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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
The Human Machine
EXPLORING THE INCREASINGLY BLURRED LINES BETWEEN HUMANS AND TECHNOLOGY COMPILED BY HOWIE BAUM Almost everyone in the OUR TECHNOLOGY IS AN EXTENSION OF OUR world has a life, dependent HUMANITY on technology. More than a billion people right now are already dependent on assistive technologies like: ❖ Hearing aids ❖ Pacemakers ❖ Prosthetic limbs ❖ Wheelchairs. 1/3 of the world’s population will be wearing glasses or contact lenses by the end of this decade. TYPES OF HUMAN AUGMENTATION The types of Human Augmentation in order of importance can be divided into 2 categories: MOST IMPORTANT: PHYSICAL AND COGNITIVE (THINKING) LEAST IMPORTANT: PERSONALITY AND COSMETIC SIMILAR WORDS ABOUT THE HUMAN MACHINE BIONIC HUMAN TRANSHUMAN AUGMENTED HUMAN CYBORG EYEBORG CYBERNETICS ENHANCED HUMANS HUMAN AUGMENTICS Transhumanism’ is an ‘intellectual and cultural movement’ that promotes the use of technology in order to advance the human condition. What this essentially means, is that a transhumanist is someone who believes we should use technology in order to give ourselves: ▪ Enhanced abilities ▪ Higher IQ’s ▪ Greater strength ▪ Longer lifespans ▪ Sharper senses, etc. Bionic leg components: (a) the artificial hip, (b) artificial knee, and (c) “blade runner” prostheses made with carbon fiber “blades”. A MAJORITY OF PEOPLE IN THE WORLD ARE DEPENDENT ON TECHNOLOGY ❖ Hearing aids ❖ Glasses ❖ Medications ❖ Prosthetics ❖ Smartphones ❖ Contraceptives ❖ Wheelchairs Human existence is a cycle of inventing things to shape life, and in turn, be shaped. There is no “natural” state for humans, not since we mastered fire. https://www.youtube.com/watch?v=xBiOQKonkWs 4.5 minutes The term “Cyborg” was coined in 1960 by scientists Manfred Clynes and Nathan Kline as part of discussions during the Space Race. -
Customer Order Form
#351 | DEC17 PREVIEWS world.com ORDERS DUE DEC 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 Dec17 Cover ROF and COF.indd 1 11/9/2017 3:19:35 PM Dec17 Dark Horse.indd 1 11/9/2017 9:27:19 AM KICK-ASS #1 (2018) INCOGNEGRO: IMAGE COMICS RENAISSANCE #1 DARK HORSE COMICS GREEN LANTERN: EARTH ONE VOLUME 1 HC DC ENTERTAINMENT MATA HARI #1 DARK HORSE COMICS VS. #1 IMAGE COMICS PUNKS NOT DEAD #1 IDW ENTERTAINMENT THE BRAVE AND THE BOLD: BATMAN AND WONDER DOCTOR STRANGE: WOMAN #1 DAMNATION #1 DC ENTERTAINMENT MARVEL COMICS Dec17 Gem Page ROF COF.indd 1 11/9/2017 3:15:13 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Jimmy’s Bastards Volume 1 TP l AFTERSHOCK COMICS Dreadful Beauty: The Art of Providence HC l AVATAR PRESS INC 1 Jim Henson’s Labyrinth #1 l BOOM! STUDIOS WWE #14 l BOOM! STUDIOS Dejah Thoris #1 l D. E./DYNAMITE ENTERTAINMENT 1 Pumpkinhead #1 l D. E./DYNAMITE ENTERTAINMENT Is This Guy For Real? GN l :01 FIRST SECOND Battle Angel Alita: Mars Chronicle Volume 1 GN l KODANSHA COMICS Dead of Winter Volume 1: Good Good Dog GN l ONI PRESS INC. Devilman: The Classic Collection Volume1 GN l SEVEN SEAS ENTERTAINMENT LLC Your Black Friend and Other Strangers HC l SILVER SPROCKET Bloodborne #1 l TITAN COMICS Robotech Archive Omnibus Volume 1 GN l TITAN COMICS Disney·Pixar Wall-E GN l TOKYOPOP Bloodshot: Salvation #6 l VALIANT ENTERTAINMENT LLC BOOKS Doorway to Joe: The Art of Joe Coleman HC l ART BOOKS Neon Visions: The Comics of Howard Chaykin SC l COMICS Drawing Cute With Katie Cook SC l HOW-TO 2 Action Presidents -
2News Summer 05 Catalog
X-Men, Alpha Flight, and all related characters TM & © Marvel Characters, Inc. All Rights Reserved. 0 8 THIS ISSUE: INTERNATIONAL THIS HEROES! ISSUE: INTERNATIONAL No.83 September 2015 $ 8 . 9 5 1 82658 27762 8 featuring an exclusive interview with cover artists Steve Fastner and Rich Larson Alpha Flight • New X-Men • Global Guardians • Captain Canuck • JLI & more! Volume 1, Number 83 September 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTISTS Steve Fastner and Rich Larson COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Jack Abramowitz Martin Pasko Howard Bender Carl Potts Jonathan R. Brown Bob Rozakis FLASHBACK: International X-Men . 2 Rebecca Busselle Samuel Savage The global evolution of Marvel’s mighty mutants ByrneRobotics.com Alex Saviuk Dewey Cassell Jason Shayer FLASHBACK: Exploding from the Pages of X-Men: Alpha Flight . 13 Chris Claremont Craig Shutt John Byrne’s not-quite-a team from the Great White North Mike Collins David Smith J. M. DeMatteis Steve Stiles BACKSTAGE PASS: The Captain and the Controversy . 24 Leopoldo Duranona Dan Tandarich How a moral panic in the UK jeopardized the 1976 launch of Captain Britain Scott Edelman Roy Thomas WHAT THE--?!: Spider-Man: The UK Adventures . 29 Raimon Fonseca Fred Van Lente Ramona Fradon Len Wein Even you Spidey know-it-alls may never have read these stories! Keith Giffen Jay Williams BACKSTAGE PASS: Origins of Marvel UK: Not Just Your Father’s Reprints. 37 Steve Goble Keith Williams Repurposing Marvel Comics classics for a new audience Grand Comics Database Dedicated with ART GALLERY: López Espí Marvel Art Gallery . -
Comic-Con International
MONDAY, JULY 24, 2017 lifestyle MUSIC & MOVIES Moderator Chris Hardwick, foreground right, takes a selfie with from left, Ben Affleck, Ben Affleck speaks at the Warner Bros "Justice League" Moderator Chris Hardwick, left, speaks as Jason Momoa holds his Aquaman trident on Ezra Miller, Gal Gadot, and Ray Fisher at the Warner Bros "Justice League" panel on day panel on day three of Comic-Con International. stage at the Warner Bros "Justice League" panel on day three of Comic-Con International. three of Comic-Con International in San Diego. — AP photos Ben Affleck to fans: I’m still Batman, despite rumors en Affleck is still Batman. The actor shot down rumors November. “Let me be very clear. I am the luckiest guy in the completion of the film. Neither Snyder nor Whedon were at starring Momoa in the title role. A snippet of footage from the that he would be hanging up his cape for the stand- world. Batman is the coolest part in any universe, DC or Comic-Con, although Snyder tweeted Friday that he was James Wan-directed film, showed fishermen who are quite Balone Batman film, even though he recently ceded Marvel,” Affleck said. He wanted to knock down the idea that sending his best to the “Justice League” team. surprised when something under the water catches on to the directing responsibilities. Speaking to a crowd of about 6,500 he wasn’t committed to the character, even though he won’t The footage focused heavily on Gal Gadot’s Wonder hook and starts dragging the boat along. -
Imagine 2018-19
2 Valeria Rodriguez 3 “IMAGINE” Literary Magazine Harrison High School Harrison, New York 10528 2019 Edition Editor-in-Chief Brianna Jackman Editorial Board Michael Barletta Joanna Howson Ethan Piliero Jordan Blair Riley Korek Harrison Sakai Elisabeth Eiff Laura Nikolla Bryan Velasquez Anna Fitzpatrick Olivia Nelson Danielle Vella Front Cover Credit Alexa Burko Inside Cover Credit Valeria Rodriguez Advisor Mrs. Kimberly Maricevic Artwork Contributors Michael Barletta Ayana Kimijima Kimberly Reyes Jordan Blair Riley Korek Mason Rigor Isaque Brandao Jessica Leckart Josephine Robb Alexa Burko Vincent Longo Valeria Rodriguez Sonia Carrillo Brianna Martinez Madison Tuminaro Brianna Jackman Qasim Mehmood Danielle Vella Alison Kenny Caitlin Policarpio Leslie Yanez 4 Qasim Mehmood Letter from the Editors Here it is - our 2019 edition of Harrison High School’s literary magazine, Imagine. In the two years that have gone by since we changed the size of our magazine, it feels like we have finally grown into our own skin. Every year, we are doing more to earn our title as a “Student Run” publication. But, this year, like every year, we still hold the question heavy above us: What defines our magazine? The answer, we have found, is actually quite simple. It’s whatev- er the students submit. Whether it is a lighthearted poem or a heavy- handed narrative, the submissions we receive shape who we are. It is kind of unnerving going into the year not knowing where you will end up. Yet, at the same time, that openness makes us that much more con- nected to the voices around us. This year especially, the contributors to this magazine were more emotional. -
The Punisher
.' ..4' Players Manual Credits Game Design Programming Glenn Dill Glenn Dill Ann Gruss Andrew L. Miller Andrew L. Miller Mark Seremet Original Music Sound Effects Derek Schofield Glenn Dill Artwork Manual and Supplements Ann Gruss F.J. Lennon Steve Suhy Jack Kammer John Emory Package Design Package Copy Mark J. Ciola Gary T. Almes with John Emory Cover Illustration Juanita M. Bussard Mark Strutzman 1 THE PUNISHER Paragon Software Corporation 600 Rugh Street Greensburg, PA 15601 Technical Support: (412) 838-1173 Monday-Friday 8am-5pm Eastem Time General Office: (412) 838-1166 The Punisher, Kingpin and all Marvel characters and the distinctive likenesses thereof are Trademarks of the Marvel Entertainment Group, Inc. and are used with permission. Copyright @ 1990 Marvel Entertainment Group, Inc. All Rights Reserved THE PUNISHER is produced under license from the Marvel Entertainment Group, Inc. 2 TABLE OF CONTENTS Letter from Carl Potts, Creator of the Punisher ............................. 4 Why Frank Castle Became the Punisher ....................................... 6 Recommended Order of Play........................................................ 8 Objective of the Game.................................................................. 9 Tips & Hints.............................................................................. 10 Manhattan Street Numbering and Address System..................... 12 Game Play................................................................................. 13 Four Modes..................................................................... -
JUMP WISH-LIST Rules/Notes: Settings
JUMP WISH-LIST Rules/Notes: ● This list is solely for settings that don’t have jumps made yet. ● No jumps you want to see redone, I’m not going to go down this path. If there is any such setting mentioned on list, then as soon as it is pointed out to me, I’ll remove it. ● Settings already claimed will be either removed from list or have claim noted. I’ll accept info about claims only from the jump-maker who claimed it. ● I hope to maintain this list in such way that /tg/, SB and QQ communities can all check it out. If you don’t like something on it, just ignore it. After all, if jump is being made doesn’t mean you have to use it. Furthermore, we all have different tastes, be mindful of that. ● Fanfics will be listed separately. Some people like the idea of such jumps, some don’t. I might end up removing this section altogether just because it is so difficult to decide if certain fanfic would be acceptable for being turned into jump or not. ● Settings will be listed alphabetically within a genre, by their official name. Any other names will be included after that one. Please include genre and medium with any suggestions (e.g. KultHorror - Tabletop RPG; The Culture - Science Fiction - Novel) ● Rule of thumb – recommend settings that you would want to visit in order to interact with characters and storylines, not in order to get specific perks/powers/items. Settings: 0-9 ● 100, The (SF - TV Series) ● 300 (movies) ● 3x3 Eyes (manga) ● 7th Heaven (TV series) ● 9 (movie) ● 100 Bullets (vertigo) ● 11eyes (VN/anime) ● 2 Broke Girls (TV Series) -
By Keith Veronese
by Keith Veronese Comics Professionals Working in the Video Game Industry Foreword ......4 REBOOT: Comic Book Characters Make Their Way Into Video Games ......6 Jimmy Palmiotti ....14 Chris Bachalo ....20 Joe Casey ....24 Marv Wolfman ....28 Rick Remender ....32 Jason Temujin Minor ....40 John Layman ....46 Mike Deodato ....50 Mike Carey ....54 Trent Kaniuga ....58 Zander Cannon ....66 Beau Smith ....72 Jeffrey Moy ....78 Val Mayerik ....86 POWER-UP: Video Games Invade Comic Books ....90 Joshua Ortega ....94 Elliot S! Maggin ..104 Carl Potts ..110 Roy Thomas ..116 Gerry Conway ..120 Liam Sharp ..126 Tony Bedard ..130 GAME OVER?..134 REBOOT: Comic Book Characters Make their Way into VideoGames omic books and video games. Both are main- stays of adolescence for the past several decades, stalwarts that have survivedC the days of our youth to become mainstream entertainment for people of all ages. However, only in the past several years have their talent pools mingled, allowing for video game creations with the quality and depth of story necessary to convey the comic book experience. The Early Days The earliest comic book-based video game is 1978’s Superman, created by Atari for the Atari 2600, followed four years later by Parker Brothers’ Spider-Man for the same system. Neither games are anything to write home about, as both games feature blocky, nearly indecipherable graphics, but then again, that’s about all that was possible with the processing power of home consoles at the time. The graphics did not bother gamers, as they were happy to imagine themselves in the role of their favorite comic book heroes. -
The DC Comics Guide to Pencilling Comics - Klaus Janson
The DC Comics Guide to Pencilling Comics - Klaus Janson 128 pages - 0770434568, 9780770434564 - Klaus Janson - Potter/TenSpeed/Harmony, 2013 - The DC Comics Guide to Pencilling Comics - 2013 - America’s leading comic book publisher brings its superstar creators and classic characters to the second in an authoritative series of books on how to create comics. The art of Klaus Janson has endured in the ever-changing comic book industry for over 30 years. Now this talented artist brings that experience to the most critical step of effective comic book storytelling: pencilling.Covering everything from anatomy to composition to page design, Janson details the methods for creating effective visual communication. Step by step, he analyzes and demonstrates surefire strategies for comic book pencilling that are informative and exciting. Using DC’s world-famous characters, he illustrates the importance of knowing the fundamentals of art and how best to use them.The DC Comics Guide to Pencilling Comics is packed with a wealth of tested techniques, practical advice, and professional secrets for the aspiring artist. It is a valuable resource for comic book, graphic novel, and storyboard artists everywhere. file download pyre.pdf Freddie E Williams II - The DC Comics Guide to Digitally Drawing Comics - 144 pages - ISBN:9780823008322 - Art - Jul 9, 2013 - At lastthe first guide to drawing comics digitally! Artists! Gain incredible superpowers...with the help of your computer! The DC Comics Guide to Digitally Drawing Comics The David Okum - Draw fearless -
Contemporary American Comic Book Collection, Ca
http://oac.cdlib.org/findaid/ark:/13030/ft567nb3sc No online items Guide to the Contemporary American Comic Book Collection, ca. 1962 - ca. 1994PN6726 .C66 1962 Processed by Peter Whidden Department of Special Collections and University Archives 2002 ; revised 2020 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc PN6726 .C66 19621413 1 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Contemporary American Comic Book Collection Identifier/Call Number: PN6726 .C66 1962 Identifier/Call Number: 1413 Physical Description: 41 box(es)41 comic book boxes ; 28 x 38 cm.(ca. 6000 items) Date (inclusive): circa 1962 - circa 1994 Abstract: The collection consists of a selection of nearly 6000 issues from approximately 750 titles arranged into three basic components by publisher: DC Comics (268 titles); Marvel Comics (224 titles); and other publishers (280 titles from 72 publishers). Publication dates are principally from the early 1960's to the mid-1990's. Collection Scope and Content Summary The collection consists of a selection of nearly 6000 issues from approximately 750 titles arranged into three basic elements: DC Comics, Marvel Comics, and various other publishers. Publication dates are principally from the mid-1960's to the early 1990's. The first part covers DC titles (268 titles), the second part covers Marvel titles (224 titles), and the third part covers miscellaneous titles (280 titles, under 72 publishers). Parts one and two (DC and Marvel boxes) of the list are marked with box numbers. The contents of boxes listed in these parts matches the sequence of titles on the lists. -
International Viewbook
TO BE THE BEST, TRAIN WITH THE BEST! For more than 50 years, AMDA has been devoted to training the actor, singer and dancer for stage, film and television. AMDA has launched some of the most successful global careers of performers in theatre, film, television and dance. That’s because aspiring actors, singers and dancers from all over the world receive world-class training at AMDA. AMDA has two campuses—one in each of the entertainment capitals of the world: Los Angeles and New York City. AMDA College of the Performing Arts, located in the heart of Hollywood, offers Bachelor of Fine Arts (BFA) and Associate of Occupational Studies (AOS) degrees. The American Musical and Dramatic Academy, located in the prestigious Upper West Side of Manhattan, offers professional certificate programs with an option to apply to the AMDA Los Angeles campus to complete a BFA degree. 1 AMDA Facts and Figures Founded in 1964 as a musical theatre school emerging from the vibrant Manhattan arts scene in New York City Opened its Los Angeles campus located in the heart of Hollywood in 2003 A private, nonprofit institution of higher education Accredited by the National Association of Schools of Theatre (NAST) and licensed to operate by the states of New York and California Ranked #4 on Playbill Magazine’s list of colleges with the greatest number of graduates on Broadway in the 2018-19 season and #6 on the Niche.com list of Best Colleges for Performing Arts in America Four distinct BFA degree programs, three AOS degree programs, and three professional conservatory certificate programs allow students to choose their paths to success in the performing arts Partial financial support to approximately 95% of enrolled students, including international students Two Great Locations - New York City and Los Angeles are two of the most culturally and ethnically diverse cities in the United States.