december/january 1995 GAME DEVELOPER MAGAZINE GAME PLAN GGAMEAEM The Dark of Editor Larry O’Brien
[email protected] the Electric Pickle Senior Editor Nicole Freeman
[email protected] Managing Editor Nicole Claro
[email protected] n the end, I didn’t even have a what you want to be.” Sha-la-la, Editorial Assistant Deborah Sommers chance to light my pickle. In my indeed.
[email protected] best shot yet at Andy Warhol’s The Bradys had station wagons Contributing Editors Alex Dunne promised 15 minutes of fame, I and convertibles, symbols of consump-
[email protected] blew it, but it all might have been tion and status. In contrast, the Par- Barbara Hanscome different had they just given me the tridges had that most poignant of all
[email protected] chance to demonstrate to the world symbols of freedom from the status Chris Hecker
[email protected] the miracle of the electric pickle. quo—a schoolbus with birds painted on David Sieks II’m often the target of joke e-mails the side.
[email protected] purporting to be from various people, Where the Bradys had an emo- Editor-at-Large Alexander Antoniades but I couldn’t dismiss the one purport- tionally stunted servant woman in Alice
[email protected] edly from Danny!, the daytime talk (why did she need Sam the Oh-So- Cover Photography Charles Ingram Photography show. Danny! (exclamation point Blue-Collar Butcher to validate her mandatory), of course, is a vehicle for worth?), the Partridges portrayed a Danny Bonaduce, who, if you’re a cer- much more complicated world, in Publisher Veronica Costanza tain age, you’ll remember as the red- which one has to dance with the capi- Group Director Regina Starr Ridley haired and mysteriously edgy moppet talist devil even as one decries its from The Partridge Family.