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I MIEI 40 ANNI Di Progettazione Alla Fiat I Miei 40 Anni Di Progettazione Alla Fiat DANTE GIACOSA
DANTE GIACOSA I MIEI 40 ANNI di progettazione alla Fiat I miei 40 anni di progettazione alla Fiat DANTE GIACOSA I MIEI 40 ANNI di progettazione alla Fiat Editing e apparati a cura di: Angelo Tito Anselmi Progettazione grafica e impaginazione: Fregi e Majuscole, Torino Due precedenti edizioni di questo volume, I miei 40 anni di progettazione alla Fiat e Progetti alla Fiat prima del computer, sono state pubblicate da Automobilia rispettivamente nel 1979 e nel 1988. Per volere della signora Mariella Zanon di Valgiurata, figlia di Dante Giacosa, questa pubblicazione ricalca fedelmente la prima edizione del 1979, anche per quanto riguarda le biografie dei protagonisti di questa storia (in cui l’unico aggiornamento è quello fornito tra parentesi quadre con la data della scomparsa laddove avve- nuta dopo il 1979). © Mariella Giacosa Zanon di Valgiurata, 1979 Ristampato nell’anno 2014 a cura di Fiat Group Marketing & Corporate Communication S.p.A. Logo di prima copertina: courtesy di Fiat Group Marketing & Corporate Communication S.p.A. … ”Noi siamo ciò di cui ci inebriamo” dice Jerry Rubin in Do it! “In ogni caso nulla ci fa più felici che parlare di noi stessi, in bene o in male. La nostra esperienza, la nostra memoria è divenuta fonte di estasi. Ed eccomi qua, io pure” Saul Bellow, Gerusalemme andata e ritorno Desidero esprimere la mia gratitudine alle persone che mi hanno incoraggiato a scrivere questo libro della mia vita di lavoro e a quelle che con il loro aiuto ne hanno reso possibile la pubblicazione. Per la sua previdente iniziativa di prender nota di incontri e fatti significativi e conservare documenti, Wanda Vigliano Mundula che mi fu vicina come segretaria dal 1946 al 1975. -
Designed for Speed : Three Automobiles by Ferrari
Designed for speed : three automobiles by Ferrari Date 1993 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/411 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art * - . i . ' ' y ' . Designed for Speed: Three Automobiles by Ferrari k \ ' . r- ; / THE MUSEUM OF MODERN ART, NEW YORK The nearer the automobile approaches its utilitarian ends, the more beautiful it becomes. That is, when the vertical lines (which contrary to its purpose) dominated at its debut, it was ugly, and people kept buying horses. Cars were known as "horseless carriages." The necessity of speed lowered and elongated the car so that the horizontal lines, balanced by the curves, dominated: it became a perfect whole, logically organized for its purpose, and it was beautiful. —Fernand Leger "Aesthetics of the Machine: The Manufactured Object, The Artisan, and the Artist," 1924 M Migh-performance sports and racing cars represent some of the ultimate achievements of one of the world's largest industries. Few objects inspire such longing and acute fascination. As the French critic and theorist Roland Barthes observed, "I think that cars today are almost the exact equiv alent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object." Unlike most machines, which often seem to have an antagonistic relationship with people, these are intentionally designed for improved handling, and the refinement of the association between man and machine. -
Hitlers GP in England.Pdf
HITLER’S GRAND PRIX IN ENGLAND HITLER’S GRAND PRIX IN ENGLAND Donington 1937 and 1938 Christopher Hilton FOREWORD BY TOM WHEATCROFT Haynes Publishing Contents Introduction and acknowledgements 6 Foreword by Tom Wheatcroft 9 1. From a distance 11 2. Friends - and enemies 30 3. The master’s last win 36 4. Life - and death 72 5. Each dangerous day 90 6. Crisis 121 7. High noon 137 8. The day before yesterday 166 Notes 175 Images 191 Introduction and acknowledgements POLITICS AND SPORT are by definition incompatible, and they're combustible when mixed. The 1930s proved that: the Winter Olympics in Germany in 1936, when the President of the International Olympic Committee threatened to cancel the Games unless the anti-semitic posters were all taken down now, whatever Adolf Hitler decrees; the 1936 Summer Games in Berlin and Hitler's look of utter disgust when Jesse Owens, a negro, won the 100 metres; the World Heavyweight title fight in 1938 between Joe Louis, a negro, and Germany's Max Schmeling which carried racial undertones and overtones. The fight lasted 2 minutes 4 seconds, and in that time Louis knocked Schmeling down four times. They say that some of Schmeling's teeth were found embedded in Louis's glove... Motor racing, a dangerous but genteel activity in the 1920s and early 1930s, was touched by this, too, and touched hard. The combustible mixture produced two Grand Prix races at Donington Park, in 1937 and 1938, which were just as dramatic, just as sinister and just as full of foreboding. This is the full story of those races. -
February 2019 Issue No
February 2019 Issue No. 333 The Journal of The Vintage Sports Car Club of Western Australia (Inc.) Vintage Metal www.vsccwa.com.au 2018 Vintage Stampede Plus: Dad’s Army Christmas Function Doug Todd and the Ballot V8 The Brothers Stanga and the Mille Miglia Book Review: The Singer Story February General Meeting – Monday 4th February 2019 Vintage Sports Car Club of WA (Inc.) ABN 49 845 981 838 Telephone: 0400 813 141 PO Box 1127, GWELUP WA 6018 Email: [email protected] Office Bearers and Officials 2018/19 President: Vacant Treasurer: Graeme Robson mobile: 0407 197 519 Email: [email protected] Secretary: David Moir mobile: 0400 813 141 Email: [email protected] Administrative Officer: Sheryl Swarbrick mob: 0416 025 667 Email: [email protected] Membership/entries correspondence to Sheryl at: PO Box 7277, SPEARWOOD WA 6063 Club Management Committee: Michael Broughton Mobile: 0418 921 544 Email: [email protected] Brian Eyre Mobile: 0409 105 602 Email: [email protected] Ron Fabry Ph: (08) 9457 9179 Email: [email protected] Ed Farrar Mobile: 0409 311 366 Email: [email protected] Mark Jones Ph: (08) 9387 3897 Email: [email protected] Len Kidd Mobile: 0422 797 461 Email: [email protected] Ivan Okey Mobile: 0447 267 938 Email: yekornavi@y ahoo.com.au Competition Secretary: Vacant Dads Army: Ron Fabry Ph: (08) 9457 9179 Email: [email protected] Regalia Officer: Ivan Okey - Mob: 0447 267 938 Email: [email protected] Bar Manager: Graeme Whitehead - 0412 919 370 Membership/Entries Registrar: Sheryl Swarbrick — Email: -
Gpnuvolari-Trofeolotus-1-10-39895
La scomparsa di Tazio Nuvolari, avvenuta l'11 agosto 1953, destò grande sensazione in tutto il mondo, in particolare, commosse gli uomini della Mille Miglia, Renzo Castagneto, Aymo Maggi e Giovanni Canestrini, i tre che con Franco Mazzotti, scomparso durante la II Guerra Mondiale, avevano ideato e realizzato la "corsa più bella del mondo". Castagneto, il deus ex machina della Mille Miglia, ed i suoi amici erano autenticamente legati al pilota mantovano, non solo per l'affetto e la stima per l'uomo e l'ammirazione che provavano per il grande campione, ma anche per i sentimenti di riconoscenza che gli attribuivano, per essere stato tra coloro che, con le proprie gesta, avevano maggiormente contribuito all'inarrestabile crescita della loro creatura. Per onorarne la memoria, gli organizzatori della Mille Miglia modificarono il percorso tradizionale così da transitare per Mantova. Da allora, venne istituito il GRAN PREMIO NUVOLARI, da destinare al pilota più veloce e quindi da disputarsi sui lunghi rettilinei che percorrono la pianura Padana, partendo da Cremona e transitando per Mantova, fino al traguardo di Brescia. Oltre alle quattro edizioni storiche svoltesi dal 1954 al 1957 e volute dagli organizzatori della 1000 Miglia, ad oggi si sono disputate 30 rievocazioni del GRAN PREMIO NUVOLARI, la formula, regolarità internazionale riservata ad auto storiche. Dal 1991, i soci fondatori di Mantova Corse, Luca Bergamaschi, Marco Marani, Fabio Novelli e Claudio Rossi, continuano nella medesima opera tramandata dai leggendari fondatori della 1000 Miglia. Il fine, lo stesso: consentire ai piloti delle nuove generazioni di cimentarsi sulle vetture che scrissero la storia di quei giorni, rendendo omaggio al più grande, al più ardimentoso al più audace dei loro predecessori: il leggendario Tazio Nuvolari. -
Story of the Alfa Romeo Factory and Plants : Part 1 the Early Portello
Story of the Alfa Romeo factory and plants: Part 1 The early Portello Factory Patrick Italiano Special thanks go to Karl Schnelle, Indianapolis, USA, for his patient proofreading and editing of the English version of this text Over the last few years, we have had to deal with large changes in Alfa Romeo-related places and buildings, as we witnessed the destruction of the old Portello factory, step by step in the late 80s, and also the de-commissioning of the much more modern Arese plant. Sad tales and silly pictures of places and people once full of pride in manufacturing the most spirited cars in the world. As reported by historians, it has long been – and still is for few – a source of pride to belong to this “workers aristocracy” at A.L.F.A.. Places recently destroyed to make place for concrete buildings now containing commercial centres or anonymous offices, places where our beloved cars were once designed, developed and built. It’s often a mix of curiosity and thrill to have the chance to look behind the scenes and see into the sanctuary. Back in 1987, when the first part of Portello was being torn down, Ben Hendricks took us on a visit to the Portello plant in Het Klaverblaadje #40. That was, as Jos Hugense coined the title 15 years later, the “beginning of the end”. Today, one can see Alfas running on the Fiat assembly lines along with Fiat Stilos and at best Lancia Thesis. These Fiat plants are no longer the places where distinguished and passionate brains try to anticipate technical trends five years into the future, thus ensuring that the new generation of Alfas keep such high company standards, as Ing. -
Panhard Gilco Colli 1952
Panhard Gilco Colli 1952 Gallerij +32 (0)53 63 12 33 www.marreyt.com [email protected] What a pleasure to be able to present you with another delicious ex- Merk Panhard Mille Miglia sportscar. How else than delicious should I qualify this 1952 Panhard Gilco with Colli "disco volante" aluminium body ? This Model Gilco Colli chassis n° 008145 started life as a barchetta coachbuilt by Allemano. As part of the Ital-France team from Panhard importer Gastone Bouwjaar 1952 Crepaldi, pilot and co-pilot Marchese-Palvarini participated with this barchetta at the 1952 Mille Miglia (startnumber: 2343) and not only won the 750 cc category but also classifying a very honourable 67-th OA. After this succesful Mille Miglia, Crepaldi decided to have chassis 008145 rebodied into a berlinetta aerodynamica by Colli exactly in the same style as the famous "disco volante" Alfa Romeos which were entrusted to Fangio, Kling and Sanesi for the 1953 Mille Miglia. Only 2 Panhards were coachbuilt by Colli in "disco volante" style. In this new configuration, still part of the Ital-France team, chassis number 008145, now registered 207363 MI, was participating at the 1953 Mille Miglia with starting number 2214 now with pilot/co-pilot Girardi-Marcani. After passing Rome, leading once again the 750 category and having covered 3/4 of the race, unfortunately the cranckshaft broke. This berlinetta "disco volante" had nevertheless made a great impression on other participants and onlookers at the side of the road, by demonstrating with panache excellent punch and incredible speed (reaching a top of 175 Km/h) partly thanks to the excellent aerodynamics. -
50 YEARS AGO at SEBRING, CALIFORNIA PRIVATEERS USED 550-0070 to TAKE on BARON HUSCHKE VON Hansteinrs FAC- TORY PORSCHES-AND NEAR
50 YEARS AGO AT SEBRING, CALIFORNIA PRIVATEERS USED 550-0070 TO TAKE ON BARON HUSCHKE VON HANSTEINrS FAC- TORY PORSCHES-AND NEARLY BEATTHEM SrORYBYWALEDGAR PHOTOSBYJlAllSrrZANDCOURTESYOF THE EDOARrn~BRCHM L )hn Edgar had an idea. His and film John von Newnann race me. It Edwsi&a was niow a r&ng program. egendary MG "88" Special was an impressive performance. Only Chassis number 552-00M arrived in ~OftetlCaniedhotshoeJaick Pete Lovely3 hornsbuilt "PorscheWagen" $mfor Jack McAfee to debut the Edgar- dcAfee to American road- came closs to it in class. Edgar wibessxl entered Spyder at Sanfa Barbara's 1955 racing victorias and, by 1955, the 550's speed winon MmialDay at Labor Day sportscar races. Unfamiliar Edgar saw no reason why Santa Barbara and at Torrey Pins tn July. 4th the SwakMBWlfty, Mfee managed JN1CAtest wldnY get Weagain in the la?- He studied his footage again and agaln. rw better than fourth. But the car felt right, & and gm-dest Under 15KI-c~mmhins. Won over by ttre 550's superior handling, e~enin the Elfip d a man as camparaWty That car w&s Porsche's new 550 Spyder. he hesitated no further and ordered one large as McAfee, so the driver-engineer In April of 1%5, Edgar had gone. to thrwgh John rn Neurmnn's Cornpew began ta ready #0070 for a Torrey Pines Mintw Fdd outsi& Bakersfield to watch Mason Vm Street in Hd . John sk-hr endurn in October. On September 30, movie idol James Dean was killed in his own 550, bringing national notice to Porsche's new-to- America 550 Spyder. -
The Last Road Race
The Last Road Race ‘A very human story - and a good yarn too - that comes to life with interviews with the surviving drivers’ Observer X RICHARD W ILLIAMS Richard Williams is the chief sports writer for the Guardian and the bestselling author of The Death o f Ayrton Senna and Enzo Ferrari: A Life. By Richard Williams The Last Road Race The Death of Ayrton Senna Racers Enzo Ferrari: A Life The View from the High Board THE LAST ROAD RACE THE 1957 PESCARA GRAND PRIX Richard Williams Photographs by Bernard Cahier A PHOENIX PAPERBACK First published in Great Britain in 2004 by Weidenfeld & Nicolson This paperback edition published in 2005 by Phoenix, an imprint of Orion Books Ltd, Orion House, 5 Upper St Martin's Lane, London WC2H 9EA 10 987654321 Copyright © 2004 Richard Williams The right of Richard Williams to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. A CIP catalogue record for this book is available from the British Library. ISBN 0 75381 851 5 Printed and bound in Great Britain by Clays Ltd, St Ives, pic www.orionbooks.co.uk Contents 1 Arriving 1 2 History 11 3 Moss 24 4 The Road 36 5 Brooks 44 6 Red 58 7 Green 75 8 Salvadori 88 9 Practice 100 10 The Race 107 11 Home 121 12 Then 131 The Entry 137 The Starting Grid 138 The Results 139 Published Sources 140 Acknowledgements 142 Index 143 'I thought it was fantastic. -
Note 140: Ferrari Lap Speeds at Monza, 1948
P.1 of 5 Note_140 Ferrari Lap Speeds at Monza, 1948 – 1967 This Note 140 is a complement to Note 136 Ferrari Racing Engines, 1948 - 2012 by providing an “Index of Performance” for a range of the cars whose engines are analysed there. The chosen parameter is the Lap Speed at Monza, up to the date, post-1967, when aero downforce made it impossible to quantify the cause of speed increases. A plan of Monza is shown. Over 1948 – 1954 it had two right- angle bends at the Curva Sud. When the high-speed banked loop to the East of the basic track was constructed for 1955 this end of the circuit was altered as shown to the “Parabolica”. Only the two level layouts are considered in this review. Taking account of the difference in lap length, 6.300 km before the change and 5.750 afterwards, it is considered that the effect on Lap Speed is within the co-relation margin for error. Lap Speed v, Date Fig. 1 below gives the history of the cars selected, over the 5 formulae. The markers on the charts are coloured according to the racing formula of the time, described below (only the main limits are mentioned). • Red Cross:- 1.5 litres Pressure-Charged (PC)/4.5 Litres Naturally-aspirated (NA); PC up to that time was obtained by Mechanical Supercharging (MSC). • Red Plus:_ 2 Litres NA – Formula Two treated as “honorary Grand prix” because of shortage of previous Formula 1 cars:- • Orange:- 2.5 Litres NA; • Red:- 1.5 Litres NA; • Blue:- 3 litres NA. -
News from the Mews
News from the mews 2014 proved to be an incredible year for Fiskens, with a record-breaking level of business from the Mews keeping our outstanding team thoroughly busy. We were privileged to manage many of the most significant transactions within the top end of the collectors’ market, both publically and privately. Such results come from hard work, an intimate knowledge of the market and a very discerning eye. With passion and a strong competitive spirit to do the best we can for our clients, we look forward to being of continued service to you all in 2015. CARS FOR SALE Following the tough act oF such an Delage grand Prix car to the 2009 le Mans class-winning incredible 2014, the Fiskens team has been hard at work aston Martin DBR9 direct from the aston Martin factory, sourcing another exceptional selection of important historic accompanied by two exceptional large-capacity eight cylinder automobiles, many of which we are proud to offer at this Pre-war grand Prix cars, the ex-achille Varzi 1931 Bugatti year’s Retromobile exhibition in Paris. type 54 and the ex-scuderia sabauda 1934 Maserati 8cM. there has always been a great variety of fine historic we are also proud to have consigned the stunning 1951 automobiles and competition cars available through Dundrod tt and 1954 Mille Miglia entered Ferrari 212 Fiskens and this year is no exception: an incredible breadth Barchetta - star of the Kirk Douglas film e Racers . and scope is reflected in a range of cars that spans nine e whole team is excited to be back at Retromobile decades; their only shared quality a unique and prestigious with such a spectacular stand and we are looking forward to history. -
Fangio En Las Mille Miglia
Fangio en las Mille Miglia Carrera 66 de Juan Manuel Fangio MIL MILLAS ITALIANAS – 17ª Edición. FECHA: 23 de abril de 1950. CARRERA: Sport y Gran Turismo. UBICACIÓN: 3º con Alfa Romeo 6C 2500 - Acompañante: Zanardi. NÚMERO: 730. En el año 1949 Fangio había estado a punto de competir en las tradicionales Mil Millas por invitación del ingeniero Alessio, Director Deportivo de Alfa Romeo. Esa posibilidad no se pudo concretar. Sin embargo, en 1950, insistieron para que el piloto condujera un modelo competizione berlinetta de 6 cilindros en línea y 2443 cc en la Categoría Sport – de mas de 2000 cc Fangio recibió el auto prácticamente al momento de la largada, sin haber podido testear su condición. Le corresponde el número 730 - que tradicionalmente representa la hora (07.30) - de largada desde Brescia. Los competidores salen con intervalos de un minuto entre máquina y máquina. Su acompañante es Augusto Zanardi, mecánico de Alfa Romeo. La ruta que atraviesa pueblos y ciudades por zonas montañosas del centro y norte de Italia, es casi desconocida para Fangio. Esta edición cambia en parte respecto a la anterior. El recorrido de 1682 kilómetros será con largada en Brescia a Padova–Ferrara-Ancona- Pescara-Popoli-L’Aquila-Rieti-Terni-Narni-Roma- Civitavecchia-Grosseto-Livorno-Pisa-Firenze-Bologna- Piacenza-Cremona-Brescia. Los rivales son numerosos y de gran calidad, como G. Marzotto-Crosara, V. Marzotto-Fontana y Serafíni-Salami con Ferrari 195 S barchetta Fontana de 2340 cc y 170 CV. Ascari-Nicolini y Villoresi- Cassani, con Ferrari 275 S barchetta Touring - V12 de 3,3 litros.