Historical Perspectives

Total Page:16

File Type:pdf, Size:1020Kb

Historical Perspectives CHAPTER ONE HISTORICAL PERSPECTIVES From time immemorial Isis was for the Egyptian world goddess of all life. The ankh, the symbol so often held by her in ancient Egyptian representations, was the very symbol of life. Annually, according to the myth, she restored the life of Osiris, her brother-husband, god of the Nile, who in turn inundated the land, rejuvenating its fertility and pro­ viding sustenance for its inhabitants. Little wonder, then, in a land so dependent on the river for its existence, that her creative powers were deemed limitless, that she was identified with every living thing, and that she became all things to all men. Isis was the Great Lady, the Queen of Heaven, the Moon-goddess, protectress and mother of all the pharaohs. Her hieroglyph s.t. or Aset meant throne, a symbol frequently adorning her head in Egyptian portrayals. Originally she may have personified the royal throne. l She was the corn goddess, the rain goddess, and the wind goddess. She invented spinning and weaving. She was skilled as a sorceress and a healer. The ordinary Egyptian could turn to her in an infinite number of troubles. Isis's union with Osiris, too, existed from all time, and it was of the deepest intimacy. Plutarch tells of the sexual union of the two already in their mother's womb before their birth. 2 The doctrine of Heliopolis makes the two, along with Seth, or Typhon as Plutarch calls him, and Nephthys, the children of the earth god Geb and the sky goddess Nut. Typhon's plot against Osiris, Isis's wanderings in search of her husband, her discovery of him, and the birth of Horus from the seed of his dead father are well known from Plutarch's De Iside et Osiride. 3 In legend Isis showed herself the ideal wife, characterized by her complete love of and devotion to Osiris, and the ideal mother in her relationship with Horus, known in the Graeco-Roman world as Harpocrates; the three formed a model family, the object of Egyptian admiration. In all of her very human aspects Isis was to touch the hearts of many 1 s. A. B. Mercer, The Religion of Ancient Egypt (London 1949) 198. I Plutarch, De Iside et Osiride 12 (356A). a Ibid., 12ff. (355D ff.). 2 mSTORICAL PERSPECTIVES in the post-Alexandrian period and her faith was to spread itself through­ out all of Europe and Asia Minor. 4 But first a transformation took place among the three divinities, and it was the resultant Hellenistic goddess who took hold of the Graeco-Roman world. The Greeks who first learned of the cult, refusing to accept any gods who did not correspond to the Greek conceptions of the divine, identified Isis and her new husband Sarapis with their own deities; so these Egyptian gods took on new attributes. Certain aspects of the cult, particularly those con­ cerning animals, found no place in the Greek worship and were discarded, and other typically Greek practices found their way into the cult. Out­ wardly Isis in various art forms took on a new appearance, but her most basic characteristics and much of the Egyptian ritual were retained. It has generally been believed until very recently that Ptolemy I Soter, at some point during his reign as king of Egypt (305-283 B.C.), sought a god in whose worship both Egyptians and Egyptian-based Greeks might join together. The legend was that in a dream Ptolemy had a vision of a colossal statue bidding him to bring it to Alexandria immediately; when described, the statue was said by a certain traveler or travelers to be that of Pluto in Sinope. 5 This, says Tacitus, is the most , For the widespread influence of the cult see G. Lafaye, Histoire du culte des divi­ nites d'Alexandrie (Paris 1883); T. A. Brady, The Reception of the Egyptian Cults by the Greeks (330-30 B.C.) (University of Missouri Studies X; Columbia, Missouri 1935); V. Wessetzky, Die iigyptischen Kulte zur Romerzeit in Ungarn (Leiden 1961); M. F. Squarciapino, I culti orientali ad Ostia (Leiden 1962); V. Tran Tarn Tinh, Essai sur le culte d'lsis a Pompei. Images et cultes (Paris 1964); G. y. Bellido, Les religions orientales dans l'Espagne romaine (Leiden 1967); E. and J. R. Harris, The Oriental Cults in Roman Britain (Leiden 1965); L. Zotovic, Les cultes orientaux sur le territoire de la Mesie Superieure (Leiden 1966); G. Grimm, Die Zeugnisse iigyptischer Religion und Kunstelemente im romischen Deutschland (Leiden 1969); V. Tran Tarn Tinh, Le culte des divinites orientales a Herculanum (Leiden 1971); id., Le culte des divinites orientales en Campanie (Leiden 1972); M. Malaise, Inventaire preliminaire des documents egyptiens retrouves en Italie (Leiden 1972); id., Les conditions de penetration et de diffusion des cultes egyptiens en Italie (Leiden 1972); F. Dunand, Le culte d'lsis dana le bassin oriental de la Mediterranee : I. Le culte d'lsia et les Ptolt!mees; H. Le culte d'lsis en Grece; HI. Le culte d'lsis en Asie Mineure. Le clerge et rituel des sanc­ tuaires isiaques (Leiden 1972); and the works continually being published in the series Etudes preliminaires aux religions orientales dans ['empire romain edited by M. J. Vermaseren. For a quick view of the spread of the cult see the maps in R. E. Witt, Isis in the Graeco-Roman World (London 1971) 56-57. I Piu., DIO 28 (361F-362B); Tac., Hist. 4.83-84. .
Recommended publications
  • Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
    Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult.
    [Show full text]
  • Ankh: Gods of Egypt Rulebook
    RULEBOOK TABLE OF CONTENTS OVERVIEW .................................................................................2 INTRODUCTION ..................................................................... 3 COMPONENTS .........................................................................4 BASIC CONCEPTS ................................................................... 7 Adjacency ...............................................................................8 Figures .....................................................................................8 Monuments ............................................................................8 Central Dashboard .............................................................9 God Dashboard .................................................................. 10 Devotion ..................................................................................11 Battle Cards ...........................................................................11 SETUP ..........................................................................................12 WINNING THE GAME ..........................................................13 GAMEPLAY ...............................................................................13 ACTIONS ....................................................................................14 OVERVIEW Move Figures ........................................................................15 Summon Figure ...................................................................16 Gain Followers .....................................................................17
    [Show full text]
  • Temples and Tombs Treasures of Egyptian Art from the British Museum
    Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators this is max size of image at 200 dpi; the sil is low res and for the comp only. if approved, needs to be redone carefully American Federation of Arts Temples and Tombs Treasures of Egyptian Art from The British Museum Resource for Educators American Federation of Arts © 2006 American Federation of Arts Temples and Tombs: Treasures of Egyptian Art from the British Museum is organized by the American Federation of Arts and The British Museum. All materials included in this resource may be reproduced for educational American Federation of Arts purposes. 212.988.7700 800.232.0270 The AFA is a nonprofit institution that organizes art exhibitions for presen- www.afaweb.org tation in museums around the world, publishes exhibition catalogues, and interim address: develops education programs. 122 East 42nd Street, Suite 1514 New York, NY 10168 after April 1, 2007: 305 East 47th Street New York, NY 10017 Please direct questions about this resource to: Suzanne Elder Burke Director of Education American Federation of Arts 212.988.7700 x26 [email protected] Exhibition Itinerary to Date Oklahoma City Museum of Art Oklahoma City, Oklahoma September 7–November 26, 2006 The Cummer Museum of Art and Gardens Jacksonville, Florida December 22, 2006–March 18, 2007 North Carolina Museum of Art Raleigh, North Carolina April 15–July 8, 2007 Albuquerque Museum of Art and History Albuquerque, New Mexico November 16, 2007–February 10, 2008 Fresno Metropolitan Museum of Art, History and Science Fresno, California March 7–June 1, 2008 Design/Production: Susan E.
    [Show full text]
  • Egyptian Religion a Handbook
    A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries.
    [Show full text]
  • Practicing Medicine in Ancient Egypt
    Practicing Medicine in Ancient Egypt Michael R. Zimmerman March 28, 2017 Michael Zimmerman is Adjunct Professor of Biology at Villanova University, Lecturer in Anthropology at the University of Pennsylvania, and Visiting Professor at the University of Manchester (UK) KNH Centre for Biomedical Egyptology. et us start by imagining what Albert Einstein called a “thought experiment.” It is the year 5015 CE L and an excavation of an ancient hospital, ca. 2016 CE, uncovers an ancient book, written on paper rather than on the current electronic device. Although the book is in poor condition there is a partial hieroglyphic title, transcribed by an Egyptologist and a paleopathologist as Merck Manual. The book seems to be a compilation of disease descriptions and treatments by a long forgotten Dr. Merck. The diseases are difficult to decipher in an era when humans live to the age of 150 and die only when aged organs fail. It appears that the body could be attacked by minute parasitic organisms, visible only with an ancient tool called a “microscope.” Some cells appear to have taken on a life of their own, destroying the body by causing diseases known by a variety of poorly preserved terms such as “cancer” or “neoplasm.” The task of our future paleopathologist is analogous to that of the difficult undertaking of deciphering ancient Egyptian medical papyri. There are a number of surviving papyri, in various degrees of completeness, which have been studied by physicians and Egyptologists. They have done remarkably well, particularly in that the writing is mostly in the difficult hieratic rather than hieroglyphic text.
    [Show full text]
  • Ancient Egyptian Dieties
    Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess.
    [Show full text]
  • LO to Be Able to Discuss the Ancient Egyptian Gods and Goddesses
    L.O. to be able to discuss the Ancient Egyptian gods and goddesses NAME: Ra GOD OF: the sun Ra was the most important god to all the Egyptians. It was believed that he was swallowed by Nut the sky goddess every night and born again in the morning. The Egyptians also believed that Ra travelled through the underworld at night, where he appeared as a man with the head of a ram! NAME: Anubis GOD OF: the dead and the process of embalming It was thought that jackals watched over the dead as they were seen in cemeteries a lot. Anubis helped to embalm Osiris when he was killed by Seth. Egyptian priests would wear a mask of Anubis during mummification ceremonies. NAME: Osiris GOD OF: the dead and the underworld. Osiris was also a god of resurrection and fertility. The Egyptians believed that he gave them the gift of their most important crop, barley. Osiris was the husband of Isis and the father of Horus. NAME: Nut and Geb GOD/GODDESS OF: Nut – the sky, Geb – the earth Nut’s body is stretched across the sky and covered in stars. She and Geb are the parents of Isis and Osiris. Nut is the sister/wife of Geb and it is believed that Nut swallowed Ra, the sun god at the end of every day and gave birth to him again in the morning. It was believed that earthquakes are caused by Geb’s laughing. NAME: Sekhmet GODDESS OF: war Sekhmet means ‘the powerful one’! She is sometimes called the daughter of the sun god Ra.
    [Show full text]
  • OSIRIS, ISIS, and HORUS Page 1 of 9
    ENG 250 OSIRIS, ISIS, AND HORUS Page !1 of !9 OSIRIS, ISIS, AND HORUS Nut, goddess of the sky, was very beautiful and kind. She was married to Re, god of the sun and creator of all. Bur she also made love to her brother, Geb, god of the earth, and Thoth, lord of divine words. When Re discovered that Nut had secretly slept with Geb, his heart filled with rage and he cursed his wife. "You will not give birth to the child that is within you in any month of any year!" he exclaimed. Nut's kind heart filled with sorrow at the thought that she would not become a mother. Tearfully she approached Thoth and said, "Re has cursed me so that I cannot give birth in any month of any year! ls there anything you can do to help me? Surely, one of the children within me is yours!" Thoth replied, "Do not spoil your beauty with your tears. Instead, let good cheer chase your grief from your heart. Trust me to find a way to help you. I promise that before the next year begins, you will be called Mother of the Gods!" Thoth's eyes sparkled as he left Nut and went off to find Moon. "Since you love to play games," he said to Moon, "I will agree to play as many games as you like if you will help me. Every time I win, I want you to give me a small part of your illumination. You will never miss the light, but it will be very useful to me.
    [Show full text]
  • Egyptian Creation
    EGYPTIAN CREATION Nu was the name of the dark, swirling chaos before the beginning of time. Out of these waters rose Atum; he created himself using his thoughts and the sheer force of his will. He created a hill, for there was nowhere he could stand. Atum was alone in the world. He was neither male nor female, and he had one all-seeing eye that could roam the universe. He joined with his shadow to produce a son and a daughter. Atum gave birth to his son by spitting him out. He named him Shu and made him god of the air. He vomited up his daughter. Naming her Tefnut and making her the goddess of mist and moisture. Shu and Tefnut were given the task of separating the chaos into principles of law, order and stability. The chaos was divided into light and dark and set into place. This order was called Maat, which formed the principles of life for all time. Maat was a feather; it was light and pure. Shu and Tefnut also produced Geb, the Earth and Nut the Sky. At first these two were tangled together as one. Shu, god of the air, pushed Nut up into the heavens. There she would remain arched out over Geb, her mate. They longed to be together, but in the name of Maat they had to be apart, to fulfil their functions. Nut produced rain for Geb, and Geb made things grow on earth. As the sky, she gave birth to the sun every night before dawn, and by day it would follow its course over the earth and die at sunset.
    [Show full text]
  • Ancient Egypt: Symbols of the Pharaoh
    Ancient Egypt: Symbols of the pharaoh Colossal bust of Ramesses II Thebes, Egypt 1250 BC Visit resource for teachers Key Stage 2 Ancient Egypt: Symbols of the pharaoh Contents Before your visit Background information Resources Gallery information Preliminary activities During your visit Gallery activities: introduction for teachers Gallery activities: briefings for adult helpers Gallery activity: Symbol detective Gallery activity: Sculpture study Gallery activity: Mighty Ramesses After your visit Follow-up activities Ancient Egypt: Symbols of the pharaoh Before your visit Ancient Egypt: Symbols of the pharaoh Before your visit Background information The ancient Egyptians used writing to communicate information about a person shown on a sculpture or relief. They called their writing ‘divine word’ because they believed that Thoth, god of wisdom, had taught them how to write. Our word hieroglyphs derives from a phrase meaning ‘sacred carvings’ used by the ancient Greek visitors to Egypt to describe the symbols that they saw on tomb and temple walls. The number of hieroglyphic signs gradually grew to over 7000 in total, though not all of them were used on a regular basis. The hieroglyphs were chosen from a wide variety of observed images, for example, people, birds, trees, or buildings. Some represent the sounds of the ancient Egyptian language, but consonants only. No vowels were written out. Also, it was not an alphabetic system, since one sign could represent a combination of two or more consonants like the gaming-board hieroglyph which stands for the consonants mn. Egyptologists make the sounds pronounceable by putting an e between the consonants, so mn is read as men.
    [Show full text]
  • Sacred Deities of Ancient Egypt: Ferocity and The
    ARAS Connections Issue 3, 2021 SACRED DEITIES OF ANCIENT EGYPT: FEROCITY AND THE FEMININE & MOON AND EARTH AS EXPRESSIONS OF THE DIVINE MASCULINE Jacqueline Thurston The images in this paper are strictly for educational use and are protected by United States copyright laws. 1 Unauthorized use will result in criminal and civil penalties. ARAS Connections Issue 3, 2021 THERE ARE MEMORIES THAT WILL BECOME STORIES I entered Luxor Temple, one among a jostling throng of tourists. Spontaneously, I glanced back over my shoulder. I was gobsmacked—there is no other word to describe the physical force of my experience—by the sight of a beautiful low relief carving in black stone of Seshat. Over her linen dress, the goddess wore the pelt of a leopard, a garment traditionally worn by sem priests who knew the sacred secrets necessary to prepare the deceased for burial. Seshat faces an inner wall. Her placement means she remains hidden and thus usually goes unseen. Only an accidental turn of the head at precisely the right moment reveals her presence. Understand that in this moment of confrontation, I did not know her name. I did not know she was the mistress of all forms of writing, ranging from lists of captured slaves and bounty to sacred religious texts. I did not know that the precise meaning of Seshat’s enigmatic headdress remains unknown. Fully clothed in a linen dress, the claws of a leopard brushing against her arms and legs, counting the years of the reign of the pharaoh, graced by her mysterious emblem, Seshat launched me on a journey that would span a decade.
    [Show full text]
  • Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood
    The Proceedings of the International Conference on Creationism Volume 7 Article 36 2013 Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood Gavin M. Cox Follow this and additional works at: https://digitalcommons.cedarville.edu/icc_proceedings DigitalCommons@Cedarville provides a publication platform for fully open access journals, which means that all articles are available on the Internet to all users immediately upon publication. However, the opinions and sentiments expressed by the authors of articles published in our journals do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The authors are solely responsible for the content of their work. Please address questions to [email protected]. Browse the contents of this volume of The Proceedings of the International Conference on Creationism. Recommended Citation Cox, Gavin M. (2013) "Egypt's Hieroglyphs Contain a Cultural Memory of Creation and Noah's Flood," The Proceedings of the International Conference on Creationism: Vol. 7 , Article 36. Available at: https://digitalcommons.cedarville.edu/icc_proceedings/vol7/iss1/36 Proceedings of the Seventh International Conference on Creationism. Pittsburgh, PA: Creation Science Fellowship EGYPT'S HIEROGLYPHS CONTAIN CULTURAL MEMORIES OF CREATION AND NOAH'S FLOOD Gavin M. Cox, BA Hons (Theology, LBC). 26 The Firs Park, Bakers Hill, Exeter, Devon, UK, EX2 9TD. KEYWORDS: Flood, onomatology, eponym, Hermopolitan Ogdoad, Edfu, Heliopolis, Memphis, Hermopolis, Ennead, determinative, ideograph, hieroglyphic, Documentary Hypothesis (DH). ABSTRACT A survey of standard Egyptian Encyclopedias and earliest mythology demonstrates Egyptian knowledge of Creation and the Flood consistent with the Genesis account.
    [Show full text]