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ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Bishop of Superior the Most Reverend James P. Powers
Diocese of Superior Bishop of Superior The Most Reverend James P. Powers F-1 Index SUPERIOR Administrative Services, Director of ...................F-6 Parish Directors ....................................F-36 Agencies, Diocesan ..................................F-8 Parish Life Coordinators. F-36 Association of the Faithful ...........................F-36 Parishes, Alphabetical Listing .........................F-3 Bishop George A. Hammes Center .....................F-8 Parishes, Superior ..................................F-24 Bishop .............................................F-6 Parishes, Outside Superior ...........................F-9 Cathedral of Christ the King .........................F-24 Pastoral Council, Diocesan ...........................F-7 Catholic Charities Bureau .......................F-8, F-38 Permanent Diaconate and Lay Ministry, Office of ........F-8 Catholic Formation, Department of ....................F-8 Preaching and Prayer, Center for .....................F-38 Catholic Formation, Presbyteral Council ..................................F-7 Administrative Services Coordinator for .............F-8 Priests ............................................F-28 Catholic Herald ................................F-8, F-37 Priest Personnel Placement Board. F-7 Catholic Mutual Group ...............................F-8 Project Rachel. .F-9 Chancellor .........................................F-6 Propagation of the Faith .............................F-9 Chancery, Diocesan ..................................F-6 Religious Institutes of -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
FEDERAL REGISTER VOLUME 30 • NUMBER 87 Thursday, May 6,1965 ' • Washington, D.C
FEDERAL REGISTER VOLUME 30 • NUMBER 87 Thursday, May 6,1965 ' • Washington, D.C. Pages 6325-6376 Agencies in this issue— Agricultural Stabilization and Conservation Service Air Force Department Alien Property Office Army Department Civil Aeronautics Board Civil Service Commission Commodity Credit Corporation Consumer and Marketing Service Delaware River Basin Commission Federal Aviation Agency Federal Communications Commission . Federal Maritime Commission FederalPower Commission Federal Reserve System Fiscal Service Fish and Wildlife Service Food and Drug Administration Forest Service Interior Department Internal Revenue Service interstate Commerce Commission Land Management Bureau Securities and Exchange Commission Detailed list of Contents appears inside. Just Released CODE OF FEDERAL REGULATIONS (As of January 1, 1965) Title26—Internal Revenue (Part 1, § 1.861-End, to Part 19) $1.50 (Pocket Supplement) Title 26—Internal Revenue (Parts 30-39) _ _ $0.50 (Pocket Supplement) Title 35—Panama Canal _ _ $0.40 (Pocket Supplement) Title 49—Transportation (Parts 0-70) _ — $0.40 > (Pocket Supplement) A cumulative checklist of CFR issuances for 1965 appears in the first issue of each month under Title 1. Order from Superintendent of Documents, United-States Government Printing Office, Washington, D.G. 20402 f XPublished VUW6daily,Jf-9 “Tuesday UvwVlUJf ViUV/UgUthrough K/UIVMAMwJSaturday yuv(no publication on Suhdwygr^ , i y M^pal on the day after an official Federal holiday), by the Office of the Federal Reg s > ^ ^ 1 FEDEMLM®ISTER Archives and Records Service, General Services Administration (mail ada,„ine£j m tbe Area Code 202 Phone 963-3261 Archives Building, Washington, D.C. 20408), pursuant to the authority con Federal Register Act, approved July 26, 1935 (49 Stat. -
X49.5 Listmania
XXeennoollii((ss))tt 4499..55 Bill Bowers 4651 Glenway Avenue Cincinnati OH 45238-4503 <[email protected]> --- published in a Vast Variety of Formats, mostly electronic, Publication Date: 07/28/03 This is My Publication #223 Copyright © 2003 by Bill Bowers <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> What Has Gone Before… <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> <-> 4 conventions attended "LISTmania" [Outworlds 39 * 7/10/84] 4 fanzines published 1982 : 43 films viewed 1994 : 18 films viewed 1983 : 139 104 books read 1984 : (first half) 112 4 conventions attended "LISTmania Strikes Back" 1995 : 106 films viewed [Outworlds 43 * 01/24/85] 67 books read 3 conventions attended 1984 : (second half) 113 - 216 "LISTmania: - Release.96 - " "The Revenge of LISTmania" [Xenolith 39 * 3/1/97] [Outworlds 55 * 03/25/88] 138 films viewed 1985 : 160 51 books read 1986 : 177 3 conventions attended 1987 : 163 3 fanzines published "Again, LISTmania" "ListMania-ania '97" [Outworlds 60 * 04/16/91] [Outworlds 69 * 5/5/98] 1988 : 124 28 films viewed 1989 : 69 48 books read 1990 : 104 (w/o a month + gap) 3 conventions attended 5 fanzines published "LISTmania: The 1991 Spreadsheet" [Outworlds 63 * 10/18/92] "LISTmania | 1998 thru 2001" [also in: flaf ¢ 5 * 7/27/92 [Xenolith 47 * 04/15/2002] & Outworlds 66 * 5/18/93] 1998 : 46 books read 35 films viewed 15 films viewed 48 books read 2 conventions attended 7 conventions attended 5 fanzines published 9 fanzines published 1999 : 10 books -
Learning How to “Talk Books”
Presenting An Independent Study Conducted by Stephanie Selah Learning How To “Talk Books” A Guide to the Contemporary Publishing Industry A Guide to This Guide April 17, 2007 Dear Publishing Enthusiast, You may be wondering to yourself why I am qualified to be writing a guide to the publishing industry. You may even be asking yourself, “What does she know about publishing? After all, she’s still an undergraduate living in Pittsburgh.” If these were your initial thoughts, I have a confession to make: I am not an expert on the publishing industry. But, I hope to become one, or at least work in the publishing industry in the near future. In an effort to increase my knowledge—and yours—about the world of book publishing, and specifically the strategies and techniques involved in successfully marketing published books, I have created this multi-faceted guide as: • a reference (see “Walk the Walk, Talk the Talk”; “Industry Report”; and “So You Want to Be in Publishing?”); • an insight into professional publishing careers at both a large trade publisher and an independent press (see “Publishing Profiles”); • and a memoir (see “On a Personal Note: A Summer Publishing Internship in the Big Apple”). Researching, writing, and compiling this guide have allowed me to explore and combine two areas of study that I am most passionate about: literature and marketing. Additionally, creating this guide has also allowed me to gain a greater insight into the career path to which I am drawn, and I only hope that after reading this guide, you too will be better informed about pursuing a career in this competitive and rewarding industry. -
Form 990 Under Section 501(C), 527, Or 4947(A)(1) of the Internal Revenue Code (Except Private Foundations) (Rev
PUBLIC DISCLOSURE COPY ** PUBLIC DISCLOSURE COPY ** Return of Organization Exempt From Income Tax OMB No. 1545-0047 Form 990 Under section 501(c), 527, or 4947(a)(1) of the Internal Revenue Code (except private foundations) (Rev. January 2020) | Do not enter social security numbers on this form as it may be made public. 2019 Department of the Treasury Open to Public Internal Revenue Service | Go to www.irs.gov/Form990 for instructions and the latest information. Inspection A For the 2019 calendar year, or tax year beginning APR 1, 2019 and ending MAR 31, 2020 B Check if C Name of organization D Employer identification number applicable: Address change RAYMOND JAMES CHARITABLE ENDOWMENT FUND Name change Doing business as 59-3652538 Initial return Number and street (or P.O. box if mail is not delivered to street address) Room/suite E Telephone number Final return/ PO BOX 23559 727-567-4861 termin- ated City or town, state or province, country, and ZIP or foreign postal code G Gross receipts $ 1,411,828,436. Amended return ST. PETERSBURG, FL 33742-3559 H(a) Is this a group return Applica- tion F Name and address of principal officer: THOMAS WILKINS for subordinates? ~~ Yes X No pending SAME AS C ABOVE H(b) Are all subordinates included? Yes No I Tax-exempt status: X 501(c)(3) 501(c) ( )§ (insert no.) 4947(a)(1) or 527 If "No," attach a list. (see instructions) J Website: | WWW.RAYMONDJAMESCHARITABLE.ORG H(c) Group exemption number | K Form of organization: Corporation X Trust Association Other | L Year of formation: 2000 M State of legal domicile: FL Part I Summary 1 Briefly describe the organization's mission or most significant activities: TO INFLUENCE AN INCREASE IN GENEROSITY BY PROVIDING PROGRAMS TO DONORS THAT SIMPLIFY GIVING, 2 Check this box | if the organization discontinued its operations or disposed of more than 25% of its net assets. -
Playground Millionaire
Playground Millionaire SUNDEE T. FRAZIER Illustrations by Jennifer L. Meyer Arthur A. Levine Books An Imprint of Scholastic Inc. 446321_Fm_v1.indd i 8/5/15 10:21 PM If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” Text copyright © 2016 by Sundee T. Frazier Illustrations by Jennifer L. Meyer copyright © 2016 by Scholastic Inc. This book is being published simultaneously in hardcover by Arthur A. Levine Books. All rights reserved. Published by Arthur A. Levine Books, an imprint of Scholastic Inc., Publishers since 1920. SCHOLASTIC, the LANTERN LOGO, and associated logos are trademarks and/or registered trademarks of Scholastic Inc. The publisher does not have any control over and does not assume any responsibil- ity for author or third-party websites or their content. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For infor- mation regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resem- blance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. Library of Congress Cataloging-in-Publication Data Frazier, Sundee Tucker, 1968– author. -
Writing Communities: Aesthetics, Politics, and Late Modernist Literary Consolidation
WRITING COMMUNITIES: AESTHETICS, POLITICS, AND LATE MODERNIST LITERARY CONSOLIDATION by Elspeth Egerton Healey A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2008 Doctoral Committee: Associate Professor John A. Whittier-Ferguson, Chair Associate Professor Kali A. K. Israel Associate Professor Joshua L. Miller Assistant Professor Andrea Patricia Zemgulys © Elspeth Egerton Healey _____________________________________________________________________________ 2008 Acknowledgements I have been incredibly fortunate throughout my graduate career to work closely with the amazing faculty of the University of Michigan Department of English. I am grateful to Marjorie Levinson, Martha Vicinus, and George Bornstein for their inspiring courses and probing questions, all of which were integral in setting this project in motion. The members of my dissertation committee have been phenomenal in their willingness to give of their time and advice. Kali Israel’s expertise in the constructed representations of (auto)biographical genres has proven an invaluable asset, as has her enthusiasm and her historian’s eye for detail. Beginning with her early mentorship in the Modernisms Reading Group, Andrea Zemgulys has offered a compelling model of both nuanced scholarship and intellectual generosity. Joshua Miller’s amazing ability to extract the radiant gist from still inchoate thought has meant that I always left our meetings with a renewed sense of purpose. I owe the greatest debt of gratitude to my dissertation chair, John Whittier-Ferguson. His incisive readings, astute guidance, and ready laugh have helped to sustain this project from beginning to end. The life of a graduate student can sometimes be measured by bowls of ramen noodles and hours of grading. -
Readers Poll
84 READERS POLL DOWNBEAT HALL OF FAME One night in November 1955, a cooperative then known as The Jazz Messengers took the stage of New York’s Cafe Bohemia. Their performance would yield two albums (At The Cafe Bohemia, Volume 1 and Volume 2 on Blue Note) and help spark the rise of hard-bop. By Aaron Cohen t 25 years old, tenor saxophonist Hank Mobley should offer a crucial statement on how jazz was transformed during Aalready have been widely acclaimed for what he that decade. Dissonance, electronic experimentation and more brought to the ensemble: making tricky tempo chang- open-ended collective improvisation were not the only stylis- es sound easy, playing with a big, full sound on ballads and pen- tic advances that marked what became known as “The ’60s.” ning strong compositions. But when his name was introduced Mobley’s warm tone didn’t necessarily coincide with clichés on the first night at Cafe Bohemia, he received just a brief smat- of the tumultuous era, as the saxophonist purposefully placed tering of applause. That contrast between his incredible artistry himself beyond perceived trends. and an audience’s understated reaction encapsulates his career. That individualism came across in one of his rare inter- Critic Leonard Feather described Mobley as “the middle- views, which he gave to writer John Litweiler for “Hank Mobley: weight champion of the tenor saxophone.” Likely not intended The Integrity of the Artist–The Soul of the Man,” which ran in to be disrespectful, the phrase implied that his sound was some- the March 29, 1973, issue of DownBeat. -
Bibliography -.:: GEOCITIES.Ws
Dream Weaver: Charles Lloyd - His Life and Music 111 Bibliography KEY TO THE REFERENCES In the bibliography only publications are included for which sufficient data are available that the reader can easily find the literature. Criteria are: Magazines and papers: Name, date or issue number and year, or volume and issue number and year. If known the (first) page number is included. In most cases the publication can be found without knowing the exact page number using the index of the publication. Books: Author(s), title, publisher (if known) and year of publication. Name of the publication: The names are abbreviated using 2 to 4 capitals. Short names like Mojo and Vibe are not abbreviated. The language of the publication is indicated by 2 capitals, The key to abbreviations is given below. Examples: Daily or (bi)weekly publications: 1 or 2 digits for month / 1 or 2 digits for the day / last two digits of the year - first page number (if known): DB 6/27/68 EN = Down Beat, June 27, 1967, page number unknown, published in English. Monthly publications: 1 or 2 digits for month / last two digits of the year - first page number (if known): DB 10/00-62 EN = Down Beat October 2000, page 62, published in English. Less frequent publications like bimonthly or quarterly publications: 1 or 2 digits for the first month - 1 or 2 digits for the last month / last two digits of the year - first page number (if known). In some cases the seasons are used: WI - Winter, SP = Spring, SU = Summer and FA = Fall: JTK 7-8/94-70 GE = Jazzthetik, July-August 1994, page 70, published in German JRP SU/99-31 EN = Jazz Report, Summer 1999, page 31, published in English.