Revitalizing the Regions: Museums As Hubs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Western Area Guidebook 406 151 a B C D E 62 16 Niigata Shibukawa 335
Gunma Gunma Prefecture Western Area Guidebook 406 151 A B C D E 62 16 Niigata Shibukawa 335 Mt. Harunasan J 334 o Shibukawa- 336 e Ikaho IC 338 Lake Harunako t s u Nagano S 1 h Yagihara 1 i Tochigi Haruna-jinja Shrine n 333 Gunma k 102 Dosojin a Annaka City Takasaki City n of Kurabuchi s e 333 Tomioka City n 114 406 Shimonita Town Kurabuchi Ogurinosato Kanra Town Roadside Station 338 Komayose PA 342 Ibaraki Misato Komayose Smart IC 17 333 Nanmoku Village Fujioka City Shibazakura Park Gumma-Soja 17 Ueno Village Kanna Town ay 3 Takasaki w il a Saitama City R n inkanse 102 u Sh Jomo Electri c 114 Western Gunma okurik H Chuo Maebashi Tokyo Chiba Maebashi IC 76 Yamanashi Maebashi 50 50 Shim- Lake Kirizumiko Hachimanzuka 2 Maebashi 2 Sunflower Maze R 波志江 293 yo m Kanagawa Annaka City o スマート IC 17 Aputo no Michi Li Annakaharuna 406 ne 17 Ino 波志江 PA 18 Akima Plum Grove Komagata IC 太田藪塚 IC 316 Lake Usuiko Touge no Yu Robai no Sato Haruna Fruit Road Takasakitonyamachi Maebashi- 伊勢崎 IC Yokokawa SA Gumma-Yawata Kita-Takasaki Karuizawa Usuitouge Tetsudo Minami IC Usui Silk 332 Bunka Mura Reeling Annaka Takasaki IC 太田桐生 IC What is Yokokawa 18 伊勢崎 Cooperative e i n Takasaki Pageant Takasaki Matsuida- L 354 Takasaki Annaka City Office Takasaki Myogi IC u of Starlight 78 Nishi-Matsuida s JCT 39 t City office e - Minami 354 Isobe Onsen i n Hanadaka Takasaki 2 Matsuida h Byakue Myogi-jinja S 18 Flower Hill Dai-kannon Takasaki-Tamamura 128 Shrine Isobeyana Lookout Kuragano Western Gunma like? Mt. -
Traditional Festival As a Tourism Event- Stakeholders' Influence On
Traditional Festival as a Tourism Event: Stakeholders’ Influence on the Dynamics of the Sendai Tanabata Festival in Japan YUJIE SHEN JAP4693 - Master’s Thesis in Modern Japan Master’s programme 30 credits Autumn 2020 Department of Culture Studies and Oriental Languages (IKOS) University of Oslo December 15, 2020 Summary A new method of analyzing traditional Japanese festivals (matsuri) based on event studies is presented. Stakeholders’ influence and their interactions redefine narratives of tradition. In Japan, the urbanization of society has transformed matsuri into tourism-oriented events. However, the influence of touristification on tradition has not yet been fully explored. This paper offers a close examination of a case study about the dynamics of the Sendai Tanabata Festival. Local newspaper archives were used as the primary source and adopted the stake- holder theory and social exchange theory from event studies to examine stakeholders’ power and interests, as well as their relationships. The results discovered that it is the conflicts of festival stakeholders throughout the years that shaped the Sendai Tanabata Festival to what it is like today. Although festival organizers and local residents are key players, both domestic and foreign tourists’ influence should also not be neglected. The inheritance of traditional cul- ture depends on its original community i.e. local residents. Depopulation and aging social problems have shifted the weight of festival ownership to tourists, as they contribute to the economic revitalization and regional development. As a result, festival organizers tend to tai- lor the festival to tourists’ tastes, which often leads to change or loss of tradition’s original festive meaning or the invention of a new tradition. -
Tourists in Paradise Writing the Pure Land in Medieval Japanese Fiction
Japanese Journal of Religious Studies 33/2: 269–296 © 2006 Nanzan Institute for Religion and Culture R. Keller Kimbrough Tourists in Paradise Writing the Pure Land in Medieval Japanese Fiction Late-medieval Japanese fiction contains numerous accounts of lay and monastic travelers to the Pure Land and other extra-human realms. In many cases, the “tourists” are granted guided tours, after which they are returned to the mun- dane world in order to tell of their unusual experiences. This article explores several of these stories from around the sixteenth century, including, most prominently, Fuji no hitoana sōshi, Tengu no dairi, and a section of Seiganji engi. I discuss the plots and conventions of these and other narratives, most of which appear to be based upon earlier oral tales employed in preaching and fund-raising, in order to illuminate their implications for our understanding of Pure Land-oriented Buddhism in late-medieval Japan. I also seek to demon- strate the diversity and subjectivity of Pure Land religious experience, and the sometimes startling gap between orthodox doctrinal and popular vernacular representations of Pure Land practices and beliefs. keywords: otogizōshi – jisha engi – shaji engi – Fuji no hitoana sōshi – Bishamon no honji – Tengu no dairi – Seiganji engi – hell – travel R. Keller Kimbrough is an assistant professor of Japanese Literature at the University of Colorado at Boulder. 269 ccording to an anonymous work of fifteenth- or early sixteenth- century Japanese fiction by the name of Chōhōji yomigaeri no sōshi 長宝 寺よみがへりの草紙 [Back from the dead at Chōhōji Temple], the Japa- Anese Buddhist nun Keishin dropped dead on the sixth day of the sixth month of Eikyō 11 (1439), made her way to the court of King Enma, ruler of the under- world, and there received the King’s personal religious instruction and a trau- matic tour of hell. -
Shahooct.Pdf
October 2005 VOLUME III ISSUE 10 a place where ancient traditions thrive Hawaii Kotohira Jinsha Hawaii Dazaifu Tenmangu Autumn Thanksgiving Festival 秋季感謝大祭 The point of Thanksgiving is to remember the things we have to be grateful for. It's our special time to give thanks... not just for the food we partake, but for the thousands of fortunate moments, the multitude of blessings that we receive every day of our lives. Giving thanks is a powerful tool that can dramatically improve your life and the lives of those around you. The Autumn Thanksgiving Festival is a special day to express gratitude that will enhance every aspect of our lives. The festival commenced at 3:00 pm on Sunday, October 23, officiated by Rev. Masa Takizawa and assisted by members of the Honolulu Shinto Renmei: Rev. Naoya Shimura of Hawaii Ishizuchi Jinja, Rev. Daiya Amano of Izumo Taishakyo Mission of Hawaii and Rev. Akihiro Okada of Daijingu Temple of Hawaii. A Miko mai entitled Toyosaka no Mai was performed by Shawna Arakaki. Kyodan President Shinken Naitoh welcomed guests and invited all to join members for a time of fellowship. A delectable array of Japanese delicacies were prepared by Fujinkai President Miyono Shimoda, Vice-President Kumiko Sakai and the ladies of the women’s auxiliary club. Adding to the enjoyment was classical Japanese dances by the students of Hanayagi Mitsuyuri of Hanayagi Dancing Academy, students of Harry Urata of Urata Music Studio, hula by Lillian Yajima of the Japanese Women’s Society, Shigin by Kumiko Sakai and Hatsuko Nakazato, karaoke by Shawna Arakaki and an extraordinary rendition of Yasuki Bushi by Vice President, Robert Shimoda. -
Relationship with Society
Relationship with Society Basic Concept ② Contribute to Society and the Environment Under the Group Action Guideline to “Contribute to society,” the Forestation Project ANA Group has been actively working on environmental and social Since 2004, the ANA issues as a good corporate citizen. Taking into account various factors Group has been involved including the ANA Group’s Corporate Philosophy, business activities in a ten-year forestation and management resources, the Group set forth three activity project in areas domains it should undertake: 1) support people through air travel, surrounding the approxi- 2) contribute to society and the environment, and 3) contribute to the mately 50 domestic community. In pursuing social contribution activities unique to ANA, airports it serves. In the the ANA Group attaches importance to active involvement of employ- fiscal year ended March ees in volunteer activities and creation of opportunities for joint, Forest thinning at Echigo Heiya Forest near 2011, employees and Niigata Airport empathetic activities with its customers. local volunteers worked together at four new airports in Nemuro-Nakashibetsu, Niigata, Komatsu and Hagi-Iwami, for forestation activities at a total of ① Support people ② Contribute to society ten locations. through air travel and the environment ◆ History of Forestation Activities ③ Contribute to the community (Fiscal Year Ended March 2011) Name Nearest Airport Frequency Details Shimafukuro Forest Nemuro-Nakashibetsu First time Afforestation The ANA Character Rinkoshi Forest -
PDF Download
Once in a Year Departure Date: April 27, 2022 (Wednesday) Special price:$5298up+198tax Including 23 meals in the entire trip Air Routing: Vancouver – Tokyo – Tottori // Fukuoka – Tokyo – Hong Kong – Vancouver Highlight: Tottori Sand Dunes: The dunes have existed for over 100,000 years. New normal style, maximum group size Uradome Coast: UNESCO geological experts listed it as the world geological park. up to 22 people Mount Daisen: Looks like Mt Fuji, so called as Mt Fuji in Tottori prefecture. Yuushien Garden: Features 250 types of Japanese Peony in full bloom. Adachi Museum of Art: Have been ranked at #1Japanese Garden for 18 Consecutive years. Istukushima Shrine: The Island of Gods, well known for its floating shrine and Otorii UNESCO site Kitakyuchu Kawachi Fuji-en: Two fantasy dream-like wisteria tunnel, 22kinds of wisteria in full bloom together. Tochigi Ashikaga Flower Park: World‟s most beautiful and the largest wisteria flower in purple, white & yellow color. Fuji Shibazakura Festival: The 10th years, about 800,000 Shibazakura or “moss phlox” bloom at base of Mt. Fuji. Day 1 (Apr 27) Vancouver Tokyo Narita Meet at ANA counter at Vancouver International Airport before 3 hours of departure. Take flight to Tokyo. Day 2 (Apr 28) Tokyo Narita (D) Hotel: ANA Crown Plaza, Narita or similar Arrival Tokyo Narita. Transfer to hotel and rest after Dinner. Day 3 (Apr 29) Haneda Tottori – Uradome Coast – Sand Dunes – Sand Museum (B/L/D) Hotel: Misasakan Hotspring or similar Go to Haneda airport after breakfast, flight to Tottori. We will take a pleasure boat touring around Uradome Coast. -
7. Airport and Expressway Networks (PDF, 352KB)
WEST JAPAN RAILWAY COMPANY CORPORATE OPERATING CONTENTS BUSINESS DATA OTHER Fact Sheets 2019 OVERVIEW ENVIRONMENT 7 Operating Environment Airport and Expressway Networks As of March 31, 2019 Tokyo — Fukuoka Tokyo — Hiroshima Tokyo — Okayama Tokyo — Kanazawa Tokyo — Toyama Travel Time Fare (¥) Frequency Travel Time Fare (¥) Frequency Travel Time Fare (¥) Frequency Travel Time Fare (¥) Frequency Travel Time Fare (¥) Frequency Shinkansen 4h 46m 22,950 31 Shinkansen 3h 44m 19,080 46 Shinkansen 3h 09m 17,340 60 Shinkansen 2h 28m 14,120 24 Shinkansen 2h 08m 12,730 24 Niigata Airport Airlines 3h 00m 41,390 54 (19) Airlines 3h 30m 34,890 18 Airlines 3h 10m 33,990 10 Airlines 2h 50m 24,890 10 Airlines 2h 30m 24,890 4 Travel Time and Fare: JAL or ANA Noto Airport Frequency: All airlines. Numbers in parentheses are frequency excluding those of JAL or ANA. Kanazawa Izumo Airport Komatsu Toyama Airport Yonago Airport Airport Tottori Airport Yonago Hagi Iwami Airport Izumo Tajima Airport Gotsu Hamada Tsuruga Yamaguchi Ube Airport Yamaguchi HiroshimaHiroshima Hiroshima Airport Okayama Airport Maibara Kitakyushu Ibaraki Airport Onomichi Hakata KomakiKomaki AirportAirport Okayama KobeKobe ItamiItami AirportAirport Fukuoka Airport Kitakyushu Airport KKurashikiurashiki SSuitauita Iwakuni Kintaikyo NagoyaNagoya Sasebo Tosu Airport Sakaide Shin-OsakaShin-Osaka Tokyo Saga Airport Imabari Kobe Airport Narita Airport Matsuyama Airport Takamatsu Airport Naruto KansaiKansai AirportAirport Haneda Airport Oita Airport Kansai Nagasaki International Airport Chubu International -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
Cultural Properties for Future Generations 〜Outline of the Cultural Administration of Japan〜
Cultural Properties for Future Generations 〜Outline of the Cultural Administration of Japan〜 Agency for Cultural Affairs, JAPAN Cultural Properties in Japan Monuments Types of Cultural Properties in Japan Monuments include shell mounds, tumuli, sites of fortified capitals, sites of forts or castles, and monumental houses, which are of high Our cultural properties have been created, developed, and preserved historical or scientific value. They also include gardens, bridges, throughout Japan’s long history. They have been passed down from one gorges, seashores, mountains, and other places of scenic beauty which generation to another, and they are now precious assets of the Japanese are of high artistic or scenic value. Moreover they include animals, people. plants, and geological and mineral formations which are of high Cultural properties include (i) structures such as shrines, temples, scientific value. and private houses, (ii) Buddhist statues, (iii) paintings, (iv) Cultural Landscapes calligraphy, (v) other skills called waza such as performing arts and Cultural landscapes are defined as those that have evolved with craft techniques, and (vi) traditional events and festivals. Natural the modes of life or livelihoods of people in Japan and with the landscapes that remain after many years of history, historic villages, geo-cultural features of the region. They are indispensable to the and townscapes are also regarded as our cultural properties. understanding of the lifestyles and/or livelihoods of the people of Under the Law for the Protection of Cultural Properties, these Japan. cultural properties are categorized as follows: Groups of Traditional Buildings Tangible Cultural Properties Groups of traditional buildings are defined as those that have high Tangible cultural properties consist of (a) those of high historical value and form historic scenery together with their surroundings. -
Q-❾Aso/Kumamoto Scenic Roads
Travel Guide of Scenic Byway Kyushu Q-❾ Aso/Kumamoto Scenic Roads Cities of Aso and Kumamoto; Towns of Kikuyou, Ozu, Minamioguni, Oguni and Takamori; Villages of Ubuyama, MinamiAaso and Nishihara (Kumamoto Prefecture) ---Aso Volcano and Caldera, Higo- Kaido Road, and Kumamoto Castle Town- Roughly speaking, the scenic areas in the Aso/Kumamoto route Yamanami Highway is the prefecture road 11 built as a tourist are located along Bungo Kaido that cross Kyushu, and are divided road in 1964, and the part of it is a scenic route (blue thick line in by seven zones, (1) to (7), as shown in the map. the map). However, this area is adjacent to and connected to the In other words, during the Edo period, Kumamoto Castle was built in Kumamoto City. After that, the 124km long Bungo Kaido, which connects to Oita City, was constructed. In the heyday, there were seven post towns along the Kaido via Aso City and Taketa City, but the heritage and historic sites of that time still remain. The area of Kumamoto Prefecture in Aso-Kuju National Park, which includes Mt. Aso and mountains of outer rim (Gairinzan) is the Scenic Highway area. [ Main Route] The main roads in this landscape area are Bungo- kaido Road, National Road 57, and Yamanami Highway. Among them, Bungo Kaido is a historic road, and while inheriting it, National Road 57 has been established. Therefore, they are the relationships between the old and new routes, which are partly overlapping or parallel. (1) Kurokawa Spa which is one of the most popular nationwide. -
Evolving Cultural Landscape and Development of Modern Japan
IKEGAYA, MAKOTO, M.A. Geographic Study of Historic Preservation: Evolving Cultural Landscape and Development of Modern Japan. (2013) Directed by Dr. Susan M. Walcott. 131 pp. The development of new architectural styles, infrastructure and construction materials in the Meiji period (1868-1912 CE), is tied to the creation of a modern Japanese identity. Despite recent developments toward preserving important historic property in Japan, many lesser known historical and vernacular sites continue to be ignored and have been ruined over time. An academic study of historic preservation is rare in Japan and in geography. The main purpose of this research is to clarify the role of historic preservation and to identify it with the rise of Japanese nationalism, economic development, and construction of the built environment during the pivotal Meiji period. The natural setting and history of Japan was examined and strategic plans for potential improvement in the field of Japanese historic preservation in the future are illustrated using case studies of the preservation projects of the Ise Jingu, Horyu-ji, the Tomioka Silk Mill, the Tokyo Station, and the Meiji Mura. Keywords: Built environment, cultural landscape, historic preservation, Meiji-Japan, national identity GEOGRAPHIC STUDY OF HISTORIC PRESERVATION: EVOLVING CULTURAL LANDSCAPE AND DEVELOPMENT OF MODERN JAPAN by Makoto Ikegaya A Thesis Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro 2013 Approved by Committee Chair APPROVAL PAGE This thesis has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
The Making of an American Shinto Community
THE MAKING OF AN AMERICAN SHINTO COMMUNITY By SARAH SPAID ISHIDA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2007 Sarah Spaid Ishida 2 To my brother, Travis 3 ACKNOWLEDGMENTS Many people assisted in the production of this project. I would like to express my thanks to the many wonderful professors who I have learned from both at Wittenberg University and at the University of Florida, specifically the members of my thesis committee, Dr. Mario Poceski and Dr. Jason Neelis. For their time, advice and assistance, I would like to thank Dr. Travis Smith, Dr. Manuel Vásquez, Eleanor Finnegan, and Phillip Green. I would also like to thank Annie Newman for her continued help and efforts, David Hickey who assisted me in my research, and Paul Gomes III of the University of Hawai’i for volunteering his research to me. Additionally I want to thank all of my friends at the University of Florida and my husband, Kyohei, for their companionship, understanding, and late-night counseling. Lastly and most importantly, I would like to extend a sincere thanks to the Shinto community of the Tsubaki Grand Shrine of America and Reverend Koichi Barrish. Without them, this would not have been possible. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT.....................................................................................................................................7