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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
For Hodges, Music's 'All About Love' : Go Memphis
For Hodges, music's 'all about love' By Bob Mehr Thursday, July 21, 2011 Charles Hodges has seen the light twice in his life. The first time was as a 13-year-old boy, performing at his eighth-grade graduation. "The teacher asked me if I would play 'What I'd Say' by Ray Charles. I did and got such huge cheers, a standing ovation. All I could see was the (stage) lights, but I could hear the applause and the whistles," says Hodges. "Right then I said, 'This is what I want to do. I want to be a musician.'" Some 40 years later, Charles Hodges saw the light again; this time it was God sending out a signal to change his ways. Hodges would do just that, giving up his secular music career and becoming an ordained minister. In between those two life-altering events, Hodges was responsible for some of the most vital and familiar sounds in all of American music. As the keyboardist for Memphis' Hi Records house band, his signature organ work colored the great hits of O.V. Wright, Al Green, Ann Peebles and Syl Johnson. This past week Hodges released his second solo CD, God He's Able, a collection of soulful spiritual and worship songs. For the 64-year-old Hodges, the record is just another marker in a long musical journey and personal journey. The sixth of 12 children, Hodges was raised in what were then the farm lands of post- World War II Germantown. "It was just a two-lane highway out there," recalls Hodges. -
U.S. Platinum Record Winner Launches Amsterdam Clinic to Help Dutch Artists
Click here to read the article online U.S. Platinum Record Winner Launches Amsterdam Clinic to Help Dutch Artists ©Nugen Music Perry Michael Allen (right) working with a music production student. Nugen Music Supplied to NL Times This promotional feature was sponsored by Nugen Music. Wherever Perry Michael Allen goes, music always follows. His six-decade career in the music industry is filled with experiences from being connected to the best and brightest soul and R&B musicians ever to grace the charts, and the brilliant backing musicians that helped them become world famous. Allen wants to use that background to help the new musicians of the Netherlands grow and evolve. This week Allen launched Nugen Music in Amsterdam, a production company he has been developing for 15 years with the purpose of helping talented youth by teaching them the ins and outs of recording so they can put out material that is more likely to find commercial success. "I want to do a service called 'The Clinic' which is training for musicians and vocalists and music students, and anybody that realizes they need assistance or some counseling about their productions or recording technique," he says. "I'm teaching kids how to play; how to be able to walk into a session and just play." Aspiring musicians and producers may book an appointment with Allen via the Nugen Music website. He walks students through life as a developing talent, in some cases teaching them how they can initially launch their careers as recording musicians and support players. After all, if there is anyone who knows what the life of a session musician is like, and what it takes to be successful as one, it is Allen. -
A RESOLUTION to Honor the Memory of Legendary Guitarist Reggie Young
SENATE JOINT RESOLUTION NO.101 By Johnson A RESOLUTION to honor the memory of legendary guitarist Reggie Young. WHEREAS, the members of this General Assembly were saddened to learn of the passing of Reggie Young of Nashville, a humble gentleman whose talents as a guitarist were incomparable among his peers yet accessible to the average listener; and WHEREAS, during a brilliant career that spanned seven decades, Reggie Young served as the anchor of house bands at Memphis's Royal Studios/Hi Records and American Studios and was later one of Nashville's finest session players; and WHEREAS, greatly revered among his peers, Reggie Young was not a household name, but his signature work on guitar and sitar continues to be heard and appreciated worldwide; and WHEREAS, his talents earned him engagements with a stunning array of artists, from Bob Dylan to Gladys Knight, the Staple Singers to Paul Simon, Herbie Mann to Joe Cocker, and B.B. King to Sinead O'Connor; and WHEREAS, Mr. Young played on many monumentally popular recordings, including Dusty Springfield's "Son of a Preacher Man," the Box Tops' "Cry Like a Baby," Elvis Presley's "Suspicious Minds" and "In the Ghetto," and literally hundreds of other hits and classics; and WHEREAS, always a self-effacing professional, Reggie Young never sought to stand out among his fellow musicians in the studio; he played within the context of the song, adding special touches that magically made the song and the recording better, but he also excelled as a soloist when need be; and WHEREAS, he invented and played the iconic opening to Dobie Gray's "Drift Away" on the spot in the studio and recorded one of the greatest sitar solos of all-time on B.J. -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
RSD19 Releases PRINTABLE 27.02.19
#RSD19 Twitter: @RSDUK / Instagram: @recordstoreday / Facebook: @RSDayUK Artist Title Label Format Want 13th Floor Elevators Psychedelic Sounds Of International Artists LP Picture Disc 808 State Four States of 808 ZTT 4x12" box set A Man Called Adam Farmarama Other Records Ltd. 12" A.R. Kane New Clear Child Hidden Art Recordings Single vinyl LP Ace Frehley Spaceman (Picture Disc) Eone Entertainment 12PD Ace of Base The Sign K7 7' PICTURE DISC Acid Mothers Temple Does The Cosmic Shepherd Space Age Recordings Double LP Dream Of Electric Tapirs? Adam French The Back Foot And Rapture Virgin EMI 7" A-HA Hunting High And Low / The Rhino 1LP, Black Vinyl Early Alternate Mixes Aidan Moffat and RM What The Night Bestows US Rock Action Records LP Hubbert Air Surfing On A Rocket Warner Music France 12" Picture Disc Airto Natural Feelings Real Gone Music 12" LP Al Green The Hi Records Singles Box Fat Possum Records 7" Box Set Set Alarm, The Live '85 Twenty First Century 2LP Recording Company Albert Washington Sad And Lonely Tidal Waves Music LP Alice Clark s/t Wewantsounds Deluxe Gatefold LP ALPHA & OMEGA DUBPLATE SELECTION VOL 1 MANIA DUB LP ALPHA & OMEGA DUBPLATE SELECTION VOL 2 MANIA DUB LP Anderson .Paak Bubblin' Aftermath/12 Tone 7" Music, LLC Andrea True More, More, More Buddah Records 12" Connection Angel Pavement Socialising With Angel Morgan Blue Town LP & 7" Pavement Antoine Dobson ft Bed Intruder & Various Enjoy The Ride 7" Gregory Bros Other YouTube Hits 1 #RSD19 Twitter: @RSDUK / Instagram: @recordstoreday / Facebook: @RSDayUK Apartments, -
October 1987
Cover Photo by Ebet Roberts EDUCATION IN THE STUDIO Roberts An Introduction 42 Ebet by Craig Krampf by ROCK 'N' JAZZ CLINIC Emphasizing Beats Photo by Rod Morgenstein 44 TEACHERS' FORUM Motivation by Ron Jordan 48 JAZZ DRUMMERS' WORKSHOP Basic Independence by Peter Erskine 72 ELECTRONIC INSIGHTS Marching To The MIDI Drummer by Bruce Nazarian 82 ROCK PERSPECTIVES Ringo Starr: The Early Period by Kenny Aronoff 102 ROCK CHARTS Ian Paice: "Perfect Strangers" by James Morton 106 CONCEPTS Listening NARADA MICHAEL by Roy Burns 120 CLUB SCENE WALDEN Selling Yourself On Tape In recent months, he has had great success as a producer for by Rick Van Horn 122 such artists as Whitney Houston and Aretha Franklin, but EQUIPMENT Narada Michael Walden isn't about to abandon his SHOP TALK drumming, and here he tells why. Snare Drum Options by Rick Mattingly 16 by John Clarke 76 PRODUCT CLOSE-UP More New Cymbals AL JACKSON by Rick Van Horn and Rick Until his untimely death, Al Jackson provided the backbeat Mattingly 126 for classic Memphis recordings by Booker T. & The MGs, Al ELECTRONIC REVIEW Greene, Sam & Dave, Otis Redding, and all the artists on Stax Pearl SC-40 Syncussion-X records. He is remembered by such friends and colleagues as by Bob Saydlowski, Jr. 128 Steve Cropper, Duck Dunn, Al Greene, and Jim Keltner. JUST DRUMS 132 by T. Bruce Wittet 22 REVIEWS PRINTED PAGE 104 PAUL LEIM PROFILES Since moving to L.A. from Dallas, Paul Leim has recorded PORTRAITS with an impressive array of artists, including Lionel Richie, Sherman Ferguson: Fire, Groove, Peter Cetera, and Kenny Rogers. -
Dee Dee Bridgewater and the Memphis Soulphony: Memphis
PHOTO BY MARK HIGASHINO DEE DEE BRIDGEWATER AND THE MEMPHIS SOULPHONY: MEMPHIS . YES, I’M READY Tuesday, April 9, 2019, at 7:30pm Colwell Playhouse PROGRAM DEE DEE BRIDGEWATER AND THE MEMPHIS SOULPHONY: MEMPHIS . .YES, I’M READY Barry Campbell, bass Curtis Pulliam, trumpet Bryant Lockhart, saxophone Charlton Johnson, guitar Skyler Jordan, background vocals Monet Owens, background vocals Carlos Sargent, drums Farindell ”Dell” Smith, piano/organ Shelby Shariatzadeh, road manager Tim Zick, sound engineer Tulani Bridgewater-Kowalski, manager This performance will be announced from the stage. Songs performed may include the following tracks from the album Memphis . Yes, I'm Ready: • Yes, I'm Ready • Giving Up • Can't Get Next To You • Going Down Slow • Why? (Am I Treated So Bad) • B.A.B.Y. • Thrill Is Gone • The Sweeter He Is • Can't Stand The Rain • Don't Be Cruel • Hound Dog • Try A Little Tenderness • (Take My Hand) Precious Lord This performance will be presented with no intermission. Dee Dee Bridgewater and the Memphis Soulphony appear by arrangement with: Jack Randall, President The Kurland Agency 173 Brighton Ave Boston, MA 02134 2 THE ACT OF GIVING OF ACT THE THANK YOU FOR SPONSORING THIS PERFORMANCE With deep gratitude, Krannert Center thanks all 2018-19 Patron Sponsors and Corporate and Community Sponsors, and all those who have invested in Krannert Center. Please view their names later in this program and join us in thanking them for their support. This event is supported by: * MARY & GEORGE PERLSTEIN CLARETTE & ZVI RITZ Twenty-Four Previous Sponsorships First-Time Sponsors Two Current Sponsorships Four Current Sponsorships * JOAN & WALT TOUSEY ANONYMOUS Five Previous Sponsorships One Hundred and Five Previous Sponsorships Ten Current Sponsorships *PHOTO CREDIT: ILLINI STUDIO 3 CORPORATE & COMMUNITY BRONZE SPONSOR THE ACT OF GIVING OF ACT THE CORPORATE & COMMUNITY BRONZE SPONSOR HELP SUPPORT THE FUTURE OF THE ARTS. -
Magnus Hoem, Juni 2018, Trondheim
Forord I det jeg gikk inn i prosessen med å velge tema hadde jeg en baktanke om å finne noe som ikke var så nøye utforsket fra før. Jeg hadde også et ønske om å finne et interessant og appellerende tema som kunne dekke mine interesser for både trommer, musikkutøvelse og svart musikk. Valget falt på en trommeslager som spilte på hitlåt etter hitlåt på 1960- og 1970-tallet, og som i nyere tid ikke har fått så mye oppmerksomhet. Denne oppgaven vil derfor handle om trommeslageren Al Jackson Jr., mest kjent fra sin tid i Stax Records, som en del av husbandet Booker T & the MGs. Takk til veileder, professor John Howland, for verdifulle innspill og tips, utømmelig faglig kunnskap, og en genuin interesse for temaet. Takk også til Stine og Frans for all tålmodighet og støtte i prosessen med å fullføre denne oppgaven. Magnus Hoem, juni 2018, Trondheim. 1 2 Innhold INNLEDNING .................................................................................................................................................... 5 TROMMESLAGEREN I AKADEMIA ..................................................................................................................... 9 2.1 FORHOLDET MELLOM MUSIKK OG KONTEKST I MUSIKKFORSKNING .......................................................................... 10 2.2 FRAVÆRET AV TROMMEFORSKNING I AKADEMIA ................................................................................................ 13 2.3 UTFORDRINGER MED TROMMETRANSKRIPSJON ................................................................................................ -
2019 Education Curriculum Guide
Tennessee Academic Standards 2019 EDUCATION CURRICULUM GUIDE MEMPHIS IN MAY INTERNATIONAL FESTIVAL Celebrates Memphis in 2019 For the fi rst time in its 43-year history, Memphis in May breaks with tradition to make the City of Memphis and Shelby County the year-long focus of its annual salute. Rather than another country, the 2019 Memphis in May Festival honors Memphis and Shelby County as both celebrate their bicentennials and the start of a new century for the city and county. Memphis has changed the world and will continue to change the world. We are a city of doers, dreamers, and believers. We create, we invent, we experiment; and this year, we invite the world to experience our beautiful home on the banks of the Mississippi River. The Bluff City…Home of the Blues, Soul, and Rock & Roll…a city where “Grit and Grind” are more than our team’s slogan, they’re who we are: determined, passionate, authentic, soulful, unstoppable. With more than a million residents in its metro area, the City of Memphis is a city of authenticity and diversity where everyone is welcomed. While some come because of its reputation as a world-renown incubator of talent grown from its rich musical legacy, Memphis draws many to its leading hospital and research systems, putting Memphis at the leading edge of medical and bioscience innovation. Situated nearly in the middle of the United States at the crossroads of major interstates, rail lines, the world’s second-busiest cargo airport, and the fourth-largest inland port on the Mississippi River, Memphis moves global commerce as the leader in transportation and logistics. -
PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights
PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights 88dB Bowles Production *ABC Music Brian Lord Entertainment ACMEC Bridge, Billy Adams, Clelia Broad Music AGR Television Records Buckley, Russell Aitken, Gregory A. Budimir, Mary Michelle AITP Records Bullbar P/L aJaymusic Bulletproof Records t/a Fighterpilot AJO Services Bulmer, Grant Matthew Allan, Jane Bunza Entertainment International Pty Ltd Aloha Management Pty Ltd Butler Brown P/L t/a The John Butler Trio Alter Ego Promotions Byrne, Craig Alston, Chris Byrne, Janine Alston, Mark *CAAMA Music Amber Records Aust. Pty Ltd. Cameron Bracken Concepts Amphibian *Care Factor Zero Recordz Anamoe Productions Celtic Records Anderson, James Gordon SA 5006 Angelik Central Station Pty Ltd Angell, Matt Charlie Chan Music Pty Ltd Anthem Pty Ltd Chart Records and Publishing Anvil Records Chase Corporation P/L Anvil Lane Records Chatterbox Records P/L Appleseed Cheshire, Kim Armchair Circus Music Chester, John Armchair Productions t/a Artworks Recorded Circle Records Music CJJM Australian Music Promotions Artistocrat P/L Clarke, Denise Pamela Arvidson, Daniel Clifton, Jane Ascension World Music Productions House Coggan, Darren Attar, Lior Col Millington Prodcutions *Australian Music Centre Collins, Andrew James B.E. Cooper Pty Ltd *Colossal Records of Australia Pty Ltd B(if)tek Conlaw (No. 16) Pty Ltd t/a Sundown Records Backtrack Music Coo-ee Music Band Camp Cooper, Jacki Bellbird Music Pty Ltd Coulson, Greg Below Par Records -
Dee Dee Bridgewater's New Album, "Memphis...Yes, I'm Ready," Set for Release September 15Th Via Ddb Records/Okeh/Sony Masterworks
Contact: Alisse Kingsley/Muse Media FOR IMMEDIATE RELEASE 323-467-8508: e: [email protected] DEE DEE BRIDGEWATER'S NEW ALBUM, "MEMPHIS...YES, I'M READY," SET FOR RELEASE SEPTEMBER 15TH VIA DDB RECORDS/OKEH/SONY MASTERWORKS Eagerly-Anticipated Project Has Been In The Works For Several Years As Bridgewater Returned To Her Birth City To Continue The Musical Exploration Of Her Roots And Influences “These were songs I listened to on the famous Black radio station WDIA, where my own father, Matthew Garrett, was a young on-air DJ with the moniker ‘Matt the Platter Cat.’ I was born in Memphis but my family migrated north to Flint, Michigan, when I was 3 years old. The South has always remained buried inside me, and coming back for this recording project has brought me full circle in my life.” -- Dee Dee Bridgewater Memphis, Tennessee. Every picture tells a story; every journey begins differently. The story of Dee Dee Bridgewater's stunning new album, "Memphis...Yes, I'm Ready," begins in that city, where she was born at Collins * 2658 Griffith Park Blvd., Suite726 * Los Angeles, CA * 90039* Chapel Hospital, located not far from where the album was recorded at Producer Willie Mitchell's historic Royal Studios. Dee Dee's father, a trumpet player also affectionately known as "Matt the Platter Cat" was a DJ at WDIA, the top Memphis radio station. Even when the family moved to neighboring Flint, Michigan, as a young girl Dee Dee would listen to the great sounds of the Memphis music scene by tuning-in late night from across state lines.