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Fac 3.11, The Return of the Durutti Column, Raymond Pettibon, O.D a Hippie Legalize 1979 (des. Peter Saville). Heroin. Ban Hippies. (and New Yorkers), 1982. Section 25/ Quando Quango, The Ritz, New York (des. Lawrence Weiner). Raymond Pettibon, Black Flag, Turrrrrnnn Offff Thhe Raaaaaadio. I Donn’t Wwant To Lissten To Music, n.d. Parede lateral | Side wall Raymond Pettibon, Here’s the Backlash, Rough Trade Records, package tour flyer, 1982. Cabaret Voltaire /Klennex / The Raincoats, James Welling, Untitled, 1982. 1979. William S. Burroughs, Untitled, 1992. Gang of Four, Emerald City, Cherry Hill, NJ, Bombo, Sonic Youth (assinado | signed setlist, 1981. VELVETNIRVANA Steve Shelley, 2011). RDS / Ork Records presents The Feelies, COLEÇÃO COLLECTION ANTÓNIO NETO ALVES Pedro Fradique, Sonic Youth, Campo n.d. Pequeno, Lisboa, 1993. Gang Of Four /Pere Ubu / Delta 5, Oxford New Theatre, 1981. Cantos | Corners The Cure, Paramount Theatre, Seattle, 1984. Rita Carmo, Nirvana, Cascais, 1994. New Order, The Haçienda, Manchester, 1986. PAVILHÃO BRANCO The Smiths, The Haçienda, Manchester, n.d. Vitrine | Display case John Cooper – Clark / The Fall, The Russell The Durutti Column, The Return of The Club, Hulme, 1978. Durutti Column, vinil com um flexidisc de | vinyl record with a flexi disc by Martin Raymond Pettibon, Black Flag, Twillight 18.07 • 27.09.2020 Hannet, 1980. Room, Austin, 1984. Fanzine Leitmotiv, Lisboa, 1980. Raymond Pettibon, Black Flag, The Mabuhay, an Francisco, 1980. Vinil Punk Rock’77 / New Wave ‘77, Pirate Dream Records, Lisboa, 1977. Encontra-se disponível no Spotify uma playlist A Spotify playlist entitled velvetnirvana is available intitulada velvetnirvana com mais de cinquenta online. The playlist features more than fifty hours CURADORIA CURATED BY: MIGUEL VON HAFE PÉREZ horas de música em torno do universo referido na of music across the universe presented in this exposição. exhibition. GALERIAS MUNICIPAIS – PAVILHÃO BRANCO Jardins do Museu de Lisboa Museu de Lisboa Gardens Campo Grande, 245 Terça a domingo 14h30-19h Tuesday to Sunday 2.30-7pm +351 211 941 466 www.galeriasmunicipais.pt 8 SALA 1 | GALLERY 1 The Velvet Underground / Wilkinson’s THE Germs, (des.Shawn Kerri), c. 1980. Coum Tranmissions (Genesis P-Orridge e | Tricycle, The Boston Tea Party, Boston, and Cosey Fanni Tutti), 1973. Weirdos, Starwood, Los Angeles, 1981. Velvet Underground Massachusetts, 1969 (des. Bob Driscoll). Yes Coum are Fab and Kinky (des. Genesis Cynthia Black, artes finais para o single | final The Velvet Underground, The Boston P-Orridge), 1971. design proofs for the single The Modern Tea Party Birthday Party, 1969 (des. Bob Parede do fundo | Rear wall Dance de Pere Ubu, 1977. Throbbing Gristle, Centro Iberico, London, Driscoll). 1979. The Velvet Underground / Quicksilver Pere Ubu/Pop Group, Theatre 140, Bruxelles, The Velvet Underground / Holy Modal Messenger Service Hippodrome, San Diego, 1978. Press Release, Throbbing Gristle, 1980. Rounders, The Boston Tea Party, Boston, 1968 (des. Rebecca Galdeano). 1969 (des. David Lang). The Only Ones, Planet Tour, 1978 (des. Andy Warhol and His Plastic Inevitable / The Kavanagh). The Velvet Underground / Tim Buckley / All Velvet Underground and Nico /The Mothers, Transição para a sala 4 | Transition to Men Joy, Avalon Ballroom, San Francisco, Dead Kennedys, Riverside Ballroom, Green Fillmore Auditorium, San Francisco, 1966 Gallery 4 1968 (des. Paul Kagan). Bay, Wisconsin, 1985. (des. Wes Wilson). Paulo Nozolino, Brixton, London, 1979; Iron Butterfly / The Velvet Underground Versão II, 2020. Andy Warhol and His Plastic Inevitable / The / Chrome Cyrcus, Avalon Ballroom, San Velvet Underground and Nico /The Mothers, Vitrine | Display case Francisco, 1968. Fillmore Auditorium, San Francisco, 1966 John Holmstrom, insert do livro | insert to the (des. Wes Wilson). The Velvet Underground / Chambers publication Roberta Bayley, Punk Magazine Brothers, Shrine Exposition Hall, Los The Velvet Underground, Avalon Ballroom, Portfolio. SALA 4 | GALLERY 4 Angeles, 1968 (des. John Van Hamersveld). San Francisco, 1968. Punk magazine, Vol.1, Nr.1, Jan. 1976, capa The Velvet Underground, Springer’s Hall, Pós? | Post? The Velvet Underground / Beacon Street com ilustração (Lou Reed) | illustrated cover Portland, 1969. Union, The Boston Tea Party, Boston, 1967 (Lou Reed) de | by John Holmstrom. (des. D. Arthur Hahn). The Velvet Underground / Ramon Ramon Punk magazine (insert do livro | insert to Parede ao fundo | Rear wall & The Four Daddyos / Water Brothers, The The Velvet Underground / Ferris Wheel, the publication by Roberta Bayley, Punk Vulcan Gas Company, Austin, 1969 (des. Jim Kevin Cummins, Ian Curtis from Joy Division, The Boston Tea Party, Boston, 1967 (des. D. Magazine Portfolio). Franklin). The Russell Club (The Factory), Manchester, Arthur Hahn). D.O.A., setlist, 1981. 1979. The Velvet Underground / Danny Cox / Andy Warhol’s Velvet Underground, The Maximum Speed / John Adams / Family Pere Ubu / The Brain Police / Destroy All Joy Division, Astoria, Edinburgh, 1980. Boston Tea Party, Boston, 1967. Dog, San Francisco, California, 1969. Monsters, Second Chance, Ann Arbor, 1979. Joy Division, Factory, Manchester, 1979 (des. Andy Warhol’s The Exploding Plastic The Velvet Underground / Fat / Barry T & Página 7 (artes finais) de | page 7 final proofs Jon Savage). Inevitable with The Velvet Underground & The Studebakers, The Paramount Theater, of Ghast Up fanzine Issue 3, 1977 (fot. Kevin Nico, Music Hall Ballroom, Cincinnati, 1966 Joy Division / The Passage, The Venue, Springfield, 1970 (des. Steve Nelson). Cummins). (des. Krody). Manchester, 1978. The Velvet Underground, The Max’s Kansas The Velvet Underground / MC5, The Boston Joy Division / Ian Jameson, The Mayflower City, New York, 1970 (des. Steve Nelson). Tea Party, Boston, 1968 (des. Steve Nelson). Canto | Corner Club, Manchester, 1978. The Velvet Underground, The Woodrose The Velvet Underground, The Boston Tea Colagem de Genesis P-Orridge para a New Order, Movement, promo poster, Ballroom, Deerfield, 1969. Party, Boston, 1968 (des. Bob Driscoll). exposição de Coum Transmissions intitulada Factory Edition, 1981 (des. Peter Saville). Prostitution | Collage by Genesis P-Orridge The Velvet Underground / The New Order / Quando Quango, Paradise for Coum Transmissions’s Prostitution show, Hallucinations / Bo Grumpus, The Boston Parede lateral | Side wall Garage, New York, 1983 (des. Lawrence ICA, London, 1976. Tea Party, Boston, 1968 (des. David Lang). Weiner). Adam Ritchie, The Velvet Underground, Lou Flyer para a exposição | exhibition flyer: The Byrds / Velvet Underground, The Reed and John Cale, Cafe Bizarre, New York, New Order, Kilburn Ballroom, London, 1982. Prostitution de | by Coum Transmissions, Boston Tea Party, 1969 (des. Eric Engstrom). 1965. ICA, London, 1976. Josef K, The Only Fun in Town promo poster, 1981. 2 7 Todd Smith, Patti Smith (my nose got hit w/ XTC / Jools Holland and his Millionaires, Adam Ritchie, The Velvet Underground (Lou Cale e | and Lou Reed, respetivamente | Lennys guitar), 1975. Hollywood Paladium, Los Angeles, 1982. Reed, Sterling Morrison, John Cale), 1965. respectively. Mark Weiss, Patti Smith, 1978. The Clash / Bo Diddley, Santa Monica Civic Andy Warhol, Up-Tight Film-Makers Aspen: Vol. 1, No. 3, 1966 (des. Andy Warhol/ Auditorium, 1979. Cinematheque, New York, 1966 (des. Paul David Dalton), 1966. Com contribuições de Patti Smith, The Boarding House, San Morrisey). | Contributions by Andy Warhol, Willem de Francisco, 1975. The Who / The Clash, Memorial Coliseum, Kooning, Roy Lichtenstein, Claes Oldenburg, Los Angeles, 1982. The Velvet Underground and Nico, Patti Smith, Piss Factory / Hey Joe, ed. Mer, Ernest Trova, Kenneth Noland, Gerald Laing, Exclusively on MGM Records, n.d. 1974. Bob Gruen, The Clash, 1982. Jasper Johns, James Rosenquist, Lou Reed, Lisa Law, The Velvet Underground, Los e | and Timothy Leary. Television, Little Johnny Jewel, ed. Ork Angeles, 1966. Records, 1975. Andy Warhol, Index (book), New York: Parede lateral | Side wall Stephen Shore, Lou Reed, Factory, New Random House, 1967. White Trash, Christopher Makos, Published (vitrine grande | large angled display case): York, 1966. by Stonehill Publishing Company, New York, 1977. Roberta Bayley, Punk Magazine Portfolio, Billy Name, Exploding Plastic Inevitable, The Amsterdam/New York: Aenigma/Kunst Dome, New York, 1966. Editions. 2002. Aes-Nihil, The Velvet Underground live at the SALA 2 | GALLERY 2 (parede | wall mounted above display case): Matrix, San Francisco, 1969. Nova Iorque experimental | New York SALA 3 | GALLERY 3 Leee Black Childers, Iggy Pop, Detroit, 1973. Aes-Nihil, The Velvet Underground live at the experimental Matrix, San Francisco, 1969. Incandescência punk | Punk Leee Black Childers, Iggy Pop, New York, 1973. Foto promocional do album | promotional Incandescence photo for the album White Light/White Heat, Parede do fundo | Rear wall Danny Fields, Ron Asheton, James 1968. Williamson, Iggy Pop, 1973. Michael Zagaris, Lou Reed, 1974. Parede do fundo | Rear wall Billy Name, The Velvet Underground, 1969. Iggy Pop and the Stooges / The Tubes Dustin Pittman, Lou Reed, 1974. Screamers, Hurrah, New York, 1979 (des. Columbus Ave , New York, 1974. The Velvet Underground, Sunn Amplifiers, Lou Reed / Gothic Horizon, Market Square, Gary Panter). c.1969. John Holmstrom, promo para | promo for Aylesbury, 1972. Screamers, Beaver Hall, Portland, 1978 (des. ‘Punk Magazoon’, 1976. Ebet Roberts, Nico, 1979. Gary Panter). Cantos | Corners Ramones, Rocket
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