Fatal Attraction

Total Page:16

File Type:pdf, Size:1020Kb

Fatal Attraction (consciousness redux) Fatal Attraction Some protozoa infect the brain of their host, shaping its behavior in ways most suited to the pathogen, even if it leads to the suicide of the host BY CHRISTOF KOCH THE ANCIENT DEBATE surrounding pose, replication—like a computer virus ity, these invaders make the host’s brain the existence of free will appears unre- that reprograms an infected machine. do things counterproductive to its own solvable, a metaphysical question that Such is the case with T. gondii. It sex- survival. generates much heat yet little light. Com- ually reproduces only in the intestines of Toxoplasmosis has been most thor- mon sense and volumes of psychological cats yet can maintain itself indefinitely in oughly studied in rats and mice. Both and neuroscientific research reveal, how- any warm-blooded animal. Infected cats species have a deep-seated, innate fear of ever, that we are less free than we think cats for obvious reasons. Spray a bit of we are. Our genes, our upbringing and cat urine into a corner, and the rodent our environment influence our behav- will avoid this location, well, like the iors in ways that often escape con- plague. In contrast, an infected an- scious control. Understanding imal loses its innate fear of cats. this influence, the advertise- By some measures, it even ap- ment industry spent ap- pears to be mildly attracted to proximately half a trillion the smell of felines. This is an dollars worldwide in unfortunate turn of events for 2010 to shape the buy- the rodent, because it is now ing decisions of con- more likely to be successfully sumers. And extreme hunted by a cat. On the other dictatorships, such hand, this is a great deal for T. as that in North gondii. When the cat devours Korea, remain in the sick critter and its contami- power through nated brain, T. gondii moves the effective use into its final host, where it repro- of insidious and duces, completing its life cycle. all-pervasive forms Not quite what the romantics of propaganda. Yet have in mind when they write nothing approaches about “the circle of life”! the perfidy of the one- The behavioral manipula- celled organism Toxo- tion induced by T. gondii is plasma gondii, one of quite specific. The infected the most widespread rodent doesn’t look sick; of all parasitic proto- its weight is normal; it zoa. It takes over the We humans think moves about nor- ) we have free will, but brain of its host and we are less free than we think: mally, possibly a bit makes it do things, parasites can influence the behavior of ani- more fran tically even actions that will mals—including our own species. than other mice; cause it to die, in the it grooms itself; and head and earwig ( H service of this nasty hitchhiker. It sounds shed millions of their oocysts in their fe- it interacts routinely with its conspe cifics. U like a cheesy Hollywood horror flick, ex- ces. Taken up by all kinds of animals, Think how different this case is from NR U cept that it is for real. including dogs, rodents and humans, what happens in rabies, another nasty in- ACK We know that illness in general can they infect muscle and the brain to es- fection. The animal loses its instinctual ); J slow us down, incapacitate us and, in the cape attacks by the host’s immune sys- shyness, aggressively attacking others Koch worst case, kill us. Yet this organism is tem. Hidden away, they remain dormant (the proverbial mad dog), thereby spread- much more specific. Natural selection as cysts, surrounding themselves with a ing the rabies virus through its bite. But has given rise to pathogens that infiltrate tough cell wall. Yet this quiet stage of in- because T. gondii can reproduce only in the nervous system and change that sys- fection, called toxoplasmosis, is decep- felines, it wants its host to be eaten by HRISTOF KOCH ( KOCH HRISTOF tem’s wiring to achieve its ultimate pur- tive. Violating all rules of good hospital- cats, not by just any carnivore. And be- C 16 SCIENTIFIC AMERICAN MIND May/June 2011 Infected rodents lose their fear of cats. By (some measures, they even appear to be mildly attracted.) cause cats hunt live prey and do not eat eases is tantalizing but remains murky. carrion, T. gondii must not immediately Recent claims go so far as to argue for kill its temporary host. a role of T. gondii in shaping distinct cul- tural habits, depending on the rate of in- Rodents Aren’t Superheroes fection in the population. A prospective How does T. gondii effect its insidi- study tracking the road safety in Czech ous changes in the host? Experiments by recruits during their 18 months of com- Joanne P. Webster of Imperial College pulsory military draft found a rate of ac- London, Robert Sapolsky of Stanford cidents six times higher in affected driv- University and others have shown that A cyst of Toxoplasma gondii resides in the ers. Are the young men with toxoplas- infected rats or mice do not turn into the brain. Can these silent invaders, which re- mosis infection simply slowed down? Or main for life in the brain of the infected indi- murine equivalent of Siegfried, the hero vidual, control us without our awareness? do they drive more aggressively? of Wagner’s Ring who knew no fear. No, In my November 2009 column, I de- they still avoid open spaces, remain noc- fection rate is seven to eight times higher, scribed the discovery by cognitive neu- turnal creatures, retain their aversion to possibly because of the widespread con- roscientists that the feeling of freely will- the urine of other predators and learn to sumption of uncooked and undercooked ing an action (called authorship or agen- fear a tone associated with a foot shock. meat). Human toxoplasmosis is usually cy) is a subjective, conscious sensation Might the protozoa have stunted their considered to be symptom-free (what doc- no different, in principle, from the con- smell? After all, if they cannot smell tors refer to as asymptomatic). Exceptions scious awareness of seeing the azure blue anything anymore, they would not are patients with a weakened immune sys- sky or feeling the sharp pain of a tooth- know how to avoid places smelling of tem and the unborn (hence the need for ache. When I engage in a dangerous pur- cat urine. But infected mice still avoid pregnant women to avoid cleaning cat- suit, such as taking the end of the rope food if it smells different—an aversion litter boxes). on a steep section of a granite wall in that arose partly because for centuries Science has known for a long time Yosemite Valley while climbing, I feel as humans have been trying to control ro- that schizophrenic patients are two to if “I freely decided” to do so, whatever dents by poison. The infected mice also three times more likely to carry antibod- this might mean in a metaphysical sense. respond appropriately to the smell of ies to T. gondii than are controls who are Yet my action is most likely caused by an their littermates. not schizophrenic. Furthermore, anti- inexhaustible multiplicity of factors not Clues about how the parasites affect psychotic drugs that block the action of accessible to my conscious introspec- the animal come from several observa- dopamine, such as haloperidol, com- tion, including, yes, possibly some tiny tions. First, the density of cysts in the monly used in the treatment of schizo- single-celled parasites lodging in my amygdala is almost double that in other phrenia, are also effective in combating brain and making me act out their silent brain structures involved in odor percep- toxoplasmosis in both rats and people. commands. The wonder of it all. M tion. Parts of the amygdala have been And some infected adults go on to de- linked to anxiety and the sensation of fear. velop psychotic symptoms similar to CHRISTOF KOCH is Lois and Victor Troendle Second, the genome of T. gondii contains schizophrenia. Little is known about Professor of Cognitive and Behavioral Biology two genes related to mammalian genes in- the mode or site of action of this patho- at the California Institute of Technology. He NC. I volved in the regulation of dopamine, the gen in the human brain. The exact link serves on Scientific American Mind’s board molecule associated with reward and plea- between T. gondii and psychiatric dis- of advisers. sure signals in the brain, including in ours. So perhaps the creepy protozoa makes sui- cidal activities, such as hanging around (Further Reading) places frequented by cats, feel more plea- surable for the infected rodent? ◆ Bugs in the Brain. Robert Sapolsky in Scientific American,Vol. 288, No. 3, pages 94–97; March 2003. What elevates this vignette about evo- RCE/PHOTO RESEARCHERS, RESEARCHERS, RCE/PHOTO ◆ The Effect of Toxoplasma gondii on Animal Behavior: Playing Cat and Mouse. Joanne P. U lution and life in the wild to epic propor- Webster in Schizophrenia Bulletin, Vol. 33, No. 3, pages 752–756; 2007. tions for humanity is that about a tenth of ◆ Manipulation of Host Behavior by Toxoplasma gondii: What Is the Minimum a Proposed the U.S. population is infected by T. gondii Proximate Mechanism Should Explain? Ajai Vyas and Robert Sapolsky in Folia Parasito- SCIENCE SO SCIENCE (in some countries, such as France, the in- logica, Vol. 57, No. 2, pages 88–94; 2010. www.ScientificAmerican.com/Mind SCIENTIFIC AMERICAN MIND 17.
Recommended publications
  • Locations of Motherhood in Shakespeare on Film
    Volume 2 (2), 2009 ISSN 1756-8226 Locations of Motherhood in Shakespeare on Film LAURA GALLAGHER Queens University Belfast Adelman’s Suffocating Mothers (1992) appropriates feminist psychoanalysis to illustrate how the suppression of the female is represented in selected Shakespearean play-texts (chronologically from Hamlet to The Tempest ) in the attempted expulsion of the mother in order to recover the masculine sense of identity. She argues that Hamlet operates as a watershed in Shakespeare’s canon, marking the prominent return of the problematic maternal presence: “selfhood grounded in paternal absence and in the fantasy of overwhelming contamination at the site of origin – becomes the tragic burden of Hamlet and the men who come after him” (1992, p.10). The maternal body is thus constructed as the site of contamination, of simultaneous attraction and disgust, of fantasies that she cannot hold: she is the slippage between boundaries – the abject. Julia Kristeva’s theory of the abject (1982) ostensibly provides a hypothesis for analysis of women in the horror film, yet the theory also provides a critical means of situating the maternal figure, the “monstrous- feminine” in film versions of Shakespeare (Creed, 1993, 1996). Therefore the choice to focus on the selected Hamlet , Macbeth , Titus Andronicus and Richard III film versions reflects the centrality of the mother figure in these play-texts, and the chosen adaptations most powerfully illuminate this article’s thesis. Crucially, in contrast to Adelman’s identification of the attempted suppression of the “suffocating mother” figures 1, in adapting the text to film the absent maternal figure is forced into (an extended) presence on screen.
    [Show full text]
  • INTRODUCTION Fatal Attraction and Scarface
    1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things.
    [Show full text]
  • I'm a Married Man Chloe Nolan
    I'M A MARRIED MAN CHLOE NOLAN MIDLAND JUNCTION ARTS CENTRE | 20 FEBRUARY - 24 APRIL 2021 I'm a Married Man, 2021, video installation, 4:40 min. I first watched Adrian Lyne’s Fatal Attraction (1987) when I was 16 years old and I remember feeling repulsed by Michael Douglas’ character. I was insulted that the film expected me to relate to a man who had cheated on his wife and somehow became the victim of his mistress’s sexual scorn. There is one scene in Fatal Attraction that particularly horrifies me, and which epitomises the treatment of “predatory women” in film. After repeated attempts to cut contact with Glenn Close’s character, Douglas meets her in a train station and berates her. “Is this what you want to talk about, our imaginary love affair.” Even after she reveals to him that she is pregnant, he continues to condescend and gaslight her, calling her “sick” and telling her she "needs to see a shrink”. Finally, he demands that she does not carry her pregnancy to full term because they “will have to live with this for the rest of their lives.” After my initial viewing of Fatal Attraction, I became obsessed with Douglas’ filmography, particularly his roles throughout the '80s and '90s. I noticed a pattern of him selecting roles similar to the one he played in Fatal Attraction. He belittles, patronises and invalidates the experiences of the “predatory woman” female lead, the counterpart to his “everyman” persona. As film critic Rob Edelman states in regard to Douglas’ choice in film roles: “...he personifies the contemporary Caucasian middle-to-upper class American male who finds himself the brunt of female anger because of real or imagined sexual slights.
    [Show full text]
  • The Inventory of the Michael Douglas Collection #1839
    The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F.
    [Show full text]
  • Teen Suspect Linked to Domino's Robbery 01 the Same Store Last December
    11, Serving the San Jose State UniverNitv Community Since 1934 Volume 90, No. 40 Thursday Apii I 7. 1988 Teen suspect linked to Domino's robbery 01 the same store last December. Acknowledging the seriousness of the fel- department) doesn't have any control over In the robbery. a man fitting McKeithan's ony charge. Tiedemann argued that since what happens to him now. That's up to the Student facing description forced the store manager to hand McKeithan's parents were staying in San judicial system." over the night deposit of $600, Reyes said. Jose to be with their son, a bail was war- In the March 30 incident, McKeithan al- Items stolen in the 1987 burglary a VCR ranted. But Municipal Court Judge Hugh additional charges legedly threatened Baxter with a 12 -gauge '(The police department) with a monitor and a Domino's sign, were Mullin denied the plea. shotgun. Baxter, who was in civilian By Katarina Jonholt found in McKeithan's apartment "during the Clifford M. McKeithan, Charles' father. clothes, was withdrawing money front the doesn't have any control Daily staff writer course of investigation after his arrest." said the defense is "getting information to- Wells Fargo automated teller on First and Three additional counts of armed robbery, Reyes said. gether for a Superior Court review** of the Mission over what happens to burglary and possession of stolen property In Santa Clara County Municipal Court hail decision. streets. were filed against SJSU drama student Tuesday. McKeithan didn't enter a plea. hut He said he didn't know anything about the McKeithan's gun was unloaded, hut there him now.
    [Show full text]
  • An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and the Stepford Wives
    Wright State University CORE Scholar Master of Humanities Capstone Projects Master of Humanities Program 2012 Illusionary Strength: An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives Jennifer Lynn Ruben Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/humanities Part of the Film and Media Studies Commons Repository Citation Ruben, J. L. (2012). Illusionary Strength: An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives (Master’s thesis). Wright State University, Dayton, Ohio. This Thesis is brought to you for free and open access by the Master of Humanities Program at CORE Scholar. It has been accepted for inclusion in Master of Humanities Capstone Projects by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. ILLUSIONARY STRENGTH; AN ANALYSIS OF FEMALE EMPOWERMENT IN SCIENCE FICTION AND HORROR FILMS IN FATAL ATTRACTION, ALIENS, AND THE STEPFORD WIVES A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By JENNIFER LYNN RUBEN B.A., Michigan State University, 2008 2012 Wright State University COPYRIGHT BY JENNIFER RUBEN 2012 WRIGHT STATE UNIVERSITY GRADUATE SCHOOL December 4, 2012 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Jennifer Ruben ENTITLED Illusionary Strength: An Analysis of Female Empowerment in Science Fiction and Horror Films in Fatal Attraction, Aliens, and The Stepford Wives BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities.
    [Show full text]
  • The Fatal Flaws of Fatal Attraction
    Ben W. Heineman Jr. - Ben Heineman Jr. has held top positions in government, law and business. He is the author of High Performance with High Integrity (Harvard Business Press, 2008). Cristine Russell - Cristine Russell is an award-winning science, health and environment writer. She is a senior fellow at Harvard's Belfer Center for Science and International Affairs. The Fatal Flaws of Fatal Attraction By: Ben W. Heineman Jr. & Cristine Russell April 7, 2014 The writer of the 1987 thriller disliked the ending that Hollywood put on the movie. A new live adaptation addresses his concerns—but doesn't fix the deeper problem with the story. The psycho-thriller “Fatal Attraction,” the highest grossing movie of 1987, was a must- see film that turned a successful New York lawyer’s weekend affair with a sexy single publishing exec into a terrifying tale of obsession. Her demonic pursuit of him, and his family, ended with a shocking plot twist that left viewers stunned. Twenty-five years later, the hit film has been resurrected in a neon-lit theatrical production that premiered recently in London’s West End. Both the original screenplay and new play are the work of British screenwriter James Dearden. Despite an Oscar nomination for Fatal Attraction, he had long been dissatisfied with the Hollywood ending that Paramount Pictures’ producers insisted on. So, for his first live stage effort, Dearden, now 64, rewrote the plot, making the characters more complicated, the message more ambiguous, and the finale more in line with his original vision. The film’s striking commercial success—reviews were mixed—was largely attributed to the insistence on script changes by famed producers Stanley Jaffe and Sherry Lansing, based on test screening reactions.
    [Show full text]
  • American Postfeminist Cinema: Women, Romance Linnete Manrique and Contemporary Culture Goldsmiths, University of London Michele Schreiber
    Feminist Ghosts: The New Cultural Life of Feminism Issue 6 – 2016 | www.diffractions.net BOOK REVIEW American Postfeminist Cinema: Women, Romance Linnete Manrique and Contemporary Culture Goldsmiths, University of London Michele Schreiber American Postfeminist Cinema: Women, Romance and Contemporary Culture. Michele Schreiber. Edinburgh, UK: Edinburgh University Press, 2014 In American Postfeminist Cinema: Women, Romance and Contemporary Culture, film studies scholar Michele Schreiber provides a rich analysis of the relationship between heterosexual romance narratives and postfeminist culture. Over the course of five chapters, she interrogates how the cycle of postfeminist romance films made from 1980 to 2012 portrays and reflects “contemporary women’s anxieties (…) and anxieties about women” (Schreiber, 2014: 2). According to cultural theorist Angela McRobbie, postfeminism is deployed as a substitute for feminism, which is perceived as having already passed. In her influential book, The Aftermath of Feminism: Gender, Culture and Social Change, she argues that postfeminism “positively draws on and invokes feminism as that which can be taken into account, to suggest that equality is achieved, in order to install a whole repertoire of new meanings which emphasise that it is no longer needed, it is a spent force” (McRobbie, 2009: 12). For McRobbie, the Bridget Jones character that first appeared in the UK Independent newspaper column, Bridget Jones’s Diary, and in the eponymous book and films that followed, embodies postfeminist culture. Bridget Jones is unapologetically feminine, dreaming of romance, finding the right man, getting married and having children, and is not particularly career-driven. McRobbie notes that this and other postfeminist films celebrate “a kind of scatterbrain and endearing femininity,” as though it has been lost and needs to be retrieved.
    [Show full text]
  • Here to Find Them, Pirates of the Caribbean, Night at the Museum, Edge of Tomorrow and Wonder Woman
    Walter Roshetski A chance encounter with Jerry Lewis while a student at the University of Miami, led Roshetski, a New York native, to switch his attentions from pursuing a medical career to a lifetime in film and television. Following an internship and a role in Lewis’ movie, Hardly Working. Roshetski earned his Film Degree and worked as a location agent until he settled in to his ultimate career as a Location Manager. A member of the Motion Picture Teamsters, Local 399, Roshetski’s credits include NYPD Blue, Freaky Friday, Anacardium. For the past fourteen years, he has worked on Criminal Minds, for which he has won two COLAS and four nominations. He is a published writer, avid sports fan, and a travel enthusiast. Georgette Turner Georgette Turner trained as an actress before discovering her talent as a Location Manager. She began her career in locations as parking guard and worked her way up through every grade of the location department. Ms. Turner is now entering her fourteenth year as a Location Manager. Her credits include Fantastic Beasts and Where to Find Them, Pirates of the Caribbean, Night at the Museum, Edge of Tomorrow and Wonder Woman. Along with Ken Haber, Turner serves as the UK Regional Co-Chair of the LMGI membership committee. Ken Haber Ken Haber has worked as a feature film location scout and manager for more than thirty years. Some of his projects include: Fatal Attraction, Wall Street, Black Rain, Thelma and Louise, The Bridges of Madison County and The Thin Red Line. He’s shot thousands of locations throughout the country for directors such as Adrian Lyne, Oliver Stone, Ridley Scott, Clint Eastwood, Terence Malick, and Joseph Kosinski.
    [Show full text]
  • William Shakespeare's Play in Film Adaptation
    UNIVERZITA KARLOVA V PRAZE – FILOZOFICKÁ FAKULTA ÚSTAV ANGLOFONNÍCH LITERATUR A KULTUR BAKALÁŘSKÁ PRÁCE Tetiana Kurtiak Hamlet on Screen: William Shakespeare's Play in Film Adaptation Vedoucí bakalářské práce: PhDr. Soňa Nováková, CSc., M.A.. Praha, Srpen 2015 Declaration: Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného či stejného titulu. Souhlasím se zapůjčením bakalářské práce ke studijním účelům. Prohlášení: I declare that the following BA thesis is my own work for which I used only the sources and literature mentioned, and that this thesis has not been used in the course of other university studies or in order to acquire the same or another type of diploma. I have no objections to the BA thesis being borrowed and used to study purposes. V Praze dne …………… …………… Acknowledgement: I would like to express my sincere gratitude to PhDr. Soňa Nováková, CSc., M.A., my supervisor, for her support, encouragement, valuable guidance, and most importantly patience throughout my studies. Keywords: William Shakespeare, Hamlet, film adaptation, Laurence Olivier, Kenneth Branagh, Franco Zeffirelli, Michael Almereyda, theatre, film. Klíčová slova: William Shakespeare, Hamlet, filmová adaptace, Laurence Olivier, Kenneth Branagh, Franco Zeffirelli, Michael Almereyda, divadlo, film. Abstract: The purpose of my thesis is to study the process of a play-to-film adaptation of William Shakespeare’s Hamlet, the Prince of Denmark. It deals with the issues concerning film adaptation, the complexity of transferring drama onto the screen, and, consequently, analyses the individual filmic readings of Shakespeare’s play.
    [Show full text]
  • Appendix: Case Study Film Synopses
    Appendix: Case Study Film Synopses Taxi Driver (M. Scorsese, USA, 1976) Taxi Driver tells the story of ex-marine, Travis Bickle (Robert De Niro), who suffers from insomnia and drives a cab at night in the most seedy areas of New York. Travis is an unhappy, social misfit who is lonely and psychologically fragile. He becomes increasingly angry at the degenerate surroundings of the city and the people who occupy the streets. We follow Travis’s vision through the windscreen of his cab, one that also mirrors his increasingly psychotic and alienated state of mind. Travis becomes obsessed with the beautiful Betsy (Cybil Shepherd), a presidential campaign-worker whom he barely knows, but idealizes as he watches her at work from his cab across the street. He eventually plucks up courage to speak to her and takes her out for coffee. Later he takes her to a porn film, and she reacts angrily and rejects him. At first he cannot accept her rejection and then he grows angry and decides she is a bad person ‘like all the others’. Meanwhile, Travis meets the young prostitute Iris (Jodie Foster), whom he wants to save from her pimp Sport (Harvey Keitel). Travis has an encounter with a jealous husband in the back of his cab (Martin Scorsese), who speaks of the 44 magnum gun as being the best weapon for his jealous revenge. Travis then decides to buy such a gun and he ends up buying a virtual arsenal of guns and weapons. After an unsuccessful attempt to kill the politician Pallantine, he kills Iris’s pimp Sport instead and carries out his massacre of the men in Iris’s house.
    [Show full text]
  • TITLE CALL NUMBER for Film Information, Follow This Link: Www
    For film information, follow this link: www.imdb.com TITLE FORMAT CALL NUMBER (500) days of Summer DVD PN 1997.2 .F58 2009 (Un)qualified: how God uses broken people to do big things AB CD BV 4598.2 .F87 2016 *Batteries not included DVD PN 1997 .B377 B377 1999 21 DVD PN 1997.2 .A149 A149 2008 300 DVD PN 1997.2 .E79 T4744 2007 1408 DVD PN 1995.9 .H6 F6878446 2007 2012 DVD PN 1997.2 .T835 2010 2 fast 2 furious DVD PN 1997 .F377 F377 2003 2 guns BLU-RAY PN 1997.2 .A12 2013 2 guns DVD PN 1997.2 .A12 2013 2nd chance AB CD PS 3566 .A822 A614 2002 3:10 to Yuma DVD PN 1997.2 .A138 A138 2007 3 comedy film favorites. Dodgeball DVD PN 1995.9 .C55 V38 2014 V.3 3 comedy film favorites. The internship DVD PN 1995.9 .C55 V38 2014 V.1 3 comedy film favorites. The watch DVD PN 1995.9 .C55 V38 2014 V.2 3 days to kill DVD PN 1997.2 .A15 2014 4 classic film favorites : Affair to remember DVD PN 1997 .A1 F68 2014 V.1 4 classic film favorites : Laura DVD PN 1997 .A1 F68 2014 V.2 4 classic film favorites : A letter to three wives DVD PN 1997 .A1 F68 2014 V.3 4 classic film favorites : The three faces of Eve DVD PN 1997 .A1 F68 2014 V.4 4 film favorites. Western collective DVD PN 1997 .Y68 2010 4 Film favorites: Girl's night collection: Chasing liberty DVD PN 1997 .E88 2010 V.4 4 Film favorites: Girl's night collection: Cinderella story DVD PN 1997 .E88 2010 V.1 4 Film favorites: Girl's night collection: Sisterhood of the traveling pants DVD PN 1997 .E88 2010 V.3 4 Film favorites: Girl's night collection: What a girl wants DVD PN 1997 .E88 2010 V.2 4 for Texas DVD PN 1995.9 .W4 F62 2005 The 5th wave DVD PN 1997.2 .A15 2016 The 6th day DVD PN 1997 .S597 S597 2001 9-1-1.
    [Show full text]