ENTRY Into the Filmmaking World

Total Page:16

File Type:pdf, Size:1020Kb

ENTRY Into the Filmmaking World Ancient sages of India laid down several principles for construction of build- ings, taking advantage of nature and its 5 Basic elements and gravitational and magnetic effects and rotational influences of Sun, Moon, Earth and other planets on the life on Earth with a view to bring balance and harmony between man, nature and his buildings and thereby ensuring peace, prosperity and happiness. Earth - Water - Sun - Air - Space We help you maintain the best equilibrium of these five elements through Vastu in your home, office, shop, commercial establishments Make the best use of these 5 elements and their effects to energize its energies without breaking down or re-building your home. Without any demolition or any changes in costruction We just recommend the positioning and placemenet of different objects to facilitate Vastu correction. Consult Today for a Peaceful Tomorrow For Good Health, Wealth, Happiness, Fame, Progress & Prosperity Vinay K. Naidu Vastu Shastra Advisor Contact: 9223381247 140 New T.P. Area, Tirupati 517501 S-1/8/29/325 Neredmet, Hyderabad 500049 CONSULTATIONS NOW AVAILABLE IN MUMBAI EDITORIAL Deepika Padukone was the unanimous choice for the Inaugural issue. She is classy, talented and has been appreciated for her performances by stars of yesteryears too. Talking about yesteryear stars, its a pity that the depiction of Films | Television | Lifestyle Magazine family values and Indian culture is diminishing in Hindi movies. www.filmytown.com While talking to veterans in the industry, they are quick to reminicise their childhood memories about the Indian culture Volume No: 1, Issue No:1 and deep rooted family values shown in hindi films of the 60s February 2015 Pages: 24 and 70s. The Indian family values of the Rajshri Productions films like Hum Aapke Hai Kaun, Maine Pyaar Kiya and so on, Editor: are gradually eroding and the new generation is fast adapting to PARESH B. MEHTA the culture as shown in Hollywood films. Features Editor: PAWAN GUPTA We have compiled the best and the notable Hindi movies of the year gone by. Some of them have not done well commercially, Consulting Editor: yet have garnered critis appeal. Like Om Dar Ba Dar, Gulabi JOHNSON THOMAS Gang, Ankhon Dekhi and Lakshmi to name a few. Yet there were other well made films and successful at the box office like Correspondents: ANIZ FILMVALA Mary Kom, City Lights and Queen - the best film by Kangana RASHIDA MUKADAM Ranaut. LOKESH SASTRY There is also a crisp feature on the girls to be watched out in Photo Editor: Filmy Town. Huma Qureshi, Richa Chadha, Taapsee Pannu RAMAKANT MUNDE and Evelyn Sharma are here to stay in the Bollywood film industry. This new gen actresses are smart enough to choose Editorial Office: and sign their films. They are aware of what is happening in the 100 Walkeshwar Road, Mumbai 400006, India business circuit alongwith keeping an eye on the cinema for the Tel: +91 9619 222 977 Film Festivals. Printed and Published by Paresh B. Mehta on Internationally acclaimed director Susanne Bier talks about behalf of himself and Printed at Specific As- working with Jennifer Lawrence & Bradley Cooper on Serena signments India P.Ltd, 339 Pragati Industrial Estate, N. M Joshi Marg, Lower Parel (E), which is yet to be released in India. It has evoked a buzz Mumbai 400011 and published from Vithal amongst the critics. Susanne was speaking at a Master class Niwas, 100 Walkeshwar Road, Mumbai for the National Film and Television School students. 400006. Editor - Paresh B. Mehta. Filmy Town print edition is an associate pub- The BAD girl Sherlyn Chopra was quite honest in her interview lication of Dolphin International, Mumbai. and got emotional at moments. We had to take a break. No, she wasn't putting on the act, we could feel and see it in her. DISCLAIMER: Wishing her all the best. Stories, reviews, views, opinions and Interviews published in this print edition are those of the individual writers, Regional Cinema has often been neglected by the mainstream contributors and film critics. They do not represent the views or opinion of the editors or publishers of Filmy Town. filmy magazines. We have featured Vijay Maurya, who has Readers are advised to take their own decision based on written the story of an upcoming Marathi film about Identical the write-ups in this magazine. The feature authors, film Twin sisters falling in love with the same boy and how the fun critics or Filmy Town, its editors and publishers are not comedy and romance grows in the back drop of a college life. It responsibile for the claims/factual details/authenticity is his directoral debut. quotedted by the celebrities or the interviewee. Informa- tion and pictures published in this magazine are provided Finally, Amit Tiwari pens down his Journey as the Director in the just as a matter of information only and Filmytown does not promote/endorse any film/celebrity/individual/corpo- film industry. It is not only the actors who have to start from the rate and neither do they disapprove nor discourage any scratch, the technical professionals too face an uphill task in banner / production house / artists whereever stated/ the field. Amit has also suggested some tips to the aspiring quoted. Pictures of Individuals, actors, films, products are directors. those gathered from the publicists/PROs/production of- fices. Filmy Town and its editorial team do not vouch for An healthy sign with the new generation stepping in the filmy authenticity of claims of advertisers / advertisements pub- lished in the magazine. industry. Web edition at: www.filmytown.com - Paresh B. Mehta FILMY TOWN February 2015 3 Bollywood Picks Of 2014 By Film Critic Johnson Thomas (All in the range between fantasy ‘ Hawaa Hawaai’ tried to give 2 ½ * and 3 ½ * Rating - non-traditional sports (Skating) a broader Not listed in order of Merit) band-with in the mainstream and man- aged to do that quite successfully. There really hasn’t been any great film this year. Sandeep Verma’s thriller ‘Manjunath’ What we have therefore based on true life incidents( about whistle- blowers risking their lives to expose is a list of pleasurable wrong-doing in the public sector) was films, some of solid tech- quite a triumph in terms of tension and nique, some with strong affect. riveting themes and some with stand-out per- Mrutyunjay Devvrat’s ‘Children Of War’ formances. dared to focus on the tortured and the damned during the Bangladesh uprising. Ashim Ahluwalia’s Miss Though small-budget it still managed to Lovely’ starring an ensemble pack a sucker punch. cast and boasting of an inter- nationally renowned Hansal Mehta’s ‘Citylights’ focused on Nawazuddin Siddiqui, scored the struggle for survival of a flop-business- a hit on the festival circuit but man turned security personnel in a big the lay critics and audience city. A quickie from the Bhatt camp, it found it wanting. nevertheless did not match up to Mehta’s much cel- this was one of the better ef- ebrated effort ‘Shahid’ even though it had forts of the year! note-worthy performances from Raj Kumar Rao, Patralekha and especially- The NFDC produced Kamal Manav Kaul. Swaroop’s ‘Om Dar Ba Dar’ never could find a release date in the what- to the magic with a heart-felt perfor- Nitin Kakkar’s maiden directorial effort seems-like decades after it’s making. Un- mance! The film also managed to spark ‘Filmistan’ was unarguably the best ef- apologetic about it’s hallucinatory (read a minor frenzy at the BO! fort of the entire list –in terms of tech- experimental) realm, this film was differ- ent from the run-of-the-mill and therefore Rajat Kapoor’s dark com- interesting. edy ‘Ankhon Dekhi’ was quite surprisingly fluid and Nila Madhab Panda’s ‘Babloo Happy Hai’ engaging with Sanjay tried hard to make HIV/Aids awareness Mishra giving a gem of a acceptable to the masses but the sur- performance as the angst reptitious story-telling format was a little ridden protagonist. too stretched out to be completely en- gaging. Nevertheless this film had a Nagesh Kukunoor’s strong enough take away. ‘Lakshmi’ was a raw and hurtful take on female traf- Vinil Mathew’s ‘Hasee Toh Phasee’ from ficking. It was a pleasant the Karan Johar stable was funny enough experience even though a and had sparkling chemistry between the notable one! lead pair Siddharth Malhotra and Parineeti Chopra to add some excitement Girish Malick’s ‘Jal’ set in to the mad-cap dramatics. a desert was cinemato- graphically poignant even Nishta Jain’s documentary ‘Gulabi Gang’ though the telling of the tale pre-empted the Madhuri-Juhi starrer on wasn’t smooth, dramatic or the same subject and also managed to exciting enough. make a better mark at the BO. Certainly worthy of a Best Tag! Feroz Abbas Khan’s Politi- cal satire ‘Dekh Tamasha Vikas Bahl’s ‘Queen’ warmed the cock- Dekh’ was verbally pungent les of our hearts with it’s subjective, ear- and quite well knitted. nest appeal and Kangana Ranaut added Amole Gupte’s children’s 4 February 2015 FILMY TOWN Bhaag’ but some true- ‘Happy Ending’ was a fun outing thanks grit moments help it to Govinda’s stellar turn as an ageing su- make the cut. perstar on a career down-turn. Habib Faisal’s Amit Vats’ ‘Titoo MBA’ had a fresh ‘Daawat-E-Ishq’ had storyline, some engaging performances some interesting in- from Nishant Dahiya Pragya Jaiswal and gredients but the over- Abhishek Kumar and also had peppy all concoction wasn’t music to match! as rich as the milieu it was set in.
Recommended publications
  • Kijkwijzer (Netherlands Classification) Some Content May Not Be Appropriate for Children This Age
    ACCM Kijkwijzer (Netherlands Classification) Some content may not be appropriate for children this age. Parental Content is age Kijkwijzer Australian guidance appropriate for (Netherlands Year Netflix Classification recommended children this age Classification) Kijkwijzer reasons 1 Chance 2 Dance 2014 N 12+ Violence 3 Ninjas: Kick Back 1994 N 6+ Violence; Fear 48 Christmas Wishes 2017 N All A 2nd Chance 2011 N PG All A Christmas Prince 2017 N 6+ Fear A Christmas Prince: The Royal Baby 2019 N All A Christmas Prince: The Royal Wedding 2018 N All A Christmas Special: Miraculous: Tales of Ladybug & Cat 2016 N Noir PG A Cinderella Story 2004 N PG 8 13 A Cinderella Story: Christmas Wish 2019 N All A Dog's Purpose 2017 N PG 10 13 12+ Fear; Drugs and/or alcohol abuse A Dogwalker's Christmas Tale 2015 N G A StoryBots Christmas 2017 N All A Truthful Mother 2019 N PG 6+ Violence; Fear A Witches' Ball 2017 N All Violence; Fear Airplane Mode 2020 N 16+ Violence; Sex; Coarse language Albion: The Enchanted Stallion 2016 N 9+ Fear; Coarse language Alex and Me 2018 N All Saints 2017 N PG 8 10 6+ Violence Alvin and the Chipmunks Meet the Wolfman 2000 N 6+ Violence; Fear Alvin and the Chipmunks: The Road Chip 2015 N PG 7 8 6+ Violence; Fear Amar Akbar Anthony 1977 N Angela's Christmas 2018 N G All Annabelle Hooper and the Ghosts of Nantucket 2016 N PG 12+ Fear Annie 2014 N PG 10 13 6+ Violence Antariksha Ke Rakhwale 2018 N April and the Extraordinary World 2015 N Are We Done Yet? 2007 N PG 8 11 6+ Fear Arrietty 2010 N G 6 9+ Fear Arthur 3 the War of Two
    [Show full text]
  • Bollywood's Periphery: Child Stars and Representations of Childhood in Hindi Films
    Shakuntala Banaji Bollywood's periphery: child stars and representations of childhood in Hindi films Book section Original citation: Originally published in Bollywood's periphery: child stars and representations of childhood in Hindi films. In: O'Connor, Jane and Mercer, John, (eds.) Childhood and Celebrity. Routledge, London, UK. ISBN 9781138855274 © 2016 The Author This version available at: http://eprints.lse.ac.uk/65482/ Available in LSE Research Online: February 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Title: Bollywood's periphery: child stars and representations of childhood in Hindi films Author: Shakuntala Banaji, Introduction The three research questions which I explore in this chapter ask: How do international accounts of children’s role on screen and child performance
    [Show full text]
  • A Study of Shakespeare Contribution in Hindi Cinema
    International Journal of Science and Research (IJSR) ISSN (Online): 2319-7064 Index Copernicus Value (2016): 79.57 | Impact Factor (2015): 6.391 A Study of Shakespeare Contribution in Hindi Cinema Asma Qureshi Abstract: In India, Cinema not only a name of entertainment, but also educate to millions of people every day. Friday is celebrated by screening of new films. Indians happily participate in Cinema culture of the Country. Shakespearean tragedies have been a never ending source of inspiration for all filmmakers across the world. Many Hindi films based on Shakespeare novel like Shahid, Omkara, Goliyo ki raasleela Ramleela etc. William Shakespeare in India has been an exceptional and ground-breaking venture. The literary collection of Shakespeare is dynamic and an unlimited source of inspiration for countless people across the globe. When Shakespeare’s writing is adapted in cinema, it sets it ablaze, and transfers the audience to a cinematic paradise. Indian adaptation of both Shakespearean tragedy and comedy can be comprehended as an Combination of ‘videsi’ and ‘desi’, a synthesis of East and West, and an Oriental and Occidental cultural exchange. Shakespeare’s, “bisexual‟ mind, the complexity of his Narrative, music, story-telling, and creative sensibility categorizes him as an ace literary craftsman. This Research is an attempt to understand the contribution of Shakespeare novel in Hindi cinema. So that we can easily understand the main theme of the story. What writer wants to share with us. We can easily understand main theme of novel. 1. Introduction European library worth the whole native literature of India and Arabia‖. It also has a lot to do with profound resonances Indian Hindi language film industry is also known as Hindi between Shakespeare‘s craft and Indian cultural forms that cinema which is situated or we can say mainly operated converge on one concept: masala.
    [Show full text]
  • Farooq Sheikh: 'A Natural Actor' Farooq Sheikh Was an Actor, Philanthropist and a Popular Television Presenter
    SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 21,MARCH, 2019 (06) Farooq Sheikh: 'A natural actor' Farooq Sheikh was an actor, philanthropist and a popular television presenter. the late 90s, Farooq Sheikh acted in a number of television serials. Chamatkar He was best known for his work in Hindi films from 1977 to 1989 and for his on Sony and Ji Mantriji on Star plus are among the few. He also worked in a TV work in television between 1988 and 2002. He returned to acting in films in 2008 serial Shrikant which aired from 1985 to 1986. and He compered in the Binny Double or Quits Quiz contest which was telecast over Remembering on his contin - Vividh Bharathi. He also performed on stage in famous plays such as Tumhari ued to Amrita directed by Feroz Abbas Khan, featuring Shabana Azmi.The play was Birth Anniversary (25th Mar.) do so appreciated by audiences the world over for 12 years till 2004. A sequel to this until his play was staged in India in 2004 titled "Aapki Soniya" with Farooq Sheikh and death on 28 December 2013. His major contribution was in Parallel Cinema or Sonali Bendre as main leads. "Tumhari Amrita" completed its 20-year run on 26 February 2012.He direct - ed Azhar Ka Khwab, an adaptation of Bernard Shaw’s Pygmalion in 2004.He had been the host of the popular TV show Jeena Issi Ka Naam Hai in which he inter - viewed many Bollywood celebrities. His sense of humor and direct humble approach was the USP of the show.Farooq Sheikh died of a heart attack in Dubai on 28 December 2013.
    [Show full text]
  • HT Horizon) Updated On: Apr 6, 2010 Shiksha Externalauthors 126 Views Mukesh Chhabra, 28, Never Had to Give Much Thought to What He Wanted to Do in Life
    Role call (HT Horizon) Updated on: Apr 6, 2010 Shiksha ExternalAuthors 126 Views Mukesh Chhabra, 28, never had to give much thought to what he wanted to do in life. Way back in school he had made up his mind to pursue the love of his life — theatre. Though a graduation from Delhi University was “barely managed”, he was more serious about the diploma in acting that he was pursuing at the National School of Drama (NSD), Delhi. Chhabra did a six-and-a-half-year stint with the Theatre- in-Education at the NSD. He conducted children’s workshops and cast them for ad films. His first break as casting director came with Richie Mehta’s Canadian film Amal in 2007. “Set in modern-day New Delhi, it tells the story of a poor autorickshaw driver, Amal Kumar. I did the entire casting for the film,” says Chhabra. One of his biggest films is Rang De Basanti, for which he picked locals from Delhi, where a large portion of the film Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 04-Jun-2020. was shot. “I knew almost all the actors in Delhi and that came in handy,” he says. The other movies Chhabra has been involved with are Hijack and Yuvvraaj as casting assistant, Love Aaj Kal as casting director, Kaminey as casting associate and most recently, Teen Patti as casting assistant. So, what does a casting director do? He is a representative of the director, almost a mini-director, whose job is to help place the right actor for the role.
    [Show full text]
  • A New Strategy for Child Development: a Study on Montessori Educational System and the Film Taare Zameen Par
    www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) A New Strategy for Child Development: A Study on Montessori Educational System and the Film Taare Zameen Par VINU C. JAMES M.Phil Scholar CMS College Coimbatore Abstract The child development is expandable and its potential may differ with the environment. Every child is different and hence, special. The distribution curve shows that most of the children who undergo dyslexia seem to be average in many traits. Few children deviate from the generally accepted norms in many ways. These deviations may give rise to multi factorial problems of adjustments at home, school and social setting and thus, leads to addition of problems in divergence. Deviation can be in terms of physical, social, emotional and mental characteristics. In the film Taare Zameen Par, the director Aamir Khan tried to disclose the present scenario of education. The director enhances his vision and mission through the film and he teaches about unconventional Montessori teaching. Teaching should not force the student to conform to the existing pattern of the world. The students should be equipped to think out of the box and define their own goals instead of fitting their ideas with the prevailing ones. Curricula and assessment should be flexible and encourage critical thinking on the part of the students so that they become compassionate and sensitive human beings. Keywords: Child development, dyslexia, traits, Montessori teaching, curricula Vol. 2, Issue 4 (March 2017) Dr. Siddhartha Sharma Page 595 Editor-in-Chief www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) A New Strategy for Child Development: A Study on Montessori Educational System and the Film Taare Zameen Par VINU C.
    [Show full text]
  • HM 06 FEBRUARY Page 10.Qxd (Page 1)
    www.himalayanmail.com 10 JAMMU ☯ SATURDAY ☯ FEBRUARY 06, 2021 ENTERTAINMENT The Himalayan Mail Katrina looks marvelous in her recent Varun Dhawan joins Ranveer Singh & commercial video along with Amitabh, Nagarjuna! Katrina Kaif is shooting Rohit Shetty on the sets of Cirkus! for her next horror-comedy film Phone Bhoot alongside Ishaan Khatter and Sid- dhant Chaturvedi. Recently, the actress shared her shoot diaries on social media where she can be seen doing fun with her Phone Bhoot gang. Similar pictures were also shared by Siddhant Chaturvedi. On Friday, Katrina Kaif reposted a video by Amitabh Bachchan on Instagram and captioned it, "Trust - the only emotion that binds every relationship. #TrustI- sEverything #BharosaHiS- abKuchHai." In the shared commercial advertisement, Amitabh Bachchan was seen alongside his wife Jaya and daughter Shweta Bachchan. It also stars Nagarjuna, Kat- rina Kaif, and Punjabi ac- tress Wamiqa Gabbi. Check out the video post here - On the work front, Katrina will share the screen space with Ishaan Khatter and Siddhant Chaturvedi in the horror-comedy film 'Phone Bhoot', helmed by Gurmeet Ranveer Singh is shooting for his comedy flick Cirkus and has been enjoying his time while shooting with Singh and produced by his favorite director Rohit Shetty. On Varun Sharma's birthday, Ranveer's co-star in the film, celebrated Ritesh Sidhwani and Farhan his birthday on the film sets and was accompanied by the newly married Varun Dhawan. Akhtar. She is also waiting Ranveer Singh shared a picture from the sets of Cirkus on Instagram featuring Varun Dhawan, Rohit for her next release Rohit Shetty, Jacqueline Fernandez, Pooja Hegde, and himself.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Top 10 Male Indian Singers
    Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *.
    [Show full text]
  • Cogito Ergo Sum - Saya Berpikir Maka Saya Ada
    Edisi ke - 7, Maret 2010 Cogito Ergo Sum - Saya Berpikir Maka Saya Ada Hani Fatizatalini & Putriana Perwitasari: Mereka Bisa, Kamu? ▌▌ BEBEN & ANA Ilustrasi: Pipin & Hafiz 2 BULETIN BEJANA DARI REDAKSI ▐▐ Perubahan Itu Pasti, Akankah Anda Mengikutinya? Bulan Maret adalah bulan pertengahan mempertahankan prinsip anda dalam bagi pelajar semester genap periode 2009- merespon perubahan tadi. Tentu saja, 2010. Bulan ini biasa dijadikan sebagai bulan semuanya akan lebih mudah kalau anda “pemanasan” bagi para mahasiswa di UUM. manggut-manggut saja. Tetapi, bukankah itu Ya, hal-hal yang memerlukan sedikit berarti anda membuang percuma perjuangan perjuangan seperti deadline tugas, dan ujian anda menuntut ilmu selama lebih dari 10 pertengahan semester biasa diselenggarakan tahun ini. Tujuan utama dari pendidikan di pada bulan seperti ini. Tipikalnya, mental dunia ini adalah melahirkan insan dengan kerja mahasiswa di sini akan menyesuaikan pikiran yang berkarakter. Anda harus punya dengan tuntutan tugasnya masing-masing. karakter sendiri, prinsip sendiri, jatidiri sendiri. Pada Januari dan Februari banyak yang Jangan menyia-nyiakan perjuangan guru- masih melewati masa transisi dari mental guru anda selama ini atau orangtua anda liburan menjadi mental kuliah. Disambut yang memberikannya secara gratis untuk anda. dengan bulan Maret sebagai pemanasan. Yang dulu diam sekarang telah Yang pada akhirnya akan full throttle pada berteriak, si miskin telah menjadi kaya, si bulan April dan Mei. malas sudah menjadi rajin, pendengki telah Memang sesuatu itu belum pasti kapan menjadi penyinta, pesimis telah menjadi akan berubah, tapi perubahannya pasti akan optimis, pemisah telah menjadi penyatu. terjadi. Nah, apa yang anda lakukan saat Begitu banyak hal lebih baik yang bisa anda lingkungan anda berubah? Melakukan yang dapatkan hanya dengan sedikit mengeksplorasi seharusnya atau menghadapinya dengan taste akal anda.
    [Show full text]
  • Aspirational Movie List
    SL Title Year Type Rating Ratings 1 3 Idiots 2009 Feature 8.5 155,763 2 Like Stars on Earth 2007 Feature 8.5 71,581 3 Rang De Basanti 2006 Feature 8.4 57,061 4 Gangs of Wasseypur 2012 Feature 8.4 32,853 5 Lagaan: Once Upon a Time in India 2001 Feature 8.2 54,714 6 Mughal-E-Azam 1960 Feature 8.4 3,425 7 A Wednesday 2008 Feature 8.4 30,560 8 Udaan 2010 Feature 8.4 23,017 9 Swades 2004 Feature 8.4 47,326 10 Dil Chahta Hai 2001 Feature 8.3 38,159 11 Pyaasa 1957 Feature 8.4 2,677 12 Black Friday 2004 Feature 8.6 6,126 13 Sholay 1975 Feature 8.6 21,695 14 Anand 1971 Feature 8.9 7,826 15 Special 26 2013 Feature 7.9 22,078 16 Queen 2014 Feature 8.5 28,304 17 Andaz Apna Apna 1994 Feature 8.8 22,766 18 Haider 2014 Feature 8.5 28,728 19 Guru 2007 Feature 7.8 10,337 20 Dev D 2009 Feature 8.1 16,553 21 Paan Singh Tomar 2012 Feature 8.3 16,849 22 Chakde! India 2007 Feature 8.4 34,024 23 Sarfarosh 1999 Feature 8.1 11,870 24 Mother India 1957 Feature 8 3,882 25 Bhaag Milkha Bhaag 2013 Feature 8.4 30,313 26 Barfi! 2012 Feature 8.3 43,308 27 Zindagi Na Milegi Dobara 2011 Feature 8.1 34,374 28 PK 2014 Feature 8.4 55,878 29 Baby 2015 Feature 8.4 20,504 30 My Name Is Khan 2010 Feature 8 56,169 31 The Legend of Bhagat Singh 2002 Feature 8.1 5,481 32 Munna Bhai M.B.B.S.
    [Show full text]
  • Raazi V10 22-7-17 Clean
    DHARMA PRODUCTIONS JUNGLEE PICTURES DIRECTED BY MEGHNA GULZAR SCREENPLAY BHAVANI IYER & MEGHNA GULZAR DIALOGUE MEGHNA GULZAR BASED ON THE NOVEL “CALLING SEHMAT” BY HARINDER S SIKKA © Meghna Gulzar 2017 FADE IN: 1 INT. PAK ARMY HQ - SITUATION ROOM - EVENING Title Card: February 1971. Pakistan. A series of pictures, black-and-white, low exposure but clearly outlining two figures and faces that are in deep conversation are seen on an old fashioned projector screen. Uniformed top brass from all the defense services (Army, Navy and Air Force) and Pakistan’s Intelligence sit around a table, being briefed by BRIGADIER SYED (57), tall hard-eyed with a striking military bearing in his uniform. The meeting is already in session. Syed clicks a button to zoom in on one of the men in the projected photograph. SYED Bangaal mein aazaadi ki tehreek zor pakad rahi hai. Vahaan Awami League ki khufiya Military Council ke rehnuma ye shakhs hain – Colonel Usmani. Lt. GENERAL AMIR BEIG (68), grey-haired with cold eyes looks at the image. BEIG Election bhi jeet chuke hain. Inki neeyat kya hai? The other senior leaders at the table murmur similarly. SYED Mujibur Rahman ne apne saath kuchh aise log jama kar liye hain, jo ab apne-aap ko Mukti fauj kehlate hain... (looks around) Mukti - aazaadi.. Sniggers around the room. Syed clicks for the picture to zoom in to the other face, only partially seen. SYED (CONT’D) Aur ye shakhs hai Khalid Mir... Iski padtaal rakhna bahaut zaroori hai. Ye Hindustan ke Intelligence ke bade afsar hain... Murmurs around the room.
    [Show full text]