Contributions to a Milton Bibliography John T
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Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
Introduction to the 1645 Volume: Poems of Mr. John Milton
C01.qxd 8/18/08 14:44 Page 1 Introduction to the 1645 Volume: Poems of Mr. John Milton In 1645, Milton published most but not all of the poems he had composed by that date. The publisher Humphrey Moseley had been bringing out volumes of lyric poetry by royalist poets such as Edmund Waller, and it was likely, as he claims in the intro- duction to the volume, that he approached Milton and encouraged him to publish his verse. Moseley also arranged for the engraved portrait of Milton by William Marshall (see Figure 1), beneath which Milton, who considered the engraving unflattering, placed a witty Greek epigram ridiculing it in a language neither Marshall nor Moseley under- stood. Unlike most contemporary poets, Milton neither wrote a preface, solicited commendatory poems, nor acknowledged a patron. He organized his volume more or less chronologically, thus displaying his poetic development, but also carefully grouped together poems of similar themes and genres. With the Latin tag from Virgil’s Eclogues on the title page (“Baccare frontem / Cingite, ne vati noceat mala lingua futuro” – “Bind my forehead with foxglove, lest evil tongues harm the future Bard”), he promises future poems on even greater themes. In the Latin ode sent with a replacement copy of the volume to John Rouse, librar- ian of the Bodleian Library at Oxford, Milton describes the 1645 volume as a “twin book, rejoicing in a single cover, but with a double title page.” The first section of the volume presents his vernacular poems (mostly in English, but also including a mini-sonnet sequence in Italian), and concludes with A MASK Presented At LUDLOW- Castle. -
The Journal of New Latin Poetry
VATES The Journal of New Latin Poetry Issue 4, Autumn/Winter 2011-12 CONTENTS Editorial 2 Carmina Latina After the Raid (Brad Walton) 3 2 First World War Poems (Paul Murgatroyd) 7 Webicus Bacchus (Joseph Tusiani) 9 2 Carmina (J. Turner Brakeley) 10 Eoan Airs (Massimo Scorsone) 12 Uxor Tiresiae (Paul Murgatroyd) 26 Pro Senectute Mea (Joseph Tusiani) 29 Laus Bacchi (Raul Lavalle) 30 3 Carmina ex Hobbito Illo (Mark Walker) 32 Features Toiling Up Parnassus (Barry Baldwin) 37 Verba Inaudita (Mark Walker) 40 Book Review: Musa Pedestris (Barry Baldwin) 46 De gustibus non est disputandum 48 Contributors 50 Edited by Mark Walker email: [email protected] Vates is a Pineapple Publications publication Vates Issue 4 Editorial Welcome to this fourth edition of Vates, the free journal of new Latin poetry. I‟m delighted that we are reaching an ever wider and increasingly international audience. Poetry in this issue comes from Italy, Argentina the USA, Canada and the UK. We have readers in Europe, North America, Jamaica, Australia … and the generous contributions from our poets around the globe shows no sign of slowing down, either – quite the opposite, in fact, which is a gratifying indication that we must be doing something right! One issue that prompted me to set up this journal in the first place was the problem of finding a readership for new Latin verse: „Who reads Latin Poems written in these days!‟ wrote Walter Savage Landor‟s exasperated brother in 1820, scarcely able to believe his brother would waste his talents on such a quixotic endeavour, and the situation can hardly be said to have improved since then. -
L'allegro, Il Penseroso, Comus, and Lycidas
L'Allegro, Il Penseroso, Comus, and Lycidas John Milton Project Gutenberg Etext of L'Allegro, Il Penseroso, Comus, and Lycidas, by John Milton Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. L'Allegro, Il Penseroso, Comus, and Lycidas by John Milton January 1995 [Etext #397] *****Project Gutenberg Etext of Four Poems by John Milton***** *****This file should be named miltp10.txt or miltp10.zip***** Corrected EDITIONS of our etexts get a new NUMBER, miltp11.txt VERSIONS based on separate sources get new LETTER, miltp10a.txt Scanned by Edward A. Malone We are now trying to release all our books one month in advance of the official release dates, for time for better editing. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. -
Comus (A Mask Presented at Ludlow Castle) John Milton (1634) the Persons the Attendant Spirit Afterwards in the Habit of Thyrsis
Comus (A Mask Presented at Ludlow Castle) John Milton (1634) The Persons The attendant Spirit afterwards in the habit of Thyrsis Comus with his crew The Lady 1. Brother 2. Brother Sabrina, the Nymph _______________________________________ The cheif persons which presented, were The Lord Bracly, Mr. Thomas Egerton, his Brother, The Lady Alice Egerton. _______________________________________ The first Scene discovers a wilde Wood. The attendant Spirit descends or enters. BEfore the starry threshold of Joves Court My mansion is, where those immortal shapes Of bright aëreal Spirits live insphear'd In Regions milde of calm and serene Ayr, Above the smoak and stirr of this dim spot, [ 5 ] Which men call Earth, and with low-thoughted care Confin'd, and pester'd in this pin-fold here, Strive to keep up a frail, and Feaverish being Unmindfull of the crown that Vertue gives After this mortal change, to her true Servants [ 10 ] Amongst the enthron'd gods on Sainted seats. Yet som there be that by due steps aspire To lay their just hands on that Golden Key That ope's the Palace of Eternity: To such my errand is, and but for such, [ 15 ] I would not soil these pure Ambrosial weeds, With the rank vapours of this Sin-worn mould. But to my task. Neptune besides the sway Of every salt Flood, and each ebbing Stream, Took in by lot 'twixt high, and neather Jove, [ 20 ] Imperial rule of all the Sea-girt Iles Source URL: http://www.dartmouth.edu/~milton/reading_room/comus/index.shtml Saylor URL: http://www.saylor.org/courses/engl402/ Attributed to: [Thomas H. -
Angeletti, Gioia (1997) Scottish Eccentrics: the Tradition of Otherness in Scottish Poetry from Hogg to Macdiarmid
Angeletti, Gioia (1997) Scottish eccentrics: the tradition of otherness in Scottish poetry from Hogg to MacDiarmid. PhD thesis. http://theses.gla.ac.uk/2552/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] SCOTTISH ECCENTRICS: THE TRADITION OF OTHERNESS IN SCOTTISH POETRY FROM HOGG TO MACDIARMID by Gioia Angeletti 2 VOLUMES VOLUME I Thesis submitted for the degreeof PhD Department of Scottish Literature Facultyof Arts, Universityof Glasgow,October 1997 ý'i ý'"'ý# '; iý "ý ý'; ý y' ý': ' i ý., ý, Fý ABSTRACT This study attempts to modify the received opinion that Scottish poetry of the nineteenth-centuryfailed to build on the achievementsof the century (and centuries) before. Rather it suggeststhat a number of significant poets emerged in the period who represent an ongoing clearly Scottish tradition, characterised by protean identities and eccentricity, which leads on to MacDiarmid and the `Scottish Renaissance'of the twentieth century. The work of the poets in question is thus seen as marked by recurring linguistic, stylistic and thematic eccentricities which are often radical and subversive. -
Ophelia: a Psychological Portrait Xena Fitzgerald Class of 2017
Ophelia: A Psychological Portrait Xena Fitzgerald Class of 2017 The tragic image of Ophelia, a young representation in art contributed to a variety of popular noblewoman who drowns during the play Hamlet, interpretations of her character. has haunted Britain since Shakespeare wrote her into Ophelia as a character is frequently represented existence around the year 1600. Ophelia reached the as various forms of femininity. Art historian Kimberly peak of her popularity around the mid-nineteenth Rhodes explains that during the Victorian era Ophelia century. In the realm of painting, she was a popular represented a range of female typologies from the subject for Pre-Raphaelite painters who were concerned “dutiful daughter” to the “madwoman.”3 Because with tropes of Victorian femininity as well as with Ophelia has very few lines within the play and her most the psychology of their subjects. In this paper I will signifcant action, her death, does not even appear on consider how the artist Anna Lea Merritt (1844-1930), stage, Rhodes describes her as “a blank page on which who was infuenced by the Pre-Raphaelite movement, patriarchy can inscribe and project its desires.”4 Along leapt beyond popular tropes to visually portray Ophelia with other Shakespearean heroines, Ophelia was taken in her 1880 painting with emotional and psychological up as an exemplar for femininity.5 Moral guides such depth more successfully than her contemporaries (fg. 1). as Anna Jameson’s Characteristics of Women, Moral, Born in Pennsylvania, Merritt, like Mary Poetical, and Historical instructed women and girls to Cassatt, pursued an artistic career in Europe. -
Milton's Attitude Toward Women
The Woman's College of The University of North Carolina LIBRARY no. 3?0 COLLEGE COLLECTION Gift of Marianne Sewell Aiken MILTON'S ATTITUDE TOWARD WOMEN by Marianne Sewell Aiken A Thesis Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Master of Arts Greensboro May, I965 Approved by 6, Director APPROVAL SHEET This thesis has been approved by the following committee of the Faculty of the Graduate School of the University of North Carolina, Greensboro, North Carolina. Thesis Director Oral Examination Committee Members t> Date of Examination AIKEN. MARIAN ! 3EWELL. Milton's Attitude Toward Women.(1965) Directed by Dr. Jean E. Gagen. pp. 66. Milton lived in a period of transition affectin^ many as- pects of life, among them the status of wonen. Age-old conserva- tive beliefs were still alive and had a temporary resurgence un- der the Puritan hegemony, but liberal forces were also at work* The poet had the misfortune to be involved in a partic- ularly unhappy marriage. After a youth spent largely in study, with little contact with young women, he hastily married an im- mature Royalist bride, Mary Powell. Her refusal to return to Milton after she had left him in the early months of the mar- riage to visit her family suggests that Hilton and Mary Powell were incompatible from the start. Though there was a reconcil- iation later, Hilton's relationship with her, her whole -family, and, after her death, her children as well, was replete with friction and bitterness. -
RHO Volume 35 Back Matter
WORKS OF THE CAMDEN SOCIETY AND ORDER OF THEIR PUBLICATION. 1. Restoration of King Edward IV. 2. Kyng Johan, by Bishop Bale For the year 3. Deposition of Richard II. >• 1838-9. 4. Plumpton Correspondence 6. Anecdotes and Traditions 6. Political Songs 7. Hayward's Annals of Elizabeth 8. Ecclesiastical Documents For 1839-40. 9. Norden's Description of Essex 10. Warkworth's Chronicle 11. Kemp's Nine Daies Wonder 12. The Egerton Papers 13. Chronica Jocelini de Brakelonda 14. Irish Narratives, 1641 and 1690 For 1840-41. 15. Rishanger's Chronicle 16. Poems of Walter Mapes 17. Travels of Nicander Nucius 18. Three Metrical Romances For 1841-42. 19. Diary of Dr. John Dee 20. Apology for the Lollards 21. Rutland Papers 22. Diary of Bishop Cartwright For 1842-43. 23. Letters of Eminent Literary Men 24. Proceedings against Dame Alice Kyteler 25. Promptorium Parvulorum: Tom. I. 26. Suppression of the Monasteries For 1843-44. 27. Leycester Correspondence 28. French Chronicle of London 29. Polydore Vergil 30. The Thornton Romances • For 1844-45. 31. Verney's Notes of the Long Parliament 32. Autobiography of Sir John Bramston • 33. Correspondence of James Duke of Perth I For 1845-46. 34. Liber de Antiquis Legibus 35. The Chronicle of Calais J Downloaded from https://www.cambridge.org/core. IP address: 170.106.35.93, on 27 Sep 2021 at 13:24:50, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S2042169900003692 CAMDEN K^AHkJ|f SOCIETY, FOR THE PUBLICATION OF EARLY HISTORICAL AND LITERARY REMAINS. -
Catalogue of the Library and Autographs of William F. Johnson
* Copy / I - V CATALD DUE 30 X Ilibr&ry • &nd - OF WILLIAM F. JOHNSON, ESQ., w OK BOSTON, MASS. fVERY VALUABLE and Interesting Collection of English and American Literature comprising, under the title Americana, a num¬ ber of scarce works by the Mathers, Eliot and other authors of their day ; in General Literature, many Standard and Popular Works of Biography, History and Romance, and worthy of especial notice and attention, a Collection of FIRST EDITIONS of REMARKABLE INTEREST AND VALUE BY REASON OF BOTH RARITY AND BEAUTY OF CONDITION, including the most desired specimens of the works of Coleridge, Hunt, Lamb, Keats, Shelley, Thackeray, Browning, Bry¬ ant, Emerson, Hawthorne, Longfellow and others. Also to be mentioned a charming lot of CRUIKSH ANKIANA, and books illustrated by Leech and Rowlandson. In addition to all the book treasures there are Specimen Autographs of the best known and honored English and American Authors, Statesmen and others, many of them particularly desirable for condition or interesting con¬ tents. TO BE SOLD AT AUCTION Monday, Tuesday, "Wednesday and Thursday, JANUARY 2T—30, 1890, BANQS & 60.,,. , * i A ■» 1 > > > • «. it1 > » i ) >) > ) ) > 5 > 1 J > * ) » > 739 & 741 Broadway, New York. 7 ~ % > n > > ) t> ) >7 > SALE TO BEGIN AT 3 O’CLOCK!’ ' > 7 > ' 7 ' > > 7 ) 7 *7 >v > ) , 7 {y Buyers wl~io cannot attend tloe sale me\y have pcir- chases made to tlieir order toy ttie Auctioneers. •* \ in 3 7 . '" i 'O'b ■ 9 c 1 ( f' * ( 0 « C. < C I < < < I / I , < C l < C » c 1 « l ( 1C. C f «. < « c c c i r < < < < 6 < C < < C \ ( < « ( V ( c C ( < < < < C C C t C. -
James Cummins Bookseller
JAMES CUMMINS bookseller catalogue 114 Illustrated Books, Fine Bindings & Works on China and India Paper james cummins bookseller catalogue 114 Illustrated Books, Fine Bindings & Works on China and India Paper To place your order, call, write, e-mail or fax: james cummins bookseller 699 Madison Avenue, New York City, 10065 Telephone (212) 688-6441 Fax (212) 688-6192 e-mail: [email protected] jamescumminsbookseller.com hours: Monday – Friday 10:00 – 6:00, Saturday 10:00 – 5:00 Members A.B.A.A., I.L.A.B. front cover: item 92 inside covers: item 69 rear cover: item 66 terms of payment: All items, as usual, are guaranteed as described and are returnable within 10 days for any reason. All books are shipped UPS (please provide a street address) unless otherwise requested. Overseas orders should specify a shipping preference. All postage is extra. New clients are requested to send remittance with orders. Libraries may apply for deferred billing. All New York and New Jersey residents must add the appropriate sales tax. We accept American Express, Master Card, and Visa. 1 india paper proof copy [ARNAULT, Antoine-Vincent]. Les Souvenirs et les Regrets 2 du Vieil Amateur Dramatique; ou, Lettres d’un Oncle à son Neveu BATTY, Captain Robert. Welsh Scenery. From Drawings by sur l’Ancien Théatre Français. 36 hand-colored engraved plates Captain Batty. 35 engraved plates on india paper by Edward of theatrical costume. viii, 214, [2] pp. 8vo, Paris: Charles Finden after Batty. Printed by Thomas Davison, Whitefriars. Froment, Libraire, quai des Augustins, No. 37, 1829. First 4to, London: John Murray, Albemarle-Street, 1823. -
Burns Chronicle 1895
Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1895 The digital conversion of this Burns Chronicle was sponsored by the Caledonian Society of Sheffield The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com i&,teotton of Pat.ant o6.. TPade Map • Bl'aneh and Statlonen' Rall Regtatl'B.tlon. SPECIALTY IN WHISKY. "Jlnlb AS SUPPLIED TO THE BRITISH ROYAL COMMISSION, VICTORIA HOUSE, CHICAGO, AND LEADING CLUJIS AND MESSES IN L~DJA. As a Scotch Whisky there is nothing finer than " llul~ Scottie," made from the purest selected material, and blended with the greatest of care. Invalids requiring a genuine stimulant will find in " llul~ Scottie" Whisky one d the purest form. For Medicinal purposes it equals old Brandy. · The "LANCET1' says--" This Whisky contains 41 •75 per cent. of absolute alcohol, equal to 86·28 per cent. of proof spirit. The residue, dried at 100° C., amounts to 0·25 per cent. It is a well matured and excellent whisky." No hlghel' Medical Testimony ls enjoyed by any Bl'and. As a guarantee of the contents, every bottle is enveloped in wire and be&r11 the Proprietor's seal in lead, without which none is genuine. COLUJIBUN EXPOSITION, CHICAGO, 1808. UITBlUU.TIONil BXJIIBITlON, !JLASOOW, 1888. First Award at "World's Fair," Ohioago, For Purity of Quality, Superior Excellence, MellowneSB of Flavour and Highest Standard of Merit. Reffetered Proprietor: JAMES MENZIES, GLASGOW. res:-68 BATH "STREET. 1• ,_"_ ADVERTISEMENTS. ~~~~~~~~~~~~~~~~~~~~~~-~~~~~~ ,·:···-1 '1:0 the " Bul'ns Clubs " of Scotland.