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Incandescent: Light Bulbs and Conspiracies1
Dr Grace Halden recently completed her PhD at Birkbeck, University of London. Her doctoral research on science fiction brings together her interest in philosophy, technology and literature. She has a range of diverse VOLUME 5 NUMBER 2 SPRING 2015 publications including an edited book Concerning Evil and articles on Derrida and Doctor Who. [email protected] Article Incandescent: 1 Light Bulbs and Conspiracies Grace Halden / __________________________________________ Light bulbs are with us every day, illuminating the darkness or supplementing natural light. Light bulbs are common objects with a long history; they seem innocuous and easily terminated with the flick of a switch. The light bulb is an important invention that, as Roger Fouquet notes, was transformational with regard to industry, economy and the revolutionary ability to ‘live and work in a well-illuminated environment’.2 Wiebe Bijker, in Of Bicycles, Bakelites and Bulbs (1997), explains that light bulbs show an integration between technology and society and how these interconnected advancements have led to a sociotechnical evolution.3 However, in certain texts the light bulb has been portrayed as insidious, controlling, and dehumanising. How this everyday object has been curiously demonised will be explored here. Through looking at popular cultural conceptions of light and popular conspiracy theory, I will examine how the incandescent bulb has been portrayed in dystopian ways.4 By using the representative texts of The Light Bulb Conspiracy (2010), The X-Files (1993-2002), and Thomas Pynchon’s Gravity’s Rainbow (1973), I will explore how this commonplace object has been used to symbolise the malevolence of individuals and groups, and the very essence of technological development itself. -
Harpercollins Books for the First-Year Student
S t u d e n t Featured Titles • American History and Society • Food, Health, and the Environment • World Issues • Memoir/World Views • Memoir/ American Voices • World Fiction • Fiction • Classic Fiction • Religion • Orientation Resources • Inspiration/Self-Help • Study Resources www.HarperAcademic.com Index View Print Exit Books for t H e f i r s t - Y e A r s t u d e n t • • 1 FEATURED TITLES The Boy Who Harnessed A Pearl In the Storm the Wind How i found My Heart in tHe Middle of tHe Ocean Creating Currents of eleCtriCity and Hope tori Murden McClure William kamkwamba & Bryan Mealer During June 1998, Tori Murden McClure set out to William Kamkwamba was born in Malawi, Africa, a row across the Atlantic Ocean by herself in a twenty- country plagued by AIDS and poverty. When, in three-foot plywood boat with no motor or sail. 2002, Malawi experienced their worst famine in 50 Within days she lost all communication with shore, years, fourteen-year-old William was forced to drop ultimately losing updates on the location of the Gulf out of school because his family could not afford the Stream and on the weather. In deep solitude and $80-a-year-tuition. However, he continued to think, perilous conditions, she was nonetheless learn, and dream. Armed with curiosity, determined to prove what one person with a mission determination, and a few old science textbooks he could do. When she was finally brought to her knees discovered in a nearby library, he embarked on a by a series of violent storms that nearly killed her, daring plan to build a windmill that could bring his she had to signal for help and go home in what felt family the electricity only two percent of Malawians like complete disgrace. -
Regimes of Truth in the X-Files
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-1999 Aliens, bodies and conspiracies: Regimes of truth in The X-files Leanne McRae Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Film and Media Studies Commons Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies: Regimes of truth in The X-files. https://ro.ecu.edu.au/ theses/1247 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1247 Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1999 Aliens, bodies and conspiracies : regimes of truth in The -fiX les Leanne McRae Edith Cowan University Recommended Citation McRae, L. (1999). Aliens, bodies and conspiracies : regimes of truth in The X-files. Retrieved from http://ro.ecu.edu.au/theses/1247 This Thesis is posted at Research Online. http://ro.ecu.edu.au/theses/1247 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). -
Harpercollins’S Titles, New and Classic, to Feature Our Best Books for First-Year Student Reading Programs in One Catalog
2015 2016 Dear First-Year Administrator, We’ve combed through all of HarperCollins’s titles, new and classic, to feature our best books for first-year student reading programs in one catalog. We hope that you’ll also think of us as a resource. Need sample copies? You can reach us at [email protected] or 212.207.7546. We’re happy to suggest titles, alert our HarperCollins Speakers Bureau about your request for an author visit, and help coordinate your book order. Sincerely, Diane Burrowes Louisa Hager Michael Fynan HarperFirstYear.hc.com TABLE OF CONTENTS Table of Contents New and Featured.....................................................................................4 Big Ideas..................................................................................................9 American Society......................................................................................17 American Memoir.....................................................................................26 Fiction.....................................................................................................33 Global Issues & Memoir...........................................................................41 Religion...................................................................................................46 Orientation............................................................................................48 Index.................................................................................................50 Ordering Information................................................................................52 -
HARPERCOLLINSPUBLISHERS FOREIGN RIGHTS GUIDE Harper
HARPERCOLLINSPUBLISHERS FOREIGN RIGHTS GUIDE Harper William Morrow Ecco Amistad Rayo HarperOne Collins Collins Living Collins Business Collins Design Smithsonian Books Avon HarperEntertainment Eos Harper Perennial Harper Paperbacks HarperStudio Frankfurt 2008 Brenda Segel Senior Vice President & Director Foreign & Domestic Rights Phone: (212) 207-7252 Fax: (212) 207-7902 [email protected] Juliette Shapland (JS) Director, Foreign Rights Ecco, Harper, William Morrow Phone: (212) 207-7504 [email protected] Sandy Hodgman (SH) Senior Manager, Foreign Rights Harper, Smithsonian Books, Collins, Collins Living Phone: (212) 207-6910 [email protected] Carolyn Bodkin (CB) Senior Manager, Foreign Rights Avon, HarperEntertainment, Eos, Harper Paperbacks, Rayo, Amistad, Harper Perennial Phone: (212) 207-7927 [email protected] Catherine Barbosa Ross (CBR) Manager, Foreign Rights HarperOne, Collins Business, Illustrated Books Phone: (212) 207-7231 [email protected] Please visit us on www.harpercollinsrights.com or email us at [email protected] for more information on other HarperCollins books 2 TABLE OF CONTENTS HARPER FICTION…………….…………………...…4 WILLIAM MORROW FICTION…….………………....15 BIOGRAPHY / MEMOIR…………………………......23 HARPER NON-FICTION…………...……………..….32 WILLIAM MORROW NON-FICTION…………..…..….45 BUSINESS.……….……………………………….…48 PSYCHOLOGY / SELF-HELP………..……………....54 HARPERONE……………………………...……......60 ILLUSTRATED……………….…………….………...72 COOKBOOKS……………………………….……….75 HARPERENTERTAINMENT………………….……….77 AVON………..……………………………….….…..79 *Indicates a new addition to the list since BEA 2008 3 HARPER FICTION Andrews, Mary Kay *THE FIXER UPPER New York Times bestselling author Mary Kay Andrews returns with a stand-alone novel about a woman whose professional fall from grace lands her back in a hometown she never knew, amongst a gothic Southern family she’s never met, and taking on a task she never imagined. -
DECLARATION of Jane Sunderland in Support of Request For
Columbia Pictures Industries Inc v. Bunnell Doc. 373 Att. 1 Exhibit 1 Twentieth Century Fox Film Corporation Motion Pictures 28 DAYS LATER 28 WEEKS LATER ALIEN 3 Alien vs. Predator ANASTASIA Anna And The King (1999) AQUAMARINE Banger Sisters, The Battle For The Planet Of The Apes Beach, The Beauty and the Geek BECAUSE OF WINN-DIXIE BEDAZZLED BEE SEASON BEHIND ENEMY LINES Bend It Like Beckham Beneath The Planet Of The Apes BIG MOMMA'S HOUSE BIG MOMMA'S HOUSE 2 BLACK KNIGHT Black Knight, The Brokedown Palace BROKEN ARROW Broken Arrow (1996) BROKEN LIZARD'S CLUB DREAD BROWN SUGAR BULWORTH CAST AWAY CATCH THAT KID CHAIN REACTION CHASING PAPI CHEAPER BY THE DOZEN CHEAPER BY THE DOZEN 2 Clearing, The CLEOPATRA COMEBACKS, THE Commando Conquest Of The Planet Of The Apes COURAGE UNDER FIRE DAREDEVIL DATE MOVIE 4 Dockets.Justia.com DAY AFTER TOMORROW, THE DECK THE HALLS Deep End, The DEVIL WEARS PRADA, THE DIE HARD DIE HARD 2 DIE HARD WITH A VENGEANCE DODGEBALL: A TRUE UNDERDOG STORY DOWN PERISCOPE DOWN WITH LOVE DRIVE ME CRAZY DRUMLINE DUDE, WHERE'S MY CAR? Edge, The EDWARD SCISSORHANDS ELEKTRA Entrapment EPIC MOVIE ERAGON Escape From The Planet Of The Apes Everyone's Hero Family Stone, The FANTASTIC FOUR FAST FOOD NATION FAT ALBERT FEVER PITCH Fight Club, The FIREHOUSE DOG First $20 Million, The FIRST DAUGHTER FLICKA Flight 93 Flight of the Phoenix, The Fly, The FROM HELL Full Monty, The Garage Days GARDEN STATE GARFIELD GARFIELD A TAIL OF TWO KITTIES GRANDMA'S BOY Great Expectations (1998) HERE ON EARTH HIDE AND SEEK HIGH CRIMES 5 HILLS HAVE -
Typologies of Evil in the X-Files
TYPOLOGIES OF EVIL IN THE X-FILES BY MAGNE HÅLAND SUPERVISOR: PAUL LEER SALVESEN AND SOLVEIG AASEN UNIVERSITY OF AGDER 2019 FACULTY OF HUMANITIES AND EDUCATION DEPARTEMENT OF RELIGION, PHILOSOPHY AND HISTORY 0 ACKNOWLEDGEMENTS I would like to express great appreciation to my supervisors, Professor Paul Leer-Salvesen (University of Agder) and Solveig Aasen, PhD in philosophy (University of Oslo), for their valuable and constructive suggestions during the development of this research work. I would also like to express my deep gratitude to my colleagues at Arendal Upper Secondary School, Steinar Tvedt, Inger Johanne Hermansen, Ane Kristine Bruland and Ida Wullum for their patient guidance and useful critique of my writing in English. Finally, I wish to thank my father, a proud working-class man, for his support and encouragement throughout my whole life. Throughout his life, he was never able to read English. Therefore, he “forced” me to translate my work for him. The Nazi-form of evil with Himmler, Mengele and Eichmann concerned him. Often, he asked me, how could a man (Eichmann) be that blinded? Without my father giving me motivation, I would never have come this far in my studies. 1 CONTENTS ABSTRACT …..5 CHAPTER 1, INTRODUCTION 1.1) General introduction of evil in movies …..6-7 1.2) My Research Question ……7 1.3) A short overview on the typologies of evil …..7-9 1.4) Defining evil …..9-10 1.5) A critique and defense of evil ….10-12 1.6) What is The X-files about? ….12-14 1.7) Why explore The X-Files? …..14-15 CHAPTER 2, METHODS 2.1) Theory and applied ethics …..16-18 2.2) Specific evil episodes as subjects for research and constructing analysis chapters ..18-19 2.3) The importance of using scientific work related to movies and evil …..19-21 2.4) Methodological inspiration for my thesis, work done by Dean A. -
Conspiracy in Contemporary Russian and American Culture Course
Course Title: Paranoid Fictions: Conspiracy in Contemporary Russian and American Culture Course No.: REE386 Unique No: Instructor: Keith Livers Meeting Time & Place: TH: 2:00 – 5:00, CMA 3.108 Office Hours: M: 2:00 – 5:00 There is no denying that conspiracy thinking has become an important part of the cultural and political landscape in the past decades. The spectrum of paranoia in contemporary (American) culture extends from fiction to film and television, and most recently into the realm of political rhetoric. Meanwhile, Russia has been characterized as one of the world leaders in the production of paranoia. This course examines a wide spectrum of conspiracist expression, from such historical texts as The Protocols of the Elders of Zion to the fictions of Don DeLillo, Thomas Pynchon, Fyodor Dostoevsky, Viktor Pelevin and others. Since popular culture represents a major platform for the development of the conspiratorial imagination, we will also be looking at a number of pop culture artifacts that thematize conspiracy and paranoia, such as Chris Carter’s The X-Files, Oliver Stone’s JFK, and others. Secondary works by a number of contemporary scholars working in the field of conspiracy studies will provide the theoretical framework for our discussions. Required TEXTS: DeLillo, Don. White Noise Dick, Philip K. Ubik Dostoevsky, Fyodor. Demons Pelevin, Viktor. Homo Zapiens Pelevin, Viktor. Empire V: The Prince of Hamlet Pynchon, Thomas. The Crying of Lot 49. GRADING: Research paper: 40%: Presentation: 30% Participation: 30% WEEK ONE: Thu: Introduction to the course. WEEK TWO: Thu: READ: Read pp. 1-115 in course pack. -
Citas X-Files Paper Esse
Oblique Politics: The Conspiracy Theory at the Heart of The X-Files Sara Martín, Universitat Autònoma de Barcelona Seminar “Popular Narratives and Contemporary Worlds” 7th Conference European Society for the Study of English (ESSE) Universidad de Zaragoza 2004 Along 9 seasons (1993-2002) The X-Files has charmed its audience with a convoluted narrative dealing with the efforts of plucky FBI agents Fox Mulder and Dana Scully to unmask a vast conspiracy. This will result in the invasion of planet Earth in the year 2012 by extraterrestrial aliens of unknown origin. This serial within the series, which spans about one third of The X-Files and was dubbed the ‘mythology’ by producer Chris Carter, reached thus a devastating end. The hero and his partner were left stranded outside the already infiltrated FBI, resigned to facing the future only with the dimmest hope that they might resist the aliens’ plans. The ‘mythology’ is a classic conspiracy theory narrative and, as such, it unfolds imitating strip-tease dancers, slowly unveiling for the heroes’ and the audience’s benefit the ‘truth’ behind the gargantuan lies. As happens in all narratives of this subgenre, the hero begins a quest soon stumbling upon obstacles that make him doubt the steps taken so far and even the very reason for his quest –only to hit on a much larger, sinister truth. Thus, convinced that his little sister Samantha was abducted by extraterrestrials, Mulder discovers with Scully’s help that she’s part of a project begun in 1947 when contact was made with the aliens that crashed-landed in Roswell. -
Jung, the Shadow, and the X-Files
JUNG, THE SHADOW, AND THE X-FILES By JENIFER JENSEN A capstone submitted to the Graduate School-Camden Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Liberal Studies Written under the direction of Greg Salyer And approved by ______________________________ Greg Salyer Camden, New Jersey May 2019 CAPSTONE ABSTRACT Jung, The Shadow, and The X-Files by Jenifer Jensen Capstone Director: Greg Salyer This capstone explores Jung’s theory of the shadow, personal unconscious, and collective unconscious, using The X-Files as its narrative transport. When television show The X- Files premiered on September 10, 1993, no one anticipated its impact on a generation of television viewers. The X-Files is an American pop cultural mainstay. The paradoxical brilliance of the show is that it both influenced and interpreted popular American culture. Something vital about our time in history speaks through the stories it tells. It is not the only science fiction television show to create legions of fans, spawn movies, books, comics, and general obsession in American geekdom. But it is the only television show which began in 1993, ran for almost a decade, and then returned, fourteen years later with episodes seeking transcendent answers about what it means to be human, and the possibility of knowledge, truth, and power in the era of Trump, fake news and social media. ii 1 Jung, the Shadow, and The X-Files Introduction – The X-Files I am interested in exploring Jung’s theory of the shadow, personal unconscious, and collective unconscious, using The X-Files as its narrative transport. -
"Gillian Anderson Made Me Gay:" the Case of the X-Files Lesbians
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 5-8-2020 "Gillian Anderson Made Me Gay:" The Case of the X-Files Lesbians Samantha Howat Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Recommended Citation Howat, Samantha, ""Gillian Anderson Made Me Gay:" The Case of the X-Files Lesbians." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/sociology_theses/89 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “GILLIAN ANDERSON MADE ME GAY:” THE CASE OF THE X-FILES LESBIANS by SAMANTHA HOWAT Under the Direction of Wendy Simonds PhD ABSTRACT The “X-Files” lesbians are an online community of lesbian, bisexual, pansexual, and queer (LBPQ) women who attribute the science fiction show and its lead actress, Gillian Anderson, with the discovery of their sexual orientation. Despite her character Dana Scully’s heterosexuality and that the show features no LGBT+ characters, the claim that “Gillian Anderson made me gay” has been a consistent argument made by women in the broader X-Files fan community since the show began airing in the 1990s. I have examined this phenomenon to demonstrate how much television can influence and aid with the construction of female sexuality. Additionally, I have studied the role media plays in identity formation. I collected data via a survey distributed to LBPQ X-Files fans on the blogging website tumblr. -
This Is Not Your Father's FBI: the X-Files and the Delegitimation of the Nation-State
SUBSCRIBE NOW AND RECEIVE CRISIS AND LEVIATHAN* FREE! “The Independent Review does not accept “The Independent Review is pronouncements of government officials nor the excellent.” conventional wisdom at face value.” —GARY BECKER, Noble Laureate —JOHN R. MACARTHUR, Publisher, Harper’s in Economic Sciences Subscribe to The Independent Review and receive a free book of your choice* such as the 25th Anniversary Edition of Crisis and Leviathan: Critical Episodes in the Growth of American Government, by Founding Editor Robert Higgs. This quarterly journal, guided by co-editors Christopher J. Coyne, and Michael C. Munger, and Robert M. Whaples offers leading-edge insights on today’s most critical issues in economics, healthcare, education, law, history, political science, philosophy, and sociology. Thought-provoking and educational, The Independent Review is blazing the way toward informed debate! Student? Educator? Journalist? Business or civic leader? Engaged citizen? This journal is for YOU! *Order today for more FREE book options Perfect for students or anyone on the go! The Independent Review is available on mobile devices or tablets: iOS devices, Amazon Kindle Fire, or Android through Magzter. INDEPENDENT INSTITUTE, 100 SWAN WAY, OAKLAND, CA 94621 • 800-927-8733 • [email protected] PROMO CODE IRA1703 CULTURE WATCH This Is Not Your Father’s FBI The X-Files and the Delegitimation of the Nation-State —————— ✦ —————— PAUL A. CANTOR I think The X-Files is very nineties, because everything is left in doubt. There’s no closure, no answers. Obviously it’s tapping in to something the nation wants. I think it has to do with religious stirrings—a sort of New Age yearning for an alternate reality and the search for some kind of extrasensory god.