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MEMORY OF THE CITY Izložba BLUEPRINT umetnice Dušice Dražić Kulturni centar Beograda The exhibition BLUEPRINT by Dušice Dražić Cultural Centre of Belgrade 17. 08 - 01. 09. 2011. MEđUNARODNI SIMPOZIJUM SEĆANJE GRADA Kulturni centar Beograda InternAtiONAL SYMPOsiuM MEMORY OF THE CITY Cultural Centre of Belgrade 12. 09 - 13. 09. 2011. RADIONICE WORKSHOPS septembar september 2011 / januar january 2012. Hvala Thanks Učesnicima i učesnicama radionica Participants in the Workshops David Brbaklić, Ivan Đikanović, Andrej Josifovski, Nikola Jovanović, Milan Kulić, Milica Macanović, Milica Pavlović, Marko Pejčić, Marko Samardžić, Milica Simić, Hristina Tošić, Stefan Vasić, Nevena Vuksanović Učesnicima i učesnicama međunarodnog simpozijuma Participants of the International Symposium Mrđan Bajić, Katharina Blaas Pratscher, Milena Dragićević Šešić, Zoran Erić, Aleksandra Fulgosi, Aleksandar Ignjatović, Bertrand Levy, Olga Manojlović Pintar, Milorad Mladenović, Mustafa Musić, Ljiljana Radonić, Rena Raedle, Nenad Žarković Pojedincima i institucijama Individuals and Institutions Radоš Antonijević, Aleksandra Estela Bjelica Mladenović, Mia David, Milutin i Dragana Dražić, Miroslav Karić, Zoran Kuzmanović, Goran Micevski, Monika Mokre, Ana Nedeljković, Aleksandar Stanojlović, Boba Mirjana Stojadinović, Miloš Tomić, Dejan Vasović, Arhitektonski fakultet u Beogradu Faculty of Architecture in Belgrade, JKP Zelenilo- Beograd, Kulturni centar Beograda Cultural Centre of Belgrade, Sekretarijat za saobraćaj Grada Beograda - Direkcija za puteve Secreteriat for Transport of the City of Belgrade Organizacijama i fondacijama na podršci Organizations and foundations for the support Austrijski kulturni forum Beograd Austrian Cultural Forum Belgrade | ERSTE Fondacija ERSTE Foundation | Fond za otvoreno društvo - Srbija Fund for an Open Society - Serbia | GO Vračar Municipality of Vračar | Ministarstvo kulture, informisanja i informacionog društva Republike Srbije Ministry of Culture, Media and Information Society of the Republic of Serbia | Švajcarski savet za umetnost The Swiss Arts Council Pro Helvetia 2 O publikaciji About the publication Publication Memory of the City is a result Publikacija Sećanje grada predstavlja of the eponymous project and in the same istovremeno jedan od rezultata istoime- time the dossier on the activities that were nog projekta i dosije o aktivnostima reali- realized within the project. zovanim u okviru njega. Envisaged as a means of documenting the Zamišljena kao sredstvo dokumentovanja whole process of the project realization and procesa realizacije projekta i diseminaci- disseminating the knowledge and experiences je saznanja i iskustava stečenih u toku gained through its implementation, the struc- njegove implementacije, publikacija svo- ture of the publication is based on following jom strukturom prati tok i hronologiju the chronology and flow of the project. Its projekta. Sadržaj je organizovan u tri za- content is organized in three parts, each one sebne celine od kojih je svaka posvećena dedicated to the particular project activity. određenoj projektnoj aktivnosti. The project Memory of the City is initi- Projekat Sećanje grada inicirale su Dušica ated by Dušica Dražić, Slavica Radišić and Dražić, Slavica Radišić i Marijana Simu. Marijana Simu. Projekat su realizovali Kulturklammer The project is organized by Kulturklammer i Brunch u saradnji sa Kulturnim cen- and Brunch, in partnership with the Cul- trom Beograda. tural Centre of Belgrade. 3 Sadržaj Content O projektu “Sećanje grada” ......................................................................................................... 6 About the Project “Memory of the City” Marijana Simu Blueprint ....................................................................................................... 14 Blueprint ....................................................................................................... 16 Slavica Radišić Radionica Ane Nedeljković ....................................................................................................... 26 Workshop by Ana Nedeljković Umetnik kao publika ....................................................................................................... 30 An Artist as the Audience Boba Mirjana Stojadinović POLITIKE I PRAKSE OčUVANJA ....................................................................................................... 50 I UKLJUčIVANJA SEĆANJA U RAZVOJ GRADA POLiciES anD PRacticES OF THE MEmoRY PRESERVation anD intEGRation in THE citY’S DEVELopmEnt Međunarodni simpozijum “Sećanje grada” ....................................................................................................... 52 International Symposium “Memory of the City” Marijana Simu 4 Politike sećanja i izgradnja spomenika u Jugoistočnoj Evropi ....................................................................................................... 70 Memory Policies and Monument Building in Southeastern Europe Milena Dragićević Šešić Sećanje kao polje političkog delovanja u kontekstu ....................................................................................................... 96 “evropeizacije sećanja” Memory as a Political Field of Action in the Context of the “Europeanization of Memory” Ljiljana Radonić Preobražaji trga Slavija u Beogradu: istorija, sećanje i .................................................................................................... 120 konstrukcija identiteta Transformations of the Slavija Square in Belgrade: History, Memory and Construction of Identity Aleksandar Ignjatović, Olga Manojlović Pintar Gradski trg kao mesto istorije, sećanja i identiteta .................................................................................................... 156 Urban Square as the Place of History, Memory, Identity Bertrand Levy Umetnost pamćenja prošlosti .................................................................................................... 174 Art to Remember the Past Katharina Blaas Pratscher Skrivene ekonomije oko Trga Slavija .................................................................................................... 190 Hidden Economies Around Slavija Square Zoran Erić RADIonICE WOrkshOps .................................................................................................... 204 Kurs Sećanje grada, Arhitektonski fakultet Beograd .................................................................................................... 206 Course Memory of the city, Faculty of Architecture, Belgrade Milorad Mladenović, Slavica Radišić Studentski radovi Students’ projects .................................................................................................... 216 Biografije Biographies .................................................................................................... 242 Indeks fotografija Photo index .................................................................................................... 250 Impresum Impressum .................................................................................................... 254 O projektu “Sećanje grada” About the Project “Memory of the City” MARIJANA SIMU ispred autorskog tima projekta in front of the authors team Prevela sa srpskog Translated from Serbian by MARIJANA SIMU Kontekst Context Tokom poslednjih nekoliko decenija ve- During the last few decades a large number liki broj gradova je svoj razvoj zasnovao of cities based their urban development on na kulturi kao osnovnom pokretaču ur- the culture as the main driving force of their bane i društveno-ekonomske regeneraci- urban and socio-economic regeneration. je. Uspešni primeri ovakve prakse ukazu- Successful examples of this practice show ju na značajnu ulogu kolektivnog sećanja the importance of the role that collective u formiranju identiteta grada, očuvanju memory plays in the city’s identity forma- njegove autentičnosti i izgradnji pozi- tion, as well as in safeguarding its authen- tivne slike kako kod svojih stanovnika ticity and building the positive image of the tako i kod posetilaca. city among its inhabitants and visitors. Pored uloge definišućeg elementa kada Beside this, collective memory has great je u pitanju identitet grada, kolektivno potential in achieving coherence among sećanje ima veliki potencijal za ost- the city’s inhabitants. Collective memory varivanje povezanosti među njegovim enables citizens to identify with history, stanovnicima. Budući da omogućava as well as with the tangible and intangi- građanima da se identifikuju sa istorijom, ble heritage of their city. Thus, collective materijalnim i nematerijalnim nasleđem memory contributes to strengthening of grada u kome žive, kolektivno sećanje do- the feeling of belonging to the local com- prinosi jačanju osećaja pripadnosti, većoj munity and incites citizens’ participation 6 odgovornosti i angažovanju građana u in the development of the city. Therefore, zajednici. Stoga je jedan od glavnih za- one of the main tasks of public cultural po- dataka javnih kulturnih politika i praksi lices and practices, is to find the way for pronalaženje načina za aktivaciju sećanja the activation of memory in the city’s iden- kako u konstrukciji identiteta grada i ne- tity construction and nurturing its authen- govanju njegove prepoznatljivosti, tako i ticity. Preservation and revival of memory kao instrumenta u funkciji urbanističkog could also contribute to quality urban planiranja, rekonstrukcije i revitalizacije planning, reconstruction and revitalization javnih
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    Dr Mila POPOVI]-@IVAN^EVI] Dr Mila POPOVI]-@IVAN^EVI] savetnik konzervator, {ef OPZ Dijana councillor-conservator, Chief OPZ Diana RE^ UREDNIKA THE WORD OF EDITOR Po~etkom devedesetih godina pro{log veka svi oni koji It is important for the founders of Diana that they reali- su se kasnije okupili oko Dijane shvatili su da se svet pro- sed that world has been changed in the beggining of the menio, da nasle|e nije pripremljeno za te promene i da 90’s of previous century, that heritage is not prepared for je ba{tina zbog toga po~ela ubrzano da propada. Shvati- those changes and that heritage began to deteriorate ra- li su da je potreban druga~iji teorijski, metodolo{ki i pidly. Because of these facts different theoretical, metho- prakti~an pristup o~uvanju i za{titi ba{tine, koji – ubr- dological and practical approach of protection and pre- zo je to postalo jasno – mora da po~iva na organizovanju servation of heritage was needed, and it soon became pogodne sredine i na interdisciplinarnim i integrativnim clear that that approach will preferentially suit by orga- merama za{tite. To je bilo jedno od najva`nijih i prelom- nizing convenient enviroment and interdisciplinary and nih razdoblja u dugoj istoriji za{tite (a organizovana za- integrative measures of protection. This is one of the most {tita ba{tine neprekidno postoji jo{ od anti~kih rimskih important periods in the long lasting history of protec- vremena). Taj period nametao je neminovne i su{tinske tion (that has lasted in an organized manner and con- promene kod profesionalaca i u institucijama za{tite u stantly since the time of the Romans), and this period de- odnosu prema ba{tini i u na~inu organizovanja slu`bi mands necessary and essential changes on professionals za{tite.