Streaming Services Intern

Total Page:16

File Type:pdf, Size:1020Kb

Streaming Services Intern Streaming Services Intern We are Warner Music Group, home to a broad roster of new stars and legendary artists through a collection of the best- known record labels in the music industry including Asylum, Atlantic, Big Beat, Canvasback, East West, Elektra, Erato, FFRR, Fueled by Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin’, Warner Bros., Warner Classics, and Warner Music Nashville, as well as Warner/Chappell Music, one of the world's leading music publishers, with a catalog of more than one million copyrights worldwide. We currently have a fantastic opportunity for an intern to join our Streaming Services team. This opportunity is designed to provide a student with the chance to work in an innovative, dynamic environment and gain valuable hands-on experience in an essential function within the music industry. A little bit about our team: Warner Music Canada is home to some of the most influential and innovative artists of our time. Our extraordinary roster of new and established recording artists is unparalleled, and our collective influence on music culture is without precedent. With a visionary approach toward discovering and nurturing musical talent, the Warner Music Canada family of labels is currently home to an impressive generation of major artists. Here you’ll get to: • Develop a knowledge base of Warner Music Group’s domestic and international artist roster and song catalogue. • Assist commercial revenue team by uploading playlists to Spotify, Apple Music, YouTube and other streaming platforms on a weekly basis. Most updates will occur on Fridays but some playlists will need to be updated with the start of a calendar month. • Curate a new release/priority focused playlist that’s distributed internally on a weekly basis. • Update and maintain playlist content for company website (www.warnermusic.ca) • Manage our Topsify Canada social accounts on Facebook and Twitter. o Schedule artist video liners • Maintain Topsify Canada’s LinkFire account • Assist with populating our Spotify New Release Priority grid on a weekly basis o This includes uploading store product links prior to release date (URIs) • Assist managing the Spotify ad booking form monthly • Request our weekly social posts using our CMS o Collect social posts links, screen grabs and compile for Account Managers o Follow-up on any outstanding posts with marketing coordinators • Support any new & on-going streaming projects as they arise. It would be music to our ears if you: • Are a current member of Rise Tribe. • Display good verbal and written communication skills, as well as an eagerness to learn • Have strong attention to detail • Exhibit effective time management & task prioritization skills • Can demonstrate a basic knowledge of a variety of music genres • Have a strong understanding in social media and with on-demand audio streaming platforms (Spotify and Apple Music specifically) • Are proficient with Google Docs • Are confident in your ability to learn our internal online tools / digital reporting systems • Are an enthusiastic young professional with an interest in the music industry (preferred) Why join us? Warner Music Canada is all about our people. We are one global company made up of the most knowledgeable, passionate, and creative people in our business. It is the mission of every member of the WMC team around the world to create a nurturing environment for artists, songwriters, and the people behind the music, at every stage of their career. We strive to set WMC apart from the rest of the industry by embracing a philosophy of innovation that is part of our company's DNA. .
Recommended publications
  • Transforming Resources CSTM Research Contract 2104-16-008 Mining, Oil & Energy Researcher: Beth A
    Resource Sector in Popular Culture Gallery: Transforming Resources CSTM Research Contract 2104-16-008 Mining, Oil & Energy Researcher: Beth A. Robertson MUSIC BANDS, CHOIRS, SONGS AND ALBUMS THAT REFERENCE MINING, OIL & ENERGY: Music Bands and Choirs: The Men of the Deeps: A choir of working and retired coal miners from Cape Breton, Nova Scotia that first organized in 1966 in celebration of Canada’s Centennial Year (1967). Their mission has been to preserve the rich folklore of Nova Scotia coal mining communities through song. They have since travelled widely, being the first Canadian performer group to visit the people’s republic of China after diplomatic relations between Canada and China were restored in 1972, as well as Yugoslavia, throughout the United States and Canada. They have also partnered with other well-known musicians such as Rita MacNeil to produce the 1998 album, “Reason to Believe.” Copyright: All songs and promotional materials copyright protected, all rights reserved by Men of the Deeps. To inquire about licensing, please contact business manager Stephen Muise: (Mail) 211 Olive Street, New Waterford, NS, (Tel) 902-862-8518, (Email) [email protected] 1 Resource Sector in Popular Culture Gallery: Transforming Resources CSTM Research Contract 2104-16-008 Mining, Oil & Energy Researcher: Beth A. Robertson The Hard Rock Miners: Canadian rockabilly folk band based in Vancouver, British Columbia, formed in 1987 by Michael Phillips, Scooter Johnson-Bucket, Oliver Metson, Ingrid Mary Percy, Michael Turner, Peter Carr, and Bill Ryan. Popular songs of the band include “Old Vancouver Town” (1995) and “Oh This Night” (1995). https://en.wikipedia.org/wiki/Hard_Rock_Miners Copyright: All songs and press copyright protected, all rights reserved.
    [Show full text]
  • 1. Monsters of Indie Retail
    1. MONSTERS OF INDIE RETAIL ALL KILLER, r NO FILLER ' THE ST I POWE:. i THE G.' EST HITS UM NOVEMBER 27, 2010 www.bii°Iboard.com wwv billboard iz US $6.99 cAN $8 ; $' çs 699000 ZOV£-L0806 VJ H3V38 9N01 3AV N13 OPLE V # V100 A1N3309 AINOW 1111111111111'1111111111111'lllllllllll Z00/000 Z-V1-V 100 ZLaVW#6/83/88N£6IOZi # L06 1I9I0-£ HJS************************* 3313F003# c 71 `/ V Y I L V J Y u Or i Bi' OR 7(ìl0 LATIN G RAMMY "WINNERS ,, nl, ,1'4 r:figrat";vJUAN LUIS GUERRA a\ ALBUM OF THE YEAR I 1 ;I ,BEST CONTEMPORARY TROPICAL ALBUM -417,V 41.i BEST TROPICAL SONG 4.1 11Nf; GILBERTO GIL BEST MPB ALBUM BEST NATIVE BRAZILIAN ROOTS ALEX `CHINO Y NACHO CUBA BEST URBAN MUSIC ALBUM ,SOCAN; BEST NEW ARTIST Pitt e f t 4, ELIDA REYNA Y AVANTE BEST TEJANO ALBUM BANDA EL RECODO FERNANDO OTERO BEST BANDA ALBUM BEST CLASSICAL ALBUM RAFAELLL'AZZiARO ALBUM OF THE YEAR SEBASTIAN PACO LUGO KRYS BEST REGIONAL aj BEST ENGINEERED MEXICAN SONG ALBUM LALOrSCHIFRIN BEST CLASSICAL \ CONTEMPORARY COMPOSITION GRUPO PESADO BEST NORTEÑO ALBUM JULIETA\VENEGÄS BEST SHORT FORM MUSIC JOAO`DONATORTRIO BEST LATIN JAZZ ALBUM S 4 I bmi.com j VOZ VEIS 1 1100.1",. BEST LONGFORM MUSIC VIDEO a ` 1 .%. .4 Billboard 1 ON THE CHARTS ALBUMS PAGE ARTIST /TITLE THE S YLE, BILLBOARD 200 32 THE GIFTIFT JASON A / TOP INDEPENDENT 34 MV KINDA PARTY KIDCUDI/ TOP DIGITAL 34 MAN ON THE MOON It THE LEGEND OF MR. RAGER 34 SUSAN BOYLE / TOP INTERNET TnE GIFT OCEAN WAY / HEATSEEKERS ALBUMS 35 OCEAN WAY SESSIONS (EP) TAYLOR WIFT / TOP COUNTRY 39 SPEAK NOW DIERKS BENTLEY / TOP BLUEGRASS 39 UPON THE RIDGE KID / TOP R &B /HIP -HOP 40 MAN ON THE MOON II'.
    [Show full text]
  • Schedule A: Aria Licensing - Copyright Owners
    SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted).
    [Show full text]
  • 'Prey to Thievery'
    ‘Prey to Thievery’ The Canadian Recording Industry Association and the Canadian Copyright Lobby, 1997 to 2005 By Simon Doyle A thesis submitted to the School of Journalism and Communication, Carleton University, in partial fulfillment of the requirements for a Master of Journalism degree May 2006 [email protected] © Simon Doyle 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16487-7 Our file Notre reference ISBN: 978-0-494-16487-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Complete Report
    Acknowledgments FMC would like to thank Jim McGuinn for his original guidance on playlist data, Joe Wallace at Mediaguide for his speedy responses and support of the project, Courtney Bennett for coding thousands of labels and David Govea for data management, Gabriel Rossman, Peter DiCola, Peter Gordon and Rich Bengloff for their editing, feedback and advice, and Justin Jouvenal and Adam Marcus for their prior work on this issue. The research and analysis contained in this report was made possible through support from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors, the Necessary Knowledge for a Democratic Public Sphere at the Social Science Research Council (SSRC). The views expressed are the sole responsibility of its author and the Future of Music Coalition. © 2009 Future of Music Coalition Table of Contents Introduction ..................................................................................................................... 4 Programming and Access, Post-Telecom Act ........................................................ 5 Why Payola? ........................................................................................................... 9 Payola as a Policy Problem................................................................................... 10 Policy Decisions Lead to Research Questions...................................................... 12 Research Results ..................................................................................................
    [Show full text]
  • A Big, Beautiful Mess”
    “A BIG, BEAUTIFUL MESS”: COLLECTIVITY, CAPITALISM, ARTS & CRAFTS AND BROKEN SOCIAL SCENE by Ian Dahlman Bachelor of Arts (Hons.), Psychology and Comparative Literature & Culture University of Western Ontario, 2005 London, Ontario, Canada A thesis presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2009 © Ian Dahlman 2009 I hereby declare that I am the sole author of this thesis. I authorize Ryerson University and York University to lend this thesis to other institutions or individuals for the purpose of scholarly research. Ian Dahlman I further authorize Ryerson University and York University to reproduce this thesis or dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Ian Dahlman ii “A Big, Beautiful Mess”: Collectivity, Capitalism, Arts & Crafts and Broken Social Scene Ian Dahlman Master of Arts, Program in Communication and Culture Ryerson University and York University 2009 Abstract: The aim of this thesis is to critically examine the emergence of new forms of collectivity in Canadian independent popular music. A case study was conducted centring on the Toronto-based collective Broken Social Scene and its label Arts & Crafts, and original interviews were conducted with Stuart Berman, Charles Spearin, Jason Collett, Jeffrey Remedios, and Brendan Canning. An analysis of the major labels and a history of the sensibilities of independent artists establish the habitus of an independent artist at the end of the 1990s.
    [Show full text]
  • Artist Services Intern We Are Warner Music Group, Home to a Broad
    Artist Services Intern We are Warner Music Group, home to a broad roster of new stars and legendary artists through a collection of the best-known record labels in the music industry including Asylum, Atlantic, Big Beat, Canvasback, East West, Elektra, Erato, FFRR, Fueled by Ramen, Nonesuch, Parlophone, Reprise, Rhino, Roadrunner, Sire, Spinnin’, Warner Bros., Warner Classics, and Warner Music Nashville, as well as Warner/Chappell Music, one of the world's leading music publishers, with a catalog of more than one million copyrights worldwide. We currently have a fantastic opportunity for an intern to join our Artist Services team. This opportunity is designed to provide a student with the chance to work in an innovative, dynamic environment and gain valuable hands-on experience in an essential function within the music industry. A little bit about our team: Warner Music Canada is home to some of the most influential and innovative artists of our time. Our extraordinary roster of new and established recording artists is unparalleled, and our collective influence on music culture is without precedent. With a visionary approach toward discovering and nurturing musical talent, the Warner Music Canada family of labels is currently home to an impressive generation of major artists. Here you’ll get to: ▪ Support the Artist Services team in day-to-day activities ▪ Assist with product and store setups ▪ Setup items in our internal databases/systems ▪ Research artists’ tour schedules within Canada ▪ Manage product inventory and product information
    [Show full text]
  • Music Market Report
    CAAMA 2018 PRESENTS canada music market report PREPARED BY PREPARED FOR Martin Melhuish Canadian Association for the Advancement of Music and the Arts The Canadian Landscape - Market Overview PAGE 03 01 Geography 03 Population 04 Cultural Diversity 04 Canadian Recorded Music Market PAGE 06 02 Canada’s Heritage 06 Canada’s Wide-Open Spaces 07 The 30 Per Cent Solution 08 Music Culture in Canadian Life 08 The Music of Canada’s First Nations 10 The Birth of the Recording Industry – Canada’s Role 10 LIST: SELECT RECORDING STUDIOS 14 The Indies Emerge 31 Interview: Stuart Johnston, President – CIMA 32 List: SELECT Indie Record Companies & Labels 34 List: Multinational Distributors 43 Canada’s Star System: Juno Canadian Music Hall of Fame Inductees 43 List: SELECT Canadian MUSIC Funding Agencies 44 Media: Radio & Television in Canada PAGE 48 03 List: SELECT Radio Stations IN KEY MARKETS 55 Internet Music Sites in Canada 67 Canadian Chart Analysis 2017 68 LIST: SELECT PUBLICITY & PROMOTION SERVICES 69 MUSIC RETAIL PAGE 74 04 List: SELECT RETAIL CHAIN STORES 75 Interview: Paul Tuch, Director, Nielsen Music Canada 85 2017 Billboard Top Canadian Albums Year-End Chart 87 Copyright and Music Publishing in Canada PAGE 88 05 The Collectors – A History 90 Interview: Vince Degiorgio, President, CMPA 93 List: SELECT Music Publishers / Rights Management Companies 95 List: Artist / Songwriter Showcases 97 List: Licensing, Lyrics 97 LIST: MUSIC SUPERVISORS / MUSIC CLEARANCE 98 INTERVIEW: ERIC BAPTISTE, SOCAN 99 List: Collection Societies, Performing Rights
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2008 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Common Stock, $.001 par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark whether the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No x Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ¨ No x Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Downloads and Ringtones) Formats
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended September 30, 2006 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-32502 Warner Music Group Corp. (Exact name of Registrant as specified in its charter) Delaware 13-4271875 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 75 Rockefeller Plaza New York, NY 10019 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (212) 275-2000 Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Common Stock, $.001 par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark whether the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes x No ¨ Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes ¨ No x Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the Registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • A Smart Approach to Your Student Benefits Plan
    COCA OTTAWA 2016 CONFERENCE MANUAL COCA OTTAWA C M Y CM MY CY CMY K AA SmartSmart ApproachApproach toto YourYour StudentStudent BenefitsBenefits PlanPlan 02Contents 03About COCA 06COCA Committee A not-for-profit alternative to traditional health & dental insurance. 07Hotel Map 08Block Schedule 10Day 1: Tuesday, June 7th RUN BY YOUR UNION The only student-oriented NO LONG-TERM provider of benefits governed and CONTRACTS operated by student leaders and full-time managers. We never ask our participating TOGETHER WE organizations to enter into long-term contracts. 20Day 2: 34Day 3: 46Day 4: ARE STRONGER Wednesday, June 8th Thursday, June 9th Friday, June 10th We get even stronger with each member that joins the Trust. GetGet aa quotequote today!today! Owen Ralph St. John’s, Newfoundland 1-800-563-1930 [email protected] Paul Tucker Toronto, Ontario 58Day 5: 68Presenters 88Policy 1-888-404-6623 Saturday, June 11th Documents [email protected] 02 About COCA Sponsors ABOUT US GOLD LEVEL • SPONSORS MISSION STATEMENT The Canadian Organization of Campus Activities provides leading professional development for campus activities staff and student leaders dedicated to the enrichment of student life. SILVER LEVEL ABOUT US The Canadian Organization of Campus Activities, better known by its acronym COCA, represents more than 60 postsecondary BRONZE LEVEL institutions across each coast of Canada. Typically school members are student associations or administration departments that are involved with campus activities programming or student engagement. COCA also boasts more than 75 Associates, which are entertainers, booking agencies, artist management companies, and other SUPPORTING valued business suppliers to the campus sector. Founded in 1982 as the successor to the Canadian Entertainment Conference, COCA has now completed more than thirty years of successful operation.
    [Show full text]
  • Canadian 2020 Year-End Edition Biglabel Picture Chart Share
    CANADIAN 2020 YEAR-END EDITION BIGLABEL PICTURE CHART SHARE Rank Label Share 1 Universal 35.16% 2 Sony 25.13% 3 Warner 17.65% 4 Big Machine 3.64% 5 Big Loud 2.76% 6 Broken Bow/BMG 2.15% 7 Wax 1.85% 8 Open Road 1.45% 9 604 1.40% 10 MDM 1.37% 11 Independent 1.17% 12 Black Box 0.91% 13 Ultra 0.77% 14 Last Gang/eOne 0.55% 15 Scurvy Dog Music 0.55% MOSTBIG PICTURE PLAYED ARTISTS Rank Artist Label 1 THE WEEKND XO/Republic 2 DUA LIPA Warner 3 HARRY STYLES Columbia 4 JUSTIN BIEBER Def Jam 5 JONAS BROTHERS Republic 6 LEWIS CAPALDI Vertigo/Capitol 7 MAROON 5 222/Interscope 8 POST MALONE Republic 9 VIRGINIA TO VEGAS DMD/Wax 10 LIZZO Nice Life/Atlantic 11 CAMILA CABELLO Syco/Epic 12 LUKE COMBS River House/Columbia Nashville 13 LOUD LUXURY Sony Music Canada 14 MACKENZIE PORTER Big Loud 15 SELENA GOMEZ Interscope © 2020 Mediabase = CanCon 2 BIG PICTUREYEAR-END CHART Rank Artist Title Label 1 THE WEEKND Blinding Lights XO/Republic 2 POST MALONE Circles Republic 3 DUA LIPA Don’t Start Now Warner 4 MAROON 5 Memories 222/Interscope 5 HARRY STYLES Adore You Columbia 6 JUSTIN BIEBER f/QUAVO Intentions Capitol-Def Jam 7 LIZZO Good As Hell Nice Life/Atlantic 8 DAN + SHAY & JUSTIN BIEBER 10,000 Hours Warner/Def Jam-WAR 9 LEWIS CAPALDI Someone You Loved Vertigo/Capitol 10 MAREN MORRIS The Bones Columbia 11 JP SAXE f/JULIA MICHAELS If The World Was Ending Arista 12 ALESSIA CARA Rooting For You Def Jam 13 JONAS BROTHERS Only Human Republic 14 SHAWN MENDES & CAMILA CABELLO Senorita Island/Epic-Republic 15 DOJA CAT Say So Kemosabe/RCA 16 SELENA GOMEZ Lose You To
    [Show full text]