Fac 3.11, The Return of the Durutti Column, Raymond Pettibon, O.D a Hippie Legalize 1979 (des. Peter Saville). Heroin. Ban Hippies. (and New Yorkers), 1982. Section 25/ Quando Quango, The Ritz, New York (des. Lawrence Weiner). Raymond Pettibon, Black Flag, Turrrrrnnn Offff Thhe Raaaaaadio. I Donn’t Wwant To Lissten To Music, n.d. Parede lateral | Side wall Raymond Pettibon, Here’s the Backlash, Rough Trade Records, package tour flyer, 1982. Cabaret Voltaire /Klennex / The Raincoats, James Welling, Untitled, 1982. 1979. William S. Burroughs, Untitled, 1992. Gang of Four, Emerald City, Cherry Hill, NJ, Bombo, Sonic Youth (assinado | signed setlist, 1981. VELVETNIRVANA Steve Shelley, 2011). RDS / Ork Records presents The Feelies, COLEÇÃO COLLECTION ANTÓNIO NETO ALVES Pedro Fradique, Sonic Youth, Campo n.d. Pequeno, Lisboa, 1993. Gang Of Four /Pere Ubu / Delta 5, Oxford New Theatre, 1981. Cantos | Corners The Cure, Paramount Theatre, Seattle, 1984. Rita Carmo, Nirvana, Cascais, 1994. New Order, The Haçienda, , 1986. PAVILHÃO BRANCO , The Haçienda, Manchester, n.d. Vitrine | Display case John Cooper – Clark / The Fall, The Russell The Durutti Column, The Return of The Club, Hulme, 1978. Durutti Column, vinil com um flexidisc de | vinyl record with a flexi disc by Martin Raymond Pettibon, Black Flag, Twillight 18.07 • 27.09.2020 Hannet, 1980. Room, Austin, 1984. Fanzine Leitmotiv, Lisboa, 1980. Raymond Pettibon, Black Flag, The Mabuhay, an Francisco, 1980. Vinil ’77 / New Wave ‘77, Pirate Dream Records, Lisboa, 1977.

Encontra-se disponível no Spotify uma playlist A Spotify playlist entitled velvetnirvana is available intitulada velvetnirvana com mais de cinquenta online. The playlist features more than fifty hours CURADORIA CURATED BY: MIGUEL VON HAFE PÉREZ horas de música em torno do universo referido na of music across the universe presented in this exposição. exhibition.

GALERIAS MUNICIPAIS – PAVILHÃO BRANCO Jardins do Museu de Lisboa Museu de Lisboa Gardens Campo Grande, 245 Terça a domingo 14h30-19h Tuesday to Sunday 2.30-7pm +351 211 941 466 www.galeriasmunicipais.pt

8 SALA 1 | GALLERY 1 The Velvet Underground / Wilkinson’s THE Germs, (des.Shawn Kerri), c. 1980. Coum Tranmissions (Genesis P-Orridge e | Tricycle, The Boston Tea Party, Boston, and Cosey Fanni Tutti), 1973. Weirdos, Starwood, Los Angeles, 1981. Velvet Underground Massachusetts, 1969 (des. Bob Driscoll). Yes Coum are Fab and Kinky (des. Genesis Cynthia Black, artes finais para o single |final The Velvet Underground, The Boston P-Orridge), 1971. design proofs for the single The Modern Tea Party Birthday Party, 1969 (des. Bob Parede do fundo | Rear wall Dance de Pere Ubu, 1977. Throbbing Gristle, Centro Iberico, London, Driscoll). 1979. The Velvet Underground / Quicksilver Pere Ubu/Pop Group, Theatre 140, Bruxelles, The Velvet Underground / Holy Modal Messenger Service Hippodrome, San Diego, 1978. Press Release, Throbbing Gristle, 1980. Rounders, The Boston Tea Party, Boston, 1968 (des. Rebecca Galdeano). 1969 (des. David Lang). The Only Ones, Planet Tour, 1978 (des. and His Plastic Inevitable / The Kavanagh). The Velvet Underground / Tim Buckley / All Velvet Underground and /The Mothers, Transição para a sala 4 | Transition to Men Joy, Avalon Ballroom, San Francisco, Dead Kennedys, Riverside Ballroom, Green Fillmore Auditorium, San Francisco, 1966 Gallery 4 1968 (des. Paul Kagan). Bay, Wisconsin, 1985. (des. Wes Wilson). Paulo Nozolino, Brixton, London, 1979; Iron Butterfly / The Velvet Underground Versão II, 2020. Andy Warhol and His Plastic Inevitable / The / Chrome Cyrcus, Avalon Ballroom, San Velvet Underground and Nico /The Mothers, Vitrine | Display case Francisco, 1968. Fillmore Auditorium, San Francisco, 1966 John Holmstrom, insert do livro | insert to the (des. Wes Wilson). The Velvet Underground / Chambers publication Roberta Bayley, Punk Magazine Brothers, Shrine Exposition Hall, Los The Velvet Underground, Avalon Ballroom, Portfolio. SALA 4 | GALLERY 4 Angeles, 1968 (des. John Van Hamersveld). San Francisco, 1968. Punk magazine, Vol.1, Nr.1, Jan. 1976, capa The Velvet Underground, Springer’s Hall, Pós? | Post? The Velvet Underground / Beacon Street com ilustração (Lou Reed) | illustrated cover Portland, 1969. Union, The Boston Tea Party, Boston, 1967 (Lou Reed) de | by John Holmstrom. (des. D. Arthur Hahn). The Velvet Underground / Ramon Ramon Punk magazine (insert do livro | insert to Parede ao fundo | Rear wall & The Four Daddyos / Water Brothers, The The Velvet Underground / Ferris Wheel, the publication by Roberta Bayley, Punk Vulcan Gas Company, Austin, 1969 (des. Jim Kevin Cummins, from , The Boston Tea Party, Boston, 1967 (des. D. Magazine Portfolio). Franklin). The Russell Club (), Manchester, Arthur Hahn). D.O.A., setlist, 1981. 1979. The Velvet Underground / Danny Cox / Andy Warhol’s Velvet Underground, The Maximum Speed / John Adams / Family Pere Ubu / The Brain Police / Destroy All Joy Division, Astoria, Edinburgh, 1980. Boston Tea Party, Boston, 1967. Dog, San Francisco, California, 1969. Monsters, Second Chance, Ann Arbor, 1979. Joy Division, Factory, Manchester, 1979 (des. Andy Warhol’s The Exploding Plastic The Velvet Underground / Fat / Barry T & Página 7 (artes finais) de |page 7 final proofs Jon Savage). Inevitable with The Velvet Underground & The Studebakers, The Paramount Theater, of Ghast Up fanzine Issue 3, 1977 (fot. Kevin Nico, Music Hall Ballroom, Cincinnati, 1966 Joy Division / The Passage, The Venue, Springfield, 1970 (des. Steve Nelson). Cummins). (des. Krody). Manchester, 1978. The Velvet Underground, The Max’s Kansas The Velvet Underground / MC5, The Boston Joy Division / Ian Jameson, The Mayflower City, New York, 1970 (des. Steve Nelson). Tea Party, Boston, 1968 (des. Steve Nelson). Canto | Corner Club, Manchester, 1978. The Velvet Underground, The Woodrose The Velvet Underground, The Boston Tea Colagem de Genesis P-Orridge para a New Order, Movement, promo poster, Ballroom, Deerfield, 1969. Party, Boston, 1968 (des. Bob Driscoll). exposição de Coum Transmissions intitulada Factory Edition, 1981 (des. Peter Saville). Prostitution | Collage by Genesis P-Orridge The Velvet Underground / The New Order / Quando Quango, Paradise for Coum Transmissions’s Prostitution show, Hallucinations / Bo Grumpus, The Boston Parede lateral | Side wall Garage, New York, 1983 (des. Lawrence ICA, London, 1976. Tea Party, Boston, 1968 (des. David Lang). Weiner). Adam Ritchie, The Velvet Underground, Lou Flyer para a exposição | exhibition flyer: The Byrds / Velvet Underground, The Reed and John Cale, Cafe Bizarre, New York, New Order, Kilburn Ballroom, London, 1982. Prostitution de | by Coum Transmissions, Boston Tea Party, 1969 (des. Eric Engstrom). 1965. ICA, London, 1976. Josef K, The Only Fun in Town promo poster, 1981.

2 7 Todd Smith, Patti Smith (my nose got hit w/ XTC / Jools Holland and his Millionaires, Adam Ritchie, The Velvet Underground (Lou Cale e | and Lou Reed, respetivamente | Lennys guitar), 1975. Hollywood Paladium, Los Angeles, 1982. Reed, Sterling Morrison, John Cale), 1965. respectively. Mark Weiss, Patti Smith, 1978. / Bo Diddley, Santa Monica Civic Andy Warhol, Up-Tight Film-Makers Aspen: Vol. 1, No. 3, 1966 (des. Andy Warhol/ Auditorium, 1979. Cinematheque, New York, 1966 (des. Paul David Dalton), 1966. Com contribuições de Patti Smith, The Boarding House, San Morrisey). | Contributions by Andy Warhol, Willem de Francisco, 1975. The Who / The Clash, Memorial Coliseum, Kooning, Roy Lichtenstein, Claes Oldenburg, Los Angeles, 1982. The Velvet Underground and Nico, Patti Smith, Piss Factory / Hey Joe, ed. Mer, Ernest Trova, Kenneth Noland, Gerald Laing, Exclusively on MGM Records, n.d. 1974. Bob Gruen, The Clash, 1982. Jasper Johns, James Rosenquist, Lou Reed, Lisa Law, The Velvet Underground, Los e | and Timothy Leary. Television, Little Johnny Jewel, ed. Ork Angeles, 1966. Records, 1975. Andy Warhol, Index (book), New York: Parede lateral | Side wall Stephen Shore, Lou Reed, Factory, New Random House, 1967. White Trash, Christopher Makos, Published (vitrine grande | large angled display case): York, 1966. by Stonehill Publishing Company, New York, 1977. Roberta Bayley, Punk Magazine Portfolio, Billy Name, Exploding Plastic Inevitable, The Amsterdam/New York: Aenigma/Kunst Dome, New York, 1966. Editions. 2002. Aes-Nihil, The Velvet Underground live at the SALA 2 | GALLERY 2 (parede | wall mounted above display case): Matrix, San Francisco, 1969. Nova Iorque experimental | New York SALA 3 | GALLERY 3 Leee Black Childers, , Detroit, 1973. Aes-Nihil, The Velvet Underground live at the experimental Matrix, San Francisco, 1969. Incandescência punk | Punk Leee Black Childers, Iggy Pop, New York, 1973. Foto promocional do album | promotional Incandescence photo for the album White Light/White Heat, Parede do fundo | Rear wall , Ron Asheton, James 1968. Williamson, Iggy Pop, 1973. Michael Zagaris, Lou Reed, 1974. Parede do fundo | Rear wall Billy Name, The Velvet Underground, 1969. Iggy Pop and / The Tubes Dustin Pittman, Lou Reed, 1974. Screamers, Hurrah, New York, 1979 (des. Columbus Ave , New York, 1974. The Velvet Underground, Sunn Amplifiers, Lou Reed / Gothic Horizon, Market Square, Gary Panter). c.1969. John Holmstrom, promo para | promo for Aylesbury, 1972. Screamers, Beaver Hall, Portland, 1978 (des. ‘Punk Magazoon’, 1976. Ebet Roberts, Nico, 1979. Gary Panter). Cantos | Corners , Rocket to Russia, 1977. John Rowlands, from the Station to Station Public Image Limited / Squezze, Universal Nat Finkelstein, Andy Warhol, 1966. Sparks / Three O’Clock / Ramones / tour, 1976. Amphitheatre, Los Angeles, c.1982. Stranglers / X / Berlin, Kabuki Nightclub, San Billy Name, John Cale, Betsey Johnson Mick Rock, , 1973. Public Image Limited, Hollywood Paladium, Francisco, 1983. Wedding Day, 1968. Los Angeles, 1983. New York Dolls, N, 1973. Benefit for Search & Destroy: The Dils / Gerard Malanga, Edie Sdgwick, 1966. , poster original banido | original UXA / Crime / The Sleepers, Mabuhay, San New York Dolls, The Boston Armory, 1974. Nat Finkelstein, Edie Sedgwick, 1966. banned poster for The Great Rock’n’Roll Francisco, 1978. New York Dolls, Auditorium South Hall, Swindle, 1977 (des. Jamie Reid). The Crime / Dils / Uxa, Mabuhay Gardens, Memphis, 1973. Jamie Reid, arte finais para o single | final San Francisco, 1977 (des. James Stark). Vitrine | Display case Suicide, OK Harris, New York, 1972. proofs for Pretty Vacant dos | by Sex Pistols, Sonic’s Rendez Vous Band / Mugsy / Destroy The Velvet Underground & Nico produced by 1977. Suicide, Tiffany‘s, Edinburgh, 1978. All Monsters, Second Chance, Ann Arbor, Andy Warhol. Vinil: versões de 1967 e 1968 Vivienne Westwood / Malcolm McLaren, 1977. (com sticker a tapar fotografia de Emerson Television/Blondie, Colston Hall, 1977. God Save the Queen GSTQ t-shirt, 1977. | feat. a sticker covering the photo of The Replacements / Paris Working / Neats / Television, CBGB, 1974. Emerson) e edições posteriores assinadas XTC, (bilhetes para | tickets for) Sex Pistols, Original Position, Keystone, n.d. por | and previous editions signed by John Nikkers, Keighley, 1977.

6 3 Television/The Ramones, The Truck and Jonathan Richman, The Paradiso, Glenn Branca, Symphony nr. 3 (Gloria), Patti Smith, poema gráfico |graphic poem, Warehouse Theatre, 1974 (fot. Bob Gruen). Amsterdam, 1979. Brooklyn Academy of Music, New York, 1971. 1983. & Voidoids, CBGB, 1978 (des. Alex Chilton, Lower Manhattan Ocean Club, Leee Black Childers, Patti Smith, 1975. Richard Hell). 1977. The Static, New York, 1978 (des. Glenn Robert Mapplethorpe, Patti Smith, 1987. Branca). Patti Smith / Television, Max’s Kansas City, Talking Heads U.S. Tour, Greek Theatre, Los Patti Smith, Gerard Malanga, St. Marks New York, 1974 (des. Richard Hell). Angeles, 1983. The Static, Max’s Kansas City, New York, Church, 1971. 1979 (des. Glenn Branca). Roberta Bayley, , 1976. Talking Heads, New Yorker Theater, Toronto, Leee Black Childers, Tom Verlaine and Patti 1977. The Static, 1979 (des. Glenn Branca). Ramones / The Heartbreakers, Sea of Smith, n.d. Clouds Club, New York, 1975. Roberta Bayley, Tina Waymouth, Talking The Static / Dan Graham, Riverside Studios, Godlis, Patti Smith, Bowery, New York, 1976. Heads, 1976. London, 1979 (des. Glenn Branca). Richard Hell and the Voidoids, Austin, Texas, Patti Smith, Silver Dollar Saloon, Michigan, 1976. Television / Talking Heads, CBGB, 1976. Glenn Branca, The Kitchen, New York, 1980. 1976. The Heartbreakers, Phase 5, Elmwood Park, David Byrne, Talking Heads, Letter to Philip Glenn Branca, Original script for Symphony Patti Smith Drawings / Robert Mapplethorpe New Jersey, 1975. Milstein, 1977. nr. 6, 1989. Film and Stills, Robert Miller Gallery, 1978. The Heartbreakers, Max’s Kansas City, New Fotografia inserida no livro |photograph Fripp & Eno, Assembly Hall, Tunbridge Wells, Sue Rynski, Fred Sonic Smith and Patti York, 1976. insert for the publication White Trash, 1975. Smith, 1978. Christopher Makos, Published by Stonehill Roberta Bayley, Richard Hell, 1976. Leee Black Childers, Brian Eno, 1974. Publishing Company, New York, 1977. Roberta Bayley, Richard Hell, 1978. Jim Carrol, Catholic Boy, letra original, Vitrine | Display case Blondie / Buzzcocks, Ancienne Belgique, anotada | original annotated lyrics, 1979. Cantos | Corners Lou Reed, The Lonely Woman Quarterly, 1978. Teenage Jesus and the Jerks, promo do John Cale, Sabotage Tour, 1979. 1962. Blondie, The Whisky, Los Angeles, 1977. single | single promo of Orphans, 1978. John Cale, Fragments of a Rainy Season, Lou Reed, All the Pretty People, Stimula Television / Blondie, Jason ULB, Teenage Jesus and the Jerks, prova de artes 1992 (des. Joseph Kosuth). Books, 1976. Brussels,1977. finais do álbum |final álbum design proofs, Pennie Smith, James White, 1982. Patti Smith, A Useless Death, Gotham Book 1979. Leee Black Childers, Debby Harry, CBGB, Mart & Gallery, 1972. Godlis, CBGB, New York, 1977. 1975. Lydia Lunch, 1978. Seventh Heaven, Patti Smith, Telegraph Roberta Bayley, The Palladium, New York, Chris Stein, Debby Harry, c.1973/74. George DuBose, Lydia Lunch, 1979. Books, 1972. 1978. Teenage Jesus and the Jerks, Max’s Kansas Patti Smith, Der siebente Himmel, Eco- Godlis, Lester Bangs, 1978. City, New York, 1978. Verlag, 1978. Parede lateral maior | Larger side wall Teenage Jesus and The Jerks, 1978 (fot. The Night / La Nuit, Patti Smith and Tom Blank Generation, A film by Amos Poe & Ivan Godlis, des. Charles Ball). Parede lateral menor | Shorter side wall Verlaine, Edition Fear Press, 1976. Kral, Second Chance, Ann Arbor, 1978. Teenage Jesus and the Jerks, 1978 (des. Jim Carroll / Patti Smith, St. Marks Church, The Night, Patti Smith and Tom Verlaine, Blank Generation, A film by Amos Poe & Ivan Julia Gorton). New York, 1972. Aloes Books, 1976. Kral, 1976. Richard Kern, Lydia Lunch e Eugene Patti Smith, Tohill Center Theater, Rowan Patti Smith, Ha! Ha! Houdini, Gotham Book Max’s Easter Rock Festival, Max’s Kansas Robinson, c. 1980. University, 1975. Mart, 1977. City, New York, 1976. Glenn Branca, Symphony nr. 1 (Tonal Plexus), Patti Smith, Mon vieux lucien, poema gráfico | Lip Magazine, Middle Earth Book, Fantabulous New York Rock Party, New Performing Garage, New York, 1981. graphic poem, 1973. Philadelphia, 1972. York, 1976. Glenn Branca, Symphony nr. 2 (The Peak of Patti Smith, Silver Dollar Saloon, Michigan, Mark Weiss, Patti Smith, 1978. Jonathan Richman / Modern Lovers Tour, the Sacred), St. Marks Church, New York, 1976. circa 1978. 1982. 4 5