CURRICULUM VITAE February 2021
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Chuaqui C.V. 2019
MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music. -
Hilbert Circle Theatre
HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR Vadim Gluzman Plays Bruch Bronfman Plays Beethoven Sibelius Symphony No. 5 Music of U2 Side-by-Side The Sounds of Simon & Garfunkel MARCH | VOLUME 5 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip Careful planning, talent and passion are on to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip pro t ownership, a local board of directors, and CCAC accreditation, display at today’s performance. proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marque e truly is the place to be. proto ttaking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. pro t ownership, a local board of directors, and CCAC accreditation, At Citizens Energy Group, we understand the value of working hard and Marque e truly is the place to be. behind the scenes to deliver quality on a daily basis. We strive to To learn more, call, visit our websiteand Marque or stop e truly by isour the community. place to be. replicate that ensemble effort in our work and are proud to support To learn more, call, visit our website or stop by our community. -
PROGRAM Thank You to Our Sponsors
Symphony Number One returns on Sunday, November 20, 2016, 6:00 pm at Emmanuel Episcopal Church 811 Cathedral St., Baltimore, MD 21201 for Beethoven’s Kitchen: Piano Quintets featuring Elizabeth Hill, Piano SYMPHONY NUMBER ONE Nikita Borisevich, Violin Kristen Bakkegard, Violin Jordan Randall Smith, Music Director Colin Webb, Viola Joe Isom, Cello SEASON 2 Nicholas Bentz, Featured Composer Song of the Earth St. Ignatius Catholic Church Learn more at www.symphonynumber.one Saturday, November 5, 2016, 8:00 pm Sunday, November 6, 2016, 3:00 pm PROGRAM Thank you to our Sponsors Song of the Earth Thank you to our Sponsors Personnel Advocates (100+) Bill Smyth Christina Muncey Violin Anonymous Michael Sturgis Jesse Page Nikita Borisevich, Daniel & Janne Heifetz Concertmaster Jessica Abel James Turner Russell Perry Hanbing Jia Trevor Auman Chris Walls Mike & Marla Porter Donald Benton Viola Loren Western Brian & Heather Reardon Pipier Bewlay Karin Kilper, Principal Viola Ryan Williams Jeanette Rosenberg J Andrew Cerda Brigette Willner Cynthia Sambataro Cello Robert & Gayle Susan K. Wright Alyssa Sapia Michael Newman, Associate Principal Cello Chesebro Amy Schardein Dorothy R. Coby Supporters ($50+) Elizabeth Sherbow Contrabass Huxley Conklin Anonymous Ellen Shrum Michael Rittling, Principal Contrabass Janis Cookson Sergio Acosta Marilois Snowman Robin Daniel T. Nichelle Appleby Michael D. Terry Flute Michael Everson Karen Bakkegard Brandy Triplett Willie Santiago Vern C. Falby Kristi Barnes Alida Woods Denyce Graves Catherine Boerner Ari Yoshioka -
MUSC 2019.12.12 Honorbandprog
THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS 2019 DECEMBER 12–14 COLORADO STATE UNIVERSITY Are you interested in joining the largest, loudest, and most visible student organization on the CSU campus? Our students forge enduring skills and lifelong friendships through their dedication and hard work in service of Colorado State University. JOIN THE MARCHING BAND! • 240 MEMBERS REPRESENT ALL MAJORS • SCHOLARSHIPS FOR EVERY STUDENT AUDITION DEADLINE: JULY 13, 2020* *Color guard and drumline auditions (in-person) June 6, 2020 INFORMATION AND AUDITION SUBMISSION: MUSIC.COLOSTATE.EDU/BANDS/JOIN bands.colostate.edu #csumusic THURSDAY EVENING, DECEMBER 12, 2019 AT 7:30 P.M. COLORADO STATE UNIVERSITY SYMPHONIC BAND PRESENTS: HERstory T. ANDRÉ FEAGIN, conductor SHERIDAN MONROE LOYD, graduate student conductor Early Light (1999) / CAROLYN BREMER Albanian Dance (2005) / SHELLY HANSON Sheridan Monroe Loyd, graduate student conductor Terpsichorean Dances (2009) / JODIE BLACKSHAW One Life Beautiful (2010) / JULIE GIROUX Wind Symphony No. 1 (1996) / NANCY GALBRAITH I. Allegro II. Andante III. Vivace Jingle Them Bells (2011) / JULIE GIROUX NOTES ON THE PROGRAM Early Light (1999) CAROLYN BREMER Born: 1975, Santa Monica, California Died: 2018, Long Beach, California Duration: 6 minutes Early Light was written for the Oklahoma City Philharmonic and received its premiere in July 1995. The material is largely derived from “The Star-Spangled Banner.” One need not attribute an excess of patriotic fervor in the composer as a source for this optimistic homage to our national anthem; Carolyn Bremer, a passionate baseball fan since childhood, drew upon her feelings of happy anticipation at hearing the anthem played before ball games when writing her piece. -
Program Book
I e lson rti ic ire r & ndu r Schedule of Events CHAMBER CONCERTS Wednesday, January 1.O, 2007, 7100 PM Boulder Public Library Canyon Theater,9th & Canyon Friday, January L3, 7 3O PM Rocky Mountain Center for Musical Arts, 200 E. Baseline Rd., Lafayette Program: Songs on Chinese andJapanese Poems SYMPOSIUM Saturday, January L7, 2OO7 ATLAS Room 100, University of Colorado-Boulder 9:00 AM - 4:30 PM 9:00 AM: Robert Olson, MahlerFest Conductor & Artistic Director 10:00 AM: Evelyn Nikkels, Dutch Mahler Society 11:00 AMrJason Starr, Filmmaker, New York City Lunch 1:00 PM: Stephen E Heffiing, Case Western Reserve University, Keynote Speaker 2100 PM: Marilyn McCoy, Newburyport, MS 3:00 PMr Steven Bruns, University of Colorado-Boulder 4:00 PM: Chris Mohr, Denver, Colorado SYMPHONY CONCERTS Saturday, January L3' 2007 Sunday,Janaary L4,2O07 Macky Auditorium, CU Campus, Boulder Thomas Hampson, baritone Jon Garrison, tenor The Colorado MahlerFest Orchestra, Robert Olson, conductor See page 2 for details. Fundingfor MablerFest XXbas been Ttrouid'ed in ltartby grantsftom: The Boulder Arts Commission, an agency of the Boulder City Council The Scienrific and Culrural Facilities Discrict, Tier III, administered by the Boulder County Commissioners The Dietrich Foundation of Philadelphia The Boulder Library Foundation rh e va n u n dati o n "# I:I,:r# and many music lovers from the Boulder area and also from many states and countries [)AII-..]' CAMEI{\ il M ULIEN The ACADEMY Twent! Years and Still Going Strong It is almost impossible to fully comprehend -
EAS 23 July 2020 Program.Pdf
Green Mountain Online Emerging Artists Series Thursday, July 23, 2020 7:30 pm EDT GMCMF Emerging Artists YouTube Channel Suite No. 5 in C minor, BWV 1011 Johann Sebastian Bach Prelude (1685-1750) Todd Humphrey, cello Suite No. 5 in C minor, BWV 1010 Johann Sebastian Bach Allemande Courante Matthew Wiest, cello Sonata No. 2 in A minor, BWV 1003 Johann Sebasitan Bach Grave Luciano Marsalli, violin Caprice in C minor, Op. 1, no. 4 Niccolò Paganini (1782-1840) Simon Ho Yin Cheng, violin Caprice in A minor, Op. 1, no. 5 Niccolò Paganini Abigail Yoon, violin Capricen B flat major, Op. 1, no. 13 Niccolò Paganini Jessie Zimmermann, violin Introduction and Allegro, Op. 44 Miklós Rózsa (1907-1995) Ashley Park, viola Suite No. 1 in G minor, Op. 131d Max Reger Molto sostenuto (1873-1916) Vivace Andante sostenuto Molto vivace Colin Henley, viola Sonata, Op. 27, No. 5 Eugène Ysaÿe L'Aurore (1858-1931) Danse rustique Maitreyi Muralidharan, violin Piano Sonata No. 2 in D minor, Op. 14 Sergei Prokofiev Allegro, ma non troppo (1891-1953) Sofia Marina, piano Fantasiestücke, Op. 12 Robert Schumann In der Nacht (1810-1856) Fabel Traumes Wirren Ende vom Lied Ellie Taylor, piano Todd Humphrey, 22, is from Atlanta, Georgia. He completed his undergraduate degree at Florida State University where he studied with Greg Sauer. At Florida State, Todd served as principal cellist of the University Philharmonia Orchestra and was cellist of the Lux String Quartet. This ensemble was known for its heartfelt and engaging performances along with its numerous community outreach events. Currently Todd is completing his masters at Miami University of Ohio where he studies with Sarah Kim. -
Timelapse Variations Final Draft
UCLA Contemporary Music Score Collection Title Timelapse Variations Permalink https://escholarship.org/uc/item/8nr7s11j Author Draper, Natalie Publication Date 2020 eScholarship.org Powered by the California Digital Library University of California Timelapse Variations Natalie Draper (2016) Dedication: Timelapse Variations is dedicated to Jordan Randall Smith and Symphony Number One. Many thanks for the opportunity. Instrumentation: Flute Oboe Clarinets (Bb and bass) Bassoon Horn in F Snare Drum Kick Drum Piano Violin I Violin II Viola Violoncello Contrabass Program Notes: Timelapse Variations (2016), for chamber orchestra, is a musical reflection on the timelapse technique in film. I have always been fascinated by how change and growth are perceived in timelapse videos. For me, the timelapse technique, with its surreal perception of change, distances the audience from the image, allowing for a vastly removed perspective--almost as if you are witnessing life from above. The image inherently becomes a meditation on the passage of time itself. In this way, Timelapse Variations is a meditation on musical change and is perhaps more of a soundscape than a traditional symphonic narrative. The piece has several sections, all of which incorporate a variety of processes of gradual change. Many thanks to Symphony Number One for the opportunity to write this piece. - Natalie Draper Performance Notes: This piece is all about gradual change. Close attention should be paid to dynamics and instrument balance. Gestures pop out of the fabric of the work. Overall the piece should have a pedaled, legato sound, without being too mushy. Natalie Draper Timelapse Variations Moderately, (q=72) espress. 3 Flute ° 2 3 2 j &4 ∑ ∑ 4 ∑ 4 ∑ ∑ ∑ ∑ Œ œ bœ p espress. -
The Moravian Music Foundation Shares …
Moravian Music Foundation ANNUAL REPORT 2018 2018 MMF Board of Trustees Executive Committee The Moravian Music Foundation Harold Garrison, President Winston-Salem, NC G. Randall Gibbs, Vice-President New Philadelphia, OH preserves, shares, and celebrates John T. Webb, Vice-President Cincinnati, OH Rev. Matthew Allen, Secretary Winston-Salem, NC Moravian musical culture. Donna K. Ambler Bethlehem, PA Trustees David Bagby Charlotte, NC Teresa Cude Laurel Springs, NC A revised mission statement Hubert Fort Raleigh, NC Rev. Barry Foster Winston-Salem, NC Over the past several years, the Moravian Dr. Jeffrey Gemmell Landisville, PA Music Foundation Board of Trustees has been Andrew Halverson Winston-Salem, NC reviewing the organization’s mission statement Rev. Paul Harder Winston-Salem, NC Caitlin Heckman Allentown, PA adopted in 2008: The Moravian Music Dr. Barbara Boyce Howard Advance, NC Foundation, preserves, celebrates, and cultivates the John Iobst Fairfax, VA musical life of Moravians. The board adopted the Dr. Jeff Jones Asheville, NC Dr. Ryan Malone Lewisburg, PA recommendation of a subcommittee to revise Rev. Jennifer Moran Maple Grove, MN the mission statement as printed above. Evadne Morrison-Taylor Farmingdale, NY Henry Naisby Coopersburg, PA This Annual Report is structured by those Rev. Dennis Rohn New Philadelphia, OH Jonathan Sidden Winston-Salem, NC three active verbs – preserving, sharing, and Rev. David Wickmann Nazareth, PA celebrating – followed by a review of Ex Officio administration and development activities, the Robyn Glance, Treasurer Winston-Salem, NC Robert G. Spaugh, Legal Counsel Lexington, NC long list of volunteers and donors, and Staff financial reports for 2018. Rev. Dr. Nola Reed Knouse Director Gwyneth A. -
Building Bridges Through Music: a Recording and Performance Collaboration with Adult Composers, Young Soloists, and Collegiate Band Accompaniment
Building Bridges through Music: A Recording and Performance Collaboration with Adult Composers, Young Soloists, and Collegiate Band Accompaniment by Melanie Jane Brooks A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2018 by the Graduate Supervisory Committee: Gary W. Hill, Co-Chair Jason Caslor, Co-Chair Melita Belgrave Amy Holbrook Deanna Swoboda ARIZONA STATE UNIVERSITY May 2018 ABSTRACT Although music is regarded as a universal language, it is rare to find musicians of different ages, ability levels, and backgrounds interacting with each other in collaborative performances. There is a dearth of mixed-ability-level wind band and string orchestra repertoire, and the few pieces that exist fail to celebrate the talents of the youngest and least-experienced performers. Composers writing music for school-age ensembles have also been excluded from the collaborative process, rarely communicating with the young musicians for whom they are writing. This project introduced twenty-nine compositions into the wind band and string orchestra repertoire via a collaboration that engaged multiple constituencies. Students of wind and string instruments from Phoenix’s El Sistema-inspired Harmony Project and the Tijuana-based Niños de La Guadalupana Villa Del Campo worked together with students at Arizona State University and composers from Canada, Finland, and across the United States to learn and record concertos for novice-level soloists with intermediate-level accompaniment ensembles. This project was influenced by the intergenerational ensembles common in Finnish music institutes. The author provides a document which includes a survey of the existing concerto repertoire for wind bands and previous intergenerational and multicultural studies in the field of music. -
Please Note That Not All Pages Are Included. This Is Purposely Done in Order to Protect Our Property and the Work of Our Esteemed Composers
Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers. If you would like to see this work in its entirety, please order online or call us at 800-647-2117. Transposed Score Catalog No. 7.0681 commissioned by Carolina Brass Fanfare, Tango and Fughetta on Hebrew Themes for Brass Quintet and optional Timpani Fanfare Stanley M. Hoffman “The soul of every living being shall bless Your Name” (BMI) breve a tempo q = 72 3 3 Trumpet 1 in Bb f Trumpet 2 in Bb mf only3 Horn in F illegal f Trombone is mf Tuba copy mf Fanfare “The soul of every living being shall bless Your Name” q = 72 breve a tempo Timpani (optional) mf Copying Review © Copyright 2016 by Highgate Press, Inc., a division of ECS Publishing. www.ecspublishing.com All rights reserved. 2 7 3 Tpt. 1 3 molto ff mp Tpt. 2 molto f p 3 Hn. molto p Tbn. molto f p Tba. molto f onlyp Timp. illegal molto f p isTango “When Israel went forth from Egypt” 12 poco rall. breve q = 60 Tpt. 1 - mp copymp mf play 2nd time only Tpt. 2 p - mp Hn. mp p mp - mf Tbn. Copying mp Tba. p - mp ReviewTango “When Israel went forth from Egypt” poco rall. breve q = 60 play 2nd time only Timp. mp 4 Fughetta “How goodly are your tents, O Jacob” q = 84 21 1. 2. Tpt. 1 f cresc. 2x only Tpt. 2 f cresc. -
Salt Lake City August 1—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ............................................................... -
Utah Symphony | Utah Opera
Media Contact: Renée Huang | Public Relations Director [email protected] | (801) 869-9027 FOR IMMEDIATE RELEASE: UTAH SYMPHONY PRESENTS BERLIOZ’S DAMNATION OF FAUST WITH ACCLAIMED GUEST OPERA SOLOISTS KATE LINDSEY AND MICHAEL SPYRES SALT LAKE CITY, Utah (Sept.12, 2013) – Mezzo Soprano Kate Lindsey, a veteran of the Metropolitan Opera, and Michael Spyres, called “one of today’s finest tenors” by French Opera magazine join the Utah Symphony on September 27 and 28 at Abravanel Hall in Hector Berlioz’s dramatic interpretation of Goethe’s tale of Faust and his fateful deal with the devil, The Damnation of Faust. The Utah Symphony Chorus and Utah Opera Chorus lend their voices to the work, which is an ingenious combination of opera and oratorio that ranks among Berlioz’s finest creations. In addition to the star power of Lindsey and Spyres who sings the role of Marguerite and Faust, three other operatic guest artists will join the cast, including Baritone Roderick Williams, whose talents have included appearances with all BBC orchestras, London Sinfonietta and the Philharmonia, performing Mephistopheles; and Bass- baritone Adam Cioffari, a former member of the Houston Grand Opera Studio. Newcomer Tara Stafford Spyres, a young coloratura soprano, just sang her first Mimi in Springfield Missouri’s Regional Opera production of La Bohème. La Damnation de Faust was last performed on the Utah Symphony Masterworks Series in 2003 as part of the company’s Faust Festival. TICKET INFORMATION Single tickets for the performance range from $18 to $69 and can be purchased by phone at (801) 355- 2787, in person at the Abravanel Hall ticket office (123 W.