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Antarctica: Music, Sounds and Cultural Connections
Antarctica Music, sounds and cultural connections Antarctica Music, sounds and cultural connections Edited by Bernadette Hince, Rupert Summerson and Arnan Wiesel Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Antarctica - music, sounds and cultural connections / edited by Bernadette Hince, Rupert Summerson, Arnan Wiesel. ISBN: 9781925022285 (paperback) 9781925022292 (ebook) Subjects: Australasian Antarctic Expedition (1911-1914)--Centennial celebrations, etc. Music festivals--Australian Capital Territory--Canberra. Antarctica--Discovery and exploration--Australian--Congresses. Antarctica--Songs and music--Congresses. Other Creators/Contributors: Hince, B. (Bernadette), editor. Summerson, Rupert, editor. Wiesel, Arnan, editor. Australian National University School of Music. Antarctica - music, sounds and cultural connections (2011 : Australian National University). Dewey Number: 780.789471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press Cover photo: Moonrise over Fram Bank, Antarctica. Photographer: Steve Nicol © Printed by Griffin Press This edition © 2015 ANU Press Contents Preface: Music and Antarctica . ix Arnan Wiesel Introduction: Listening to Antarctica . 1 Tom Griffiths Mawson’s musings and Morse code: Antarctic silence at the end of the ‘Heroic Era’, and how it was lost . 15 Mark Pharaoh Thulia: a Tale of the Antarctic (1843): The earliest Antarctic poem and its musical setting . 23 Elizabeth Truswell Nankyoku no kyoku: The cultural life of the Shirase Antarctic Expedition 1910–12 . -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Tackling Challenging Issues in Shakespeare for Young Audiences
Shrews, Moneylenders, Soldiers, and Moors: Tackling Challenging Issues in Shakespeare for Young Audiences DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Harelik, M.A. Graduate Program in Theatre The Ohio State University 2016 Dissertation Committee: Professor Lesley Ferris, Adviser Professor Jennifer Schlueter Professor Shilarna Stokes Professor Robin Post Copyright by Elizabeth Harelik 2016 Abstract Shakespeare’s plays are often a staple of the secondary school curriculum, and, more and more, theatre artists and educators are introducing young people to his works through performance. While these performances offer an engaging way for students to access these complex texts, they also often bring up topics and themes that might be challenging to discuss with young people. To give just a few examples, The Taming of the Shrew contains blatant sexism and gender violence; The Merchant of Venice features a multitude of anti-Semitic slurs; Othello shows characters displaying overtly racist attitudes towards its title character; and Henry V has several scenes of wartime violence. These themes are important, timely, and crucial to discuss with young people, but how can directors, actors, and teachers use Shakespeare’s work as a springboard to begin these conversations? In this research project, I explore twenty-first century productions of the four plays mentioned above. All of the productions studied were done in the United States by professional or university companies, either for young audiences or with young people as performers. I look at the various ways that practitioners have adapted these plays, from abridgments that retain basic plot points but reduce running time, to versions incorporating significant audience participation, to reimaginings created by or with student performers. -
I ISSUE 9 Contents
VOL - I ISSUE 9 https://www.facebook.com/pages/Sekibuhchhuak/196672380467047 contents FROM THE EDITOR’S DESK U MANUNA HJ 4 FILM EDUCATION DIDINI TOCHHAWNG 5 MC TALENT CORNER 6 MC’S ACTRESS OF THE MONTH: CHITRANGADA SINGH 8 MUANTEA COBAIN MARIA-I MEILUM KAN AI PUI A 10 U MANUNA HJ MIZO FILM HMUHNAWM KA TIH TE 14 ENGKIMA CHAWNGTHU WHY I HATE HINDI JAMES FAMKIMA 16 MOVIE CORNER 1AACCM 2012 MAGAZINE MC EXCLUSIVE REPORT 18 moviecornermagazine.com M.RALTE EDITORIAL FAAK FEAST SEASON 3 22 Editor-in-Chief: U Manuna Hj THE REPORT Deputy Editor: Maxeer Zach KIMKIMY PSYCHED Editor-At-Large: Muantea Cobain FIAMTHU CORNER Copy Editor : m.ralte TSA KHUPCHAWNG 25 Associate Editor - Entertainment: Able Smoochie Associate Editor - Columnist: OSCAR 2013 NOMINEES 26 Didini Tochhawng FULL LIST Art Director: Hriatpuia Cc Photography: Andrew Lalbiaknunga Ralte LOVE LETTER Contributors: MC Members TO THE LOVE GURU 28 MC COMIC STRIP 31 MC EDITORIAL Kumthar Chibai vek ule! December thla tawp lam chu a ‘season’ bawk a, kan che na tlang tih a hriat theih awm e. Kumthar ‘hangover’ a lo awm ve zel bawk nen, lung a leng duh tlawk tlawk hle mai. Kum 2012 khan khawvel a tawp dawn emaw kan lo ti hman deuh a, Magazine pawh chhuah leh turah kan lo in ngai miah lo a. Chuvangin, hei, kum 2013 a kan magazine hmasa ber pawh kan rawn tlai chhep chhep hle mai. Mahse, a ‘contents’ chu a rawn ‘brand new’ veng veng hlawm hle tho a, a la lum vut vut mai; tlemin a rim pawh a la chhe deuh. -
ORAL HISTORY 85-100, Part 2
Tape # ORAL HISTORY 85-100, Part 2 Interview with Chuck West by Ronald Inouye on February 4, 1985 in Fairbanks, Alaska RI: We're continuing now with the second part of our interview. Today is, again the 4th of February (1985), and this is tape 2. Can you continue on? We were discussing as we took our lunch break about how adversity sometimes causes opportunities to sort of come about, particularly in the building of hotels. CW: Yes, not only in the building of hotels. We started our motor coach company when there were motor coach companies failing in business and leaving a hole , let's say, in our operation and the decline of the Alaska Steamship Company -- it's cessation-going out of business, created another hole in our program which we had to fill ourselves. And after the two years of no ships in '55 and '56, I recognized that business was on a real downslope, and I resolved to find some way to quit that, and was able to uncover an opportunity in the existence of a company, Union Steamships Limited of Vancouver, BC, who were operating 3 converted castle-class corvettes out of Vancouver, up the British Columbia coast into Alaska. They were primarily passenger freighters: one vessel was more of a cruise-type boat, but the other 2 were principally freighter operators carrying passengers into port. So I went to Union Steamship Company, inspected the vessels, and determined that if they were willing I would charter 1 vessel for the summer of 1957 and negotiated a ORAL HISTORY 85-100, Part 2 Interview with Chuck West by Ronald Inouye on February 4, 1985 Page 1 of 46 trial arrangement with the “Coquitlam, SS Coquitlam.” It was immediately successful, I mean we haul a turnaround immediately; our tour sales increased and proved to me quite conclusively that was the answer. -
MONSTERS INC 3D Press Kit
©2012 Disney/Pixar. All Rights Reserved. CAST Sullivan . JOHN GOODMAN Mike . BILLY CRYSTAL Boo . MARY GIBBS Randall . STEVE BUSCEMI DISNEY Waternoose . JAMES COBURN Presents Celia . JENNIFER TILLY Roz . BOB PETERSON A Yeti . JOHN RATZENBERGER PIXAR ANIMATION STUDIOS Fungus . FRANK OZ Film Needleman & Smitty . DANIEL GERSON Floor Manager . STEVE SUSSKIND Flint . BONNIE HUNT Bile . JEFF PIDGEON George . SAM BLACK Additional Story Material by . .. BOB PETERSON DAVID SILVERMAN JOE RANFT STORY Story Manager . MARCIA GWENDOLYN JONES Directed by . PETE DOCTER Development Story Supervisor . JILL CULTON Co-Directed by . LEE UNKRICH Story Artists DAVID SILVERMAN MAX BRACE JIM CAPOBIANCO Produced by . DARLA K . ANDERSON DAVID FULP ROB GIBBS Executive Producers . JOHN LASSETER JASON KATZ BUD LUCKEY ANDREW STANTON MATTHEW LUHN TED MATHOT Associate Producer . .. KORI RAE KEN MITCHRONEY SANJAY PATEL Original Story by . PETE DOCTER JEFF PIDGEON JOE RANFT JILL CULTON BOB SCOTT DAVID SKELLY JEFF PIDGEON NATHAN STANTON RALPH EGGLESTON Additional Storyboarding Screenplay by . ANDREW STANTON GEEFWEE BOEDOE JOSEPH “ROCKET” EKERS DANIEL GERSON JORGEN KLUBIEN ANGUS MACLANE Music by . RANDY NEWMAN RICKY VEGA NIERVA FLOYD NORMAN Story Supervisor . BOB PETERSON JAN PINKAVA Film Editor . JIM STEWART Additional Screenplay Material by . ROBERT BAIRD Supervising Technical Director . THOMAS PORTER RHETT REESE Production Designers . HARLEY JESSUP JONATHAN ROBERTS BOB PAULEY Story Consultant . WILL CSAKLOS Art Directors . TIA W . KRATTER Script Coordinators . ESTHER PEARL DOMINIQUE LOUIS SHANNON WOOD Supervising Animators . GLENN MCQUEEN Story Coordinator . ESTHER PEARL RICH QUADE Story Production Assistants . ADRIAN OCHOA Lighting Supervisor . JEAN-CLAUDE J . KALACHE SABINE MAGDELENA KOCH Layout Supervisor . EWAN JOHNSON TOMOKO FERGUSON Shading Supervisor . RICK SAYRE Modeling Supervisor . EBEN OSTBY ART Set Dressing Supervisor . -
The Good Swimmer
Brooklyn Academy of Music Adam E. Max, BAM Board Chair William I. Campbell and Nora Ann Wallace, BAM Board Vice Chairs Katy Clark, President Joseph V. Melillo, The Good Swimmer Executive Producer Music by Heidi Rodewald Lyrics by Donna Di Novelli Directed by Kevin Newbury DATES: NOV 28—DEC 1 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) Leadership support for music programs at RUN TIME: Approx 1hr 10min BAM provided by no intermission the Baisley Powell Elebash Fund This production is made possible with support from the Joseph V. Melillo Fund for Artistic Innovation Support for female choreographers and composers in the Next Wave Festival provided by the Virginia B. Toulmin Foundation #BAMNextWave BAM Fisher The Good Swimmer With World premiere commissioned by BAM. Special thanks to Joe Melillo and the Composer Lead Vocalist: David Driver Produced by KiWi Productions. entire staff at BAM; the staff from the Heidi Rodewald Drums: Marty Beller 2016 PROTOTYPE Festival and Keyboard: Marc Doten Support for the world premiere generously the HERE Arts Center staff; Lyricist Violin, Keyboard, Glockenspiel: Dana Lyn provided by: Terry Eder & Gene Kaufman, Stew, Terry Eder & Gene Kaufman, Donna Di Novelli Bass, Vocalist: Heidi Rodewald Steve Klein/Apple Core Holdings, Steve Klein, Kristy Edmunds, Guitar, Vocalist: Christian Gibbs Linda & Dennis Myers, Christine & Vasi Laurence, Lisa Philp & Bill Bragin, Director Cello, Vocalist: Clara Kennedy W. Michael Garner, Sherwin Goldman, and Liz McCann. Kevin Newbury Trumpet: Linda Briceño Jill & William Steinberg, Woodwinds: Gabrielle Garo Ann Shilling Harrison, David Henry Donna Di Novelli dedicates Music director Jacobs, Susan Bienkowski, Jamie deRoy, The Good Swimmer to the memory of Marty Beller Choral ensemble Dan Shaheen, Oskar Eustis, and Anthony Jack Carlucci, 1949—1969. -
What to Do in Hakodate
What to do in Hakodate It has been said that Hakodate is one of Japan's most popular tourist destinations. The following guide contains brief descriptions of many of the places of interest and restaurants to help you decide whether or not Hakodate deserves such high praise. These recommendations are not exhaustive but are places that we believe will be of interest to the AAMAS conference attendees. Internet Links There are of course many ‘offline’ and ‘online’ guides to Hakodate to which we strongly recommend you refer. Here are some Internet links (both in English and Japanese), for those of you that wish to discover more about the city. Hakodate City Home Page (English) http://www.city.hakodate.hokkaido.jp/kikaku/english/ Wikipedia; Hakodate (English) http://wikitravel.org/en/Hakodate Hakodate – Southern Hokkaido Tourist Guide (English) http://www.hakodate-kankou.com/f/index_e.html Hakodate Information Network (Japanese) http://www.hakodate.or.jp/ Hakodate Town Navi (Japanese) http://www.hakonavi.ne.jp/ Japan Rail Hakodate (Japanese) http://www.hakodate.or.jp/jr/default.htm Hakodate Bus Web Site (Japanese) http://www.hotweb.or.jp/hakobus/ Gourmet Hakonavi (Japanese) http://gourmet.hakonavi.ne.jp/ Hakodate YuShokuCho (Japanese) http://homepage2.nifty.com/matuisi/ In this PDF version of the Hakodate guide, you will find Internet links to many of the places that are mentioned. Although most of these links are to Japanese language web pages, they include photographs and maps, so should help to give you an idea of what the places look like, and where they can be found. Hakodate Tourist Office The tourist office (ふක᱄හᡜ) just to the north of the JR station is also a valuable source of information; they speak English. -
Little Darlin Records
Jan. 16, 2005---- If you like Kenny Chesney and Rascal Flatts, you'll hate Little Darlin' Records. The renegade country label sprang came from the big dreams of the 1960s. Bodacious songs such as Stonewall Jackson's "Pint of No Return," Groovy Joe Poovey's "He's in a Hurry (To Get Home to My Wife)" and Johnny Paycheck's "(Pardon Me) I've Got Someone to Kill" were drenched in steel guitar, edgy vocals and pop-top bass. Aubrey Mayhew, now 78, is the colorful producer of Little Darlin'. He's also known as one of the nation's biggest collectors of 1960s JFK memorabilia, with more than 300,000 Kennedy related items in his possession. He's so obsessive about Kennedy, he purchased the infamous Texas Book Depository at a 1970 auction. Mayhew is overseeing the Little Darlin' reissues, which will roll out through 2005 and 2006 via Koch Records/Nashville. Little Darlin's hard mid-1960s country is truly renegade, especially since it was recorded when Nashville was steeped in the lush strings and fancy arrangements of the countrypolitian movement. There are nearly 5,000 unreleased sides of Little Darlin' material, including live tracks from bluesman Lightnin' Hopkins, gospel songs from Johnny Paycheck and material from an unlikely source, Clint Eastwood. "Clint always said he was a singer," Mayhew recalled from Koch's Nashville office. "But he got trapped into doing an album by some slick guys in Philadelphia. This is when he was doing the 'Rawhide' thing." In 1961, the singing cowboy got off to an inauspicious start when he cut the country-pop single "Unknown Girl" that was more Bobby Goldsboro than Clint Eastwood. -
The Wonder Years Episode & Music Guide
The Wonder Years Episode & Music Guide “What would you do if I sang out of tune … would you stand up and walk out on me?" 6 seasons, 115 episodes and hundreds of great songs – this is “The Wonder Years”. This Episode & Music Guide offers a comprehensive overview of all the episodes and all the songs played during the show. The episode guide is based on the first complete TWY episode guide which was originally posted in the newsgroup rec.arts.tv in 1993. It was compiled by Kirk Golding with contributions by Kit Kimes. It was in turn based on the first TWY episode guide ever put together by Jerry Boyajian and posted in the newsgroup rec.arts.tv in September 1991. Both are used with permission. The music guide is the work of many people. Shane Hill and Dawayne Melancon corrected and inserted several songs. Kyle Gittins revised the list; Matt Wilson and Arno Hautala provided several corrections. It is close to complete but there are still a few blank spots. Used with permission. Main Title & Score "With a little help from my friends" -- Joe Cocker (originally by Lennon/McCartney) Original score composed by Stewart Levin (episodes 1-6), W.G. Snuffy Walden (episodes 1-46 and 63-114), Joel McNelly (episodes 20,21) and J. Peter Robinson (episodes 47-62). Season 1 (1988) 001 1.01 The Wonder Years (Pilot) (original air date: January 31, 1988) We are first introduced to Kevin. They begin Junior High, Winnie starts wearing contacts. Wayne keeps saying Winnie is Kevin's girlfriend - he goes off in the cafe and Winnie's brother, Brian, dies in Vietnam. -
Redox DAS Artist List for Period
Page: Redox D.A.S. Artist List for01.10.2020 period: - 31.10.2020 Date time: Title: Artist: min:sec 01.10.2020 00:01:07 A WALK IN THE PARK NICK STRAKER BAND 00:03:44 01.10.2020 00:04:58 GEORGY GIRL BOBBY VINTON 00:02:13 01.10.2020 00:07:11 BOOGIE WOOGIE DANCIN SHOES CLAUDIAMAXI BARRY 00:04:52 01.10.2020 00:12:03 GLEJ LJUBEZEN KINGSTON 00:03:45 01.10.2020 00:15:46 CUBA GIBSON BROTHERS 00:07:15 01.10.2020 00:22:59 BAD GIRLS RADIORAMA 00:04:18 01.10.2020 00:27:17 ČE NE BOŠ PROBU NIPKE 00:02:56 01.10.2020 00:30:14 TO LETO BO MOJE MAX FEAT JAN PLESTENJAK IN EVA BOTO00:03:56 01.10.2020 00:34:08 I WILL FOLLOW YOU BOYS NEXT DOOR 00:04:34 01.10.2020 00:38:37 FEELS CALVIN HARRIS FEAT PHARRELL WILLIAMS00:03:40 AND KATY PERRY AND BIG 01.10.2020 00:42:18 TATTOO BIG FOOT MAMA 00:05:21 01.10.2020 00:47:39 WHEN SANDRO SMILES JANETTE CRISCUOLI 00:03:16 01.10.2020 00:50:56 LITER CVIČKA MIRAN RUDAN 00:03:03 01.10.2020 00:54:00 CARELESS WHISPER WHAM FEAT GEORGE MICHAEL 00:04:53 01.10.2020 00:58:49 WATERMELON SUGAR HARRY STYLES 00:02:52 01.10.2020 01:01:41 ŠE IMAM TE RAD NUDE 00:03:56 01.10.2020 03:21:24 NO ORDINARY WORLD JOE COCKER 00:03:44 01.10.2020 03:25:07 VARAJ ME VARAJ SANJA GROHAR 00:02:44 01.10.2020 03:27:51 I LOVE YOU YOU LOVE ME ANTHONY QUINN 00:02:32 01.10.2020 03:30:22 KO LISTJE ODPADLO BO MIRAN RUDAN 00:03:02 01.10.2020 03:33:24 POROPOMPERO CRYSTAL GRASS 00:04:10 01.10.2020 03:37:31 MOJE ORGLICE JANKO ROPRET 00:03:22 01.10.2020 03:41:01 WARRIOR RADIORAMA 00:04:15 01.10.2020 03:45:16 LUNA POWER DANCERS 00:03:36 01.10.2020 03:48:52 HANDS UP /