media and new experiences to remain relevant in today’s world. In applying a case study approach, the thesis made use of interviews with key stakeholders, as well consulting numerous policy documents and web sites. Both case studies imitated similar products and services in the market but added local characteristics. -
News Release
News Release Board of ScreenSingapore to feature six new Asian members New board members will strengthen and contribute to Asian focus of ScreenSingapore Cannes, 18/05/2012 – Six new Asian faces will be appointed to the current Board of ScreenSingapore. This brings the lineup of the Board of ScreenSingapore to 14 members with the inclusion of industry players from China, Hong Kong, Indonesia, Malaysia and Singapore. Asia is a key player in the global film landscape, and one of the fastest-growing demand drivers for entertainment in the world. The growth of the film industry in China and India with the buoyant outlook spending on movies and home entertainment in Asia Pacific which is projected to reach US$23.9 billion by 20141, increases the relevance of ScreenSingapore as a key international market in Asia for industry professionals and film-makers to engage in collaborations to contribute to this growth. Mr Greg Coote, Chairman of the Board of ScreenSingapore said: “The growing demand for Asian films and the massive emerging market is making the world turn its attention to the film production and distribution business in Asia. Our new board members bring with them many years of experience in the pan-Asian film industry, and I believe their contributions would be instrumental in strengthening the Asian focus in which ScreenSingapore has set out to achieve. I look forward to having them on board to make ScreenSingapore 2012 a success.” These individuals will join the Board of ScreenSingapore as board members for the two upcoming editions -
Filem Dan Revolusi Teknologi: Persepsi Penggunaan Cgi Dari Aspek Estetik & Kreativiti
Jurnal Komunikasi Malaysian Journal of Communication Jilid 30(Special Issue) 2014: 95-106 FILEM DAN REVOLUSI TEKNOLOGI: PERSEPSI PENGGUNAAN CGI DARI ASPEK ESTETIK & KREATIVITI HASRUL HASHIM JAMALUDDIN AZIZ UNIVERSITI KEBANGSAAN MALAYSIA FARIDAH IBRAHIM INFRASTRUCTURE UNIVERSITY KUALA LUMPUR Abstrak Hambatan arus globalisasi dan ledakan teknologi terutamanya dalam aspek penghasilan filem di Malaysia telah menyebabkan berlakunya revolusi makna kreativiti yang sebenar dalam kebanyakan pembikin filem di negara ini. Kemunculan teknologi kesan khas seperti computer generated imagery atau CGI dalam industri perfileman telah mengubah landskap pembikinan filem di serata dunia sekaligus memberikan definisi yang lebih dinamik terhadap makna kualiti dan potensi filem tempatan. Namun, tidak semua pengamal industri perfileman menganggap penggunaan teknologi terutamanya dalam aspek kesan khas visual akan menjamin penghasilan produk filem yang benar-benar berkualiti serta mencabar kreativiti. Oleh yang demikian, kertas ini membincangkan berkenaan dengan pandangan dan pendapat para pengamal industri di Malaysia dan luar negara berkenaan dengan aspek penggunaan teknologi dalam pembikinan filem dan sejauhmanakah aspek ini mampu menjadikan sesebuah filem itu benar-benar berkualiti. Perbezaan sudut pandang terhadap nilai estetik sesebuah filem sebelum dan selepas kemunculan teknologi ini, turut menjadi asas utama terhadap dapatan kajian yang diperoleh. Jurnal Komunikasi Malaysian Journal of Communication Jilid 30(Special Issue) 2014: 95-106 Katakunci : Filem; kreativiti; teknologi filem; estetik filem; Computer Generated Imagery (CGI) FILM AND THE TECHNOLOGY REVOLUTION: PERCEPTIONS ON THE USE OF CGI FROM THE AESTHETIC AND CREATIVE ASPECTS Abstract The opposing currents of globalization and the explosion of technology, especially in the making of films in Malaysia has created a revolution of the true meaning of creativity among most of the filmmakers. -
Festival Filem Malaysia 1 Tarikh : 13 April 1980 Tempat : Nirwana Ballroom, Hotel Hilton, Kuala Lumpur Tema : - Jumlah Penyertaan: 16 Penyertaan
INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA 1 TARIKH : 13 APRIL 1980 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : - JUMLAH PENYERTAAN: 16 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Heavy Drama Terbaik (Filem Terbaik) Jins Shamsudin Productions Tiada Esok Bagimu 2. Filem Light Drama Terbaik Syed Kechik Film Productions Sumber Ilhamku 3. Pengarah Terbaik Jins Shamsudin Tiada Esok Bagimu 4. Pelakon Lelaki Terbaik Jins Shamsudin Tiada Esok Bagimu 5. Pelakon Wanita Terbaik Azean Irdawaty Esok Masih Ada 6. Pelakon Pembantu Lelaki Terbaik Mahmud June Sumber Ilhamku 7. Pelakon Pembantu Wanita Terbaik Adibah Amin Adik Manja 8. Filem Komedi Terbaik Merdeka Film Productions Adik Manja 9. Penyunting Filem Terbaik Johari Ibrahim Tiada Esok Bagimu 10. Skrip Terbaik Othman Hafsham Adik Manja 11. Jurukamera Terbaik S. Mohan Esok Masih Ada 12. Bintang Harapan Fauziah Ahmad Daud Ceritaku Ceritamu 13. Lagu Tema Asal Terbaik Ahmad Nawab/Lagu: Tangisan Sumber Ilhamku Hati Yang Derita INISIATIF PEMBANGUNAN DATA INDUSTRI DATA PEMENANG FESTIVAL FILEM MALAYSIA (FFM) FESTIVAL : FESTIVAL FILEM MALAYSIA KE 2 TARIKH : 12 APRIL 1981 TEMPAT : NIRWANA BALLROOM, HOTEL HILTON, KUALA LUMPUR TEMA : - JUMLAH PENYERTAAN: 11 PENYERTAAN BIL. KATEGORI PEMENANG JUDUL FILEM 1. Filem Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 2. Filem Heavy Drama Terbaik Sarimah Film Productions Sdn Bhd Dia Ibuku 3. Filem Komedi Terbaik Indra Film Production Penyamun Tarbus 4. Filem Light Drama Terbaik Syed Kechik Film Productions Bintang Pujaan 5. Pengarah Terbaik Yassin Salleh Dia Ibuku 6. Pelakon Lelaki Terbaik Rahim Razali Abang 7. Pelakon Wanita Terbaik Sarimah Ahmad Dia Ibuku 8. -
The MPA Asia-Pacific Content Protection Reporter
THE MPA ASIA-PACIFIC CONTENT PROTECTION REPORTER Issue 02 - 2010 JOINT EFFORTS BY POLICE AND FILM INDUSTRY ASIA TO INTENSIFY FIGHT AGAINST SOURCE PIRACY IN PHILIPPINES The fight against movie theft in the Philippines and control, with the intent or attempt to use Any person found guilty of violating the has further intensified with the creation of an audiovisual recording devices to transmit provisions of the Anti-Camcording Law alliance between the Philippines National or make a copy of any performance in shall be subject to a fine of PhP50,000 to Police (PNP) and the film industry that takes an exhibition facility of cinematographic PhP750,000 (US$1,000 to US$17,000) a zero tolerance approach to piracy and film or other audiovisual work. Likewise, and will face imprisonment of a minimum is expected to significantly boost content camcording activities declared for private or six months and one day to a maximum six protection efforts domestic purposes are now also punishable years and one day. Individuals who commit by law as are aiding, abetting, or conniving the punishable acts for the purpose of At a press conference in Manila on August in such acts. sale, rental or other commercial distribution 9, the PNP was designated the lead agency shall suffer the maximum penalty. Foreign to enforce and implement the provisions The Law also allows authorized persons, offenders face immediate deportation after of the Anti-Camcording Act 2010, with the even without warrants and payment of payment of the fine and serving his/her full support and cooperation of the National admission fees or any charge, to enter sentence, and will permanently be refused Cinema Association of the Philippines and search any exhibition facility, seize any entry to the Philippines.