Heinrich Schliemann
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Heinrich Schliemann Central to the success or failure of piecing together ancient history is the use of archaeological evidence to fill in the holes of the historical record. In the case of ancient Mycenae, the task of sorting out truth from legend was made harder by a lack of evidence—at least until the 19th century, when amateur archaeologist Heinrich Schliemann of Germany unearthed the remains of the famous city, giving readers of the Iliad some sense of satisfaction that the place of Agamemnon's glory was, indeed, a real location. An adventurer who taught himself up to 13 languages and traveled extensively throughout the world, Schliemann had grown so wealthy as a military contractor during the Crimean War that he retired by about the age of 40. At that point, he set out to become an archaeologist, during a time when it was not necessary for those interested in excavations to have extensive formal training in the discipline. Guided by Homer Obsessed with the works ascribed to Homer, Schliemann was determined to find the true location of the mythic Troy. However, by 1876, he had diverted his attention to Mycenae; in that summer, he uncovered the city's citadel and its impressive Lion Gate. The most important find of his dig was six shaft tombs that Schliemann believed to contain the graves of Agamemnon and his wife, Clytemnestra. Those burial sites held immense riches, including personal items wrought in ivory, gold, and bronze and intricate silver jewelry, and suggested that the characters of the Iliad had been real people. The wealth and expanse of his Mycenaean discoveries allowed Schliemann to prove that the Mycenaeans were an advanced, powerful, and wealthy society capable of doing what the Iliad claimed they had done: invade and conquer the city of Troy in Asia Minor. Greek amphora with scenes from Trojan War The World Responds to Schliemann's Discoveries When Schliemann published his findings in his 1878 book Mycenae, the archaeological community, as well as scholars of the classics, were stunned. With his discoveries at Mycenae, Schliemann gave the world concrete evidence that there had been an advanced ancient civilization in the northern Mediterranean earlier than had previously been believed. This not only captivated those who sought to prove that the Homeric texts were based in fact, but also expanded the time frame regarding the emergence of advanced societies and empires. Schliemann's work was also extremely popular with the general public. Indeed, it was his discoveries at Troy and Mycenae that popularized archaeology among the general population of Europe and the Americas. His findings were serialized for popular audiences in such British newspapers as The Daily Telegraph and The London Times, as well as newspapers in New York, Paris, Berlin, and St. Petersburg. Schliemann became a kind of archaeological celebrity and cultivated an image as a romantic explorer, an image, which, to some degree, continues to surround archaeology in the present day. Legacy and Influence After his death in 1890, Schliemann came to be regarded as one of the founding fathers of modern archaeology, despite his lack of formal training. More importantly, his work inspired later archaeologists, like 1 Arthur Evans, to conduct excavations at a number of sites on the Greek mainland, Asia Minor, and islands in the Aegean Sea. One of the most stunning discoveries was made of more than 600 tablets inscribed with Linear B, the written language of the Mycenaeans, by Carl Blegen in 1939 at Pylos, Greece. Incomprehensible to linguists, who had been trying to decipher it since a number of artifacts bearing the inscriptions had been found on the island of Crete in the 19th century, Linear B continued to mystify scholars. Then, in 1952, Michael Ventris, a British architect and cryptographer, made a remarkable breakthrough. Ventris was able to determine that Linear B represented an ancient form of Greek. The tablets were primarily administrative records and inventories that listed trade items, agricultural products, slaves, military equipment, animals, and other goods used to measure wealth. This was a tremendous find proving that the Mycenaeans were a Greek-speaking people and offering a glimpse into the world of this ancient culture that had inspired the heroic tales of Homer. Citation: "Heinrich Schliemann." World History: Ancient and Medieval Eras. 2008. ABC-CLIO. 23 Oct. 2008 <http://www.ancienthistory.abc-clio.com>. Questions: 1. How did the archaeological excavations conducted at Mycenae alter people's perceptions of ancient history? 2. Heinrich Schliemann is credited with popularizing archaeology with his dramatic discoveries of Troy and Mycenae. What role does archaeology play in contemporary popular culture? 3. In its telling and retelling during the so-called Dark Age in ancient Greece, Homer's epic poem, the Iliad, passed on the values of Mycenaean culture, serving to remind generation after generation of a time when their ancestors had been powerful, courageous, and had accomplished glorious deeds. Can you think of any story (or movie, or song) that serves that purpose today? 2 Mycenean Culture: Warriors, Heroes, and Glory A famed civilization heralded in the Iliad and renowned for its heroic values, Mycenaean culture refers to the people who dominated the Greek mainland, the islands of the Aegean Sea, and parts of Asia Minor in the 17th–12th centuries BC. Thought to have been strictly mythological for more than two millennia, the people of Mycenae were restored to history when extraordinary remains were recovered through a series of archaeological excavations in the 19th century AD. Legendary Mycenae Admirers of Homer's epic had known of Mycenae for centuries as the home of the great King Agamemnon, who achieved fame and glory with his conquest of Troy. Then, when Mycenaean power and control of the region came to an end around 1200–1100 BC, Greece entered a Dark Age. Great centers of population and trade were attacked and burned, palaces were deserted, and social and military organization broke down. Even the quality of pottery design and metalworking declined for a time, and a form of written language used by the Mycenaeans was completely forgotten. During the Dark Age, however, legends began to emerge that told of heroic exploits by brave men in the distant past—the era when the Mycenaeans were at the height of their power. Sung by poets who memorized and also embellished them, the epics were passed down for generations as part of the oral tradition, until the time of Homer when poets made the transition from the spoken w ord to written text. The Iliad and the Odyssey—two of the most revered epics in the Western literary tradition—defined the cultural values and code of honor (arete) of late Bronze Age Greece. For Greeks of that period, arete rested on the ability of men to accomplish their individual destiny, to fulfill heroic expectations, to succeed in warfare, and to see to the proper maintenance of their household (oikos). Individual merit was prized, yet arete was also measured by community honor. Failing the community was equal to failing the self and vice versa. The heroes of the Iliad continue to present the most coherent look at the Greek values of arete. The Mycenaean Reality For centuries, many scholars were skeptical about the existence of Mycenae and Troy. Even those who considered it a possibility were not certain of the exact location of those cities, until the German amateur archaeologist Heinrich Schliemann uncovered both Troy and Mycenae in the 1870s. From his excavations and those that followed, scholars have been able to reconstruct a variety of elements from Mycenaean culture that had been cloaked in legend up until that time. From the extensive number of palaces, roads, irrigation systems, and wealth, it is clear that the Mycenaean period, particularly between 1400 BC and 1100 BC, was extremely prosperous. Indeed, it appears that at that time, Mycenae was the most powerful and richest city of the Peloponnesus. Some aspects of Mycenaean culture appear to have been borrowed from the Minoans of Crete. For instance, the Minoan language, known as Linear A, was adapted by the Mycenaeans to form their written language, known as Linear B. In 1952, after studying the many examples of Linear B found on clay tablets, vases, and bureaucratic records uncovered 13 years earlier, a British architect and cryptologist named Michael Ventris was able to decipher 3 much of the language that had baffled archaeologists and linguists since the first examples of it had been found on artifacts uncovered by Arthur Evans at Knossos on the island of Crete. Distinct Warrior Values Although they were influenced by some aspects of Minoan culture, the Mycenaeans were innovative in developing their own new traditions. One of the most striking differences between the two societies was that the Mycenaeans had a monarchy that hoarded wealth, rather than sharing it with the populace, as the Minoans did in the form of architecture, art, infrastructure, and surplus food. Since the Mycenaean kings were leaders in warfare, they were more apt to use their wealth to finance defensive fortifications and military campaigns. They also used large portions of their wealth on lavish burials of royalty and military heroes. Mycenaean culture privileged glory in warfare as the most important signifier of masculinity. The epics of Homer are not the only sources that reveal a love of warfare in Mycenaean culture. Hittite sources talk extensively about Mycenaean invasions of their territories, and it is also thought that the earthquake that destroyed Minoan culture led to the Mycenaean invasion and conquest of Crete. Thus, the glorification of warfare, found so entrenched in the culture of the Iliad, appears to ring true to the historical reality of Mycenae.