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Muuglines $2.50 the Manitoba UNIX User Group Newsletter
Vol. 14 No. 2 October 2001 MUUGlines $2.50 The Manitoba UNIX User Group Newsletter October 9, 2001: companies to seek a “Plan B” from the Plan A of Microsoft’s Internet Information Server (IIS). To Consolidated Storage – wit: SAN/NAS or something else? Gartner recommends that businesses hit by Although most I/T professionals agree on the ben- both Code Red and Nimda immediately inves- efits of consolidating storage, there is some discus- tigate alternatives to IIS, including moving sion as to whether a Storage Area Network (SAN) Web applications to Web server software or Network Attached Storage (NAS) is the best from other vendors such as iPlanet and Apache. strategy. The answer is that it depends; but making Although those Web servers have required the choice, especially in the face of new emerging some security patches, they have much better technologies is difficult. security records than IIS and are not under active attack by the vast number of virus and This session will explain the concept of Con- worm writers. solidated Storage and its benefits. Then we will explore a few of the technologies available and on the near horizon for implementing a centralized Yes, Apache isn’t a “vendor”. Nonetheless, it storage infrastructure. Terry Baydock, Technical will be interesting to see if that has any effect on the Sales Specialist with the Storage Systems Group at statistics kept by Netcraft (http:// IBM Canada Ltd., will be our presenter for this www.netcraft.co.uk/survey/). The most recent sur- session vey show that the trend for the number of comput- ers hosting websites is Windows holding steady at Please note our meeting location: IBM Cana- around 50%, and Linux is at 30%, gaining ground da’s offices in the TD Centre, at the corner of at the expense of other Unix-like operating sys- Portage and Main. -
Android (Operating System) 1 Android (Operating System)
Android (operating system) 1 Android (operating system) Android Home screen displayed by Samsung Nexus S with Google running Android 2.3 "Gingerbread" Company / developer Google Inc., Open Handset Alliance [1] Programmed in C (core), C++ (some third-party libraries), Java (UI) Working state Current [2] Source model Free and open source software (3.0 is currently in closed development) Initial release 21 October 2008 Latest stable release Tablets: [3] 3.0.1 (Honeycomb) Phones: [3] 2.3.3 (Gingerbread) / 24 February 2011 [4] Supported platforms ARM, MIPS, Power, x86 Kernel type Monolithic, modified Linux kernel Default user interface Graphical [5] License Apache 2.0, Linux kernel patches are under GPL v2 Official website [www.android.com www.android.com] Android is a software stack for mobile devices that includes an operating system, middleware and key applications.[6] [7] Google Inc. purchased the initial developer of the software, Android Inc., in 2005.[8] Android's mobile operating system is based on a modified version of the Linux kernel. Google and other members of the Open Handset Alliance collaborated on Android's development and release.[9] [10] The Android Open Source Project (AOSP) is tasked with the maintenance and further development of Android.[11] The Android operating system is the world's best-selling Smartphone platform.[12] [13] Android has a large community of developers writing applications ("apps") that extend the functionality of the devices. There are currently over 150,000 apps available for Android.[14] [15] Android Market is the online app store run by Google, though apps can also be downloaded from third-party sites. -
Type ID and History
History and Identification of Typefaces with your host Ted Ollier Bow and Arrow Press Anatomy of a Typeface: The pieces of letterforms apex cap line serif x line ear bowl x height counter baseline link loop Axgdecender line ascender dot terminal arm stem shoulder crossbar leg decender fkjntail Anatomy of a Typeface: Design decisions Stress: Berkeley vs Century Contrast: Stempel Garamond vs Bauer Bodoni oo dd AAxx Axis: Akzidenz Grotesk, Bembo, Stempel Garmond, Meridien, Stymie Q Q Q Q Q Typeface history: Blackletter Germanic, completely pen-based forms Hamburgerfonts Alte Schwabacher c1990 Monotype Corporation Hamburgerfonts Engraver’s Old English (Textur) 1906 Morris Fuller Benton Hamburgerfonts Fette Fraktur 1850 Johan Christian Bauer Hamburgerfonts San Marco (Rotunda) 1994 Karlgeorg Hoefer, Alexei Chekulayev Typeface history: Humanist Low contrast, left axis, “penned” serifs, slanted “e”, small x-height Hamburgerfonts Berkeley Old Style 1915 Frederic Goudy Hamburgerfonts Centaur 1914 Bruce Rogers after Nicolas Jenson 1469 Hamburgerfonts Stempel Schneidler 1936 F.H.Ernst Schneidler Hamburgerfonts Adobe Jenson 1996 Robert Slimbach after Nicolas Jenson 1470 Typeface history: Old Style Medium contrast, more vertical axis, fewer “pen” flourishes Hamburgerfonts Stempel Garamond 1928 Stempel Type Foundry after Claude Garamond 1592 Hamburgerfonts Caslon 1990 Carol Twombley after William Caslon 1722 Hamburgerfonts Bembo 1929 Stanley Morison after Francesco Griffo 1495 Hamburgerfonts Janson 1955 Hermann Zapf after Miklós Tótfalusi Kis 1680 Typeface -
Graphics Design
Graphics Design - Typography Exercise 7 - ‘Arial’ ____________________________________________________________________________________________________________________________ Closest Fonts: {Arial, Helvetica, MS Gothic} Closer Fonts: {Newhouse DT Condensed, CG Triumvirate Condensed} Chosen Focus Font: {Arial Narrow Bold Italic} ____________________________________________________________________________________________________________________________ Font: Monotype Grotesque Birth-Date: 1926 Creator: Frank Hinman Pierpont Publisher: Monotype Foundry Based Off: Grotesque (by H. Berthold AG Foundry & William Thorowogood, 1832) Family: Largely-Extended: Multiple Widths (Condensed,...,Extended) Recognition: Easily Recognisable as san-serifs were few and unusual in England. Use: Early 20th Century Avant Garde Printing from Western & Central Europe ____________________________________________________________________________________________________________________________ Font: Arial Alias: (Original) Sonoran Sans Serif, (After Microsoft Acquisition) Arial MT Birth-Date: 1982 Self-Description: “Contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can -
Speaker Biographies
SPEAKER BIOGRAPHIES Speakers: Dr. Deborah Anderson, Researcher, Dept. of Linguistics, UC Berkeley Deborah (Debbie) Anderson is a Researcher in the Department of Linguistics at UC Berkeley. Since 2002, she has run the Script Encoding Initiative project, which helps get scripts and characters into the Unicode Standard. She also represents UC Berkeley in the Unicode Technical Committee meetings and is a member of the US National Body in ISO/IEC JTC1/SC2. In addition, she is a Unicode Technical Director. Zibi Braniecki, Mozilla, Sr. Staff Platform Engineer Zibi Braniecki is a Sr. Staff Platform Engineer at Mozilla working on internationalization and localization of Gecko and Firefox. Zibi represents Mozilla at TC39 committee and is championing multiple ECMA402 proposals. When not in front of the keyboard, he's captaining the Polish National Team in Ultimate Frisbee. Shane Carr, Senior Software Engineer, Internationalization, Google, Inc. Shane Carr is a Senior Software Engineer on Google's i18n Engineering team. He is chair of the ECMA 402 subcommittee for JavaScript i18n standards and is a core contributor to the International Components for Unicode (ICU) project. His work on ICU has focused on locale data, number formatting, and performance optimization. Shane has previously presented on Zawgyi and on ICU number formatting at the 41st and 42nd Internationalization & Unicode Conference (IUC). He has also presented at the 33rd International Conference on Machine Learning (ICML) and the 2015 Annual Meeting of the American Institute of Chemical Engineers (AIChE). He holds an MS and BS in Computer Science and BS in Chemical Engineering summa cum laude from Washington University in St. -
The Monotype Library Opentype Edition
en FR De eS intRoDuction intRoDuction einFühRung pReSentación Welcome to The Monotype Library, OpenType Edition; a renowned Bienvenue à la Typothèque Monotype, Édition OpenType; une collection Willkommen bei Monotype, einem renommierten Hersteller klassischer Bienvenido a la biblioteca Monotype, la famosa colección de fuentes collection of classic and contemporary professional fonts. renommée de polices professionnelles classiques et contemporaines. und zeitgenössischer professioneller Fonts, die jetzt auch im OpenType- profesionales clásicas y contemporáneas, ahora también en formato Format erhältlich sind. OpenType. The Monotype Library, OpenType Edition, offers a uniquely versatile La Typothèque Monotype, Édition OpenType propose une collection range of fonts to suit every purpose. New additions include eye- extrêmement souple de polices pour chaque occasion. Parmi les Die Monotype Bibliothek, die OpenType Ausgabe bietet eine Esta primera edición de la biblioteca Monotype en formato OpenType catching display faces such as Smart Sans, workhorse texts such as nouvelles polices, citons des polices attrayantes destinées aux affichages einzigartig vielseitige Sammlung von Fonts für jeden Einsatz. Neben ofrece un gran repertorio de fuentes cuya incomparable versatilidad Bembo Book, Mentor and Mosquito Formal plus cutting edge Neo comme Smart Sans, des caractères très lisibles comme Bembo Book, den klassischen Schriften werden auch neue Schriftentwicklungen wie permite cubrir todas las necesidades. Entre las nuevas adiciones destacan Sans & Neo Tech. In this catalogue, each typeface is referenced by Mentor et Mosquito Formal, et des polices de pointe comme Neo die Displayschrift Smart Sans, Brotschriften wie Bembo Book, Mentor llamativos caracteres decorativos como Smart Sans, textos básicos classification to help you find the font most suitable for your project. -
The Medical Facilities for Google Maps and Specific Information On
The Medical Facilities for Google Maps and Specific Information on Android Chao-Tung Yang Yen-Yu Chu Department of Computer Science Department of Computer Science Tunghai University, Taichung Tunghai University, Taichung City, 40704, Taiwan (ROC) City, 40704, Taiwan (ROC) e-mail:[email protected] e-mail:[email protected] 摘要 為 Google 所推動的作業系統,而 Google 集合 了各業者共同組成開放式手機平台聯盟(Open 使用 Google 提供的 Android SDK 開發自 Handset Alliance), 又其 Android 系統為一基於 己所需程式,已經成為國內的程式設計師們的 Linux 核心的軟體平台和作業系統,由於 Linux 目標。然而手機提供的 Google Map 這項應用 採 Apache 架構成為自由軟體和開放原始碼有 程式,使用功能上相當有限,只提供了搜尋、 名的例子,所以 Android 系統幾乎完整保留了 路線、地圖模式、我的位置、加入 Google 定 Linux 原有的特性,結合了智慧型手機的概 位等功能,但是,使用此地圖卻無法讓我們得 念,且本研究專注於 Google Map 與醫療服務 到有目標性的目的,像是需要時卻往往令人措 的結合,故採用 Android 作業系統做為我們開 手不及的醫院藥局的詳細資料。像是目睹了交 發的軟體平台,而我們所作的應用主要在於可 通事故時,常會猶豫該打 119 還是 110,但如 以讓使用者能在手機中輕鬆查看醫院及藥局 果手機中可及時查閱距離最近的醫院電話,即 的所在地點及詳細資訊,可省下輸入關鍵字查 可免去這一項憂慮。亦或是旅遊途中忽然想到 詢及觀看資訊評價等麻煩的手續。 藥品配備不足,即可到距離目前最近的藥局補 充所需。本研究實作的重點在於:提供使用者 2. 背景 基本的 Google map 功能,並隨時提供顯示所 在周邊的各大綜合醫院及衛生署認可藥局的 2.1 Linux 為一類 作業系統的統稱, 資料和明顯的地標,以及連結的網址,好讓使 Linux Unix Linux 作業系統的核心亦稱之為 Linux,實際上一般 用者可直接進入網站查詢醫生看病時間或預 人則已習慣稱 當作 核心。絕大多 約掛等。對於不擅長使用現代科技產品的長輩 Linux Linux 數 Linux 核 心 的 作 業 系 統 使 用 了 大 量 的 們使用起來更輕鬆、更安心且快速的得到所需 GNU(GNU's Not Unix)軟體,包含了 shell 程 的資訊。 式、工具、程式函式庫、編譯器及其它工具等 關鍵詞:Google Map、Android。 軟體,目前使用 GNU 專案各種工具和資料庫 1. 前言 的作業系統(GNU/Linux),基於這些零件的 Linux 軟體被稱作 Linux 套件。一般而言,一 個 Linux 發行套件包含大量軟體,其中包括軟 在全球資訊發達的情況下,全世界的手持 體開發工具(例如 gcc)、資料函式庫 (例如 裝置產量已經大幅超越了個人電腦,儘管已目 PostgreSQL、MySQL)、Web 伺服器(例如 前世界上的手持裝置由於受制於不同協定或 Apache)、X Window、桌面環境(例如 GNOME 是硬體裝置的情況下,以致於並於所有手持裝 -
M-Learning Tools and Applications
2342-2 Scientific m-Learning 4 - 7 June 2012 m-Learning Tools and Applications TRIVEDI Kirankumar Rajnikant Shantilal Shah Engineering College New Sidsar Campu, PO Vartej Bhavnagar 364001 Gujarat INDIA m-Learning Tools and Applications Scientific m-learning @ ICTP , Italy Kiran Trivedi Associate Professor Dept of Electronics & Communication Engineering. S.S.Engineering College, Bhavnagar, Gujarat Technological University Gujarat, India [email protected] Mobile & Wireless Learning • Mobile = Wireless • Wireless ≠ Mobile (not always) • M-learning is always mobile and wireless. • E-learning can be wireless but not mobile Scientific m-learning @ ICTP Italy Smart Phones • Combines PDA and Mobile Connectivity. • Supports Office Applications • WLAN, UMTS, High Resolution Camera • GPS, Accelerometer, Compass • Large Display, High End Processor, Memory and long lasting battery. Scientific m-learning @ ICTP Italy The Revolution .. • Psion Organizer II • 8 bit processor • 9V Battery • OPL – Language • Memory Extensions, plug-ins • Birth of Symbian 1984 2012 Scientific m-learning @ ICTP Italy History of Smartphone • 1994 : IBM Simon • First “Smartphone” • PIM, Data Communication Scientific m-learning @ ICTP Italy Scientific m-learning @ ICTP Italy The First Nokia Smartphones • 2001 : Nokia 7650 • GPRS : HSCSD • Light – Proximity Sensor • Symbian OS ! • Nokia N95 (March 07) • Having almost all features Scientific m-learning @ ICTP Italy S60 and UIQ Scientific m-learning @ ICTP Italy Scientific m-learning @ ICTP Italy Know your target-know your device -
Advancements in Web Typography (Webfonts and WOFF)
Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Table of Contents Chapter I: Introduction………………………………………………………….…………..2 Chapter II: Literature Review……………………………………………………….………5 Chapter III: Research Methods………………………………………………….…..…....18 Chapter IV: Results………………………………………………………………….……..24 Chapter V: Conclusions……………………………………………………………….…..38 References……………………………………………………………………………...…..41 1 Chapter I: Introduction When it comes to the control one has in designing and creating content for the World Wide Web, typography should be no different. Print designers have had the advantage for a long time over their ability to choose exactly how type is printed, limited only by their imagination and the mechanical limits of setting and printing type. Web designers, on the other hand, have been held back by the inherent hardware and software limitations associated with web design and font selection. What this means is that web designers have not been able to control type exactly the way they want. Web designers have been limited to fonts that can safely be displayed on most computers and web browsers. If web designers wanted to display type with a special font, they had to resort to a workaround that was not always effective. Web designers should have the same absolute control over typography as print designers. Control of web typography has gotten much better compared to the early days of web design, but 2 considering how powerful and robust computers and web browsers are now, it seems unfortunate that control over web typography is so primitive That has changed now. -
Fontographer 4.1.5 Technotes by Fontlab Ltd
Fontographer 4.1.5 Technotes by Fontlab Ltd. Draft version 2.7. May 2005 Important: This documentation includes technical notes and FAQs collected over the last 15 years in the Fontographer knowledge base. Due to the ongoing technological changes, parts of the information provided herein, in particular weblinks and references to other resources, as well as statements about technologies, font formats, encodings etc. may be inaccurate or outdated. Due to the draft nature of this document, some formatting errors may occur. Copyright ©2005 by FontLab, Ltd. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of the publisher. Any software referred to herein is furnished under license and may only be used or copied in accordance with the terms of such license. FontLab, FontLab logo, ScanFont, TypeTool, SigMaker, AsiaFont Studio, FontAudit and VectorPaint are either registered trademarks or trademarks of FontLab, Ltd. in the United States and/or other countries. Macromedia, Fontographer and Freehand are registered trademarks of Macromedia, Inc. Apple, the Apple Logo, Mac, Mac OS, Macintosh and TrueType are trademarks of Apple Computer, Inc., registered in the United States and other countries. Adobe, PostScript, Type Manager and Illustrator are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. Windows, Windows 95, Windows 98, Windows XP and Windows NT are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. IBM is a registered trademark of International Business Machines Corporation. -
Futurecast at Artspace New Haven
New England's Premier Culture Magazine 11 12 13 FUTURECAST AT ARTSPACE NEW HAVEN GO MOBILE! EXETER’S SEACOAST ARTIST GALLERY | REINVENTING Download through ‘PAINT’ AT THE HERA | DAISY ROCKWELL’S CURIOUS Apple Newsstand to get your interactive digital BIRDS | MASSACHUSETTS FURNITURE AT 400 | edition on iOS WANDERLUST: PORTLAND, MAINE November/December 2013 Free or $5.99 mailed copy Imagi(ni)ng India PAINTINGS AND VIDEOS BY KATHRYN MYERS Curated by Sunanda K Sanyal main gallery November 12 – December 16, 2013 reception Thursday, November 21, 5-7 pm 700 Beacon Street | Kenmore Square | Boston Monday – Saturday 9 am – 5 pm | Sunday 12 – 5 pm www.lesley.edu/galleries | 617.585.6600 College of Art and Design Lesley University College of Art and Design is the new name for THE ART INSTITUTE OF BOSTON, which for 100 years has shaped the creativity and nurtured the careers of professionals in the visual arts. Without Refutation, oil on wood, 2009, 15"×9"(detail) — The Connecticut Collection AIB-Myers-Artscope-2.indd 1 10/18/13 1:10 PM Heart window.indd 1 10/18/2013 7:22:27 PM SOLOMON’S COLLECTION & FINE RUGS New designs from our weavers to your floors. 809 Hancock Street (RT 3 A), Quincy, MA 02170 phone 617.770.1900 | fax 617.770.9100 | email [email protected] www.solomonrugs.com VOLUME 8 — NUMBER 5 NOVEMBER & DECEMBER 2013 CONTENTS JOIN THE CONVERSATION News feeds and more Page 48 Page 60 Tweet @ascopemagazine More coverage on the zine with your social media commentary at blogspot.artscopemagazine.com Sign up for our email blast! and have special artscope updates landing in your inbox every two weeks! artscope for iPhone, iPod touch, and iPad on th.. -
Kindle User's Guide
2 Kindle User’s Guide Contents Contents Chapter 1 Getting Started ......................................................................................................................... 5 Setting up your Kindle ............................................................................................................................... 5 Kindle controls ............................................................................................................................................. 6 Status indicators .......................................................................................................................................... 7 Wireless status indicators ............................................................................................................................................ 7 Battery status indicator ................................................................................................................................................. 7 VoiceView indicators ...................................................................................................................................................... 7 Activity indicator............................................................................................................................................................... 8 Parental Controls indicator .......................................................................................................................................... 8 Keyboard .......................................................................................................................................................